Showcasing BC & Albertas architects and interior designers SPRING 2017 Vol. 17 No.

d e s i g n q ua rt e r ly

UBC Aquatic Centre

Adle Rankin, CHIL Interior Design | Kitchen & Bath | Flooring
PM 40063056

2017 WoodWorks! BC Awards

UBCs Earth Sciences Building
practices what it teaches
The Earth Sciences Building at the University of British Columbia houses the departments of earth, ocean and atmospheric
sciences, mathematics and statistics, as well as the office of the dean of science. The intent is to encourage inter-
disciplinary collaboration and creativity among the faculties and help advance solutions to such pressing global issues as
climate change and environmental degradation. With that focus, the new building itself had to both actively encourage
teamwork which it does through a variety of formal and informal meeting spaces, including extra-wide landings on
the staircase and also model sustainability and energy efficiency.

We wanted this building to be a model of energy efficiency not easy, when you consider it has 54 fume hoods that
just eat up power, says Craig Knight, Development Manager and Financial Analyst for UBC Properties Trust. Fume hoods
are vital safety equipment intended to limit exposure to hazardous chemicals or toxic fumes, but one fume hood alone
can use more energy than three typical B.C. homes.

Scientific research is very energy-intensive by nature, says Knight. In addition to the fume hoods, theres the heating,
ventilation and air conditioning, as well as the lighting that needs to be on many hours a day.

To try to mitigate that energy-intensiveness, UBC made a decision early in the design process to participate in the
BC Hydro New Construction Program, which resources to conduct an energy-modeling study that identifies energy
conservation measures.

Our buildings will be more energy efficient for life if we design them right from the beginning, Knight says. Its a win-win.

Looking for new ways to build better?

Visit bchydro.com/construction
or call 1 866 522 4713 to learn more. A15-104c

B16-028e
 in this issue

06

12
Features
06 Designer Profile
Adle Rankin, principal at CHIL
Interior Design, has been delivering
unforgettable hospitality spaces
for almost 20 years.

12 PROJECT Profile
The UBC Aquatic Centre successfully
combines high performance training
with the recreational needs of the
surrounding residential communities.

24 18 Kitchen & Bath

Multi-Tasking Solutions
Designing Small Spaces

22 Flooring
Flooring in workplace design
Ceramic Tile Choices Abound
Fashionable and Durable Floors

Departments
04 From the Editor
ON THE COVER: The UBC Aquatic 28IDIBC
Centre is the latest striking addition to The Value of Renovations
the university campus 30 News
Photo: Ema Peter

Spring 2017 | DESIGN QUARTERLY 3

from the editor

Sunny Days www.designquarterly.ca

spring 2017 Vol. 17 No.4

PUBLISHER
Dan Gnocato
dang@mediaedge.ca

Managing Editor
Cheryl Mah

Graphic Design
Tang Creative Inc.

CONTRIBUTING WRITERS
Sarah Caspick
Ryan Fasan
Doris Hager
W.J. Muniak
Ed Van Oene

B.C./ALBERTA SALES
Dan Gnocato
604.549.4521 ext. 223

PUBLISHED BY
It has been an unusually cold winter
and an extremely wet spring in Vancouver. Thoughts of
travelling away to catch some sunny days is no doubt PRESIDENT
Kevin Brown
on many minds. In addition to picking a destination,
vancouver office 2221 Hartley Ave.
part of every getaway is finding the right accommoda-
Coquitlam, BC V3K 6W9
tion and the hotel experience can make or break a trip. Tel: 604.549.4521
Fax: 604.549.4522
Someone who has been designing memorable hospi-
tality spaces for almost 20 years is Adle Rankin, prin- Toronto office 1000-5255 Yonge St.
Toronto, ON M2N 6P4
cipal and lead designer at CHIL Interior Design, a Tel: 416.512.8186
hospitality studio of B+H Architects. Rankin has helped Fax: 416.512.8344
Copyright 2017
to grow the firms impressive portfolio of leading luxury Canada Post Canadian publications mail sales publication
hotels, resorts and mixed-use developments. agreement no. 40063056 ISSN 0834-3357
Return all undeliverable Canadian addresses to:
Sunny days also evoke thoughts of swimming at the Suite 1000 5255 Yonge Street, Toronto, Ontario, M2N 6P4

beach or in a pool. And the latest addition to the UBC PRINTED IN CANADA

campus is well worth a visit. The UBC Aquatic Centre,

on our cover, is a striking building form at the gateway
to the university. It offers the unique combination of a
high performance competition venue and community
recreational amenities under one roof.
Finally, we have our annual features on flooring as
well as the kitchen and bath. Flooring plays a huge role
in the overall look and feel of a space. Whether its hard-
wood, vinyl, carpet or tile, picking the right flooring is
key to aesthetics and durability. Experts share insights
on some of the many options available.
Design Quarterly is published four times a year by
MediaEDGE Communications Inc.
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For all subscription inquiries or changes of address, please
contact circulation@mediaedge.ca

PROUD SPONSOR OF

February 14 & 15, 2018

March 20 & 21, 2018

November 8 & 9, 2017

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The purpose of Design Quarterly is to reflect and represent
Managing Editor practitioners and professionals in the architectural, interior
design and design resource communities throughout British
cherylm@mediaedge.ca Columbia and Alberta.

4 DESIGN QUARTERLY | Spring 2017

DESIGNER PROFILE

Unforgettable
Spaces
By Cheryl Mah

(Above) Hotel Arts, Calgary has

a unique art-centred focus and
the redesign of the corridors and
guestrooms reflect this aesthetic.
(Right) Metrotown Element,
Burnaby features bright and
fresh spaces to create distinct
guest experiences.

6 DESIGN QUARTERLY | Spring 2017


T Collaboration and
Translating a luxury
hotel brands story into unforget-
table spaces requires many skills,
including good listening. And inte-
rior designer Adle Rankin is a very
good listener.
As a principal and lead designer at
CHIL Interior Design in Vancouver,
Rankin says collaboration and
listening to the client are key steps
to a hospitality project.
The really exciting part is listen-
ing first and finding out where the
client wants to go with the design,
she says. Its about looking for good
design, not necessary a specific
aesthetic. Its about finding good
solutions to the problems.
Rankin has spent her whole
career working at CHIL, a global
hospitality design group, in differ-
ent roles before becoming a prin-
cipal in late 2015. With almost
20 years in the hospitality design
industry, Rankin has helped to grow
the firms reputation and impressive
portfolio of leading hotels, resorts
and mixed-use developments. Today,
the firm services a number of luxury
brands including Shangri-La, Hilton,
Fairmont, Starwood, Marriott
Hotels and Four Seasons Hotels and
Resorts.
I love hospitality design. No proj-
ects are the same which keeps it
interesting, says Rankin, who leads a
team of 18 along with principal Paul
Morissette. We have an amazing team
that is passionate, collaborative and
enthusiastic about creating spaces that
offer a unique guest experience.
Interior design, however, was
not Rankins first choice. Born in
Scotland, she came to Canada when
she was five-years-old. She spent
time in Edmonton, Toronto and
Ottawa before coming to Vancouver
for her last year of high school. She
had early exposure to the develop-
ment industry through her father
who is a project manager. But it took
a couple of short stints at Capilano
College and Simon Fraser University
before she discovered her true calling
in interior design.
She transferred to Kwantlen
Polytechnic University and while she
was still in school, she started work-
ing at Coordinated Hotel Interiors
Ltd (which eventually became CHIL
Design Group) in the summer of
2000 doing everything from sample
room clean up to board making. She
joined the firm full time after grad-
uating with a Bachelor of Applied
Design in 2002.
I love the culture and the people.
At the time it was a small family run
firm so we were provided with lots of
opportunity to grow, recalls Rankin.
In 2010, the firm was acquired by
B+H Architects, a leading full service
design firm with expertise in interior
design, architecture and landscap-
ing. The studio rebranded in 2015 to
DESIGNER PROFILE
listening to the client
are key steps to a
hospitality project.
CHIL Interior Design, a hospitality
studio of B+H Architects.
We are a boutique firm with
the resources and expertise of
a large global architecture and
design firm, says Rankin, noting
travel is a big source of inspiration
that allows her to see how different
cultures approach design.
Last year CHIL opened a Hong
Kong office (repositioning of a former
B+H office) to better serve the emerg-
ing hospitality market demand in Asia.
We see many opportunities
in Asia so its great for us to have
an office there, says Rankin, who
Spring 2017 | DESIGN QUARTERLY 7
DESIGNER PROFILE

manages the front end of projects,

Arc Restaurant, meeting with clients and setting
Vancouver.
design direction. Setting up the
office required lots of traveling and
work for hiring and marketing so
it has been nice this year to put the
focus back on designing.
The firm is very busy in the design
phase for several hotel renova-
tion projects along with a few new
builds locally and overseas. We
are very active in Vancouver right
now always nice when its in your
own backyard, says Rankin. Were
heavy in design the fun part.
One current project is the Sun
Peaks Grand Hotel, which was actu-
ally the first project Rankin worked
on as lead designer 16 years ago. It
was called Delta Sun Peaks in 2001
and now Im revisiting the same
hotel all these years later for a reno-
vation, she says, noting that was
when she first met Morissette, who
has been a mentor.
q

1565 West 7th Ave. Vancouver, BC 604-669-5525 www.commercialelectronics.ca

8 DESIGN QUARTERLY | Spring 2017

feature PROJECT
Other notable projects include
Fairmont Hotel Vancouver, Fairmont
Hotel YVR, Hyatt Regency and the
Sheraton Guildford (all renovations)
and a new Opus Hotel in Richmond.
The studio is also active in Calgary with
two new builds: The Westin Calgary
Airport and the Marriott Autograph.
Im really excited about Autograph.
Its such a unique brand, says Rankin.
And the Fairmont Hotel Vancouver is
such a revered hotel... we feel privileged
to be part of such a historic property.
Overseas projects include a new
luxury casino and five-star hotel in
Macau and a number of luxury hotels
in Cambodia. The firm also has a
number of multi-residential projects
in Calgary and Seattle
While new hotel builds are rare,
especially in Vancouver, renovation
work (ideally every five to10 years)
provides steady opportunities. Rankin
says the challenge, however, is to
make sure the design lasts until the
next renovation cycle. Adding to that
10 DESIGN QUARTERLY | Spring 2017
(Left) CHIL Interior Design
is active in Asia, including a
number of luxury hotels in
Cambodia.
(Below) Fairmont Waterfront
involved the redesign of the
guestrooms, corridors, the Gold
Lounge, the fitness facility and
the existing restaurant.
challenge is when hotels delay reno-
vations as long as possible since any
change is an expensive undertaking.
Hotel projects are also designed
years before they are implemented.
Forecasting the future isnt easy but
good design is timeless, according to
Rankin.
Delivering timeless and inspiring
interiors has earned the studio many
industry awards, including the presti-
gious IDIBC Robert Ledingham Award
for Hotel Arts in 2015. Other award
winning projects include Shangri-La
Toronto, Shangri-La Vancouver and
the DoubleTree by Hilton Hotel &
Conference Centre in Regina.
The focus today is really about
respecting the guest and providing
an experience the guest will remem-
ber, says Rankin. Guests are very
savvy now and expectations are so
much higher.
For example, public areas such as
the lobby now have to be designed
to incorporate multiple uses
relaxation, social use and business
functions. Accommodating technol-
ogy and keeping up with technology
are also key considerations, notes
Rankin, adding Airbnb has also
disrupted the market in many ways.
The Westcoast aesthetic is unique
to Vancouver and has been well
executed, but Rankin would love to
see a brand push the envelope like
they do in L.A. or Hong Kong.
The natural beauty here defi-
nitely shapes our interiors and has
been done well. Can we be more
cutting edge? Yes, she says. I would
love it if someone wanted to shake
it up a bit. Unapologetically cool is
lacking in Vancouver.
As for the future, Rankin would
like to expand their F&B portfolio.
Weve done some great restaurants
like the Arc at Fairmont Waterfront
but they tend to be embedded in
hotels, she says. I always love to
work on boutique hotels too they
dont come along often. DQ
feature PROJECT

Unique
Aquatic
Environment By Cheryl Mah | Photo by Ema Peter

The new UBC Aquatic Centre
is welcoming, accessible and
transparent.
T
The need for a high performance
competition venue and community
recreational amenities under one
roof has resulted in a stunning new
aquatic facility at the University of
British Columbia.
The hybrid program for the UBC
Aquatic Centre creates a unique
aquatic environment that allows for
Olympic-level training while servic-
ing the growing residential neigh-
bourhoods on campus.
The bright and open facility
includes a 10-lane, 52-metre FINA
competition basin, an eight-lane,
25-metre diving tank (designed for a
future moveable floor), a warm-water
leisure basin with a host of water
features plus a hot tub. In addition,
there is a 460-person mezzanine
for spectators, universal and team
change rooms, and multi-purpose
rooms.
Challenged by the complex
program and tight budget, the
architectural team of MacLennan
Jaunkalns Miller Architcts (MJMA)
and Acton Ostry Architects was
able to deliver a thoughtful and well
conceived building that is welcom-
ing, accessible and transparent.
Were very pleased with it, says
Ted Watson, partner at MJMA. I
think we were able to create a very
efficient, extremely well executed
building that is bold, simple and
clear.
Located in the heart of the campus,
the new $40 million Aquatic Centre
is a much needed replacement for the
existing facility which had reached
the end of its useful service life.
A massive renewal was required
to bring the existing pool up to
todays standards and an extensive
study was done to determine that
the best cost effective approach was
to build a new facility, says Watson.
When the architectural team
undertook the design of the
80,000-square-foot facility, the goals
were primarily threefold or what
Watson refers to as the three Cs.
Campus, competition and
community were the three things
we needed to accomplish in this one
facility, which is what really makes it
unique. I cant think of another facil-
ity with this kind of combination,
says Watson, whose firm specializes
in sports and pool design.
Adds principal Mark Ostry, Its
uncommon to have a successful

12 DESIGN QUARTERLY | Spring 2017


combination of competition and
recreation where both sides feel
served and not compromised. It was
about finding that right balance of
separation and combination and
I think this project does it very
successfully. We have only heard
positive feedback.
The siting of the project on
MacInnes Field allowed the old pool
to remain in operation while also
helping to define public realm spaces
and connections with neighbouring
buildings. A new recreational field
will replace the old pool site.
Given its location next to the new
bus loop, the centre is considered
to be a gateway building so it was
important for it to engage the public
realm and contribute to campus life,
notes Watson. Students arriving
can see into and through the space
see the activities within so this is a
building that gives a sense of vitality
and energy to the campus.
The bleachers are accessible from
the exterior of the building where
students or the public can watch
swimmers, eat lunch, study or even
take a nap.
Ramps on the exterior of each
side get you to the top of the bleach-
ers, part of it was managing the
topography on the site but another
benefit was it provides an alternative
access than the lobby space especially
if there is a swim event, says Watson.
We tried to make the bleachers as
public as possible to be an amenity
space as well.
The competing uses of the new
Aquatic Centre posed a number of
technical challenges but also ulti-
mately drove the final design solu-
tion. The plan is divided north-south
into three basic program bars of
change rooms, aquatics hall and
bleachers, according to Watson.
A continuous central skylight,
supported by Y shaped exposed steel
columns, is used to divide the space
into two aquatic halls.
The idea was to get balanced light
that drops in at the centre of the
space, says Watson. A translucent
screen creates a conceptual separa-
tion between the two spaces like a
big central lamp shade, providing the
different lighting levels required for
the two sides.
Acoustics were also another
important consideration. Hunter
Douglas acoustic ceiling tiles were
feature PROJECT
A continuous
central skylight...
is used to divide
the space into two
aquatic halls.
used to minimize excessive noise
reverberation typical in swimming
pools.
The entire ceiling on the inside
is acoustic fibreglass panels condi-
tioned for a humid environment,
notes Watson. The acoustics make
a huge performance difference not
just for comfort but for coaches to
instruct athletes or swim classes.
The building form is sculptural
with a dynamic white metal roof
and extensive ceramic-fritted glaz-
ing on cast-in-place concrete foun-
dations. The soaring roof form was
also designed to provide weather
protection and solar control.
The roof is one singular piece
that floats over a glass ribbon,
describes Watson, explaining the
height of the roof rises and falls to
Spring 2017 | DESIGN QUARTERLY 13
feature PROJECT
Extensive glazing creates an
open, transparent space filled
with daylighting.
14 DESIGN QUARTERLY | Spring 2017
accommodate the different program-
matic requirements inside. The
lower space is really excavated space
into the topography of the site. The
impression architecturally is very
muscular yet with a light roof that is
floating on the glazing.
Watson adds the building also
takes some formal cues from its
neighbouring buildings such as the
War Memorial and old SUB building
sharing an affinity in the way it
meets the sky and the earth.
Designed to achieve LEED Gold,
the facility focuses on daylighting,
innovative water reuse and air-qual-
ity strategies. UBCs District Energy
System is used to heat the building,
pool and domestic hot water. The
project is also part of UBCs regen-
erative neighbourhoods initiative.
Ostry explains the concept of
regenerative neighbourhoods chal-
lenges the norm of achieving sustain-
ability at an individual building scale.
What this project does is contrib-
ute to the precinct by assisting with
stormwater retention and other
aspects on a broader scale contrib-
uting to sustainability beyond its own
footprint.
A 1.3 million litre underground
water cistern is shared with the new
bus loop for stormwater management.
To develop a larger cistern, costs
were shared with the bus loop, says
Watson. The big roof collects rain-
water and retains it in the cistern
separate from the stormwater tank.
Water collected from the roof
is used for plumbing, greywater
flushing and topping up the pool.
Pools not only use large amounts
of water, but they also lose water to
evaporation.
Pools lose as much as one and
a half inches of water off the top
every day. We are using the rainwa-
ter which goes through a filtration
process to top up the pool water, says
Watson. It required extensive work
with AME Group, our mechanical
consultant, and Acton Ostry to get
approval from Coastal Health.
The Aquatic Centre is also using
regenerative filters rather than the
traditional sand filters, offering
higher performance in terms of
water efficiency.
To provide optimal air and water
quality, a distribution system was
designed where air flow is delivered
from a central bench structure and
returned within the upper edge of
the perimeter pool gutters. This
effectively pulls a curtain of air
across the top of the pool water,
says Watson, to remove chloramines
off the surface.
Construction began in 2014 with
Heatherbrae Builders achieving
substantial completion in December
2016, two weeks ahead of schedule.
The pool officially opened to the
public in January 2017.
This project brings a huge
amenity that serves students and
faculty as well as the surround-
ing residential communities, says
Ostry. To deliver the full program
at this high level of quality, given
the tight budget, required strong
collaboration from the design team
and all the stakeholders. DQ
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 2017 Wood WORKS! BC
Wood Design Award winners
Awards evening held on Monday, March 6, 2017 Vancouver Convention Centre (West)

Residential Wood Design Multi-Unit Residential Wood Design Environmental Performance

Bo Helliwell and Kim Smith, Helliwell + Smith | Innovation Building Group Ltd., represented by: Vancouver Coastal Health Authority, represented by:
Blue Sky Architecture, West Vancouver, BC Ron Nadeau, Whistler, BC Brett Crawley, Vancouver, BC
Arbutus House, Victoria, BC Solana, Whistler, BC Bella Bella Passive House, Bella Bella, BC

Institutional Wood Design: Large Western Red Cedar Wood Innovation

Patkau Architects, represented by: Franc DAmbrosio, DAMBROSIO architecture

Patricia and John Patkau, Vancouver, BC + urbanism, Victoria, BC Iain Weir-Jones, Weir-Jones Group, Vancouver, BC
Audain Art Museum, Whistler, BC Cadboro Bay Residence, Saanich, BC Shoreline by MGA, Vancouver, BC

Event Sponsors Trophy Sponsor Jury Sponsor Sponsors

And member associations

13 years of Wood Design Awards in BC were celebrated by more than 420 distinguished design and building professionals, including architects,
engineers, project teams, local governments, industry sponsors and guests. The annual awards evening recognizes leadership and innovation in wood use and publicly
salutes continued excellence in wood building and design. There were 114 nominations in 13 categories from all over BC as well as international and national nominees.
Wood WORKS! is a national industry-led program of the Canadian Wood Council, with a goal to support innovation and provide leadership on the use of wood
products and systems. Wood WORKS! BC provides education, training and technical expertise to building and design professionals throughout BC.

Commercial Wood Design Interior Beauty Design Institutional Wood Design: Small

Chris Jacques, Read Jones Christoffersen Ltd., Rod Windjack, HDR | CEI Architecture Associates, Inc., Shelley Craig, Urban Arts Architecture,
Vancouver, BC Vancouver, BC Vancouver, BC
Tsawwassen Mills, Tsawwassen, BC Mulgrave Senior School Addition, West Vancouver, BC UBC Engineering Student Centre, Vancouver, BC

International Wood Design Engineer Architect Wood Champion

Michael Green, MGA | MICHAEL GREEN ARCHITECTURE,

Vancouver, BC Fast + Epp, represented by: HCMA Architecture + Design, Dana Westermark,
Steve Cavanaugh, DLR Group, Chicago, IL Derek Ratzlaff, represented by: Stuart Rothnie, Oris Consulting,
T3, Minneapolis, Minnesota, U.S. Vancouver, BC Vancouver, BC Richmond, BC
Proud to be a part of

wood-works.ca/bc @WoodWORKSBC_CWC
kitchen + bath
Multi-Tasking Solutions
By Sarah Caspick
The kitchen is the heart
of every home. Dishes are washed,
lunches are packed and dinner
parties are all prepped here so
its imperative to have a space that
can adapt to many functions. Most
importantly, this multipurpose hub
of activity requires a whole lot of
storage. Kitchens in older homes,
trendy new micro-lofts or kitchens
with plain old ill-planned layouts
can often be lacking in this depart-
ment. For kitchens that fall into one
of these categories creativity with
space (and budget) saving storage
solutions is key.
18 DESIGN QUARTERLY | Spring 2017
For a homeowner who doesnt
like clutter, theres a simple and
practical resolution to this, thats
not only relatively easy to install,
but also makes use of an otherwise
inoperative space. The false panel
in front of the kitchen sink can be
made functional again by adding
hinges that tilt to expose acces-
sory trays that neatly tuck away
post-use. Theyre easily detach-
able so they can be popped into
the dishwasher to clean. Brilliant?
We thought so too. (Try Richelieus
plastic or stainless steel trays with
soft-close).
Turn a kitchen sinks false
drawer into a functional
storage space.
Having a TV in close proximity to
the kitchen is often a convenience
and can also bring the party to the
prep station, allowing the host or
hostess to feel a part of the action,
especially during sporting events.
Its also a great way to keep little
ones occupied and at a close
distance. But therein lies the issue
of the unsightly black hole when
the unit is turned off. A faux cabinet
can be created to perfectly conceal
the TV when not in use. Hardwired
and hidden, it remains out of sight,
out of mind (and creates a distrac-
tion-free zone) until its next use.

How to kick it up a notch: have the
cabinet doors retract INSIDE the
cabinet box for the ultimate view-
ing experience from any angle.
What about that awkward corner
cabinet? Is the lazy Susan living up
to its sluggish moniker? Or what
about those hard to reach items
way in the back? The Richelieu
LeMans corner system is the ulti-
mate space (and time) saver solu-
tion. When the door is closed, two
(or more) kidney-shaped shelves
recess fully behind the turn of the
cupboard, occupying its full length.
When opened, the shelves pivot to
fully extend outside of the cabinet
box ensuring not only maximum
storage, but also that every last item
is within grasp. Not to mention, it
comes in sleek finishes like chrome,
grey and maple.
Soft-close drawers and touch latch
cabinets have long-since become
staples in the cabinetry department,
but are seldom synonymous with
one another. Enter Richelieus Servo
Drive, the electronic soft-close door
mechanism a model of modern
efficiency and convenience. This
multi-use product can function as a
hands-free garbage drawer (bump
... multi-tasking gadgets
are a must-have.
it with a knee to open and close), or
a flip-top upper cabinet (no more
pushing, pulling or tip-toe reach-
ing for that door). All the while
never worrying about the dreaded
finger-slam. For the kitchen that is
go-go-go, multi-tasking gadgets are
a must-have. The ability to move
seamlessly from one action-item to
another is key to cooking in a timely
manner.
Last on the list, but certainly
not least, is the appliance lift. We
all have that one piece of kitchen
equipment that is infrequently
used, but weighs so much that
kitchen + bath
it is difficult to move it from its
ingrained spot on the counter.
There it sits, hindering workspace
and blocking views until the next
time it is used. A quick fix for this
kitchen hitch is to add an appli-
ance lift a retractable fold-
ing shelf that is housed within a
cabinet of its own. One touch of
a button or bump of the foot will
release the shelf and its accompa-
nying appliance to counter height.
Accessibility at its finest! Lose the
heavy lifting and gain clear coun-
tertops its a win/win solution.
Homeowners spend so much
time in kitchens involved in a wide-
variety of activities, from social
engagements to more mundane
daily duties. Flowing from one
task to the next should always be a
breeze fast-paced and efficient,
just like our lifestyles. Try out these
tips and tricks to help homeowners
maximize utility while maintaining
an appealing aesthetic. DQ
Sarah Caspick for Jenny Martin
Design, a boutique interior design
firm located in Victoria, B.C.
Spring 2017 | DESIGN QUARTERLY 19
kitchen + bath

Designing Small Spaces

Mastering Storage and Style in a Small Bathroom
By W.J. Muniak

Its funny how more than once in the last year an entire home
renovation has started with the master bathroom, recalls Negar Reihani, the
owner and principle designer at Space Harmony, an award winning boutique
design studio in Vancouver.
It seems that our clients simply cant live with old, outdated, dark en-suites
and I dont blame them. At the end of a long day walking into your own
personal oasis is just about the best reward for all of your hard work, she says.
Hence, lets start with the master bath!

20 DESIGN QUARTERLY | Spring 2017


Even in the biggest most beautiful
homes there will be some design chal-
lenges when it comes to renovation,
issues like not being able to move
a wall, raise the ceiling or change
plumbing locations due to cost or site
restrictions. Designing a small space
is more demanding because design-
ers need to really consider function-
ality first, but that doesnt mean style
has to be sacrificed.
Project Challenges
This West Vancouver bathroom
lacked style and storage. The
old outdated glass blocks and the
under-utilized oversized bathtub
took me on a scary trip down the
memory lane when I first visited the
site, she remembers.
Dark and dreary, this was no
modern retreat for the new home-
owners. With their young and grow-
ing family, their first requirement
was storage then easy-to-maintain
style, says Reihani. Unfortunately
borrowing extra square feet from the
adjacent room was not an option due
to the load bearing wall so we had to
work with the existing 15 x 5 space
which was a less-than-perfect-start.
Create Storage
The first order of business was to
remove the tub and the glass blocks
above it; although they were unat-
tractive they did provide some light
in the space. I designed a floor to
ceiling storage on that wall and
fronting the doors with elegant
bevelled mirrors. The mirrors make
the small bathroom look double in
size and bouncing enough light that
the window is long forgotten along
with the blocks, smiles Reihani and
adds, Now much needed storage is
front and centre in the room.
Introduce Functional Style
Reihani designed a six foot vanity
with deep drawers, exposed legs
and an open shelf at the bottom
for storing folded towels. The goal
was to make the vanity look like
a furniture piece so it adds visual
interest to the space; the exposed
legs make the large piece look airy
and light, says the designer. Instead
of two individual his-and-her-
sinks, Reihani aimed for one large
dramatic trough sink over mount
white quartz counter. This makes
the vanity look sleeker and more
modern while the quartz top is easy
to main, she says.
Reihani is a big fan of pocket doors
for small spaces and this project was
a perfect place to use one. With a
swing door you have to leave a lot of
clearance while pocket door enables
you to fully use every inch of the
bathroom at all time, she says.
Add Bling
The most exciting part of the design
was choosing the fixtures and finishes
for the space. Because the house is in
West Vancouver, we wanted to keep a
little of that classic feel (in case they
want to sell the house in future) while
making the design look young and
fresh, says Reihani. The mix of light
wood and marble was a tough sell as
the clients were used to the common
mix of marble with dark wood.
The light-coloured rift cut oak
vanity sits beautifully next to the
luxurious statuarietto marble walls.
The wall tiles continue inside the
shower and are paired with an
elegant chevron patterned stone
inside the shower base and sham-
poo niche for a touch of drama. To
keep the design functional and low
kitchen + bath
Designing a
small space is more
demanding because
designers need to
really consider
functionality first...
maintenance around the kids, she
used porcelain tile for the floors
so the parents dont need to worry
about any stains.
We colour matched the floor tiles
to the marble walls of course, says
the designer. This light and contem-
porary colour scheme definitely
makes the small bathroom feel crisp
and fresh.
The oversize round mirror above
the vanity provides a soft and clas-
sic contrast with the sharper lines
of the modern wall mounted faucets
and light fixtures. The chrome cabi-
net pulls and accessories add the
final touches and a subtle bling to
the space.
This bathroom design although
small was one of my most chal-
lenging projects to date but was also
one the most rewarding ones, says
Reihani. I think there is no better
satisfaction for a designer than to see
her hard work pay off in the form of a
clients love for his or her space.
The design success ensured the
homeowners tackle the rest of the
house to bring it to the same level
of beauty with an understated
elegance. DQ
Spring 2017 | DESIGN QUARTERLY 21
Flooring
Flooring in workplace design
Shaw Carpet Active carpet
tiles interject bold energy
and graphic motion into
the workspace.
22 DESIGN QUARTERLY | Spring 2017
Weve all heard the phrase
sitting is the new smoking and stud-
ies show that the main environment for
this sedentary lifestyle is not at home in
front of the television, but rather in the
workplace. Recent reports note that
the average office employee spends
nearly six hours a day sitting at a desk.
This sedentary workplace not only
diminishes productivity, but greatly
inhibits employee health, causing a
myriad of health issues such as muscle
fatigue, obesity, heart disease and
diabetes. With the amount of time
spent at work on an annual basis, the
importance of workplace design is
crucial to the health and wellbeing of
employees. Because workplace design
often sets the precedent for other
market segments such a hospitality
and education, its crucial to under-
stand the need and implement posi-
tive changes in the office environment.
Sense of Place
A sense of place is increasingly
important to all individuals. And
now, more than ever, employers are
prioritizing workspaces that fit the
lifestyles and enhance the produc-
tivity of their employees. The office
is no longer seen as just a desk, but
rather an extension of who we are;
a lifestyle choice. Workplaces are
being designed to fit the employee,
rather than for the employee to
adapt and fit into the space.
In todays workplace design,
movement and active lifestyle are

all buzzwords and the concept of
wellbeing often emerges in interior
design. According to a nearly two-
year study by Herman Miller, circu-
lation space is one key way to foster
connection and increase opportuni-
ties for movement within the work-
place. When the infrastructure of
a workplace is designed to encour-
age movement, employee activity
becomes more prevalent. Items that
promote health and wellness, such
as standing desks and furniture
that encourages purposeful move-
ment, continue to be incorporated
in design. A study done by Gensler
in 2013 shows functionality, comfort
and adjustability of furniture have
relationships to employees reported
level of energy at work. Also increas-
ing employee energy levels is design-
ers clever use of daylight, ambient
lighting and hints of colour.
Catalyst for Design
In the past, flooring design was not
manufacturers [are exploring]
new carpet tiles that promote the
concept of wellbeing.
considered a part of the workplace
design strategy, but this perspec-
tive has drastically shifted. Flooring
design is now seen as a catalyst for
the various ways of moving through
a space. Current carpet collections
feature styles that range in scale and
pattern, but can be used alone or
together to create movement, inject
colour, assist in wayfinding, enhance
the architecture and meet the over-
all design intent. Carpet tile remains
a popular option due to the varied
benefits it provides from mainte-
nance, durability, cleanability and
ease of replacement to comfort and
variety of aesthetic.
As both carpet and hard surface
products evolve into new dimensions
of scale and movement, a simul-
taneous response from the design
community emerges, pushing floor-
ing manufacturers for options that do
more within a space. Sophistication
is trending, along with thoughtful
workplace strategies that promote
activity and wellness, and well-
designed flooring enhances both of
these factors. This push by the design
community to provide more floor-
ing options has led manufacturers to
explore new carpet tiles that promote
the concept of wellbeing.
Flooring
Activate your Space
Shaw Contract designers researched
the growing trend of workplace
activity and studied colours, textures
and designs prevalent in innovative
athletic textiles. The Active collec-
tion, through its kinetic and graphic
patterning, sparks shifts in density
and scale, and keeps us activated
and in motion. The energetic colours
and charged patterning bring activ-
ity and movement to the workplace,
extending fitness to the floor.
Patterns in active wear are inte-
grated to fit the form of an object or
person. Our perspective was to envi-
sion how the synthesis of pattern,
texture, shape and colour can be
used to activate a space. Patterns
that evoke movement, colour that
exudes optimism and texture that
exhibits efficiency were all attri-
butes that represent well-being and
fitness of mind and body, says John
Crews, senior workplace designer.
As designers and architects of
the spaces where people spend the
majority of their days, their roles are
crucial in helping combat sedentary
lifestyles. No single design element
will implement change, but rather
design as a whole will work together
to increase workplace wellness. DQ
Spring 2017 | DESIGN QUARTERLY 23
Flooring

Ceramic Tile Choices Abound

By Ryan Fasan

Technology and trends

are marrying perfectly in 2017
for ceramic tile to be the floor-
ing of choice for todays consumer.
As global markets get bigger and
more connected, we are faced with
an amazingly eclectically driven
consumer base that is highly
knowledgeable and savvy. Further,
demands are reaching for trans-
parent industries with sustainably
produced products that are safe and
healthy for occupants oh and they
must also be on trend and have an
engaging and relatable backstory.
Tall order for most but perfect for
whats happening in tile.
The ceramic industry boasts one of
the most progressive and connected
association networks across manu-
facturing, standards committees,
distribution and contractors. With
a multi-attribute environmental

24 DESIGN QUARTERLY | Spring 2017


standard like Green Squared in place
covering both the product itself and
all the setting materials, membranes
and backer units required for a tile
system and sector-wide Life Cycle
Analysis Studies, the tile industry
boasts one of the most transparent
and comprehensive support struc-
tures to ensure customers can feel
good about the products they put on
their floors.
In aesthetics, the new advance-
ments in digital decoration tech-
nology have created opportunities
to deliver the most tactile and
engaging product ever seen in
ceramics and porcelain. Dynamic
materials that have nuances seen
only from certain angles or light-
ing conditions create reactive
spaces with engaging and real-
istic experience for our spaces
today. New inkjet printers can
apply not only colour but lustrous
glazes, metallics and even texture
in the decoration lines. Coupled
with progressive three-dimensional
scanners, the graphics and effects
can now be aligned perfectly with
the pressed surface structure of the
tiles. What this technology delivers
are the most realistic woods, stones
and concretes we have ever seen
with all the value-added benefits
like ease-of ownership, hygienic
surfaces and durable character-
istics porcelain and ceramic has
always been known for.
The advent of gauged porce-
lain (varying degrees of thickness
from 3.7 to 20mm) has opened up
new opportunities to flow tiles into
outdoor spaces as sand-set or raised
access paving systems and easily clad
walls, furniture and even countertops
in panels as large as 5 feet by 11 feet
Flooring
each with the perfect thickness to
deliver the right performance for the
task at hand. The 20mm pavers are
an especially exciting opportunity to
create a flow from interior to exterior
spaces on grade, on in decking with
the structural porcelain pavers being
much easier to install mechanically
in exteriors than traditional 8-12mm
thick tiles that must be supported by
a mortar bed.
Formats are getting larger also
for flooring with sizes stretching
to dimensions of 18x36 inches or
even 24x48 inches in favour of the
more traditionally accepted 12x24
inches used in North America for Classic geometric
the past decade or more. These
larger formats are giving rise to shapes are finding
longer planks often offered in
multiple widths for wood looks to their way into some
create a style of wooden flooring
exclusive to the ceramic industry. of the larger format
Digital decoration methods even
allow for multiple varietals of wood
programs to create
or stone to be mixed in a porcelain interest in the form
tile program so its possible to have
the dynamic variation of multiple of chevrons and
material veining structures within
a harmonious colour palette. Classic hexagons.
geometric shapes are finding their
way into some of the larger format
programs to create interest in the
form of chevrons and hexagons. In
contrast to the larger formats, there
is also a resurgence in traditional
small format floors like octagon and
dot, hexagon mosaics and encaus-
tic cement look tiles to pair with
the glazed subway tiles favoured in
some designs for walls.
If you havent looked at tile in
awhile, its time to reacquaint yourself
with the new face of the industry. DQ
Ryan Fasan, creative develop-
ment, at Bellavita Tile.
Spring 2017 | DESIGN QUARTERLY 25
Flooring
and Durable Floors
Woven vinyl flooring brings contemporary feel to spaces
Woven vinyl flooring offers many
advantages over traditional
nylon carpet tiles.
26 DESIGN QUARTERLY | Spring 2017
Fashionable
By Ed Van Oene
Flooring is one of the
most critical design elements impact-
ing the overall look and feel of a space.
The entire space builds off of and
should complement the flooring as
it is the most expensive and difficult
item to change in a business or resi-
dence. When replacing flooring it is
important to stay ahead of the trends
as the floor is often the longest wear-
ing design element. Today there is a
growing trend to modern, sleek and
contemporary flooring to replace the
hard flooring and carpet of the past.
One product that is looking for
a new contemporary twist is carpet
tile. Carpet tile has been available
for more than 50 years with mini-
mal change or improvement since
originally developed as a hardwear-
ing alternative to broadloom carpet.
Carpet tile had become the flooring of
choice for institutional and commer-
cial applications due to the ability
to replace tiles that are damaged or
stained. Unfortunately, this process
doesnt account for the wear, tear and
fading of the original carpet tile.
Woven vinyl flooring such as
Wayflor offers many advantages over
traditional nylon carpet tiles with
great new designs being introduced.
The woven vinyl is very difficult to
stain, easy to clean, has extraordi-
nary strength and is easy to replace
if damaged. In addition, woven vinyl
tile is perfect for indoor and outdoor
applications as it is waterproof,
mold, mildew and fade resistant.
These new tiles strike the perfect
balance between natural inspiration
and modern day practicality.
The most compelling component
of the woven vinyl is customers
have the ability to create their own
woven vinyl flooring design called
Jacquard. The warp (vertical yarn)
is offered in four base colours
black, brown, grey and beige. The
weft (horizontal yarn) is available
in 10 colours and can incorporate
as many colour changes as desired.
The design can start with a purple
weft yarn, change to white and end
with blueberry on a base of grey
warp yarn. The combinations are
compelling, exciting, and endless.
Traditional woven designs further
enhance the flooring application and
include linen, twill, rattan, bamboo,
herringbone, sisal, stripe, ellipse,
streak, quilt and granite designs.
The piece de resistance is the offer-
ing of shape tiles diamond, rect-
angle, puzzle, teardrop, boomerang
and hexagon. These will easily add
more colour and become the focal
point in any flooring project.
Woven flooring is available in
tile, shapes or rolls making it ideal
for hallways and large spaces. Tiles
produce less waste than other floor-
ing types, particularly in awkward
shaped rooms. With an outstanding
acoustical value and slip resistance,

this is the ideal replacement for
carpet tile.
Maintenance and durability are
two other factors to consider and
there is nothing in the market that
outlasts or outperforms vinyl. Vinyl
flooring is water resistant so can
withstand the wet mop and indus-
trial floor scrubbers.
Vinyl has received some bad press
in the past and in some cases, justifi-
ably so. However, this flooring trend
is here to stay so it is important to
understand what is in the product.
Recycled sounds good; however, in
vinyl flooring, recycled material is tied
to heavy metal, phthalates and phenol.
Wayflor is made only of virgin PVC to
ensure excellent product and indoor
air quality. The extended lifespan of
the product addresses the sustain-
able component along with the ability
to recycle when replaced. All floor-
ing is required to meet standard tests
and FloorScore is the baseline for air
quality emission criteria in LEED
and other healthy building programs;
however FloorScore does not test for
heavy metal or phthalates so is insuf-
ficient as a quality benchmark. To
ensure the highest quality product,
request the manufacturers test results,
Flooring
To ensure the
highest quality
product, request the
manufacturers test
results...
which should be readily available, to
ensure the purchases are to the highest
standard of manufacturing.
Modern, sleek, contemporary,
durable, easy to clean while enhanc-
ing commercial, retail and spa spaces
everywhere, woven vinyl flooring is
truly fashion for the floors. DQ
Ed Van Oene is a certified techni-
cal representative and Bay Resource
Groups president and CEO. Bay
Resource Group is Canadian based
and since 1997 has specialized in
the development and distribution of
leading edge flooring products.
Spring 2017 | DESIGN QUARTERLY 27
idibc
The Value of
Hospitality Renovations
Interior designers can assist owners in determining budgets and space planning
By Doris Hager
Nandos Restaurant before
(below) and after (top)
Sooner or later, every
owner of a hotel or restaurant must
take a hard look at the fading paint,
the tattered wall vinyl, the wear-
ing carpet, at the slightly, or hugely
outdated furnishings and make that
financial decision. Is it time for a
minor or major facelift to breathe
new life into their hotel or restau-
rant or can it wait a bit longer? The
timing question is easily answered if
the establishment is a franchised one
since most franchisors have stringent
renovation requirements as part of
their franchise agreement with their
franchisees. Independent owners
also regularly ponder renovation
28 DESIGN QUARTERLY | Spring 2017
issues, and must choose their timing
just as wisely.
As an interior design firm, it has
been our experience that a hotel or
restaurant that undergoes a minor
facelift can expect an increase in
profit or sales of 10 per cent on aver-
age and 30 50 per cent for a full
renovation. Effectively designed
renovations protect current market
share and hopefully gain new
clients. As well they can decrease
operational costs either through
new or upgraded equipment, or
improved space planning and flow
for customers and staff which both
contribute to the end profitability.

In a recent article, Lauren Keller
and John Burke for Hotel News
wrote on the financial impact of
hotel renovations. They followed a
hotel three years prior to renova-
tion, the year of the renovation, and
two years after renovation. The hotel
underwent an extensive $9-million
renovation and went from a 3.8 Trip
Advisor Rating (its lowest ever) to a
4.3 after renovation. Additionally, the
property benefited from a 33 per cent
greater net operating income than
prior to the renovation. The hotel not
only increased its market value to
justify the renovation costs but also
outpaced the nearby competition.
Franchised hotels typically have
Property Improvement Plans (PIP).
The purpose of a PIP is to ensure
consistency within the brand, not
only to protect the brands standards
but also the investments of other
franchisees. Some brands PIPs can
be quite restrictive and owners can
fall into default with heavy penal-
ties or even lose the flag if they dont
comply within the allotted time-
frame or negotiated agreement.
Improvements are triggered at vari-
ous stages of a hotels life span. Some
of the numerous factors dictating the
type of renovation needed include:
the overall age of the property, the
maintenance or upkeep, and the
amount of foot traffic it has received.
For either hotel or restaurants typi-
cally, small renovations like carpet and
soft goods replacement are required
at the five-year mark. This is where
the designer comes in. This includes
carpet in hotels/restaurants, lounge
seating in guestrooms or reupholster-
ing booths and banquettes in restau-
rants. More extensive renovations like
tile replacement, millwork or case
good updates, and wall vinyl replace-
ment take place after eight 10 years.
Major renovations include bathroom
upgrades and often consider new space
planning and reconfiguration such as
relocating bars, service stations, coun-
ters, and reconfiguration for larger or
smaller suites or rooms. A qualified
designer can assist the owner not only
in FF&E selections but also in space
planning and detailing that enhances
the overall guest experience and flow
of the facility.
Required renovations also apply
to restaurant chains and fast food
locations. For the food and beverage
industry, these are required either by
the franchisor or the landlord in the
lease agreement. In cases where the
franchisor is on the head lease, the
franchisor enforces the landlords
requirements in addition to franchise
required renovations that protect the
brand and provide a consistent offer-
ing to its customers. This ensures
that if a customer visits a restaurant
in Toronto and one in Calgary, there
are not only consistencies in the food,
idibc
The Hotel Saskatchewan Lobby
after and before
but also in the quality of the interior
concept and operation.
There is resistance from franchi-
sees and independent owners alike to
spend new money when they feel they
are finally getting ahead and have just
recently paid off their last debt from
either a new build or previous reno-
vation. Since penalty fees or default
terms dont apply to independent
owners, it may be especially tempting
for them to think their establishment
can continue as is without a decrease
in revenue. It has been shown that an
asset in need of renovations generally
has a loss of continuous market share
and profits that average 10 per cent
per year compounded.
Each type of establishment and
property is different yet is faced
with the same challenges when
is the right time and how much
to spend. The decision of when to
renovate, beyond just maintenance
is an essential one for every owner
as it will have a lasting impact on
the current income and success
of the property, as well as the ulti-
mate value of the asset. An interior
designer can assist the owner in
determining budgets or phasing of
the FF&E replacement or renova-
tions for proper planning of the
needed renovation. DQ
Doris Hager is the founder and prin-
cipal of Hager Design International
Inc. in Vancouver, an international
interior design firm specializing in the
hospitality industry.
Spring 2017 | DESIGN QUARTERLY 29
news
New Aga Kahn Garden
Nelson Byrd Woltz Landscape Architects will design the new Aga
Khan Garden, Alberta at the University of Alberta Botanic Garden.
Set to open in 2018, the spectacular new garden was made possible by a contri-
bution in excess of $25 million by His Highness the Aga Khan, Chairman
of the Aga Khan Development Network (AKDN) and spiritual leader of the
Ismaili Muslim community.The gift arises from the long-standing relation-
ship between the University of Alberta and the Aga Khan, highlighted by a
Memorandum of Understanding first signed with the Aga Khan University in
2006 and an honorary doctorate given to His Highness in 2009.
The Aga Khan Garden is the first garden in Western Canada, the second in
North America, and the 11th in the world to be supported by His Highness.
Dialog announces merger
Dialog and newstudio architecture inc. are merging into one firm that will
operate out of Dialogs Edmonton studio, effective April 1.
Newstudio is a boutique firm of eight designers that share Dialogs vision of
improving the wellbeing of communities. Its portfolio includes a variety of multi-
family residential, urban infill, smaller scale institutional, and re-zoning projects.
Among their projects are the renovations at the recently completed Agriculture
Life and Environmental Sciences Atrium at the University of Alberta.
Newstudio leaders Dixon and Tai Ziola will be joining Dialogs partner-
ship, bringing additional strength to the firms leadership team, while the
newstudio team will become an addition to its interdisciplinary practice.
Weve found a great partner with newstudio, added Dialogs managing
principal, Jim Anderson. Not only do they share our vision and live our
values, but they also challenge us to engage with our community at a much
deeper level.
30 DESIGN QUARTERLY | Spring 2017
Thomas Woltz, of award-winning Nelson Byrd Woltz Landscape
Architects, was asked by the Aga Khan to study other Mughal Islamic
gardens while developing a design that also incorporates the plants and
topography of Northern Alberta.
With secluded forest paths, wide, stepped terraces that change with the
seasons, geometric water features that stream into wetlands and a spectac-
ular orchard of local plants, the 4.8-hectare Aga Khan Garden will be an
amazing experience for area residents and visitors alike. It will be situated
around the existing Calla Pond at the heart of the University of Alberta
Botanic Garden. An interpretive program will help visitors understand the
featured plants and the art and design of the garden. Information about
Islamic traditions, music, sound and poetry will also be provided.
DArcy Jones Architecture Recognized by RAIC
The 2017 Emerging Architectural Practice Award by the Royal Architectural
Institute of Canada (RAIC) has been given to a Vancouver firm, known
for thoughtful, efficient and modern design, in both renovations and new
building.
DArcy Jones Architecture (DJA), a nine-person studio, was founded in
2005 by DArcy Jones, MRAIC. A graduate of the University of Manitoba
in Winnipeg, and Dalhousie University in Halifax, Jones previously
worked on his own from 2000 to 2005. Largely residential, the firms
projects include housing, commercial spaces, art galleries, renovations,
and interiors.
The Emerging Architectural Practice Award recognizes the principals of
an emerging architectural practice that has consistently produced distin-
guished architecture. The award recognizes the quality of built work, service
to clients, innovations in practice and public recognition.
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