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Rasa Rasa
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Rasa Bhava Theory in Indian Art
First Published: April 23, 2016 | Last Updated:April 23, 2016
The Rasa-Bhava is the central concept in Indian performing arts such as
dance, drama, cinema, literature etc. Bhava means to become.Bhava is
the state of mindwhile Rasa is theaesthetic avour that results from that
Bhava. The Bhava themselves carry no meaning in the absence of Rasa.
Thus Rasa is basically forms and manifestations of Bhava in the form of
multitude of sensations through taste, emotion, and delight. In other
words, Rasa is the dominant emotional theme that is invoked in the
audience. When we watch a movie, a sad scene makes us cry that is
Rasa. The Rasa-Bhava is what establishes a relationship between the
performer and the audience.
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The Rasa theory was basically propounded by Bharata in Natyashastra.
He described eight Rasas viz. ngram (love, attractiveness), Hsyam
(laughter, comedy), Raudram (fury, wrath), Kruyam (compassion,
tragedy), Bbhatsam (disgust, aversion), Bhaynakam (horror, terror),
Vram (heroic mood) and Adbhutam (wonder, amazement). Further,
Abhivangupta introduced a ninth rasa called ntamwhich denotes the
peace or tranquillity.These total nine rasas make the Navarasa.
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