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D PARZIVAL

Mario Brki

Parzival war einer der bedeutendsten Ritter am Hof Knig Arthurs, nicht
nur wegen seines ungewhnlichen Werdegangs, sondern vor allem auch
wegen seiner Rolle bei der Suche bei der Suche nach dem Heiligen
Gral. Zahlreiche bedeutende Autoren des Mittelalters befassten sich mit
diesem Thema, unter anderem Chrtien de Troyes (Perceval, um 1150)
und Wolfram von Eschenbach (Parzifal, um 1200).

Parzival, von seiner Mutter in der Waldeinsamkeit aufgezogen, ist


am Hofe Arthurs ein Auenseiter. Er kennt nicht die strikten Regeln,
nach denen sich das Hfische Leben zu richten hat, wei nichts vom
Zusammenleben der Menschen und noch weniger von der Ritterlichkeit
und ihren Idealen. Die ersten Ritter, denen er begegnet, hlt er in seiner
Torheit fr Engel, lsst dann seine Mutter in der Einsamkeit zurck, um

E
auch Ritter zu werden. Er trifft auf den Roten Ritter, erschlgt ihn ehrlos,
nimmt ihm seine Rstung, gelangt an den Knigshof und dnkt sich einen

R
Ritter. Langsam und schmerzhaft wird der Lernprozess sein, bis er sich
O
dieses Ehrentitels zu Recht wird bedienen drfen.
C
Wie die meisten anderen Artusritter auch, geht Parzival irgendwann auf
die Suche nach dem Heiligen Gral. Nur die allerwenigsten gelangen auch
S

nur in die Nhe, doch Parzival wird sogar in die Gralsburg eingeladen,
wo er eine Prozession beobachten darf, in der verhllte Jungfrauen
O

einen lichtverschleierten, offensichtlich heiligen Gegenstand am kranken


M

Gralsknig vorbeitragen. Doch wenn Parzival auch schon in vielen Dingen


ein echter Ritter geworden ist, ihm fehlt der Edelmut und die geistige
E

Reife, um die entscheidende mitleidige Frage zu stellen, und so wird er


wieder aus der Burg ausgewiesen und der Fischerknig bleibt unerlst.
D

Erst ein weiteres Umherirren durch die Welt wird Parzival wrdig machen
und sein zweiter Besuch auf Burg Carbonek erlst Amfortas endlich und
macht Parzival zum neuen Hter der Gralsburg.

2014 by musikverlag frank, Industriestrasse 30, 4542 Luterbach


phone +41 (0)32 685 48 80 fax +41 (0)32 685 48 81
mf@musikverlag-frank.ch, www.musikverlag-frank.ch
PERCEVAL Mario Burki

#4
Maestoso (q=ca.72) comissioned by Musikverein Harmonie Gerla ngen

Soprano Cornet Eb & 4

> > > >


4 . >. . >. . >. . . . . . . ..
& 4 . . . J J . J

> > .
Solo Cornet Bb
f

> > > >


4 . >. . >. . >. . . . . . . ..
& 4 . . . . J J . J

> >
Repiano Cornet Bb
f

4 > > > > >. > j


& 4 . . . . . .
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> > . . . . > . .
2nd Cornet Bb
f

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& 4 > . . . . . . . . j . j ..
. . . . . . .
> >
3rd Cornet Bb
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4
Flugelhorn & 4

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1st Baritone Bb & 4
f
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4
2nd Baritone Bb & 4
>
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>
& 4
> w
1st Trombone Bb
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4
& 4
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2nd Trombone Bb
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? b4
b4
w

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Bass Trombone
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4
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Euphonium Bb

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& 4
Bass Eb
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4
Bass Bb & 4
w
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f

Timpani b 4

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f


> > > >

S.D.
4
Percussion 1 / 4
f

4Y
C.C.

Percussion 2 / 4
f

b4
Glockenspiel & b 4
2014 by musikverlag frank, Industriestrasse 30, CH-4542 Luterbach (Switzerland)
2

#
11

9

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& b

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4

#
21
21
Sop. Cor. &

>
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Tam Tam

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C.C.


S.C.

Perc.2 /
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b
Glock. & b >
5

#
29
33
Sop. Cor. & .
> >
mf


- -
Solo St. Mute
Solo Cor. &
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2nd Hn & - - - - - - - - - - - -
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D

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mf

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Y

S.C.

Perc.2 /
p mf

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6

#
35
41
Sop. Cor. &

w
Open
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Rep. Cor. &

2nd Cor. &

3rd Cor. &


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f

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Y Y

S.C. S.C.

Perc.2 /
p mf p mf

b
Glock. & b
7

#
42

Sop. Cor. &

-. -. -. -. ^ ^ ^. j
all
& . . -. -. .
Solo Cor.
J - -.
f

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Rep. Cor. &
J -. -. .
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2nd Cor. &

3rd Cor. &


Flug. &

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j
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- -

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# ^ ^ ^ j ^ ^
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& . .
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2nd Bar. & . J


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O

1st Tbn. &


M

^ ^ ^ ^ ^ ^
& # - - - - - - - - - -
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^ ^ ^. - -. -. -. ^ ^ ^
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Euph.
J

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&
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^ ^
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Timp.


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f 3 3 3 3 3 3 3 3 3 3 3 3

B.D.

Perc.2 /
f

b
Glock. & b
8

#
49
- - -
- - - - - - - - - - - - -
48

w - -
Sop. Cor. &
f

- - - - - - - - - -
- - - -
solo
w
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&
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3rd Cor. &


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- - - - - - # - -

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f

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>
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f

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E
j
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f

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S

& - -
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f

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solo

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1st Tbn. &


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D

- -. -. -. . -
Euph. & . J . J - - - -
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# w
& w
w
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w (play)

&
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Bass Bb

f f

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Timp. b


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Perc.1 / J J J J J
3 3 3 3

Y

S.C.

Perc.2 /
p f

b
solo

Glock. & b w .

f f
9

#
57 rit. 60 Allegro (q=ca. 144)

Sop. Cor. &

Solo Cor. &

Rep. Cor. &

2nd Cor. &

3rd Cor. &



solo

Flug. &
mf

#
Solo

& # w
Solo Hn
mp

E
1st Hn &

R
#
2nd Hn & O


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&
C
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mf
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1st Tbn. &


M

2nd Tbn. &


E

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B. Tbn. b
D

j -J b- - -
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&
Euph.
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mf mp p

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p cresc. mp cresc.

&
all

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w
Bass Bb
w w w w
mp mp cresc.
p cresc.

? b
Timp. b
p cresc. mp cresc.

J J J
Perc.1 / J J J
p cresc. mp cresc.

Perc.2 /
p cresc. mp cresc.

b
Glock. & b
10

#
64

. . .
St. Mute
&
Sop. Cor.
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f

Solo Cor. &

.j .b.
St. Mute
&
>
Rep. Cor.
f

2nd Cor. &

3rd Cor. &


Flug. &

# j j j j
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E
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1st Hn

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f

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2nd Hn & O
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j j j j
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1st Bar. & J J .j .b. J J
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J J J
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J J
O

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f
M

& j j j j j
2nd Tbn.
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f
E

?b
b j j j j j j j j j j j
> > > > > > > > > > >
B. Tbn.
D

sfz sfz f

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&
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Timp.

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J J J
Perc.1 / J J J J J J J
mf cresc. f cresc. f

Perc.2 /
mf cresc. f cresc. sfz

b
Glock. & b
11

# . . . . . >- n>- >-


71

J. . . w
open
Sop. Cor. &
J

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all
& b
. .
Solo Cor.

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b. j b. w
open
&
Rep. Cor.
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2nd Cor. & .j .j


f

& j j
3rd Cor.
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f

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& b
J J
Flug.

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& . . . .
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>-

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#
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.

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ff f
M

& j j j j j j
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2nd Tbn.
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> > > > > > > > > >
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> > > > > > > > > > >
ff sfz sfz

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J J
> > > > > > > > > > >
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^ ^ ^ ^ ^ ^ ^ ^j j
j j j
b
j j j j bj j j
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ff sfz sfz

^ ^ ^ ^ ^ ^
J J J J J J J J
^ ^
Perc.1 / J J J J
ff f

^ ^ ^ ^ ^ ^ ^ ^j
Perc.2 / j j j j j j j
ff
f

b

b J
& b
b

b
Glock.

f
12

# . .
77

& . . . J. J. . . . . n j
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j . . . . . .
& J J J b J J b J b

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.

. . . . . . . . . . . >
Rep. Cor. & J J J w

. . . >
& . . . b. .j .j . b. b . . b . . . . . bw
2nd Cor.
J J

& . j j . b. . j j . b. w
3rd Cor.
. . . . . . . . . . . . >

. . . . . . . . . . . . . . . . . . >
J J J J w
Flug. &

# . .
& . . . J. J. . . . . w
Solo Hn
J

E
& j n nj . . nj . w
1st Hn . . . . - . . . . .

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#
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& b. - . b. . . . w
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C
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j . .j b. . .j b. bw
S

2nd Bar. &


. .

. . .

. . . . . . . ^ ^
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O

1st Tbn. &


M

j j j j j j j ^ ^
2nd Tbn. & . . . . . . .
E

?b j j j j j j j j bj j j j bj ^ ^
B. Tbn. b >
> > > > > >

> >

D

j
j j j >
& j j j b b bw
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. . . . . . .

# j j j j j j j j nj j j j nj
&
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Bass Eb
>

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Bass Bb
>
? b j
b > j j j bj
> > > > w
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>

J J J J
Perc.1 /

Perc.2 /

b . . .
J
. . . . . . .
& b J J . b
Glock.
13

#
84
# J #
83

w
Sop. Cor. & - - #

-
& b# #
- # w
Solo Cor.
f

>
w
Rep. Cor. & J J # J J # J J

& w j j j j
2nd Cor.
> J J

3rd Cor. & # j j # j j # j j


w
>
>
w - - #
Flug. & # w
f

# w > > >


& #
Solo Hn w
> w
f >

# w > > >

E
& #
1st Hn w w
> w
f >

R
#> >
# w >
2nd Hn & w w
> O w
>

f

^ ^ ^ -
# #- w #
1st Bar. &
C
f

^ ^ ^ -
- # #
S

&
2nd Bar. # w
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# w
Flug. &
ff

# >
w >
w >
w >
w
Solo Hn & w w w
f

# > > >

E
& w w w w
1st Hn
w w w >
f

R
#
2nd Hn & w w w

w

w
> w
> w
> >
O f

w w w >
w >
w >
w >
& w
C
1st Bar.
f
S

2nd Bar. & w w w w


>
w
>
w
>
w
>
f

>
w >
w >
w >
w
O

1st Tbn. &


f
M

>
w >
& w w w
> >
2nd Tbn.
f
E

?b >
b w w w w
> > >
B. Tbn.
D

>
w
>
w
& w w
> >
Euph.
f

#
& w w
Bass Eb
> > w w
>
f >

Bass Bb &
w
w
> w w
>
> >
f

? b
b w w w
Timp.
> > > w
>
f


Perc.1 /

Y Y Y
C.C.

Perc.2 /
f

b >
w w >
w w >
w >
& b n
Glock.
w
ff
38

# w>Maestoso (q=ca.72)
279

Sop. Cor. &

> > > > > > >


& .
. . . .
. . . . . . .

. ..
. J J
> > > >
Solo Cor.
f

> > > > > > >


& .
. . . .
. . . . . . .

. ..
. J J
> > > >
Rep. Cor.
f

> > > > >. >


. . . . . . . . j . j
&
. . . . ..
> > > > >
2nd Cor.
f

> > > > >.


& > . . . . . . . . j . j
. . . . ..
> > > > >
3rd Cor.
f

>
w
Flug. &

# > >. >. >. > >. >. >


. . . . > > . ..
& . . . . J J

>
Solo Hn
f

# > > > >. > >. >. j j


.

E
& . . . . .
. . . . ..
> > > >
1st Hn
f
.

R
# > > > >. > >. >. j j
& . . . . . . . . ..
2nd Hn
> . . . O> > >

f


&
C
1st Bar.
S

2nd Bar. &

> > >


w >
O

&
> w
1st Tbn.
f > f
M

& w
> w > > > >
2nd Tbn.
f > f
E

?b
b
w

> > >
B. Tbn.
>
D


& w
> > > >
Euph.

#
a2

&
Bass Eb
w
> >
> >
f
a2

& w
> > > >
Bass Bb

? b
>
>
b

> >
Timp.
f


> > > >

S.D.

Perc.1 /
f

Y
Perc.2 /

bw >
Glock. & b
39

#3
287 Allegro Maestoso (q= ca. 120)
287
j j > j j >. .
rit.

Sop. Cor. & 4 . . J . J J. -. . J . . J


- - -
f ff

. >.
3- . J -. J J > -. . J -. . J .
Solo Cor. & 4 . J J J J
f ff

3 >. . . .
Rep. Cor. & 4 . . . . . .
fp poco a poco cresc. ff

3 j j . > j j >. . . .
2nd Cor. & 4 -. . J -. J J -. . J -. . J
f ff

3 j j j j j j j j j
3rd Cor. & 4 -. . -. . > -. . -. . >. . . .
f ff

3- . J -.
.
J J > -. . J -.
>
. J . . . .
Flug. & 4 . J J J J
f ff

#3 >. .
Solo Hn & 4 . . . . . .
fp poco a poco cresc. f ff

E
#3 >
1st Hn & 4 . . . . . . . . . .

R
fp poco a poco cresc. ff

#3 >
& 4 .
2nd Hn . . . . O . . . . .
fp poco a poco cresc. ff

3- . J -.
.
J J > -. . J -.
>
. J . . . .
& 4 .
C
1st Bar. J J J J
f ff
S

3 j j j j j j j j j >
2nd Bar. & 4 -. . -. . > -. . -. . b. .
f ff

>.
O

3> . . .
1st Tbn. & 4 . . . . . .
fp poco a poco cresc. ff
M

3 >
& 4 . . . . . . b. .
>
2nd Tbn.
E

fp poco a poco cresc. f ff

? b3
b 4 >. . . . . . b>. .
D

B. Tbn.
f
fp poco a poco cresc. ff

3 j .
.
j > j . j >
& 4 .. . J -. J J

.
-. . J -. . J . .
-
Euph.
f ff
#3
Bass Eb & 4 . . . . . . n>. .
> f
fp poco a poco cresc. ff

3
Bass Bb & 4 . . . . . .

b>. .

>
fp poco a poco cresc. f

? b 3
ff


Timp. b 4 . . . . . .
.

.
> f
fp poco a poco cresc. sfp


Y. Y.
Tam Tam
3
Perc.1 / 4


f sfp

3Y Y Y
Perc.2 / 4 . .
sfp

b 3 -. . J -.
.
J J > -. . J -. . J >
Glock. & b 4 J J J J . .
f ff
40

#
299 Presto (q=ca. 144) molto rit. rit.
. .
299

Sop. Cor. & J

>-. . >-. . >-. . >-. . .. ..


& . . . .
Solo Cor. J J J J J J J J J


& . .
Rep. Cor. J

j
2nd Cor. & . .


&
j
3rd Cor. . .

>-
. J
>-
. J
>-
. J
>-
. J
Flug. & . J
.
J
.
J
.
J
. .
J

# . .
Solo Hn & J

E
. .
1st Hn & J

R
#
2nd Hn &
O . .
J


>-. . >-. . >-. . >-. .
J J J J J J J J . .
& J
C
1st Bar.

>-. . >-. . >-. . >-. .


S

& J J J J J J J J . .
2nd Bar. J

. .
O

1st Tbn. & J


M

j
2nd Tbn. & . .
E

?b j
B. Tbn. b . .
D

>-. . >-. . >-. . >-. . . .


Euph. & J J J J J J J J J

# j
Bass Eb & . .

Bass Bb &







. .
j

? b j j j j ^ ^ ^ ^ ^ ^ j
Solo

Timp. b . . . .


Perc.1 / Y

^ ^ j
Perc.2 /

b >-. . >-. . >-. . >-. .


Glock. & b J J J J J J J J .