Beruflich Dokumente
Kultur Dokumente
'Y
Goossens Hall, J,u ne 7
"
, WO, feat,u res 0, f Michael Smetan-
in's recent music have been its
unbridled raw energy and its
instrument!) and a haunting exploration
of wispy sounds. I foun d Shanahan's
version of Martin Wesley-Smith's For
Recorder and Tape more interesting as a
fresh approach to instrumental writing, comment on the popular original ver-
approaching tbetechnical ' capabilities sion, For Marimba and Tape, than as a
of each instrument with something like recorder piece in its own right.
a tabula 'rasa. Both were features of his His technique was put to moving
new piece for,' bass recorder and advantage on A iVan 2 by Vietnamese
harpsichord, Spin, written for, and in' composer Ton-That Tiet.
collaboration with, Ian Shanahan, a For two interesting large ensemble
Sy'dney player who has conducted pieces of the evening, Gerald Humel's
original research into the recorder's less Winter 's Ghosts and Gerard Grisey's
familiar sonic capabilities .. beautifully elusive Talea, Symeron
,
., The work is a furious, disorienting enli sted young conducto r Antony
Walker, whose precision and1musical-
,, study of rapid motion and shifts in
perspective. Spin marks yet another ity were impressive. Walker coaxed
r.' impressive work from Smetanin. It could some of the most disciplined playing I
y ', , scarcely be further removed from either have heard from Syineron. They would
the nw-baroque connotations which the do well to put him on the payroll.
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