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EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

LA PUERTA GRANDE

Flute (PASO DOBLE) POR: NILTON CALDERON TORRES        
Flute
(PASO DOBLE)
POR: NILTON CALDERON TORRES
 
  
     
    
     
  
3
f
8
                  
  
       
3
3
3
21
                       
       
3
3
3
3

27

          3 3 3 3 27 
          3 3 3 3 27 
               

 

 

  

   
                     
                            
 
                            
 

 

 

    

 
                 

                 
 

   
                 

3

36

              
     
   
     
   
     
   
   
3
3
3
3
43
         
 
 
        
  
3
3
 50             
50
       
  

    
      
 
 
82
     
  
        
     
 
   
 
   
89
   
         
      
 
   

   
  97            
97
         
 
 
  
       
A LA
Y
 
3
104              
104
      
    
 
   
          
    

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

LA PUERTA GRANDE

POR: NILTON CALDERON TORRES 1° Clarinet in Bb (PASO DOBLE)     
POR: NILTON CALDERON TORRES
1° Clarinet in Bb
(PASO DOBLE)
 
      
  
 
    
    
3
f
    
    
8
    
   
     
3
3
3
21              
21
                       
     
3
3
3
3
27
 
  
    
       
   
3

36

              
     
   
     
   
     
   
     
 
3
3
3
3
3
3
44
             
   
 
 
    
       
51
      
   

82
     
  
        
   
  
     
  
89
    
       
      
   
   
 
   97           
97
         
 
           
A LA
Y 
3
104              
104
      
    
   
            
 

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

LA PUERTA GRANDE

(PASO DOBLE) POR: NILTON CALDERON TORRES 2° Clarinet in Bb     
(PASO DOBLE)
POR: NILTON CALDERON TORRES
2° Clarinet in Bb
 
  
      
    
    
3
f
8
                       
      
 
3
3
3
22
                     
        
      
3
3
3
3
3
          29    
 
     
29
      
      
3
38
                                       
3
3
3
3
3
46              
46
 
 
    
         
 
 
    
    
   
 52             
52
          

      
  
       

83

              
     
       
     
  
 
90
              
   
      
 
  
  
   

 

 98             
98
        
  
           
A LA
Y 
3
104
             
   
   
   
 

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

LA PUERTA GRANDE

POR: NILTON CALDERON TORRES (PASO DOBLE) 1° Alto Saxophone      
POR: NILTON CALDERON TORRES
(PASO DOBLE)
1° Alto Saxophone
     
 
      
  
    
3
f
8          
     
   
     
 
3
3
17
 
  
       
     
 
3
3
 
 
     
27
      
     
3
37              
37
                                       
3
3
3
3
3
3
45              
45
 
     
 
   
     
   
55
    
 
 
67
 
 
 
83
       
     
 
    
91
        
      
 
99              
99
 
    
         
  
  
A LA
Y 
3
104
 
  
 
 
  
     
  
   
 
 
 
 

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

LA PUERTA GRANDE

POR: NILTON CALDERON TORRES

(PASO DOBLE) 2° Alto Saxophone          
(PASO DOBLE)
2° Alto Saxophone
     
 
  
      
    
3
f
8
    
   
     
   
     
 
3
3
17              
17
       
     
 
  
 
3
3
27
 
  
     
       
     
3
37
     
              
      
   
          
3
3
3
3
3
3
45
 
     
   
   
   
   
55              
55
 
 
   
 
67              
67
 
  
 
83
       
   
 
   
91
    
          
    
 
99              
99
 
         
    
  
  
A LA
Y 
3
104
     
   
 
  
  
 
   
 
 
 
 
 

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

LA PUERTA GRANDE

POR: NILTON CALDERON TORRES

(PASO DOBLE) 2° Alto Saxophone          
(PASO DOBLE)
2° Alto Saxophone
     
 
  
      
    
3
f
8
    
   
     
   
     
 
3
3
17              
17
       
     
 
  
 
3
3
27
 
  
     
       
     
3
37
     
              
      
   
          
3
3
3
3
3
3
45
 
     
   
   
   
   
55              
55
 
 
   
 
67              
67
 
  
 
83
       
   
 
   
91
    
          
    
 
99              
99
 
         
    
  
  
A LA
Y 
3
104
     
   
 
  
  
 
   
 
 
 
 
 

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

LA PUERTA GRANDE

(PASO DOBLE) POR: NILTON CALDERON TORRES Tenor Saxophone       
(PASO DOBLE)
POR: NILTON CALDERON TORRES
Tenor Saxophone
   
   
   
   
   
  
   
f
9
3
3
 
      
   
 
     
 
19
 
     
       
   
 
3
3 3
28              
28
  
  
     
    
     
3

38

          
          

         

46

46 3 3 3   3 3 

3

3

3

 

3

3

 

 

 
   

 

   
 
   

   

   

   

   

 

   

   

   

 

56

   3           
3
   
 
 
 
 
68              
68
 
  
81
         
        
 
       
93
    
 
      
102
    
 
 
    
 
    
    
    
   
A LA
  
Y

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

LA PUERTA GRANDE

(PASO DOBLE) 1° Trumpet in Bb POR: NILTON CALDERON TORRES     
(PASO DOBLE)
1° Trumpet in Bb
POR: NILTON CALDERON TORRES
 
  
      
    
     
3
f
8
    
 
 
  
  
 
 
18
 
  
 
      
 
 
3

31

              
     
   
     
   
3
39
      
   
     
   
     
   
3
3
3
3
3
55
    
3
     
      
3
3

63

              
     
      
  
 
     
 
 
3
3
3
71      3        
71
   
3
     
      
     
 
3
3
79              
79
     
 
  
 
 
  
  
    
3
3
93              
93
      
    
   
        
3
103              
103
   
    
       
  
   
   
 A LA
          
   
Y
EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU LA PUERTA GRANDE (PASO DOBLE) POR:
EXPRESION MUSICAL LA NOBEL
SUR DE AMERICA LIMA PERU
LA PUERTA GRANDE
(PASO DOBLE)
POR: NILTON CALDERON TORRES
2° Trumpet in Bb
3
     
 
      
  
     
f
8
    
 
 
  
  
 
 
18
  
  
 
  
     
 
3
31
     
    
      
   

3

39

              
      
    
      
   
      
    
3 3 3 3 3 46         
3
3
3
3
3
46

68
 
83              
83
   
 
   
101
3
 
 
     
A LA
 
 
Y
 

105

 

 

 

     

 

 

  

 

     

 

 

 

                       

 

   

                               

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

LA PUERTA GRANDE

POR: NILTON CALDERON TORRES (PASO DOBLE) 3° Trumpet in Bb     
POR: NILTON CALDERON TORRES
(PASO DOBLE)
3° Trumpet in Bb
 
  
 
 
 
  
13
     
 
 
  
 
 
26
3
  
   
    
    
35 3 3            
35
3
3
     
   
     
   
     
     
3
3
42
3

3
   
    
     
 

63

 

        

         
         
 
 

 

 

         
         
 
 

         

         
         
         

         78      

78

 

             
             
 

 

             

             
 

 
             
             
             
    

    
    
    
    

   

             

95            A LA 
95
        
A LA
 
   
Y  
104              
104
    
    
 
  
  
 
    
 
 

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

LA PUERTA GRANDE

POR: NILTON CALDERON TORRES (PASO DOBLE) 1° Trombone       
POR: NILTON CALDERON TORRES
(PASO DOBLE)
1° Trombone
   
    
   
       
   
   
   
f
9
 
 
   
 
 
   
    
 
18
 
  
   
 
  
 
 
  
  
 
    
26
3
       
    
 
     
 
      
36
   
   
   
 
 
  
      
  

46

46    
46    
 
46    
 

54

 

 

  

  

 

 

 

             

 

 

   

 

 

   

 

 

 

 

 

  

   

   

63

 

       

  

 

 

   

   

  

   

 

 

71

 

 

 

 

   

  

 

  

   

 

 

  

   

 

   

 

 

  

79

 

 

     

 

  

 

   

   

 

  

 

 

           

 

 

87

          87       

 

 

 

 

 

 

97

   

 

 

 

 

 

 

 

 

 

 

103

 

 

 

 

 

 

A LA

Y

   

 

   

 

 

     

 

               

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

LA PUERTA GRANDE

POR: NILTON CALDERON TORRES

(PASO DOBLE) 2° Trombone           
(PASO DOBLE)
2° Trombone
  
      
   
 
   
  
   
  
   
 
   
  
   
   
  
f
9
  
   
 
   
   
   
    
     
18
  
  
   
   
    
   
    
     
26
   
3
    
 
    
 
      
36
 
   
   
       
 
 
  

46

   

 

 

       
      
   

   
   
   

  

 

 

  

         

54

 

 

 

63

 

71

 

 

  

 

 

 

 

 

 

 

 

79

 

 

  

         

 

87

         87       

 

 

     

97

   

 

 

 

103

   

 

A LA

Y

 

 

 

 

 

     

 

 

     

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

LA PUERTA GRANDE

(PASO DOBLE) POR: NILTON CALDERON TORRES 1° Euphonium       
(PASO DOBLE)
POR: NILTON CALDERON TORRES
1° Euphonium
    
   
    
   
   
   
   
f
8
3
3
  
      
   
 
     
   
     

17

                

               
       

       
       
       
       
       
       
       

   

               
 

 

               
 
 
 

 

   
   
   

  

               
 

 

 

 

               

3

3

27

 3             
3
 
   
  
    
    
 
 
36
   
   
   
  
 
   
 
  
45
  
  
  
 
  
  
  
54
3
   
 
 
  
 
66
 
 
 
79
 
 
   
   
    
   
89              
89
   
  
   
 
  
 
  
  
99     A LA        
99
A LA
 
Y 
104
    

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

LA PUERTA GRANDE

(PASO DOBLE) POR: NILTON CALDERON TORRES 2° Euphonium       
(PASO DOBLE)
POR: NILTON CALDERON TORRES
2° Euphonium
      
 
  
    
 
   
  
    
 
   
  
   
  
f
8
3
3
  
      
   
 
      
    
    

17

              
      
   
 
 
3
3
27
3
   
   
 
    
 
    

36

              
  
   
   
    
    
  
   
45
  
  
  
  
  
  
 
54
3
  
 
 
 
    
66
 
 
 
79
 
 
   
    
   
    
89
  
   
     
    
     
 
99 A LA            
99
A LA
 
 
 
 
Y 
104
  
 
 
  

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

Tuba Bb
Tuba Bb

LA PUERTA GRANDE

(PASO DOBLE)

POR: NILTON CALDERON TORRES

     

                           

       

   

   

   

   

   

   

f

9

      

               

 

               

               

               

18

     

 

    

     
     

 

 

   

 

     
     

 

     
     

 

26



