ULTRATONE K3000FX/K1800FX/K900FX/K450FX

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 60$//+$// ~ 1.0 s reverb decay  6+257'(/$< like a short shattering
 60$//+$// ~ 1.2 s reverb decay  6+257'(/$< 1-2 short impulse(s)
 60$//+$// ~ 1.5 s reverb decay  6+257'(/$< 1-2 short impulse(s)
 0,'+$// ~ 1.8 s reverb decay  0,''(/$< Classic for up-tempo music (115-125 BPM)
 0,'+$// ~ 2.0 s reverb decay  0,''(/$< Classic for mid-tempo music (105-115 BPM)
 0,'+$// ~ 2.5 s reverb decay  0,''(/$< Classic for slow-tempo music (95-105 BPM)
 %,*+$// ~ 2.8 s reverb decay  /21*'(/$< Classic for reggae-tempo music (85-95 BPM)
 %,*+$// ~ 3.2 s reverb decay  /21*'(/$< Classic for dub-tempo music (75-85 BPM)
 %,*+$// ~ 4 s reverb decay  /21*'(/$< Extra long (nearly endless) delay effect
 &+85&+ ~ 7 s reverb decay  /21*(&+2 Extra long canyon echo effect
5220 &+2586
 60$//5220 ~ 0.5 s reverb decay  62)7&+2586 unobtrusive effect
 60$//5220 ~ 0.8 s reverb decay  62)7&+2586 unobtrusive effect with other color
 60$//5220 ~ 1.0 s reverb decay  :$50&+2586 analog sounding
 0,'5220 ~ 1.2 s reverb decay  :$50&+2586 analog sounding with other color
 0,'5220 ~ 1.5 s reverb decay  3+$7&+2586 strong effect
 0,'5220 ~ 1.8 s reverb decay  3+$7&+2586 strong effect with other color
 %,*5220 ~ 2.0 s reverb decay  &/$66,&)/$1*(5 standard flanger effect
 %,*5220 ~ 2.2 s reverb decay  :$50)/$1*(5 more analog touch
 %,*5220 ~ 2.5 s reverb decay  '((3)/$1*(5 deep modulation impression
 &+$3(/ ~ 3 s reverb decay  +($9<)/$1*(5 extreme strong effect
3/$7( 3+$6(3,7&+
 6+2573/$7( ~ 1.0 s reverb decay  &/$66,&3+$6(5 standard phaser effect
 0,'3/$7( ~ 1.5 s reverb decay  :$503+$6(5 more analog touch
 /21*3/$7( ~ 2.2 s reverb decay  '((33+$6(5 deep modulation impression
 92&$/3/$7( ~ 1.2 s reverb decay  +($9<3+$6(5 extreme strong effect
 '58063/$7( ~ 1.0 s reverb decay  3,7&+6+,)7'(781( 2-3-times detune for a wider sound
 *2/'3/$7( ~ 1.2 s reverb decay  3,7&+6+,)7 minor third added voice
 *2/'3/$7( ~ 2.0 s reverb decay  3,7&+6+,)7 major third added voice
 6+257635,1* ~ 1.0 s reverb decay  3,7&+6+,)7 quint above added voice
 0,'635,1* ~ 2.0 s reverb decay  3,7&+6+,)7 fourth down added voice
 /21*635,1* ~ 2.5 s reverb decay  3,7&+6+,)7 1 octave down added voice
*$7(5(9 08/7,
 *$7('5(96+257 ~ 0.8 s gate time  &+25865(9(5% Soft chorus + mid-short reverb
 *$7('5(90,' ~ 1.2 s gate time  &+25865(9(5% Deep chorus + mid-long reverb
 *$7('5(9/21* ~ 2.0 s gate time  )/$1*(55(9(5% Soft flanger + mid-short reverb
 *$7('5(9;;/ ~ 3.0 s gate time  )/$1*(55(9(5% Deep flanger + mid-long reverb
 *$7('5(9'5806 ~ 0.8 s gate time  3+$6(55(9(5% Soft phaser + mid-short reverb
 *$7('5(9'5806 ~ 1.2 s gate time  3+$6(55(9(5% Deep phaser + mid-long reverb
 5(9(56(6+257 ~ 0.8 s reverb raise  3,7&+5(9(5% Soft voice detuning + mid-short reverb
 5(9(56(0,' ~ 1.2 s reverb raise  3,7&+5(9(5% Fourth above interval + mid-long reverb
 5(9(56(/21* ~ 2.0 s reverb raise  '(/$<5(9(5% Short delay + mid-short reverb
 5(9(56(;;/ ~ 3.0 s reverb raise  '(/$<5(9(5% Mid-long delay + mid-long reverb
($5/5() 08/7,
 ($5/<5()/(&7,21 short  '(/$<*$7('5(9 Short delay + mid-long gated reverb
 ($5/<5()/(&7,21 mid-short  '(/$<5(9(56(5(9 Mid-short delay + mid-long reversed reverb
 ($5/<5()/(&7,21 mid-long  '(/$<&+2586 Short delay + soft chorus
 ($5/<5()/(&7,21 long  '(/$<&+2586 Mid-long delay + deep chorus
 6+257$0%,(1&( short  '(/$<)/$1*(5 Short delay + soft flanger
 0,'$0,(1&( mid-short  '(/$<)/$1*(5 Mid-long delay + deep flanger
 /,9($0%,(1&( mid-short  '(/$<3+$6(5 Short delay + soft phaser
 %,*$0%,(1&( mid-long  '(/$<3+$6(5 Mid-long delay + deep phaser
 67$',80 long  '(/$<3,7&+ Short delay + fourth down interval
 *+267$0%,(1&( extra long special fx  '(/$<3,7&+ Mid-long delay + minor third above interval
Version: 1.0 Date: 11.2006

2006 BEHRINGER International GmbH