eee 3 x Sect eWry BUILDINGS FALL DOWN How Structures Fail ae LEVY an MARIO SALVADOR! Illustrations by KEVIN WOEST W-W- NORTON & COMPANY New York London© 1987 BMG Songs, Inc. and Don Schlitz Music/MCA Music. Used by permission. All rights reserved. “Strong Enough to Bend.” Words and music by Don Schlitz and Beth Nielson Chapman. © Copyright 1988 by MCA Music Publishing, a Division of MCA Inc., Don Schlitz Music and Uncle Artie Music, a division of The MTM Music Group. Rights of Don Schlitz Music administered by MCA Music Publishing, a division of MCA Inc., New York, New York 10019. Used by permission. All rights reserved. Copyright © 1992 by Matthys Levy and Mario Salvadori Illustrations Copyright © 1992 by Kevin Woest All rights reserved Printed in the United States of America The text of this book is composed in Aster with the display set in Avant Garde Gothic Manufacturing by The Maple-Vail Book Manufacturing Group. Book design by Jacques Chazaud Library of Congress Cataloging-in-Publication Data Levy, Matthys. Why buildings fall down: how structures fail / Matthys Levy and Mario Salvadori. : cm. Includes index. 1. Building failures. 2. Structural failures. I. Levy, Matthys, 1929— Salvadori, Mario George, 1907— II. Title. TH441.L48 1992 690'.21—dc20 91-34954 ISBN 0-393-03356-2 W.W. Norton & Company, Inc., 500 Fifth Avenue, New York, N.Y. 10110 W.W. Norton & Company Ltd., 10 Coptic Street, London WCIA 1PU 7...To the memory of my mother-in-law, Judith Book- man, who, upon receiving on her ninety-second birthday the first copy of Why Buildings Stand Up, said matter-of-factly: ‘‘This is nice, but I would be much more interested in reading why they fall down.” Mario G. SALVADORI To the children yet unborn For whom discovering the past Will open the door to the future. Mattuys P. LevyContents PREFACE 9 ACKNOWLEDGMENTS 11 INTRODUCTION 13 1. The First Structural Failure 17 2. Miracle on Thirty-fourth Street 25 3. Will the Pantheon Stand Up Forever? 31 4. For Lack of Redundancy 55 5. Big Bangs 76 6. The Day the Earth Shook 90 7. Galloping Gertie 109 8. When Metals Tire 121 9. Thruways to Eternity 13410. The Weaknesses of Mother Earth 11. Valley of Tears 12. The House of Cards 13. Structural Dermatology 14. Old-Age Death 15. The Worst Structural Disaster in the United States 16. The Politics of Destruction 17. The Structure of the Law 18. Conclusion: Can We Prevent Future Failures? APPENDICES A. Loads B. Stress and Strain C. Structural Materials D. Structural Systems INDEX CONTENTS 149 161 173 183 207 221 231 242 257 269 277 280 283 315Preface It seemed almost unavoidable that having written a book entitled Why Buildings Stand Up, I should be pushed by my friends (and my wonderfully friendly editor, Edwin Barber) to write another called— what else?—Why Buildings Fall Down. I have at long last given in to the temptation of explaining structural failures in lay language, a simple but exciting task, but only because the coauthor of another of my books, Matthys Levy, a master of structural design, has enthusiastically accepted to write it with me. He and I can apply eighty-five years of design and teaching experience, and sixty of investigations into structural failures, to the job of helping us relieve the fears of the uninitiated, while tak- ing the reader on an interesting and, we hope, entertaining trip that will make the reader see buildings as never before: with a clear understanding of why they stand up and why, yes, but once in a blue moon, they fall down. Mario SalvadoriAcknowledgments Besides those we might have unjustly forgotten, we thank the fol- lowing friends who helped us bring this book into print and do this in an alphabetical order that is not to be interpreted as a hierarchy of gratitude: Edwin F. Barber, our patient, friendly, encouraging, and skillful master editor Mindy Hepner, our word-processing expert who almost allowed us to meet our schedule Julie Hubley Levy, understanding critic, enthusiastic and loving supporter Landon Prieur, the Weidlinger Associates librarian, who ferreted out valuable hidden sources of information Carol B. Salvadori, private editor and copy reader to one of us, who translated into correct English all the Italianate chapters of this book Erica Vogt and Midge Esterman, our extraordinary secretaries at Weidlinger Associates, who, unbelievably, succeeded in putting this book together.Introduction Once upon a time there were Seven Wonders of the World. Now only one survives: the mountainlike Pyramid of Khufu in the Egyp- tian desert near Cairo. The other six have fallen down. It is the destiny of the man-made environment to vanish, but we, short-lived men and women, look at our buildings so con- vinced they will stand forever that when some do collapse, we are surprised and concerned. Our surprise may be partly due to the fact that most of us judge buildings by their facades: They look beautiful when very old and ugly when very young, the opposite of human faces. But this kind of judgment is superficial and misleading; a much better metaphor for a building is the human body. A building is conceived when designed, born when built, alive while standing, dead from old age or an unexpected accident. It breathes through the mouth of its windows and the lungs of its air- conditioning system. It circulates fluids through the veins and arteries of its pipes and sends messages to all parts of its body through the nervous system of its electric wires. A building reacts14 INTRODUCTION to changes in its outer or inner conditions through its brain of feed- back systems, is protected by the skin of its facade, supported by the skeleton of its columns, beams, and slabs, and rests on the feet of its foundations. Like most human bodies, most buildings have full lives, and then they die. The accidental death of a building is always due to the failure of its skeleton, the structure. Since the readers of this book are interested in learning why buildings fall down, they expect from us an explanation of structural failures. But just as medical doc- tors consider health to be the norm and disease the exception, and gain most of their knowledge from illness, so engineers consider standing buildings the norm and structural failures the exception, although they learn a lot from failures. Our readers then should know why almost all buildings stand up. This may appear a diffi- cult task. Buildings serve so many purposes and come in so many shapes. They consist of so many materials meant to resist so many kinds of loads and forces. How can a mere layperson understand how structures work? Luckily one need not be an expert. Structural behavior can be understood by the uninitiated on the basis of physical intuition and without appeal to physics or mathematics simply because whatever the structural system—the steel frame of an office build- ing or the dome of a church—whatever the materials used in con- struction—steel, wood, reinforced concrete, or stone—and whatever the forces acting on it—caused by gravity, wind, earthquake, tem- perature changes, or uneven settlements of the soil—the elements of a structure can react to these forces only by being pulled or pushed. Come along with us then on this voyage of discovery. Once you appreciate how structures behave, you will also learn that as if they had a social duty toward us, structures always do their very best not to fall down. The readers eager to acquire a better understanding of why almost all buildings stand up may refer to the appendices of this book, where the basic behavior of structures is explained in simple terms and without any appeal to notions of mathematics or phys- ics.WHY BUILDINGS FALL DOWNThe First Structural Failure If you wish to control the future, study the past. Confucius ccording to the Old Testament, the early inhabitants of the earth, the ancient Babylonians, were “of one language, and of one speech.” Linguists, with the help of archaeol- ogists, paleontologists, and geneticists, have been able to reconstruct between 150 and 200 words of this Babylonian-claimed proto-world language, the earliest we know of in humanity’s one hundred thousand years. It is a magnificent thought: one people, one language. But our earliest forefathers were not content. So ambitious were they that they determined to build a city with a tower reaching heaven, and God, offended by their pride, broke their single speech into so many different languages that the Bab- ylonians, unable to understand one another, were stymied in their18 WHY BUILDINGS FALL DOWN plan, and their tower collapsed. The God offenders were scattered over the face of the earth: “Therefore is the name of it called Babel [from the Hebrew balal (to mix up)]; because the Lord did there confound the language of all the earth.” Thus was the first structural collapse attributed to the Almighty, an excuse denied to today’s engineers, despite events known in the trade as “acts of God.” In their hearts, engineers know that a sim- pler explanation can be found for the collapse of the Tower of Babel. Even the toughest stone would eventually crack under the weight of more and more stones piled up on it, and even if the mythical tower had not reached such a height, an earthquake would have brought it down because the earthquake forces grow in proportion to the weight of a building and the square of the height. Of the Seven Wonders of the World, only one stands today: Khufu’s pyramid in Egypt. What happened to the other six? Sev- eral, like the Hanging Gardens of Babylon, probably were aban- doned and died. The Pharos (lighthouse) of Alexandria in Egypt, completed by Sostratus Cnidus in the reign of Ptolemy II, c. 280 B.c., which is estimated to have been an incredible 350 ft. (105 m) high, was demolished by an earthquake in the thirteenth century. The Greek Mausoleum of Halicarnassus of c. 352 B.c., built in today’s Turkey in memory of Mausolus of Caria, was also demolished by an earthquake in the fourteenth century and became a quarry sup- plying stone to the Knights of St. John as they built their castle. Some of its sculpture was recovered in 1856 by Sir Charles New- ton, who shipped it from Halicarnassus to the British Museum in London. The Temple of Artemis, at Ephesus in Greece (now Tur- key), built c. 550 B.c., burned down in the fourth century B.c., was rebuilt in the third, and was destroyed by the Goths when they sacked Ephesus a.D. 362. The Colossus of Rhodes in Greece and the Olympian Statue of Zeus in Athens, the work of the greatest sculp- tor of antiquity, Phidias, in 435 B.c., were probably vandalized by later invaders or dismantled to recover the golden decoration of Zeus’ image. Only Egypt’s pyramids remain standing after almost five thousand years, but not all of them: The Pyramid at Meidum has shed 250,000 tons of limestone outer casings, and what remains of it is a three-step structure emerging from a sea of sand and stone blocks (Fig. 1.1). The Egyptian pyramids were built to solve four problems, all essential to that first of all centralized states, but each of a basi- cally different nature: the solution of the mystery of death, a spir-THE FIRST STRUCTURAL FAILURE 19 itual problem; the assertion of the divine power of the pharaohs, a political problem; the employment of the peasant masses during the Nile’s floodtime that made the valley fertile but deprived them of work, a social problem; and the need of an observatory for the study of the heavens, a scientific problem. The shape of these man-made mountains is the most logical for monuments of great height (up to 481 ft. [144 m]) to be erected in a country where the only available structural material was stone: the local stone along the northern banks of the Nile used to build the central mound and the white limestone of the southern Tura quarries for the finished outer casings. The Egyptians did not know the block and tackle, did not use the wheel for transportation of heavy loads, and knew no metal harder than copper. It is amazing, therefore, to realize that they cut, transported, and erected pyra- mid blocks weighing from 2.5 tons (2.3 million of them for the Great Pyramid at Gizeh) to 20 tons (for the roof of the king’s chamber there). 4.4 Pyramid of Meidum20 WHY BUILDINGS FALL DOWN In the belief that the dead had to be surrounded by all the con- veniences of life in order to be happy, the all-powerful Egyptian priests filled the pyramid chambers around the king’s sarcophagus with his most precious possessions and closed them with ingenious stone doors to prevent thievery. Then, as now, the thieves were smarter than the police, and the treasures were looted throughout thirty Egyptian dynasties. Aware that the top stones of a pyramid had to support only their own weight, while the bottom blocks supported the weight of all the stones above them—6.5 million tons in the Great Pyramid at Gizeh—they adopted for the sloping faces of all of them, except two, a angle of 52°, which gives a height of 2 / 7 or about two-thirds of the side of the square base.* Thus the increasing weight sup- ported from the top down burdened a larger and larger number of blocks, and the pyramids had a geometrical shape similar to that of most mountains. This is the natural shape caused by gravity, since the main forces usually acting on both pyramids and moun- tains are due to their own weight, the so-called dead load. We can now ask: Was the Meidum Pyramid so poorly built that it could not even support its own weight? Historians have explained the Meidum disaster as caused by the theft of pyramidal blocks to place in other monuments and temples. The trouble with this hypothesis is that there are no temples or cities in the neighbor- hood at Meidum. Most of its two-ton blocks lie around its base. It is now believed that the casings’ blocks collapsed as a consequence of an earthquake. But it may be objected: How come this happened at Meidum and at no other pyramid? Here is where engineering design explains the reason of this exception, together with the story told by the other two pyramids at Meidum. Learning the lesson of the Meidum Pyramid, the designers of the next pyramid, the Bent Pyramid at Dahshur (Fig. 1.2), which * Since it is believed that the Egyptians measured distances by counting the number of turns of a circular wheel, their use of the ratio 2/7 does not prove that they knew the exact value of 7m (the ratio between the circumference and the diameter of a circle), since this value disappears in the ratio of two lengths both measured in terms of 7. In fact, they gave 7 the biblical value 3. It is more likely that the ratio was derived as V@/2 where @= 1.618 is the golden number which is defined as the ratio of the major to the minor segment of a line, equal to the ratio of the whole line to the major segment. The greeks, the Romans, and the Egyptians imbued the golden section with magical aesthetic proper- ties.THE FIRST STRUCTURAL FAILURE 21 4.2 Bent Pyramid at Dahshur had been started with a slope of 52°, continued it, from about two- thirds of the way up, at the safer angle of 43.5°. That angle gives a ratio of height to side of only 1.5/7 or about one-half rather than two-thirds of the side. The next pyramid, the Red Pyramid at Dah- shur, was erected from day one at the safe angle of 43.5°, but from then on all the pyramids standing today used the classical slope of S27 A careful inspection of the Meidum Pyramid reveals two signif- icant features that explain both its collapse and the more daring angle of its successors. The bottom casings, still intact, show that the pyramid was started at the 52° angle but that the foundation under these casings rests directly on desert sand rather than, as usual, on rock and that the casings blocks are set in horizontal lay- ers and not inclined inward, as in all other pyramids (Fig. 1.3). Thus two relatively minor design decisions were responsible for the catastrophe, since a sandy soil magnifies the earthquake forces and setting the casings horizontally made it easier for them to slide out and fall to the ground.22 WHY BUILDINGS FALL DOWN 4.3a Meidum Pyramid Foundation 4.3b Standard Pyramid FoundationTHE FIRST STRUCTURAL FAILURE 23 This lesson was not lost on Imhotep, the greatest mathemati- cian and engineer in Egyptian history, whose design of the Great Pyramid at Gizeh in the Fourth Dynasty was imitated in all tech- nical details in all later pyramids. Imhotep was made a god and venerated by the Egyptians for three thousand years. We cannot help remembering that poor Filippo Brunelleschi (1377-1446), a devout Catholic, was not even beatified although he built without a scaffold the magnificent dome of the Florence cathedral, Santa Maria del Fiore, which could well be considered a miracle.* * Unfortunately two miracles are required to be made a blessed and four for sainthood.