Beruflich Dokumente
Kultur Dokumente
SATURDAY, AUG 19
8:00- Registration
10:00am
9:00- BOOK LAUNCH (10:00 am) WORKSHOP I: DIGITAL PUBLISHING (9:00 am-4:30 pm)
10.30am Room: Walcott Warner Theatre, EBCCI Room: TBA
12:30- Lunch
1:30 pm
1:30- PANEL I: Indigenous Cultural Forms, PANEL II: Cultural Industries PANEL III: Cultural Industries PANEL IV: Caribbean
3.00 pm Spirituality and Artistic Expressions and Economic and Economic Culture and Embodied
Room: PED Development I Development II Identities
Room: CIN Room: LT2 Room:
Black Bodies: A performance ritual
for the dead and the living. Fabian Agri-tourism: A Cultural Losing Self, Playing Self in Grandmother as
Thomas. Industry with a Pathway to Trinidad and Tobago Keeper of the Sacred
Economic Development in Carnival: The Effect of Trust and Cultural
Looking through the lenses of the The Bahamas. Erecia Motivations for Memory: Presencing
Bajan Body as the living drums with Hepburn Participation on the Cultural Identity in the
roots in Ga and the Ibo/Yoruba Constitution of the Festival. Private Space of the
pantheon. Ian Douglas Making the Local Global Sue Ann Barratt Spiritual Baptists.
"The Development of
SATURDAY, AUG 19
The Vodou Doll in America: A Tobagos Cultural/Creative Cultural Tourism and the Omowale Elson
Snappy Exploration of Assotto Industry as a means of Possibilities of Resistance.
Saints Bitchiness. economic diversification" Angelique V. Nixon
Mario LaMothe, Assotto Saint Glenda-Rose Layne
Festival Tourism: Whither its
Steelpan Tourism in the Legacy? Indigenous
Twenty-first Century. Cultural Forms, Spirituality
Andrew Martin and Artistic Expressions.
Angelique V. Nixon
The Creative Arts and
Knowledge Production: The Slave Identity its
Valuing the Creative retention through Dance.
Process. Pedro Perini and Emelda Lynch-Griffith
Alicia Charles
3.00- Coffee
3:30pm
3:30- PROCESSIONAL
5:00pm
FILM SCREENINGS I: Julia and Joyce
Room: CIN
Student Films The University of the West Indies Riddimm Tribe. Aisha Commissiong
Cave Hill and St. Augustine Campuses
SUNDAY, AUGUST 20
9:00-10.30am WORKSHOP IX: CULTURAL POLICY AND WORKSHOP X (9:00 am - 4:30 pm)
INTELLECTUAL RIGHTS (VIII) Room: ALT
READ-In! Stage Play Readings. National Cultural
Foundation
10:30-11:00am Coffee
An Isle So Long Unknown: A National Cultural Heritage Policy for Bermuda. Dr. Kim Robinson.
Civil Society and its Role in Shaping Cultural Policy. Pinelands Creative Workshop- Barbados and OCES
The Economic Partnership Agreement between CARIFORUM and the EU: Cultural Trade Beyond the Region.
SUNDAY, AUGUST 20
Caribbean Export
12:30-1:30 pm Lunch
3.00-3:30pm Coffee
3:30- 5:00pm PANEL VI: INTELLLECTUAL PROPERTY Intellectual Property and the WORKSHOP
Room: (WW), Food Sector-Best Practices. Room: LT1
Jamaica.
Bringing Reggae Music Home: The Dot to Dot: The Arts. Janelle
Protection of a Music Genre as a Mitchel
Geographical Indication. Erica K. Smith
& Dr. Wendy Hollingsworth
8:00- Registration
9:00am
10:30- Coffee
11:00am
11.30 PANEL: CARIBBEAN CULTURE AND EMBODIED IDENTITIES PANEL: VISUAL CULTURE AND REPRESENTATION
am- Room: PED Room: CIN
12:30 pm
Pride in our Ancestry: Enriching Caribbean Identity The Arts in Caribbean Society. Susan Alleyne
through Genealogical Research. Judith Toppin
Digital Bermudiana. Alan Smith
The Caribbean and the Arts: The Indo-Trinidadian
Contribution to World Civilisation Dr Kumar Mahabir
12:30- Lunch
1:30 pm
on dub Theatre Theatre, Heritage & Innovation NCF Working Title "Freeze"-Tina Puckerin
MONDAY 21
Identifying and Explaining New Trends in the Globalization of Caribbean Culture and the Development of Caribbean
Creative Industries. Aurelia Bruce
JCDC Festival of the Performing Arts: a best practice for the Region. Zahra Henry
Innovating Cultural Industries for Economic Development: Proposing a Methodology for Research. Chantal Dos Santos
Work Work Work: An international cultural industry division of labour and profit. Margaret Harris
3.00- Coffee
3:30pm
3:30- PANEL: CARIBBEAN CULTURE AND GLOBAL CHALLENGES PANEL: CULTURAL INDUSTRIES AND ECONOMIC
5:30pm Room: (PED) DEVELOPMENT II
Room: (CIN)
Beyond the circle of white boulders around the flagstaff.
Dr. Fazal Ibrahim Ali Fete Economics: Leveraging Culture for Regional Integration
& Development. Sade N. Jemmott, Tamaisha A. Eytle
Culture: The Foundation of Development. H. Lincoln and Jonelle M. Watson.
Douglas
The JOuvert Approach to Entrepreneurship: The Twenty-
The Creative Arts Education in the Caribbean: Illuminating Year Journey of 3 Canal. Sonja Dumas.
the HUES in YOU. Collette Jones
How defamation law affects the practice of law in the
VI Caribbean Heritage Education & Arts Legacy: HEAL365 Caribbean. Aurora Herrera
Perspectives on 100 Years of Foreign Sovereignty. Chenzira
Davis Kahina
TUESDAY 22
8:00- Registration
9:00am
Title by E. PALCY
10:30- Coffee
11:00am
11.30 PANELS: CARIBBEAN CULTURE AND EMBODIED IDENTITIES PANELS: CARIBBEAN CULTURE AND EMBODIED IDENTITIES
am- Room: PED Room: CIN
12:30
pm The Hip as a Weapon: Further investigations into the Trinidad Locating the "I" in Paradise: Caribbean Selfhood & Tourism.
and Tobago Wining Complex. Sonja Dumas, Adam Patterson
Just Call Me Sarah: The Colours of a Woman. Cher- A case for a hopeful future of Anglo-Caribbean culture and
Antoinette Corbin expression, with focus on Trinidad and Tobago. Simone
Delzin
A Rosy View of Women in Calypso. Gelien Matthews
The Globalization of Calypso. Rudolph Ottley
Blocking Both Head and Foot: An Examination of Bajan Stick
Fighting. Philip Forde
TUESDAY 22
12:30- Lunch
1:30 pm
1:30-- ROUNDTABLE: COMMUNITY MUSEUMS WORKSHOPS (1:30-4:30) WORKSHOP (1:30-4:30) WORKSHOP (1:30-4:30)
3.00pm Room: WW Room: RR Room: CIN Room: DS
Title on dub Theatre. Business Models for the Igniting Teens through
Ahdri Zhina Mandiela Arts: A Creative Canvas. Carnival Arts - Rachel
Bianca Welds Watts
3.00- Coffee
3:30pm
3:30- PANEL: COMMUNITY MUSEUMS: PANEL: CULTURAL INDUSTRIES AND PANEL: HAITIAN PERSPECTIVES ON THE
5:00 pm CHALLENGES AND LEGACY ECONOMIC DEVELOPMENT CULTURE AND CREATIVE INDUSTRIES
Room: PED Room: CIN Room: WW
Building a National Museum (working Cultural Industries: a catalyst to Preservation, Heritage and
title). Natalie Urquhart Caribbean Development. Wazari Development of Cultural and
Creative Industries in Haiti: The Case
Johnson
Digital Curation of Digital Cultural Assets: of Voodoo. Emmelie Prophte Milc
Mutual interest of ALaRMs. Emerson International Trade in Cultural Goods
Bryan Popular Traditions, National Elites and
and Services: A Caribbean
Cultural Industry. Lyonel Trouillot
Perspective. Troy Lorde & Cherise
Trotman Local heritage and global economic
challenges: the case of Haitian
The Tropicalisation of Policy: The gastronomy. Jean-Euphle Milc
Creative Economy Concept in
Colombia & Brazil. St Dancey The Creative Economy in the
Caribbean, between Myth and
Festival Tourism and Cultural Reality. Nesmy Manigat
Development In The Bahamas.
Angelique Mckay The State of the Economy of Culture in
Haiti: Creativity, Creation, Production,
Commercialization and Consumption.
Rose Nesmy Saint-Louis
TUESDAY 22
TBA
Jerry Michel, National Ethnology
Office and State University of Haiti.
Word Soul: The Lorna Goodison Edition Frontiers of the Caribbean by Philip Nanton
WEDNESDAY 23
8:00- Registration
9:00am
10:30- Coffee
11:00am
Caribbean Coconut Legacy of Lagos: Reflections on the Food culture of the Brazilian Quarters of Lagos. Clement
Cecilia Titilayo
WEDNESDAY 23
3.00- Coffee
3:30pm
3:30- PANEL H: CARIBBEAN CULTURE AND GLOBAL CHALLENGES PANEL: CARIBBEAN CULTURE AND EMBODIED IDENTITIES
5:30pm Room: (PED) Room: CIN
Negotiating the twists and turns of climate change: a History, tradition, and the profanity of the present or
journey around Caribbean museums and resilience the other way around? [Re]considering the relativeness
potential. Anne-Laure Scholastique, Sciences Po Rennes
of past-ness in the Caribbean present through the eyes
of a poet. Christopher Williams
The challenge and opportunity of technology to Caribbean
culture and identities. Rev. Dr. Charles Jason Gordon
Derek Walcott: The Final projects. Travis Weekes
5:00- PERFORMANCE (V) BOOK LAUNCH
7:00pm Room: WW Venue: 3Ws
Venue: WW Theatre
Room Key:
(3Ws) 3Ws Pavilion (located at (RR) Rehearsal (ALT) Arts Lecture Theatre (located in (WW) Walcott Warner Theatre
the entrance to the main Room (EBCCI) the Fac of Humanities on the main (located on the main Campus)
Campus) Campus)
(CIN) Cinemateque (EBCCI) (DS) Dance (PED) George Lamming Pedagogical (LT1) Roy Marshall LT1,2 or 3
Studio (EBCCI) Centre (EBCCI) (located on the main Campus)