Beruflich Dokumente
Kultur Dokumente
Andy
By Frank Zappa
Intro
Moderately q = 108
Asus4 Am7#5
(Chimes)
*Gtr. 1
mf (cont. in slashes)
10 13
10 13
9 12
**Gtr. 4
mf
(cont. in slashes)
13
13
12
Gtr. 5
mf
17
***Gtrs. 2 & 3
mf
5 5 17 17 5 5 17 17
***Gtr. 2: Bass arr. for gtr.;
Gtr. 3: Synth arr. for gtr.
Chord symbols reflect overall harmony.
A B
Gtrs.
1&4
Gtr. 5
w/ bar w/ bar
6 6 6 6 8 8
7 7 7 7 9 9
7 7 7 7 9 9
5 5 5 5 7 7
Gtrs. 6 & 7 (dist.)
mf w/ bar w/ bar
6 6 6 6 8 8
7 7 7 7 9 9
7 7 7 7 9 9
5 5 5 5 7 7
Riff A
Gtr. 2
7 7 7
5 5 5
Slightly faster q = 112
A B
w/ bar
11 12 11
14 12
8 6 6
9 7 7 7 9
9 7 7 7 9
7 5 5 5 7
3
w/ bar
4 5 4
8 6 6 6 4
9 7 7 7 9
9 7 7 7 9
7 5 5 5 7
End Riff A
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5
2
Gtr. 1 tacet
Gtr. 2: w/ Riff A (1 1/2 times)
A B A B
Gtr. 4
Gtr. 5
3
11 12 11
12 12 10 10 12 12 12 14 12 12 12 10 10 12
9 9
Gtrs. 6 & 7
10 10 12 12 12 4 5 4 10 10 12
4 9 6 4 4 9
A B
3 3
Ah, ah, ah, ah,
Gtr. 5
3 3
10 7 9 7 9 9 11 11 7 9 7
12 12 12 10 7 7 7 10 10 7
Gtr. 8 (dist.)
3
3
mf
10 10 12 12
4 6 4 9 4 6 4
7 4 4 4 7 4
Gtrs. 6 & 7
3 3
10
12 12 12 4 5 4 10 10 12 12 12 4 5 4
6 4 4 4 9 6 4
3
A B
ah, oo. 1. Spoken: Is there
Gtr. 5
9 9 11 11 14 11
7 10
Gtr. 8
10 10 12 12 15 12
9
4
Gtrs. 6 & 7
10 10 12 12 15 12
4 9
9
Gtr. 2
7 7 7 7 7 7 7 7 7 7 7 7 7 7
5
5 5 5 5 5
4
Verse
Gtrs. 5-8 tacet
D5 C,7#5 D5
an - y - thing good in - side of you? If there is, I real - ly wan - na know. Is there
Gtrs. 1 & 4
7
9
9
Gtr. 3
Gtr. 2
5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5
C,7#5 D5
an - y - thing good in - side of you? If there is, I real - ly wan - na
7
9
9
5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5
5
C,7#5 D5 C#,7#5 D5 C,7#5 D5
know. Is there an - y - thing good in -
7 8 7
9 10 9
9 10 9
8 9 8
5 5 5 5 5 5
5 5
Gtr. 2 tacet
B,7#5 D5 Bb,7#5
side of you? If there is, I real - ly wan - na know. Uh,
6 5
8 7
8 7
7 6
5 5 5 5 5 5 5 5
5 5 5 5 5
6
Free time
Gtrs. 1, 3 & 4 tacet
B9
is there?
*Gtr. 9 3
3 3
mf
7 7 7 7 7 7
6 6 6 6 6 6 6 6 6 6 6 6
7 7 7 7 7 7 7 7 7 7 7 7
6 6 6 6 6 6 6 6 6 6 6 6
7 7 7 7 7 7 7 7 7 7 7
*Piano arr. for gtr.
=
Verse 3
Slowly q. = 56
Gtr. 9 tacet
E A7
** **
3 *
2. Is there an - y - thing good in - side of you? If there is, I real - ly
Gtrs. 6 & 7
4
2 4 2 2 4 2 0 2 4
0 4 4
*Sung as even sixteenth-notes where indicated, next 7 meas.
**Sung ahead of the beat where indicated, next 9 meas.
E
**
3 3 **
* 3
wan - na know. Is there an - y - thing good in - side of you?
grad. bend
1/2 1/2 1/4
4 4 4 4 4 4 2
2 4 2 0 2 2 4 2
0 4 3
7
Free time
B5 D5/B
**
3
If there is I real - ly wan - na know, real - ly wan - na know.
8 9 9 9 9 9 9 9 9 9 12
8 9 9 9 9 9 9 9 9 9 12
6 7 7 7 7 7 7 7 7 7 10
Pre-Chorus
Moderately q = 110 =
Gtr. 9 tacet
B9 A B7/A
3
Some - thing,
(An - y - thing,
Gtrs. 6 & 7
4 5 4 10 10 12 12
6 4 4 9
12
12
10
Gtr. 9
3 3 3
6 6 6 6 6 6 6
7 7 7 7 7 7 7
6 6 6 6 6 6 6
7 7 7 7 7 7 7
A B7/A
3
some - thing.
an - y - thing.)
Gtrs. 6 & 7
10
4 5 4 10 10 12 12 12
6 4 4 9
8
A B7/A
Riff B
Gtr. 5
7 9 7 9 9 11 11
10 7 7 10
Riff B2
Gtr. 7
7 9 7
9 8 8 9 11
11
Riff B1
Gtr. 6
4 5 4 10 10 12 12
6 4 4 9
A B7/A
End Riff B
7 9 7 9 9 11 11 14 11 11
10 7 7 10
End Riff B2
7 9 7
9 8 8 9 9 11 14 11
11
End Riff B1
11
4 5 4 10 10 12 12 12
6 4 4 9
9
Gtr. 2: w/ Riff A (2 times)
Gtr. 5 tacet
A5
Gtr. 9
14 14 14 14 14 14 14 14
14 16 16 14 16 14 14 16 14 14 16
16 16 16
*Gtrs. 6 & 7
7 7
7 7
5 5
*Composite arrangement
A A
let ring
12 12 11 11 9 12 11 9 11 9
14 14 12 12 14 12 9 12 10
13 13 11 11 13 11 9 11 9
6 6 6 6 4 6
7 7 7 7 5 7
7 7 7 7 5 7
5 5 5 5 3 5
B7/A A B7/A
Uh, show me a sign
w/ fingers
12 12 11 11 9 12 11 9 11 9
14 14 12 12 10 14 12 10 12 10 2 4 4 2 4
2 4 4 2 4 4
2 4 4 2 4 4
11 11 9 9 7 11 9 7 9 7
6 8 8 6 6 8 8 8 8 8 8 8 8 8
7 9 9 7 7 9 9 9 9 9 9 9 9 9
7 9 9 7 7 9 9 9 9 9 9 9 9 9
5 7 7 5 5 7 7 7 7 7 7 7 7 7
10
Chorus
Slightly faster q = 117
Gtrs. 6, 7 & 9 tacet
C#m7 F#sus4 F#
Rhy. Fig. 1A End Rhy. Fig. 1A
Gtr. 11
(clean)
mf
(cont. in notation)
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 10 (clean)
mf
let ring let ring
12 12 X X 12 12 12 12 12 X X 9 9 X 9 9 9 9 9 9 X X
12 12 X X 12 12 12 12 12 X X 9 11 11 X 11 11 11 11 11 11 X X
11 13 13 X X 13 13 13 13 13 X X 9 11 11 X 11 11 11 11 11 11 X X
Gtr. 12 (clean)
mf
1/4
3 4 X X 4 4 4 X X 4 4 X X 4 X X X 4 4 4 X 4 4 X X
if you dont mind. Uh, show me a sign
Gtr. 3
9 9 9 9
9 11 9 11 9 11 9 11
Gtr. 11
8 9 X X X X 9 9 9 9 9 9 X X 7 X X X X 6 6 6 6 6 6 X X
8 9 X X X X 9 9 9 9 9 9 X X 7 X X X X 7 7 7 7 7 7 X X
8 9 X X X X 9 9 9 9 9 9 X X 6 X X X X 6 6 6 6 6 6 X X
8 9 X X X X 9 9 9 9 9 9 X X
11
Gtr. 11: w/ Rhy. Fig. 1A (1 1/2 times)
C#m7 F#
Gtr. 3
12 12 12 12 12 12 12 14 11 11 10 11 14 14 11
13 13 13 13 13 13 13 11 11 10 11 11 11 8
11 11 11 11 11 13
11 11 11 11
C#m7 F# Dsus2
Gtrs.
10 & 11
if you dont mind.
Gtr. 4
17 19
Gtr. 9
Gtr. 12
divisi
1/4 (Gtr. 12, cont. in slashes)
9 11
3 4 X X 4 4 4 X X 4 4 X X 4 X X X X X X X X 5 0 0
Gtr. 3
w/ pick & finger
12 14 14 12 9
12 12 12 12 12 11 8 11
13 13 13 13 13 8 11
11 11 11 11 11 13 13 11
11 11 11 11
6 9
12
Interlude
Gtr. 3 tacet
Dsus2
Rhy. Fig. 2 End Rhy. Fig. 2
*Gtrs. 10
11 & 12
8va
Gtr. 4
16 19 16 16 17 16
19 17 19 17 17 19 19 17 19 17 17 17 19
Gtr. 9
9 12 9 9 10 9
11 9 11 9 9 11 11 9 11 9 9 9 11
*Composite arrangement
8va
Gtr. 4
16 19 16 16 17 16
19 17 19 17 17 17 19 19 17 19 17 17
Gtr. 13 (clean)
Riff D
mf
7 9
Gtr. 9
9 12 9 9 10 9
11 9 11 9 9 9 11 11 9 11 9 9
Gtr. 13
End Riff D
6 9 6 6 7 6 6 9 6
9 7 9 7 7 7 9 9 7 9 7 7 7 9 9 7 9 7 7 7 9
13
Gtrs. 10, 11 & 12 tacet
Dsus2 D C/D D
Gtrs. 10,
11 & 12
Gtr. 13
6 7 6
9 7 9 7 5 5
7 7
Gtr. 7
w/ slide
5 5 5 7 7 5 5 5 7 7
5 5 5 7 7 5 5 5 7 7
5 5 5 7 7 5 5 5 7 7
Gtr. 6
5 5 5 7 7 5 5 7 7
5 5 5 7 7 5 5 7 7
2 3 2 3 3 3 5 5 3 3 5 5
A B7/A A B7/A
Gtr. 1
5 7 5 7
6 8 6 8
7 9 7 9
*Gtr. 7: w/ o slide
Breakdown
Slightly slower q = 110
Gtr. 3 tacet
Gtrs. 5, 6 & 7: w/ Rhy. Fill 1
A5 Fill 1 End Fill 1
Gtr. 1
12 11
X X
9 8
Riff E End Riff E
Gtr. 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
14
Gtr. 2: w/ Riff E (2 times) Gtr. 9: w/ Fill 1
A,7(no3rd) A6(no3rd)
Riff F End Riff F
Gtr. 1
7 9 12 11
9 X X 9 7 7 X X
X 4 6 X X X 9 8
6 6 4 4
A,7 B7/A
Gtr. 5
14 16 14 12 14 12 12 11 11
14
Gtr. 6
12 14 12 12 14
13 11 13 13 11 11
Gtr. 7
17 16 14 12 14 14 14 12 12
15
A,7 B7/A
11 14 16 14 12 14
14 14 16 14 12 16
14
14 12 12 14
11 13 11 13 11 9 11
11
12 17 16 14 12 14 14 16 14 12 12
14
A,9 A A,9#5
Gtr. 9
6 6
12 11 14 17 16
12 13 X X
12 11 11 10 8 14 13
13 10
Gtr. 5
16 16 17 16 12 17 16
Gtr. 6
11 11 14 13 9 14 13
X
Gtr. 7
12 16 17 16 12 14 12
16
Gtr. 9 tacet
A,9 B7/A
Gtr. 1
16
14
16
Gtr. 8
w/ wah-wah
11
Gtr. 5
12 10 12
11
Gtr. 6
9 9 11
11
Gtr. 7
13 13 11
14
17
Guitar Solo
Slightly faster q = 116
Gtrs. 1, 5, 6 & 7 tacet
B7(no3rd)/A
16
10
9 11 9 8 4 6 4 6
4 2 2 1 1 2 1 1
2 2 0
12
11
11
18
A B7/A
Gtr. 8
6 6 6 3
12 10 12 10 12 12 10 12 10 12 14 12 10 12 10 12 14 12 10 12 12 14 12 10 12 14 12 10 12
Rhy. Fig. 3
Gtr. 9
12 11
14 14 12
14 14 11
14
A B7/A
6 3
1/2
10 10 12
12 14 12 10 12 10 8 10 7 X 12 12 X 12 12 12 15 12 9 0
12 11
14 12
14
A B7/A A B7/A
3 7
3 3
5
9 7 12 10 9 7
7 11 9 7 9 7 X X 5 4 7
X X 5 4 7
12 12 12 14
14 12 14 16
11 14 16
19
A
9 9 9 9 9
9 11 9 11 11 9 11 9 7 9
End Rhy. Fig. 3
12
14
14
Gtr. 8
3 3 6 3 3 6
9 9 8 9 8 9 9 8 9 8 9 9 8 9 8 9 9 8 9 8 9
9 9 9
A B7/A A B7/A A
Do you
9 9 9 8 9 9 11 9 8
0 9 7 9
9 7 5
7 5 7
Bridge
Gtr. 8 tacet
E7/D F#(b6)/D E7/D
know what Im real - ly tell - ing you? Is it some - thing that you can un - der - stand? Do you
Gtr. 9
12 12 12 12 12 14 12 12 12
13 13 13 13 13 15 13 13 13
0 0 0 0 0 0 0 0 0
14 14 14 14 14 16 14 14 14
20
Gtr. 13: w/ Riff D
F#(b6)/D E7/D
know what Im real - ly tell - ing you? Is it some - thing that you can un - der - stand?
(Do you
12 12 12 12 12 14 12 12
13 13 13 13 13 15 13 13
0 0 0 0 0 0 0 0
14 14 14 14 14 16 14 14
Gtr. 9 tacet
E
know what Im real - ly tell - ing you? Is it some - thing that you can un - der - stand? Do you know what Im real - ly tell - ing you? Is it
Gtr. 13 tacet
D7/C D7'9/G
Gtr. 9
14
7 15 15 15 15 7 7 7
7 14 14 14 14 14 7 7 7
0 16 16 16 16 16 7 7 7 7
X 17 17 17 9 9
8
Gtr. 13
6 7 6
9 7 9 7 7 5
7 7
21
Interlude
A B7/A A B7/A
Gtr. 9
3 3
11 12 11 9 9 11 11 12 11 9 9 11 14 11
12 12 10 12 12 10
*Gtrs. 1 & 4
3 3
7 9 7 12 14 7 9 7 12 14 17 14
10 10 10 12 10 10 10 12
*Composite arrangement
Gtrs. 5 & 8
3 3
7 9 7 7 9 7 10
10 7 7 10 10 12 12 12 10 7 7 10 10 12 12 12
9 9
**Gtr. 14
mf 3 3
7 9 7 5 7 9 7 5
6 6 8 6 6 8 11 8
9 9 9 9 9 9
***Gtr. 15
3 3
mf
4 5 4 4 5 4
6 4 4 6 6 8 6 4 4 6 6 8 11 8
9 9
A5
An - dy De - vine
Gtr. 9
let ring
22
Chorus
C#m11 F#
*Voc. Fig. 1 End Voc. Fig. 1
had a thong rind. It was sub - lime,
(De - vine. Rind.
Rhy. Fig. 4 End Rhy. Fig. 4
let ring let ring let ring let ring
7 4 X 6 X 7 7 6 7
5 5 5 5 5 5 5 5 5 X 7 X 9 9 7 9
4 4 4 4 4 4 4 4 4 X 6 X 8 8 6 8
4 4 4 4 4 4 4 4 4
4 4 X X 4
2 2
*Refers to downstemmed voc. only.
C#m11 F#
C#m11 F#
but the wrong kind. Have I a -
Sub - lime.)
Gtr. 9
let ring let ring let ring let ring
7 4 X 7 7 7 6 6 6
5 5 5 5 5 5 5 5 5 X 9 9 9 7 7 7
4 4 4 4 4 4 4 4 4 3 3 X 8 8 8 6 6 6
4 4 4 4 4 4 4 4 4 4
4 4 X
2 2
23
F#sus4 F#
ligned with a blown mind, wast - ed my time
Gtr. 9
7 6 7 6 7 6 7 6 7 6 12 9 9 12 9
7 7 7 7
Gtr. 8
w/ wah-wah
1 1
5 5 2 2 5
4 3 4 3 4 3 4 3 4 3 4 4 4
4 4 4 4 X X
F#sus4 F#
on a drawn blind? Have I a - ligned
7 6 7 6 7 6 7 6 7 6 12 12 9 9 12 9
7 7 7 7 12
11 11 11
1 1
5 5 2 2
4 3 4 3 4 3 4 3 4 3 4 4 4 4
4 4 4 4 X X
4 4 4
24
F#sus4 F#
with a blown mind, wast - ed my time
7 6 7 6 7 6 7 6 7 6 12 12 9 9 12 9
7 7 7 7 12
1 1
5 5 2 2
4 3 4 3 4 3 4 3 4 3 4 4 4
4 4 4 4 X X
F#sus4 F#
on a drawn blind? Oh, An -
7 6 7 6 7 6 7 6 7 6 12 12 9 9 12 9 9
7 7 7 7 12
5 5 3
4 3 4 3 4 3 4 3 4 3 4 4 2 X
4 4 4 4 X X 4 X
X
25
Gtr. 8 tacet
C#5 F F# F F#
- dy,
Gtr. 9
w/ pick & fingers
2 3 2 3
4
1 2 1 2
C#5 F F# F F# F#7
An - dy, An - dy, An - dy. Thong
12 11 9 11
11 12 10 11 11
2 3 2 3 13 11 11 11
1 2 1 2
rind, it was sub - lime, yall now, but the wrong
9
9 9 11
9 2 3 2 3 9 11
9 9 11
9
9 1 2 1 2
C#m7 F#
kind. Ah, ha, ha, ha, ha, ow, a - ligned.
w/ pick
9 11 11 12 12 11 12 12 12 11 12
9 11 11 13 13 11 13 13 13 11 13
9 11 11 13 13 11 13 13 13 11 13
9
9 9
26
Outro
F#7sus4 F#m7
Gtr. 9
3 7 5
5 5 5 5 5 7 7 5 7 7 5
4 4 4 2 4 4 2 4 6 5 4
4 4 2 4 4 2 4 7
Gtr. 8
2
4 4 4 4 4 4 4 2
4 3 2
2 2 2 2 2 2 2 2 5
Rhy. Fig. 5 End Rhy. Fig. 5
5
7 5 7 7 5 7 7 5 7 7 5
4 2 4 4 2 4 4 2 4 6 5 4
4 2 4 4 2 4 4 2 4 7
2
4 4 4 4 4 4 4 2
4 3 2
2 2 2 2 2 2 2 2 2 5
Gtr. 8
2
4 4 4 4 4 4 2
4 3 2
2 2 2 2 2 2 2 2 2 5
27
F#7sus4 F#m7
2 4
4 4 4 4 4 4 2
4 3 2
2 2 2 2 2 2 2 2 2
F#7sus4 F#m7
3
1
2 2 2 2 5 X 2 2 5 X 2 5 2 5 2 2 5 2 4 2 5
5 2 5 5 5 2 5 2 5 2 2 2 5 5 5 5
4
F#7sus4 F#m7
let ring 1 1
1/2 1/2
2
5 2 2 5 2
4 4 4 4 2 2 2 2 2 2 2
2 4 4 2 4 2 4 4 4
F#7sus4 F#m7
1 1 1 1 1 1
2 5 5 2 2 5 5 2 2 5 5 2 2 2 5 2
2 4 4 4 4 4 4 4 2 4
F#7sus4 F#m7
5 6 7 7
4 2 4 2 4 2 2 4 6
4 2 2 2 2 2 4
4 4 4 2 2 4
5 2 2
28
F#7sus4 F#m7
3
1/4 1/4 1
5 5 5 5 5 5 5 5 5 8 8 7 5 7
F#7sus4 F#m7
1
7 5 2 5 5 2
2 5 2 2
4 4 2 4 4 5 5 4 2 4 2
4 2 4 4 2
4 2 4 3 2
5 2
F#7sus4 F#m7
2 2 2 2 4 2 4 2
2 4 4 2 4 2 2 2 4 2 4 2
2 4 2 4 4 4 2 0
2
F#7sus4 F#m7
1 1/2 P.H. 1
2 2 2 4 4 4 2 4 5 4 2 4
2 4 2 2 2 5 4 X
2 4
2 2
Free time
F#5
Gtr. 8
2
4 4 2 4 2
Gtr. 9
4
X
2
29
from Frank Zappa - One Size FIts All
*Gtrs. 2 & 3 (clean)
mf
6 8 8 8 8 8 8 X 8 X 8 X 6 8 11 X 6 8 8 8 X 8 X 8 X 8
7 9 9 9 9 9 9 X 9 X 9 X 7 9 12 X 7 9 9 9 X 9 X 9 X 9
7 9 9 9 9 9 9 X 9 X 9 X 7 9 12 X 7 9 9 9 X 9 X 9 X 9
5 7 7 7 7 7 7 X 7 X 7 X 5 7 10 X 5 7 7 7 X 7 X 7 X 7
*Composite arrangement
Gtr. 1 (fuzz)
f
w/ bar w/ bar
7
5
9
7
9
7 0
12
10
7 7
5
9
7
9
7
A B D A B A B D A
Laughed: Heh, heh, heh.
10
X 8 11 X 6 8 8 8 X 8 X 8 X 8 X 8 11
X 9 12 X 7 9 9 9 X 9 X 9 X 9 X 7 9 12
X 7 9 12 X 7 9 9 9 X 9 X 9 X 9 X 7 9 12 12 14
X 5 7 10 X 5 7 7 7 X 7 X 7 X 7 X 5 7 10
w/ bar w/ bar
9 7 9 12 7 7 9 9 9 7 9 12 7 7
7 5 7 10 5 7 7 7 5 7 10 5
1. Have you
_1 _1 _1 _1 _1 _1 _1
Gtr. 1
w/ bar
_1 _1 _1 _1 _1 _1 _1 (cont. in slashes)
9 9 9 9 9 9 9 9 9
7 7 7 7 7 7 7 7 7
Verse
E5 E5 VII
Rhy. Fig. 2 End Rhy. Fig. 2
Gtr. 1
Gtr. 2
X X 9 X 9 X 7 X X
X X 9 X 9 X 7 X X
X X 9 X 9 X 7 X X 7 7
X X 7 X 7 X 5 X X 7 7
5 5
Gtr. 4 (slight dist.)
mp
7 7
7 7
0 5 5 0
2
Gtr. 1: w/ Rhy. Fig. 2 (2 1/2 times)
E D A5 E
ford no shoes. Have you heard the news?
Now, get a good deal on tape. My
9 X X 9 X 7 X X 9 X 9
9 X X 9 X 7 X X 9 X 9
9 X X 9 X 7 X X 7 7 9 X 9
7 X X 7 X 5 X X 7 7 7 X 7
5 5
7 7
7 7 5
0 5 5 0 0 5 7 7
D A E D A E
Cant af - ford no shoes. Hi, ya, hi.
news? Cant af - ford the pa - per.)
9 X 7 X X 9 X 9 X 7 X X
9 X 7 X X 6 6 9 X 9 X 7 X X 6 6 X X
9 X 7 X X 7 7 9 X 9 X 7 X X 7 7 X X
7 X 5 X X 7 7 7 X 7 X 5 X X 7 7 X X
5 5 5 5 X X
6 6
7 7 7 7
5 7 7 5 7 7
5 5 0 0 5 7 5 5 0
3
Pre-Chorus
Gtr. 4 tacet Gtr. 2 tacet
G7
E7
Went to buy some cheap de - ter - gent, some e - mer - gent na - tions got my load, got my load,
Gtr. 1
1/4
3 3
3 3 3 3 3
4 4 4 4 4 4 4 4 4 7 9 7 9 7
3 3 3 3 3 3 3 3 3 3 3 2 9 7 5
5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3
Gtr. 4
2 3
1 3 4
2
0 0
got my toad that I stowed. Well, well,
1/4 1
8 10 8
7 9 9 7 7 9 7 9 7 7 9 9
9 7 9 7 5
2 3 2 3 2 3
1 3 4 1 3 4 1 3 4
2 2 2
0 0 0 0 0
4
Chorus
1st time, Gtrs. 1 & 4 tacet
2nd time, Gtr. 5 tacet
F C G Bb Dm
hey, law - dy ma - ma, cant af - ford no shoes. May - be theres a bun - dle of rags
*Gtrs. 2 & 3
5
5 3 3 3 3 X 3 3 6
2 2 2 2 2 5 4 4 4 X X 4 3 3 3 3 X 3 3 7
3 3 3 3 3 5 5 5 5 X X 5 3 3 3 3 X 3 3 7
3 3 3 3 3 3 5 5 5 X X 5 1 1 1 1 X 1 1 5
1 1 1 1 1 3 3 3 X X 3
*Composite arrangement
C A E B D
that I could use. Hey, an - y - bod - y, can you spare a dime? If
5 7
6 5 5 X X 5 5 9 7
7 5 5 X X 5 5 6 6 X X 6 6 9 8 8 X X 8 7
7 5 5 X X 5 5 7 7 X X 7 7 9 9 9 X X 9 7
5 3 3 X X 3 3 7 7 X X 7 7 7 9 9 X X 9 5
5 5 X X 5 5 7 7 X X 7
F#m E C# G#
youre real - ly hurt - ing, a nick - el would be fine. Hey, ev - ry - bod - y, noth -
9 7 7 X X 7
7 7 X X 7 X 10 9 9 X X 9 9 9 9 9 9 13
7 7 X X 7 X 11 9 9 X X 9 10 10 10 10 10 10 10 13
7 7 X X 7 X 11 9 9 X X 9 11 11 11 11 11 11 11 13
5 5 X X 5 X 9 7 7 X X 7 11 11 11 11 11 11 11 11
9 9 9 9 9 9 9
D# F# A#m G#
- ing we can buy. Chump Ha - re Ra - ma, aint no good to try. Re -
9 X 9 9 X X
13 11 11 11 X X 11 11 X 11 11 X X 11 14 13 13 13 X X 13
13 12 12 12 X X 12 11 X 11 11 X X 11 15 13 13 13 X X 13
13 13 13 13 X X 13 11 X 11 11 X X 11 15 13 13 13 X X 13
11 13 13 13 X X 13 9 X 9 9 X X 9 13 11 11 11 X X 11
11 11 11 X X 11
5
To Coda
D# B G
ces - sion. De - pres - sion.
Gtr. 3
let ring
7 7
7 X X X 7 X 7 7
12 8 8 8 X X X 8 X 8 8 X 8 8 4
13 9 9 9 X X X 9 X 9 9 X 9 9 5 5
13 9 9 9 X X X 9 X 9 9 X 9 9 5 5
11 7 7 7 X X X 7 X 7 7 X 7 7 3 3 3
Gtr. 2
12 8 X 8 8 X X X X 8 8 4
13 9 X 9 9 X X X 9 X 9 9 5
13 9 X 9 9 X X X 9 X 9 9 5
11 7 X 7 7 X X X 7 X 7 7 3
Interlude
Gtrs. 2 & 3 tacet
E5
(slight dist.) Gtr. 5
Gtr. 3 w/ slide
steady gliss.
divisi w/o slide
let ring
5 3 3 2
X 4 4 4 2 4 4 4 4 4 3 3 3 3 2 2 1
X 5 5 5
X 5 5 5
X 3 3 3
*Fretless gtr. arr. for slide gtr.
w/ slide & slap-back delay, played mf.
Gtr. 2
4
4
X 4 4 X 4
X 5 5 X 5
X 5 5 X 5
X 3 3 X 3 3
Gtr. 4
mf P.M. P.M. P.M. P.M. 1/4
14 12 12 12
14 12 12 12
4 12 12 12 0 12 0 12 0 12 0 12
6
Gtr. 5 tacet Gtr. 5: w/ Riff A
E D5 A5 E5
Wah, oo, wah, oo, wah, wah.
Gtr. 4
P.M. P.M. P.M. P.M.
9 7 X X
2 9 7 X X 7 7
2 7 5 X X 7 7 7 14 14 14 14
0 0 3 4 0 5 5 0 12 12 0 12 0 12 0 12
E D5 A5
Wah, oo, wah, oo, wah, wah.
Gtr. 5
w/o slide w/ slide
steady gliss.
1
0
2 3
3 3 2 2 1
7
Gtr. 4
P.M.
1/4
w/ pick
& finger 1 1
14 12 12 12
14 12 12 12 2 2 2 2 0
2 0 2 0 0
0 4 2
0 12 0 0 3 4 0
Guitar Solo
Gtr. 4 tacet
E7
(Hey.)
Gtr. 5
9 9 12 12 8 5 8 8
9 8
9 9 9 7 5 6
7 5 5 7 7 1 2
7
w/o slide w/ slide
9 10 10 0
9 10 12 12 8 11 12 12 10 10 9 7
9
0 0 2 2 5 9 9
2
4 0
w/o slide
0
9 7 5 6 6 4 6
7 5 0 5 7 5 6 7 7 5 2 0
3 3
w/ slide
*
0
3 1 1 3
4 2 2 4 10 12
10 12 9 5 0
6 7
0 6 7 6 7 7 6 5 2 3
*Angle slide
let ring
rake
0
3 2 3 X
2 4 X 2 3 X 11 12 11 12 11 12 4 2 0
X X 11 12 11 12
0 X X
3 0 0 X X
D.S. al Coda
Whoa, whoa,
w/o slide w/ slide w/o slide
2 3 0
2 3 2 2 4 3 2 X
2 2 0 2 0 2
8
Coda
B G A
pres - sion.
Gtrs. 2 & 3
7 3
7 3 X 3 3 3 3 3
8 4 X 4 4 4 4 4 6
9 5 X 5 5 5 5 5 7
9 5 X 5 5 5 5 5 7
7 3 X 3 3 3 3 3 5
Gtr. 1
7
5
Outro
Gtrs. 2 & 3: w/ Rhy. Fig. 1
B A B D A B
Gtr. 1
P.M.
9 9 9 9 9
9 9 9 X X X 9 7 9 12 12 7 7 9 9 9 X X X X X 9
7 7 7 X 7 X 7 7 5 7 10 5 7 7 7 X 7 X 7 X 7
A B D A B A B D
P.M. P.M.
9 9
7 9 12 12 7 7 9 9 9 X X X 7 9 12 12 6
5 7 10 5 7 7 7 X 7 7 7 5 7 10 10 4
9
Free time
E F7 E7
Gtr. 4
6
3
3
3
string
let ring noise
1 1/2 1
1
0 0 0 3 5 3 5
0 0 3 5 5 4 0 2
3 X X 2 2 2 0 X 2 2 0 2
X
10 10 X
8
7
3
5 7 5 7 5 7 10 7 7 10 7 10 14 12 14 12 12 14 12 15 12 15
10 7 15 15
3 6
1
18 15 12 12 12
15 12 15 12
15 14 12 12 14 14 14 12
14 12
0 12
12
12 12 14
14 12 12 10
12
10
from Frank Zappa - One Size Fits All
Intro
Free time
E7
8va
6 6
*Gtr.1
mf Harm.
w/ fingers
let ring
0 0 0 5
3 3 3
1 1 1
2 2
2
0 0
*Piano and harpsichord arr. for gtr. Pitch: E
Composite arrangement
Verse
Moderately q = 120
A7sus2 A7sus4 A
rit.
3
3
1. Ev - e - lyn, a mod - i - fied dog viewed the quiv - er - ing
loco
3 3
rit.
let ring
0 3 3 3 3 3 3 3 3 2 0 2
0 0 2 2 2 2
2 2 2
0 0 0
A tempo
Bm B5/A A7 Eadd9
fringe of a spe - cial doi - ly draped a - cross the pi - an - o with some sur -
let ring
0
3 3 2 3 2 2 3 5 7 8 7 5 3 2 0
4 4 4 2 1
4 4 4 4 4 2 4
2 0 0 2 4 5 7 5 4 2 0 2
0
prise. In the dark - ened room
let ring let ring
0 0 3
0 0 0 0 5 3 3 5 5
1 1 1 1 4 4 4 4 4
4 4 4 4 2
2 2 2 2 5 5
0 0 0 0 3 3
E7 Am
where the chairs dis - mayed and the hor - ri - ble cur - tains muf - fled the
let ring let ring let ring
3 0 0
5 3 3 5 3 0 3 1 0 1 0 3 1 0
4 4 4 4 1 2 2 2 2
0 2 2 0 2
5 5 3 0 0 0
3 0
Eadd9
rain she could hard - ly be - lieve her eyes. A
let ring let ring
0 0
1 0 3 1 0 1 0 0 0 0 0 0
2 2 2 2 1 1 1 1
2 0 2 2 0 4 4 4 4 3
0 3 0 0 2 2 2 2
0 0 0 0
F6#11 Eadd9
cu - ri - ous breeze, a gar - lic breath, which sound - ed like a snore,
*let ring let ring
0
0 0 3 0 0 3 0 0 3 0 0 0
2 2 2 1 1
0 2 0 0 2 0 0 3 2 4 4
3 3 2 2
1 1 1 1 1 1 1 1 1 0 0
*Refers to 6th string only (next 2 meas.).
2
F5 G5 F5 C5 G5 F5 Bbsus2
some - where near the Stein - way, or e - ven from with - in,
let ring
1 1
1 1 1
5 5 7 5 5 5 5 7 5 5 5 3 3 3 3
3 3 5 3 3 3 5 5 3 3 3 3 3 3
1 1
F5 G5 F5 G5 F5 G5 F5 G5 F5
had caused the doi - ly fringe to waft and trem - ble in the
let ring
1
1
3 5 5 5 7 5 7 5 5 5 7 5 7 5
3 3 3 3 5 3 5 3 3 3 5 3 5 3
1 1
Eadd9 A7sus
gloom. Ev - e - lyn, a dog,
let ring let ring
0 0
0 0 0 0 0 2 3 0 3
1 1 1 1 0 0 0 0 4
4 4 4 4 2 2 2 2 5
2 2 2 2 0 0
0 0 0 0 0
3
A A7sus Aadd9 A A7sus
hav - ing un - der - gone fur - ther mod - i - fi - ca - tion, (Spoken:) pon - dered the sig - nif - i - cance of
0
0 3 5 5 2 0 0 3 3 0 0 2 0 0 3 0 3
2 4 4 6 2 4
2 5 7 7 2 2 2 5 5 2 7 2 2 2 5 2 5
0 0 0 0
3 3
3
short - per - son be - hav - ior in ped - al - de - pressed pan - chro - mat - ic res - o - nance and
0
0 3 5 5 2 0 3 3 3 0 0 2 0 0 3 0 3
6 6 2 4 4 6 2 4
2 5 7 7 2 2 5 2 5 2 7 2 2 2 5 2 5
0 0 0 0
A A9 A7sus Aadd9 A
rit.
rit.
0
0 3 5 5 0 0 0 3 3 0 0 2
6 6 6 6 2
2 5 7 7 5 2 2 5 5 2 7 2
0 0 0
4
from Frank Zappa - One Size Fits All
mf
7 7 9 7 7 7 9 7
7 7 7 7 9 10 7 9 10
*Gtrs. 2 & 3
mf
0 0 0 0 2 3 5 5 7 5 5 0 2 3 5 7 5
*Gtr. 2 (dist.);
Gtr. 3: Synth. arr. for gtr.
**Chord symbols reflect implied harmony.
Gtr. 4
mf
(dist.)
Gtr. 7
Gtr. 4
Gtr. 5 mf divisi 3
(dist.)
divisi
15 14 12 14 14 12 14 12
5 7 7 5 8 7 5 7 7 5 7 5 15
5 7 7 5 7
10
12
Chimes arr. for gtr., played mf.
12 10 8 10 10 10 10
13 10 8 10 10 10 10
7 5 7 7 5
5 5 7 7 5
Copyright 1975 by The Zappa Family Trust d/b/a Munchkin Music
All Rights Reserved Reprinted by Permission 1
Gtrs. 4 & 7 tacet
C F#5 E5 Am7 Bm7 Cmaj7 Bm7 Cmaj7 Bm7 Am7
Fill 2 End Fill 2
Gtr. 3
12
13 5 13
5 5 11 9
5 7 9 7 9 7 5 5
End Fill 1 Fill 2A End Fill 2A
8 8 8
8 8 8
11 9
3 5 7 5 7 5 3 3
7 9 7 0 2 3 2 3 2 0 0
0 2 3 2 3 2 0 0
mf
17 19 17 17
17 17 17 17 19 20
*Xylophone arr. for gtr.
**Gtr. 10
mf
10 10
10 10 10 12 10 10
9 9 9 11 12
**Synth. horns arr. for gtr.
Gtr. 4 Gtr. 2
Gtr. 4
Gtr. 4
1 1 1 divisi
8 8 10
7 7 7 7 5 7 9 11
Rhy. Fill 2 End Rhy. Fill 2
***Gtr. 9
mf
w/ fingers
7 7
8 8 8 7
9 9 9 9 9 9 7
10 10 10 0
9
***Organ arr. for gtr.
2
E5 F#5 G5 B5 A5 Bm7 Am7
8va
Gtr. 11
19 17
17 19 20 19 17
Gtr. 10
10 12 10 10
9 11 12 5 7 7 5
5 7 7 5
Gtr. 4
5 7 7 5
10
Gtr. 3
(cont. on upper staff)
5 5 7 7 5
Gtr. 11 tacet
C D C D C D/F# C/E Am Bm C Bm C Bm Am
Gtr. 3
Gtr. 7 8va
19 17 15 17 17 15 17 15 15
19 17 17
14 12
Gtr. 10
Gtr. 8
w/ pick & finger
8 7 5 7 7 5 7 5 5
7 5 5 5 7
7 9 7 3 5 7 5 7 5 3 3
Gtr. 4
Gtr. 4 Gtr. 6
Gtr. 6
divisi
12 10 8 10 10 8 10 8 8
11 9 9
5 7 7 5
0 2 3 2 3 2 0 0
0 2 3 2 3 2 0 0
3
C5 A5 G5 E5 A5 G5 E5 D5 G5 E5 D5 A5 C5 A5
Screamed: Whoa, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
Gtr. 3
20 17 17
5 20 17 20 17 20 17
19 19 17
19 17 19
Gtr. 8
8 5 5
8 5 8 5 8 5
7 7 5
7 5 7
3
Gtr. 6
8 5 5
8 5 8 5 8 5
7 7 5
7 5 7
0
0
Gtr. 8 tacet
E5 A5 B5 A5 B5 A5 B5
*Gtrs. 3, 4 & 6
0 0 0 0 3 5 5 5 7 5 7 5 7 5 7
*Composite arrangement
D5 B5 E5 C#5
7
1/2
5
7
5 7 4 4 7
4
Gtrs. 3, 4 & 6 tacet
C# D# B C#
Gtr. 9
9 11 7 9
9 11 7 9
10 12 8 10
11 13 9 11
Gtr. 8
3 5 1 1 3
4 6 2 4
1 4 6 3 2 4 1
(Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha,
Gtr. 5
5 5 5 5 7 7 8 8 7 8 7 8
Gtr. 3
0 0 0 0 5 5 7 7 5 7 5 7
Gtrs. 4 & 6
0 0 0 0 5 5 7 7 5 7 5 7
5
G E A F#
La,
ha, ha, ha, ha.)
(Yeah, oo, yow, yo, yo.)
Gtr. 7
14
Gtr. 5
Gtr. 3
divisi
1/2
12 9 14 11 11
5 7 4 4
7
Gtrs. 4 & 6
4 1 6 3 3 X
5 2 7 4 4 X
5 2 7 4 4 X
3 0 5 2 2 X
Gtrs. 36 tacet
F#5 E5 D#5 B5 C#5 A5 B5 Em7
la, la, la, la, la, la, la, ba, la, ba, la, la, la. 1. She was the
Gtr. 7
14 12 12 11 11
12 12 14 14 10 10 12 12
*Gtr. 12
mf
w/ fingers
8 8
9 7 7
7 7 7
*Elec. piano arr. for gtr.
6
Verse
Gtr. 7 tacet
Am7 Am11 Am7 Asus2
daugh - ter of a wealth - y Flo - ren - tine Po - gen.
Gtr. 12
10
8 12 10 10 8 12 12
9 9 9 7 9 9 9 14 14
10 12 10 10 10 14 14
0 0 0
*Gtrs. 3 & 12
5
7 5
7 5
9 5
0
*Composite arrangement
just - a - ble slo - gan.
(Ah, ha.)
Gtr. 6
Gtr. 2 & 6
14 0 2 3 2 3 2 0 0
0 2 3 2 3 2 0 0
7
Gtrs. 2 & 6 tacet
Gtr. 9: w/ Rhy. Fill 2
C D Em7
She was a
Gtrs. 2 & 6 Gtr. 4
1 1 1
10 10
8 8 10
7 7 7 7 5 7 11
12
0
0
Gtr. 12
8 8
9 7 7
7 7 7
Am7 Am11 Am7 Asus2
Gtr. 8
6 6
10 10
8
7 6 7 6 7 9 6 9
Gtr. 12
10
8 12 10 10 8 12 12
9 9 9 7 9 9 9 14 14
10 12 10 10 10 14 14
0 0 0
Gtr. 8 tacet
Deep in the street she drove a fif - ty - nine Mor - gan.
8
Gtrs. 2 & 6: w/ Rhy. Fill 1
Am Bm C Bm Am
Rhy. Fill 3 End Rhy. Fill 3
Gtr. 9
Gtr. 7 8va
17 19 20 19 17 17
X X X X X X
14 16 17 16 14 14
Fill 3 End Fill 3
*Gtr. 13
mf
9 11 12 11 12 11 9 9 9 9
X X X X X X X X
7 9 10 9 10 9 7 7 7 7
*Marimba arr. for gtr.
Gtrs. 7, 9 & 13
C(#4)add 26 B(#4)add 26 Bb(#4)add 26 A(#4)add 26 Ab(#4)add 26 G(#4)add 26 Gb(#4)add 26 F(#4)add 26
Yelled: Woo, la.
Gtr. 3
17 17 16 16 15 15 14 14 13 12 11 11 10 10 10 9
15 15 14 14 13 13 12 12 11 10 9 9 8 8 8 7
Gtr. 6
15 14 13 12 11 10 9 8 7 6 6
17 16 15 14 13 12 11 10 9 8 8
Gtr. 5
w/ clean tone
11 11 10 10 9 9 8 8 7 6 5 5 4 4 3 2
9
Chorus
Gtr. 5 tacet
E5 D5 D#5 E5 G5 A5 B5
Thats the kind of step she takes when her
*Gtrs. 3, 4 & 6
5
7 7 7 7 7 7 7 7 7 7 5 6 7
0 0 0 0 0 0 5 7
*Composite arrangement
D5 B5 E5 C#5
hot breaks, hot brakes.
1/2
5 7 4 4
7
D# B C#
Gtrs. 7 & 8
loco
6 6 6
13 16 18 15 11 14 16
14 16 12
13 15 11
15 17 13
16 18 14
Gtr. 13
3
6
3
9 11 11 8 7
10 10 8
11 11 9 11
8 11 11 6 9
10
Gtrs. 7, 8 & 13 tacet
A5 G5 G#5 A5 C5
Thats the kind of sound she makes, oo, let go of me, uh, when her
*Gtrs. 4 & 5
3
5 3 5 3
5
*Gtr. 5 w/ dist.
**Gtrs. 1, 3 & 6
(Gtr. 6, cont. on upper staff)
2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 3 4
0 0 0 0 0 0 0 0 0 0 0 0 3 4 5
**Composite arrangement
Gtrs. 4 & 5 tacet
A5 F#5
crab cakes, arf, arf, arf. Whispered: Sh, sh,
Gtr. 11
3
14 14 14
Gtr. 6
11 11 11
Gtrs. 1 & 3
7 4 4
7 4 4
5 2 2
11
Gtrs. 1 & 3 tacet
E5 D#5 B5 C#5 A5 B5 C/E
3
sh, sh, sh, sh, sh, sh, sh, sh, sh. 2. She did - nt
Gtr. 11
3 3 3 3 3 3
14 12 12 12 12 11 11 11 11
12 12 12 12 14 14 14 14 10 10 10 10 12 12 12 12
Gtr. 6 3
3
3 3 3 3
11 9 9 9 9 8 8 8 8
9 9 9 9 11 11 11 11 7 7 7 7 9 9 9 9
Gtr. 12
5 5 5
5 5 5
5 5 5
7 7 7
Verse
Gtrs. 6 & 11 tacet
Am7 A6sus4 Am7 D6add9 Em11
like it when her fan belt shrunk and got short - er,
Gtr. 12
let ring let ring
5 7 8 10 12 7 7 5 7 8 5 8
5 9 7 7 5 7 9 4 7
5 10 7 7 5 7 9 4 7
0 0 0 5 7
12
Gtrs. 4, 5 & 6 tacet Gtr. 12 tacet
Bm/A Am
oint - ment. Bat - ter - y leaks could near - ly
15ma
Gtr. 6
Harm.
w/ bar
grad. dive
*
2.25
Pitch: E
-3 1/2 -4 1/2
*Harmonic located one quarter the distance between the 2nd & 3rd frets.
15ma
Gtr. 5
**w/ clean tone & octaver
Harm.
w/ bar
grad. dive
***
2.3
Pitch: C -4
-5 1/2
**Octaver set for one octave above.
***Harmonic located three-tenths the distance between the 2nd & 3rd frets.
Gtr. 4
w/ bar
0 0
-1 1/2
Gtr. 12
8 7 5
7 7 5
7 9 7
7
cost her a quar - ter.
Gtr. 7 8va
17 19 20 19 17 17
X X X X X X
14 16 17 16 14 14
13
Gtr. 9: w/ Rhy. Fill 2
C D C/E
She did - nt
Gtr.7
loco
12 12 12
Gtr. 4 Gtr. 4
Gtr. 8
divisi
1 1 1
10 10
8 8 10 5 5 5
7 7 7 7 5 7 11 5 5 5
12
Am7 A5 D5 E5 D5
want to go home and watch the pes - tle go mor - tar.
8va
loco
Gtr. 7 *Gtrs. 3 & 7
Gtr. 3
divisi
12 14 15 19 17 17 17 12 14 15 19 17 10 10 12 12 12 10 10
13 15 17 20 19 19 19 13 15 17 20 19 10 10 10 10 10 12 12 12 10 10
9 9 9 7 7 9 9 9 7 7
7 7 7
*Composite arrangement
Gtr. 8 Gtr. 4
5 7 8 12 10 10 10 5 7 8 12 10
5 7 9 12 11 11 11 5 7 9 12 11 7 7 9 9 9 7 7
7 7 7 7 7 9 9 9 7 7
7 7 7 5 5 7 7 7 5 5
5 5 5
14
Gtrs. 3, 4 & 7 tacet
Lat - er she speaks on how Per - el - lis might court her.
(Uh, yeah.)
Gtr. 6
14
Interlude
A5 D5 E5 D5 A5 G#5 A5 D5 E5 D5 A5 G#5 A5
*Voc. Fig. 1
3 3
7 7 6 7 7 7 6 7
5 5 7 7 5 5 5 5 5 7 7 5 5
5 5 5 5
*Refers to upstemmed voc. only.
End Voc. Fig. 1
Breakdown
Gtr. 6 tacet
3. She was the
Gtr. 6
13
15
Verse
Gtrs. 5 & 6: w/ Riff B (4 times)
Am7
daugh - ter, ha, ha, of a wealth - y
5 2 2
7 5 2 2
0 0 0 5 0 0 0
*Gtr. 5 w/ clean tone.
Gtr. 3 tacet
Bm7 Am7
Flo - ren - tine Po - gen.
Gtr. 8
5 7 7 10 7 5 5
5 7 7 10 7 5 5
5 7 7 11 7 5 5
3
Gtr. 3 Gtr. 6
Gtr. 4
3
divisi
5
5 7 7 7 7 5 5
2 5 7 7 7 5 5
2
0
Po, Po, Po - ge - a - an.
(Po, Po, Po - ge - a - an.)
Gtr. 8
5
5
5
Gtr. 3
(cont. in slashes)
16
C5/G D5/A C5/G D5/A C5/G D5/A D A5
open
Gtrs.
1&3
3 3 3 3 3 3
Gtr. 8
6 6 6
10 12 10 10 12 10 10 12 10
12 9 12 9 12 9 12
12 12 12 12 12
Gtr. 13
6 6 6
10 12 10 10 12 10 10 12 10
12 9 12 9 12 9 12
12 12 12 12 12
3 3 3
Gtr. 4
3 3 3
w/ wah-wah
5 5 7 5 5 7 5 5 7 5
5 5
T T
12 7 12 7
wah-wah off
17
Gtrs. 1, 3, 4, 8 & 13 tacet
Am7
Ah, ah, oh, oh, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, hook, uh, hook, uh, hug, uh. Uh, read em and weep.
8va
Gtr. 7
20
20 19 17
Chorus
Am7 D Am7
3
* *
Brr, uh, buh, ba, da, brr. Read em and weep.
8va
20 17 20
20 19 17
*Roll tongue
D Am7
Dig, uh, bub, uh, hum, uh, jig, uh. Read em and we -
8va
20 17 20
20 19 17
D C
- ee - eep. Aye, aye, aye, aye, aye,
8va
20 17 20
18
Gtr. 7 tacet
Am7 D Am7
ah, oh, ah, oh, ah, oh, ah, ha, ha,
Gtr. 12
let ring let ring let ring
8 8 8 10
8 8 8 8 8 10 10
9 9 9 9 9 11 11 11 11
10 10 12 12 12
0 0
10
*Gtrs. 3 & 6
7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7
7 7 7 7 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5
*Composite arrangement
Gtr. 6 tacet
D/A C/E
Gtr. 12
let ring let ring
12 12 10
13 13 13 13 10 10 10
12 12 12 12 11 11 11
14 14 12 12
10
**Gtrs. 1, 3 & 8
0 0 0 0 0 0 5 7
**Composite arrangement
19
Outro
Gtr. 6 tacet
D Am7 C/E D
Gtr. 6
X
X X
X X
X X X X 14
X X X X
Gtr. 12
let ring let ring let ring
10 10 12
13 13 10 10 13 13 13
12 12 11 11 11 12 12 12 11
12 12 14 14 14 0
12
Gtrs. 1, 3 & 8
7 5 0 0 0 5 7 5
(Uh, Ches - ters go - ril - la.
(Ches - ters go - ril - la, she go.
*Gtr. 14
mf
4 2
5 4
7 5
*Piano arr. for gtr.
Gtr. 12
11
0
Gtrs. 1, 3 & 8
20
E5 Am Em D
Spoken: Oink. Ches - ters go - ril - la.
Ches - ters go - ril - la, she go.
Gtr. 14
4 2
2 5 4
7 5
Am Em D
Spoken: Quack. Uh, Ches - ters go - ril - la.
Ches - ters go - ril - la, she go
4 2
5 4
7 5
Am Em D
4 2
5 4
7 5
21
Gtr. 14 tacet
A5 Em D
hratche, plche, plche, plche, plche, plche, plche.)
*Gtrs. 8, 9 & 12
w/ fingers
7 5
8 7
0 0 0 7 5
*Composite arrangement
Gtr. 6
X 0 5 X
X X
Begin fade
A5 Em D A5 Em
5 7 5 7
7 8 7 8
5 0 0 0 7 5 0 0 0 7
Riff C End Riff C
X X X X 0 5 4 X X X
X X X X X X X
X X X X X X
Fade out
Gtr. 6: Riff C (till fade)
D A5 Em D
Gtrs. 8, 9 & 12
7 5 7 5
8 7 8 7
7 5 0 0 0 7 5
22
from Frank Zappa - One Size Fits All
Intro
Moderately q = 116
***C5
Riff A End Riff A
*Gtr. 1
mf
5
5 5 5 5 7 5 5 5 5
5 5 5 5 5
Riff A1 End Riff A1
**Gtr. 2
mf
3
3 3 3
3 3 3
3 5 3 3 3 3
3 3
**Bass arr. for gtr.
***Chord symbols reflect basic harmony.
Gtrs. 1 & 2: w/ Riffs A & A1 (6 times)
Gtr. 3
w/ octaver w/o slide
w/ slide
12 11 14 16 13 14
10 9 8
11 10 9
9 8
Synth. arr. for gtr. Set for one octave above.
Gtr. 4 (slight dist.)
mf dim.
14 12 14 12
15 13 15 13
14 12 14 12 11 9 11 9
12 10 12 10
8va
Gtr. 4 tacet
loco
Gtr. 3
13 17 19 16 17
10 11 9 11
13 13
11 13 9 8 7 7 9
w/ slide steady gliss.
*
Verse
Gtrs. 1 & 2: w/ Riffs A & A1 (6 times)
Gtr. 3 tacet
6
**C,7 C6sus2 C(b5) 9 Csus4 C,13 C% C,13 C% C6sus2
George Duke:
1. Did a ve - hi - cle come from some - where out there just
***Gtr. 5
mf
10 10
8 10 10 10 10 8
9 7 11 10 9 9 9 9 7
9 7 11 10 9 9 7
11 10
**Chord symbols reflect overall harmony.
***Elec. piano arr. for gtr.
5
C,9sus4 C,13 C(b5)sus2 C,7 9 C,13 Csus2 C% Csus4 C,13 C,13sus2 C,13 C6sus4 C,13
to land in the An - des? Was it round and did it have a
10 8 8 10 7 10
12 10 7 12 10 8 10 10 8 10 10 10
10 9 7 11 9 7 9 10 9 7 9 10 9
9 11 9 10 9 7 9 10 9
10 10
5 5 5
C,7 9 C,13 C,7 9 C7sus4 Csus2 Csus4 C,7 9
13 13
12 10 12 11 13 13 13 12
11 9 11 10 12 12 12 11
11 9 11 10 12 11
2
Interlude
Gtr. 5 tacet
Gtr. 1
6
3
let ring let ring
8 13 11 10 11 11 11 11
5 13 13
0 14
3 10 10
0
13 13
Gtr. 2
6 6
15 14 13 12 6 7 8 7 6 X 6 7
2
Spoken: So white, Don, I aint nev - er seen noth - in like that in my en - tire life!
11
3
Gtr. 4 tacet
Oo. Lit - tle round ball, I could... could - nt... Whats that white thing do - in up there?
Ja - ee - zus! Wait a min - ute.
*
Gtr. 1
9 9 8 9 15 15
14 14
6 6
Gtr. 2
1/4 1/4
7 7 7 7
10 12 10 11 11 X X X X
5 5 5 5
Gtr. 4
6 6
*Sung/played ahead of the beat.
4
Csus2 D,7 C B5 A5
2. Did a ve - hi - cle,
8va loco
Gtr. 1
16 18 9
8
17
9 12 10 9 7
Gtr. 2
steady gliss.
8
14 5 5 8 5 5
6 7 8 7 5
Gtr. 5
12 11 9 11 14
12 11 10 9 14
5
Verse
Gtrs. 1 & 2: w/ Riffs A & A1 (3 times) Gtr. 6 tacet
D C D C C,13
did a ve - hi - cle, did a ve - hi - cle
Gtr. 6 (slight dist.)
mf
14 12 14 12
15 13 15 13
14 12 14 12
Gtr. 5
12
13 10 10 10
12 9 9 9 9
14 9
C6sus2 C,13
Gtr. 5
17 17
10 10 8 17 17
9 9 7 16 16
9 9 7
9
Cm7b9 C,7 5
find a place to park it - self,
16 15 16
16 16 18 16 12
15 15 15 X 11
17 11
6
F#,7 C#,7 D#,7 B6sus2 Bb6sus2
park it - self,
Gtr. 1
6 6 6 6 6 6
6 6 6 6 6 6
Gtr. 5
8 10
6 8 7 6
6 8 6 5
6 5
6 4 2
Gtr. 2
0 1 2 X X 2 X X 2 2 2 2
A13'b6
park it, park it,
9 8 9
13 11 13
6 6 6 6 6 6 6 6 9
5 5 5 5 5
5
4
4
8 8 8 8 8 6 6
5 5 5 5 5 5 5 7 7
7
Gtrs. 1 & 2: w/ Riffs A & A1 (2 1/2 times)
C7 #9
C7#9sus4 C7sus4
6
or did some - one build a place to
Gtr. 5
let ring let ring
4 11 11 9
3 10 10 8 8 6
3 10 10 8 8 8 6
C7#9sus4 C,7#11 C7sus4 C6sus2
leave a space for such a thing to land?
let ring (cont. in slashes)
7 9 11 8
8 9 10 7
8 9 X 7
8 9 8
Interlude
Gtr. 5
*Gtrs. 1,
7&8
mf
8 10 7 8 8 14 10
10 8 10 8
9 9 7 11 9
10 7 9 10 12 9
12
*Gtr. 7: Synth. arr. for gtr.;
Gtr. 8: Flute arr. for gtr.
Gtr. 6
mp
P.M.
12
0
Riff B1 End Riff B1
Gtr. 2
4 4 4 4 4 4
0 0
8
Gtrs. 1, 7 & 8: w/ Riff B (3 times)
Gtr. 2: w/ Riff B1 (3 times)
Gtr. 5 tacet
C(#4)
Fill 1 End Fill 1
Gtr. 6
P.M.
9
0
Gtr. 6: w/ Fill 1
D'9
*Gtr. 9
mf
14 17 14 14 17 14 14 17 14 14
17 17 17 15 17
**Gtr. 10
mf
15 17 15 15 17 15 15 17 15 15
17 17 17 14 17
***Gtrs. 11 & 12
mf
7 7 7
9 7 9 9 7 9 9 7 9 7 9 9
10
***Gtr. 11 (clean) w/ octaver set for one octave above;
Gtr. 12: Synth. arr. for gtr.
mp
7 7 7
7 9 9 7 7 9 9 7 7 9 9 7
7 9 9 7 9 9 7 9 9 7
Synth. arr. for gtr.
9
Gtr. 13: w/ Riff C
Gtr. 6
mf
w/ wah-wah
7 8
Gtr. 9
14 17 14 14 17 14 14 17 14 14
17 17 17 15 17
Gtr. 10
15 17 15 15 17 15 15 17 15 15
17 17 17 14 17
Gtrs. 11 & 12
7 7 7
9 7 9 9 7 9 9 7 9 7 9
10
Guitar Solo
Gtrs. 9-12 tacet
C G C
Gtr. 6
7 8
9 9 9
9 7 7 7 7 7 7 7 7 7 7 7 7 7
D C D
*
3
5
1
7
10 10 8 7
9 7 9 9 7
7 7 7 7 9 7 9 X 9 7 7
7 5 7 7 9 7
*Played ahead of the beat.
10
C D Am D
1/2
7 7 7 7
5 7 5 5
7 5 5 5 5 5 5 5 7 7 5 5 5
Am D Am
3 3
3
7 4 7 9
5 5 5 5 5 5 7 5 7
5 5 7 7 7 5 5 7
D Am D C
3
3
3
12 7 7 7 7 7
8 7 5
7 7 5 7 7 7 5
7
5 7
5 7
D C D C
3 3 6
* pp mf
7 12 10 10 12 10 7
7 7 7 7 10 8 7 10 12 12 10 10 12 10 12 12 10 7 10 7 10
9
D C D C
9 7 9 7
9 9 7 7 7 9
7 7 7 7 5 7 5 7 7 9 5 7 5 5 7 X
7 5 5 X
D C D C
10
7 9
7 7
4 4 7
7 5 5 7 5 5
5 3 3 5
11
D C D C
3
3 3 3 3
1
14 10 10 12 14 10 10 10
10 10 13 13 13 13 10 13 10
7 11 12 11 12 12 10 10
12 14 10 12 12 10 10
D C D
3
6
1/2 1 1 1 1 1
10 10 10 10 10 10
13 13 13 13 13 13 13 10 13 10 10
12 12 10 10
12 12 10
10 12 10 10 10 12 12
C D C
8 8 8 8
7 8 8 10 10 8 7 8 10 10 8 7 8 10 10 8 7 8 10 10 8 7 8 8 7 8 7 7
7 7 7 5
D C D C
9 9 9 9 9 9 9 9 9 7 7 7
8
5 5 7 9 7
D C D
3
3
3
3
3 3 3 3
11 9 7 9 7 11 9 7 9 9 7 7 7
9 9 7 7 7 9 9
9 7 5 7 5 5 5 7 9
7 7
C D C D
3
1
7 9 9 9 7 7 6 7 6 7 6 7 6 7 6 7 7 9 9 9 9 9 9 9 9
9 7 9 7 7
12
C D C D
3
*p mf
1 1
12 10
9 11 11 11 11 7 9 9 9 9 7 9 9 7 7 7
*Vol. swell
C D C
** 1
15 13 12 10 8 10
7 9 7 5 5 7 7 5 9 7 7
7 7 16 14 12 10
D C D
3
1 1/2
5 5 9 7 5 7 7 5 7 7 7 7 7
7 7 5 5 7 7 7 7 7
7 5 3 5 7
0 5
C D
6
5
6
3 let ring 2 1
1/2
1 1 1/2
5
5 5 5 8 5 5 5 8 5 7 5 5 5 5 5 5 5 8 5
7 7 7 7 7 7 7 7 5 5
7 7
3 0
C D C
3
3 3
8
8 8 10 10 10 10 12 10 8 12 12 10 8 10 10 12 10 8
5 5 7 9
5 5 7 7 7 7
3 5 7
D C D
3 3 3 3
8 8 10 10
12 10 10 12 10 8 12 10 8 10 10 10 12 10 8 12 10 8 10 10 10 10
9 9
9 9 7 7
13
C
**
6 5
10
*T T T T T T T T T T T T T T T T T
12 10 12 9 12 7 12 7 12 9 12 10 12 10 12 10 12 9 12 7 12 7 12 9 12 10 12 10 12 10 12 9 12 7
D
***
T T T T T T T T T T T T T T T T T
12 7 12 9 12 10 12 10 12 10 12 9 12 7 12 7 12 9 12 10 12 10 12 10 12 9 12 7 12 7 12 9 12 10
***As before
5 5
T T T T T T T T T T T T T T T T T
10 12 10 12 10 12 9 12 7 12 7 12 9 12 10 12 10 12 10 12 9 12 7 12 7 12 9 12 10 12 9 12 10 12 9
D C
8va
5
T T T T T T T T
T T T T T T
17 15 17 15 17 14 17 12 17 14 17 15 17 14 17 15
12 7 12 9 12 10 12 10 12 9 12 10 9 7 9 9 7
D C
8va
3 3 3 5 3 3
p mf
T T T T T T T T T T T T T T
14 12 12 14 17 14 17 15 14 17 15 17 14 17 12 17 14 17 15 17 15 17 15 17 15 17 15 17 15 17 15 17 14 12 14
8va
3
T T T T T T
14 17 14 17 15 14 19 15 19 14 12 17 12 17 14
14
C
8va
3 3 3 3 3 3
T T T T T T T T T T T T T
15 19 14 19 15 14 19 14 17 14 17 14 15 19 14 19 14 15 17 14 17 15 14 19 14 15 17 14 17 15 14 12 17 14
8va
5
T T T T T T T T T T
17 15 14 12 17 12 12 10 12 10 9 7 17 14 17 15 14 12 17 12 17 12 14 17 14 17 14
8va
3 5
3 3 3
T T T T T T T T T T T T T
17 15 17 14 17 12 17 12 10 13 10 12 10 9 7 12 17 12 17 14 17 15 17 14 17 14 17 15 14 17 14 12 14
Ah,
8va loco
Gtr. 6
7 3
12 10 12 10
12 10 8 10 8 7 8 10
Gtr. 11
w/ slight dist.
octaver off
4 5 7
15
C D C D
ah.
10
7 8 7 5 10 10
7
7
4 5 4 2 7 7
5
C D C D
3 3
Ah, oo, ah, ee, ah, ah, ee, ah, oh.
loco
Gtr. 1 8va
3 3
14 15 17 14 15 17 14 15 14 12 12
15 13
14 14
Gtr. 6
3 3
7 8 10 7 8 10 7 8 7 5 5
7 5
7 7 7 16
Gtr. 11
3 3
4 5 7 4 5 7 4 5 4 2 2
5 3
5 5
16
Gtrs. 1 & 11 tacet
C D C D
3 3
Ah, dee, la, dee, la, ah, ha, oo.
Gtr. 5
3 3
let ring let ring let ring
10 12 14 10 12 14 10 12 10 8 14 10 10 10
10 13 15 10 13 15 10 10 10 X X X 7 X
14 7 7 11 9 11
8va
Gtr. 6
3 3
10 17 15 17
7 8 10 7 8 10 7 8 7 5 10 10
7
C D C D
3 3
3 3
let ring
10 12 14 10 12 14 10 12 10 8 7 8 10 10
10 13 15 10 13 15 10 10 8 10 10 7 7
9
loco
3 3
7 8 10 7 8 10 7 8 7 5 5
7 5
7 7
17
Gtrs. 1, 7 & 8: w/ Riff B (4 times)
Gtr. 2: w/ Riff B1 (4 times)
Gtr. 5 tacet
3rd & 4th times, Gtr. 13: w/ Riff C
D%
Fill 2 End Fill 2
Gtr. 6
P.M.
15
0
Fill 2A End Fill 2A
Gtr. 11
P.M.
10
0
Gtr. 12
7
7
7
7 7
7
9
9
7
7
7
7 7
7
9
9
7
7
7
7 7
7
9
9
5
5
7
7
9
9
Verse
Gtr. 2 tacet
F,7(no3rd)
3. Did a ve - hi - cle come from some - where out there? Did a ve - hi - cle come
Gtr. 5
8
6
9
Gtr. 6
X X X 8
X X X
X X X 7
18
Gtr. 6 tacet
F,7(no3rd) Db,7/F
from some - where out there? Did the In - di - ans first on the bill carve up the hill.
Gtrs. 1 & 7
Gtr. 5
8 8
6 6
9 6
6
Interlude
Gtr. 5 tacet (e=e)
Fm11 G6(no3rd) G/F
Riff D End Riff D
Gtr. 1
11 8
11 8 11
10 8
8 10
10 8
8
Riff E1 End Riff E1
8va
Gtr. 7
11 8 15 15 15 15 22
11 8 11 15 15
10 8
8 10
10 8
8
Gtr. 11 Rhy. Fig. 1
End Rhy. Fig. 1
0 0 0 0 0 0 10
8 8 8 8 8 0 12
7 9 9 9 9 0 12
Gtr. 2
6 5 3
10 10 10 10 8 8
4 3 1 10 10 1
19
Gtrs. 2, 7 & 11 tacet
F,7(no3rd)
Riff F
*Gtrs. 1, 8 & 12
Gtrs. 1 & 12
8 7 8 7
10 10 10 10
7 7 7 7 7
9 10 9 7
10
*Composite arrangement
Gtr. 8 tacet
F,9(no3rd) Fm7 Gsus2 Fsus2 E7(no3rd)
Gtrs. 1 & 12 Gtrs. 1, 8 & 12
8 8 8 8
7 7 10 10 7 7 7
9 7 9 7 10 9 10 9 10 9 7 9 10 9 7 9 10 9 7
10 8
(e=e)
Gtr. 8 tacet
D7(no3rd) Fm Bbsus4 C
End Riff F
Gtrs. 1 & 12 Gtrs. 1, 8 & 12
10 11 9 8
8 10 9 11 8 9 8 8 8 6 8 8 11
7 10 10 8 5 10
9 7 9 8 8 6 8 9
(e=e)
Gtrs. 1, 8 & 12 tacet
Am7
Riff G
End Riff G
Gtr. 7
3 5 3 3
8 10 7 8 8 14 10
10 8 10 7
9 9 7 11 9
10 7 9 10 12 9
12
7
12 12 7 5 6 7
8 5 5
(e=e) (e=e)
Gtrs. 2 & 7 tacet
F,7(no3rd) Fm7
Gtrs. 1 & 12 Gtrs. 1, 8 & 12
9
8 11 8 11 8
10 10 11 9 8 11 11
7 7 7 7 10 10
10 9 7 11
10
20
Gtrs. 1 & 7: w/ Riff D Gtrs. 2 & 7: w/ Riffs E & E1
(e=e)
Gtr. 2: w/ Riff D1 Gtr. 11: w/ Rhy. Fig. 1
Gtrs. 8 & 12 tacet
Fm11 G6(no3rd) G/F
Synth Solo
F D,7 F D,7
Rhy. Fig. 2 End Rhy. Fig. 2
*Gtrs. 1, 9,
10 & 13
Gtr. 7
7 7 9
8 10 10 9 7 9 10 10
7 9 10 10 7 7 9 10 9
9 10 11 7 7 9 10
10
*Composite arrangement
7 9 8 7 7
8 7 10 10 8 7 7 9 7
7 10 9 7 6 9 10 9 7 6 9
10 7 9 9
Gtrs. 1, 9,
10 & 13
7 8 10 8
10 8 7 7 10 10 8 10 7 10 7
9 7 6 6 8 9 9 6 9
7 6 9 9
(e=e)
Bbm7 Cm7 Dm7 Em7
(cont. in notation)
9 8 11 10 8 10 12 13 12 10
9 9 11 11 8 10
8 10 9 10 12 11
10 8 12 10 12 9
21
Interlude (e=e)
Dsus2 C,7
Gtrs. 1, 7 & 8
8 8
7 7 5
7
*Gtrs. 9, 10 & 13
5 5 5 7 7 7
5 5 5 5 5 5
7 7 7 5 5 5
*Composite arrangement
Fsus2 C#m11 Ebsus2 Bm11 Dbsus2 Ab,7(#4)
Gtr. 8
12 10
11
Gtr. 9
8 7 6 5 4 3
8 8 7 7 6 6 5 5 4 4 3 3
10 9 8 7 6 5
10 9 8 7 6 5
8 7 6 5 4 3
Gtr. 10
8 7 6 5 4 3
8 7 7 6 6 5 5 4 4 3 3
10 9 8 7 6 5
10 9 8 8 7 7 6 6 5 5
7
7
Gtr. 1
4
4 1 4 1 4 5
10 10 8 8 5
7 7 7 6 5 5 5 2 5 4
Gtr. 2
7 7 5 5 3 6
5 5 5 4 3 3 3 2 1 1 6
3 1 4 X X 4
22
Gtr. 10 tacet
C C5 D5 C
Gtr. 8
3 3
12 12 12 12
8 10 8 10 8 10
12
Gtr. 4 & 9
3 3
12 12 12 12
8 10 8 10 8 10
Gtr. 5
8 8 8 8
8 8 8 10 8 8
9 9 5 7 9 9
*
Gtr. 1
3 3
12 12 12 12 12 12 12 13 12
8 10 X 8 10 X X 8 10 X X X X X
3 9 9 9 9 9 9 10 9
Gtr. 2
13 13 13
6 6 6
Ab
Gtr. 5
11 10 8 8 10 8 10 8 8 9 10 9 10
11 11 11 8 8 11 8
23
G5 A5 Bb5 A5 G5 A5 Bb5 A5
9 10 9 10 9 10 8 12 10
11 8 11 8 11 8 11 8 10 11 14 15 16 15 14 13 13 12 11 10 13
11 12 15 14
12 14
G5 A5 Bb5 A5 G5 A5 Bb5 A5 Ab
3 3 3 3
11 10 13 11 10 15 13 11 18 15
13 11 10 11 10 13 11 10 13 16
12 17
G5 A5 Bb5 A5
3
18 16 15 16 18 16 15 13 13
17 15 12 12 15
15 13 12
15 13
15 13 15 13
13
13 15 15 13 13
15 12 15 15 12 10
15 10 12 10 8 8 8 8 8
10
Ab
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
10 10
G5 A5 Bb5 A5 G5 A5 Bb5 A5
6 6 4 4 5
5 7 5 5 7 5 2 3 2 3 3 4
8 8 8 5 8 5 8 5 4 5 3 5
10 5
24
G5 A5 Bb5 A5 G5 A5 Bb5 A5 Ab
*
**
7 3
7
12 10 10
5 6 7 8 9 10 11 13 11
4 5 6 7 9 9 10 11 13
4 5 6 7 9 9 10 11
let ring
10
13 11 11 10 8
12 12 10 10
10 12 10 8 10 8 10
10 10
6 7 8 9
4 5 6 7 8 9 10 6 7 8 9
10 10 8 10 8 5 4 5 6 7 8 9 10
10 8
G5 A5 Bb5 A5 Ab
8 9 10 11 12 12 13
10 11 7 8 9 12 12 10
10 11
Synth Solo
Gtr. 5 tacet
Ab G7(no3rd) A7(no3rd) Bb,7(no3rd) A7(no3rd) G7(no3rd) A7(no3rd) Bb,7(no3rd) A7(no3rd)
***Gtr. 14
mp mf
w/ wah-wah
15 15
17 15 15 17 15 17
17 17
***Synth. arr. for gtr.
8va
3 3 3 3
1
15 18 15 20
15 17 18 18
15 15 15 15 16 17
15 15 17 15 17 15 15 17 15 17 14 15 17
17
25
8va
loco
3 3
20 20 18 20 18 18 15 15 10
18 15 18 15 15 15 13 13 11
17 17 10 12 10 12 10
G7(no3rd) A7(no3rd) Bb,7(no3rd) A7(no3rd) G7(no3rd) A7(no3rd) Bb,7(no3rd) A7(no3rd) G7(no3rd) A7(no3rd) Bb,7(no3rd) A7(no3rd)
7
10 5 7 7 5 5
12 10 12 7 8 5 7 8 5 7 8 5 7 5 7 5 7 5 7 5 7 8 5 7 5
13 10
7 5 5 5 5 3 3 3 4 2 3 3 3
7 9 5 7 5 7 5 7 5 7 5 7 5 7 3 5 3 5 5 2 3 3 5 3 5 3 5 3 5
G5 A5 Bb5 A5
w/ bar
8
7
3 4 6 5 7 8 5 7 8 5 8 6
3 5 7
8va
*
3 3
w/ bar 7
grad. dive 1
8 9 9 6 8 13 15 18 15 13 18
7 6 4 4 5 6 8 17
6 3 3 5 5 7
6 5 5 3 5 3
26
Ab
8va
3
1 1/2
18 18 18 18
Gtr. 14 tacet
G5 A5 Bb5 A5 G5 A5 Bb5 A5 G5 A5 Bb5 A5 G5 A5 Bb5 A5
8va
Gtr. 14
18
*Gtr. 15
w/ bar w/ bar
+3 1/2 +3 1/2 +2 1/2 +3 1/2
8 8 8 8 8 8 8
Ab
8va
***Gtr. 16
3 3
mf 1 grad. release
20 20 20 15 18 15 18 15 15 16 15
20 18 20 18 20 18 15 18
17 19
17
8va loco
**Gtr. 17
mf
15 18 15
18 18 15 18
Gtr. 15
w/ bar
+3 1/2
+2 1/2 +1 1/2
+1 1/2 +1/2
+1/2 +1/2
8 8 8 8
27
G7(no3rd) A7(no3rd) Bb,7(no3rd) A7(no3rd) G7(no3rd) A7(no3rd) Bb,7(no3rd) A7(no3rd)
loco
3
(cont. on lower staff)
18 18 15 15 18 15
17 15
15 12
15
3
(cont. on upper staff)
9 8 9 8
10 10 7 7 10 7
10 8 12 12 14
Gtr. 17 tacet
G7(no3rd) A7(no3rd) Bb,7(no3rd) A7(no3rd) G7(no3rd)
8va
Gtr. 15
3
1
12 13 15 13 13 15 18 20 20 18 20 18 19
11 15 13 15
10 12 14
Gtr. 16
w/ bar
steady gliss. grad. ascent
+1 1/2 +2 1/2
20
13 13
Gtr. 14
loco
28
Interlude
Gtrs. 14, 15 & 16 tacet
F,7(no3rd) D,7(no3rd) F,7(no3rd) D,7(no3rd)
Gtr. 1
7 6
7
3
5 7 5 5 9 5
5 6 8 7 5 5 7 9 5
4 6 7 7 6 4 5 7
7 5 7
*Gtrs. 11 & 18
**w/ octaver
12 9 12 9
13 10 13 10
10 7 10 7
7
3 7 3
3
9 8 7
8 6 10 10 10 10 10 8 8 7 9
7 7 9 9 11 9 7 7 7
7 9 11 9
12 9 12 9
13 10 13 10
10 7 10 7
7 8 10 8
10 8 7 9 10 8 10 10
9 7 8 9 9 11 9 11 9
7 8 9 11 9
14 7 8
15 9 10 10
12 6 7 11
9
29
Bb7(no3rd) C7(no3rd) D7(no3rd) E7(no3rd)
6 7 6
6
9 8 11 10 8 10 12 13 12
9 9 11 11 10 10
10 9 10 12 11
10 12 12 9
9 11 13 15
10 12 14 16
8 10 12 14
(e=e)
D/A D C,7
Gtr. 7
3
3
7 5 4
8 10 6
7 9 10 7 5
9 10 7
Gtr. 1
3
3
7 5 4
8 10 6
7 7 7 9 10 7 5
7 9 10 7
Gtrs. 11 & 18
7 7 7
7 7 7 5 5 5
7 7 7 5 5 5
7 7 7 5 5 5
Gtr. 2
5 5
5 5 3
5
30
Verse
Gtrs. 1, 2, 7, 11 & 18 tacet
*Gtr. 19: w/ Riff F
F,7(no3rd)
4. Did the boo - ger bear come from some - where out there just to land in the An - des?
Gtr. 5
6
9
F,9(no3rd) Fm7
Was she round and did she have a mo - tor, or was she some - thing dif - frent?
0 11
8 9
10 10
Gua - ca - mo - le Queen, Gua - ca - mo - le Queen, Gua - ca - mo - le Queen. At the Ar - ma - dil - lo in
10 8 7 5
10 8 7 5
12 10 9 7
(e=e)
Fsus2 Absus2 C
Aus - tin Tex - as, her au - ra, or did some - one build a place or leave a space for Ches - ters Thing to land?
8 11 8
8 11 8
10 13 9
10
31
Gtr. 7: w/ Riff G Gtr. 2: w/ Fill 3
(e=e)
Am7
Spoken: (Ches - ters Thing, on Ruth.)
8
8
9
7
F,7(no3rd)
Did a boo - ger bear come from some - where out there?
6
9
(e=e) (e=e)
Fm7
Gtr. 5
11 11 8
9 11
10 10
Gtr. 7
8 9
32
Outro
Fm7 G6(no3rd)
loco
8va
*Gtr. 20
mp mf
11 8 20 19 15 19 15 15
11 8 11 15 17 15 15
10 8 16 17 16 17 16 12
8 10
10 8
8
*Vibes arr. for gtr.
8va
Gtr. 7
11 8 15 15 15 15 22
11 8 11 15 15
10 8
8 10
10 8
8
Gtr. 5
3
11 8 0 0 0 0 0 0 0
11 8 11 8 8 8 8 8 0 12
10 8 7 9 9 9 9 0 12
8 10
10 8
8
3
Gtr. 2
6 5 3 10
10 10 10 10
4 3 1 10 10
Db/Eb
8va loco
Gtr. 20
16 20 16 8 6 8
13 12 18 19 7 6 9 6
14 12 10 12 19 17 15 16 13 7 5 3 5
12 12 10 12 10 9 12 10 9 16 15 16 14 4 3 6
8 2 3
8va
Gtr. 7
1/2
22 22
Gtr. 5
Gtr. 2
divisi
5 12120 A 9
10
10 11
11
33
Gtr. 20 tacet
D/C
8va
Gtr. 7
rit.
22
Gtr. 5
rit.
10
11
12
Gtr. 2
rit.
8 8 8
10
8 8
A tempo
Gtrs. 5 & 7 tacet
3
3
3
3
Spoken: On Ruth. On Ruth. Ha, ha. Thats Ruth.
Gtr. 13
3 4 5 3
Gtr. 12
6
7 9 7
Gtr. 2
2
3 5 3
34
from Frank Zappa - One Size Fits All
Po-Jama People
By Frank Zappa
Intro
Free time
Bb13 A7 #5 Dm7 Ab7#11
Gtr. 2 (dist.)
f
w/ wah-wah
10 10 10 10
12
12
5 6
*Gtr. 1
f
w/ fingers
**T T
6
6 8 6 6 6 6 3
7 6 5 5 7 7 5 6 7 5
6 5 7 7 7 4
0 5
6 4
*Piano arr. for gtr.
**T = Thumb on 6th string
G7 Eb9
3
6 6 3
3 3
1 1/2 1 1
10 10 10
13 10 13 10
10 12 12 12 12 10 12 10 12 12 12 10 12 10
12
12
let ring 3
3 3
8 7 5
6 6 6 6 6
4 0 7 7 7 5 7 6
3 5 5 5 7 5
6
3 3
3
3 3
3 3
3 3
3
10 10 10 10 10 11 10 10 X
12 12 10 10
12 12 11 10 8 10 8 8
10 8 10
3
3
3
3
10 10
6 X 10
5 10 12 13 12 10 10
4 0 12 10 12 12
5 9
G7
3
let ring
1 1 1
10 10 10 13 10 10 10 10 10 10 10 10 10 10 10 13 10 10 10 13 15 13 10 10 10 10
10 13 10 13 13 13 10
12 13 12 12 10
0
6
let ring
3 5 6 5 3 5 3 6 8
4 5 7 5 4 5 4 7
3 5 7 5 3 5 3
3 3
Dm7 *Ab13
3 3 3 3
1 1 1 1 1
10 10 10 13 10 10
10 13 13 10 13 13 10 10 10 13 10
12 10 12 12 10 12 12 12 12
3
5 5 3 3
6 6 5 1 6
5 5 4 2 5
7 0 4
5
*Chord symbols reflect overall harmony.
2
G7
3 3 3
3 3 3 3 3 3 3
1/2 1 3 3
12 12 12 10 12 12 10 13 12 10 13 12 10 10 12 10 12 10 10 10
12 X 12 10 12 10 12 10 12 12
12 12 12 10 8 10 12
3
let ring
8
6 8 10 6 6
5 0 10 7 4 4 4
4 5
5
3 3
A7 #5 D5
3
3 3 3
steady gliss.
7 7
10 10 7 7
12 10 8 10 12 8 8 8 5 5
let ring
let ring
3 6 9
6 6 6 8
3 6 6 0
5 5 5 8
0 0 0
Verse
Moderately slow q = 86
D7#9 G7
1. Some peo - ples hot. Some peo - ples cold.
*Gtrs. 2 & 3 (dist.)
mf
12 12
7 7 5 12
7 7 5 10 12
5 5 3
*Composite arrangement
Rhy. Fig. 1 End Rhy. Fig. 1
3 10 12 10 12
6 6 6 6 3 8 8 8 8
5 5 5 5 5 2 3 4 3 4 4 4 4
4 4 4 4 4 0 3 3 3 3
5 5 5 5 5
3 3
3
Gtr. 1: w/ Rhy. Fig. 1 (3 times)
D7#9 G7
Some peo - ples not ver - y swift to be - hold.
Gtrs. 2 & 3
fdbk.
10 10
10 10 10
Pitch: C
D7#9 G7
Some peo - ple do it, some see right through it.
fdbk.
13 12 13
10 10 10 12 14 12 14
Pitch: C D
D7#9 G7
3 3
Some wear py - ja - mas, if on - ly they knew it. Mm, the py -
pp
fdbk. fdbk.
10
12
12
8 5
Pitch: C D
Pre-Chorus
Gtrs. 2 & 3 tacet
Dm7 G7
ja - ma peo - ple are bor - ing me to piec - es.
Gtr. 1
let ring
10 10 10 10 10 10 12 13 14 15
10 10 12 10 10
10 10 12 10 10 10 10 10 10 12 14 15 16 7 7
10 9 9 9 9 9 5
10 8 8 8 8 5
4
D7#9 G7
Feel like I am wast - ing my time. They all got
15 14 13 12 10 10
6 6 8 6 8 6 0 12
5 5 7 5 16 15 14 12 10 10
4 4 6 3 5 3 15 5
5 5 12 10 5
13
D7#9 G7
flan - nel up and down em, a lit - tle trap - door back a - round em, some
6 6 8 6 8 6 6 8 6 8 6 3 3
5 5 9 7 9 7 7 9 7 9 7
4 4 9 7 9 7 3 7 9 7 9 7 3 3 0
5 5 7 5 7 5 3 5 5 7 5 7 5
3 3 3
Dm7 G7
co - zy lit - tle foot - ies on their mind. Po -
13 13 12
6 6 8 6 3 3 13 15 13 13
7 5 7 5 7 5 3 4 14 14 12 13 12 10
7 7 9 7 7 3
5 5 7 5
5
Chorus
Dm7 D7#9 G7
ja - ma peo - ple! Po - ja - ma peo - ple, peo - ple!
Gtr. 2
3 3
f
1 1/2
13
12 12 10 12 10
Gtr. 1
12 10
12 10 2 3 4 4 4 0
12 12 10 10 3 3 3 5 0 0
12 8 10 10 8 9
10 3 3
Gtr. 2 tacet
Dm7 G7
3 3
3 3
Spoken: They sure do make you sleep - y with the things they might say. Po -
3 3
Gtr. 1
3 3 3 3 3
let ring
6 6 8 10 6 6 6 6
7 7 7 10 5 7 5 7 5 7 5 7 0 5 7 5
7 9 9 10 7 7 7 7 7 7 7 9 7 3
5 3 5 3
5
D7#9 G7
ja - ma peo - ple! Po - ja - ma peo - ple, peo - ple!
5
6 12 10 6 6 5 3 5
5 12 10 2 3 4 3 4 7 7 5 4 5
4 12 10 4 3 3 3 7 7 5 3 5
5 10 10
3 3 3
6
D G7
3
Moth - er Mar - y and Jo - seph, I wish theyd all go a - way. Po -
3 3
7 4 4
7 3 3 3 17
8 9
3 3 10
D7#9 G7
3
D7#9 G7
ja - ma peo - ple! Po - ja - ma peo - ple, peo - ple! Wrap em
Gtr. 2
mp
6 5
Gtr. 1
3 6
2 7 7 5 7 4 4 2 2
3 5 3 3 5 5 5 3 3
5 5 5 5 5 5
3
7
Dm7 G7
up, up, up, up, up, up. Roll em out, out, out, out, out, out. Get em out of my way. Hey,
Voc. Fig. 1
(Hey,
Gtr. 3
12
Gtr. 2
6 5 6 5 6 5 12
7 5 7 5 7 5 7 7 9 5 7
7 7
Gtr. 1
5
6 8 10 8 5
2 7 5 7 5 7 9 7 4 4
3 7 5 7 7 9 10 9 3
5 8 5 8
G/B F/A G
and a hey, and a hey, and a hey. Hoi, hoi, hoi. Wrap em
and a hey, and a hey, and a hey.)
10 10 10 10 13 13 15 15
13 13 10 13 10 15
10 10 10 12
12 10 12 10 7 5
12
3 3 5 5 3 3
2 2 4 5 4 4
3 3 5 5 7 5
8
Gtr. 1 tacet Bkgd. Voc.: w/ Voc. Fig. 1
Dm7 G7
up, up, up, up, up, up. Roll em out, out, out, out, out, out. Get em out of my way. Hey,
Gtr. 3
1
12
13 15 15 13 15
Gtr. 2
1
6 6 8 8 6 6 12
7 5 7 5 7 5 7
7 5 3 7 5 3
Riff A
*Gtr. 4 **Gtrs. 4 & 5
mp
5 8
6 6 8 6
7 5 7 5 7 5 7
7 5 7 5
8 8
*Marimba arr. for gtr. **Gtr. 5: Xylophone arr. for gtr., played mp.
G/B F/A G
and a hey, and a hey, and a hey. Hoi, hoi, hoi. Wrap em
Gtr. 3
10 10 13 15
13 13 12 13 12 10 12 15
Gtr. 2
6 8
10 9 10 9 7 9 7 7 7 7 7 5
10
Gtrs. 4 & 5 End Riff A
8 7 5 7 8 10
8
9
Gtr. 4: w/ Riff A Bkgd. Voc.: w/ Voc. Fig. 1
Gtr. 5 tacet Gtr. 5: w/ Riff A (last 3 meas.)
Dm7 G7
up, up, up, up, up, up. Roll em out, out, out, out, out, out. Get em out of my way. Hey,
Gtr. 3
1
12
14 15 15 13 15
Gtr. 2
6 6 8 8 6 8 6 6 12
7 5 7 5 7 5 5
7 5 3 7 5 3
G/B F/A G
10 10 13 15 15 10
13 13 12 13 12 10 12 15
10 12
12 10 12 10 9 10 9 9 9 10 10 10 10 11 10
12
10
Guitar Solo
D7#9 G7
10 10 10 11 10 10 11 10 10 10 11 10 10 10 12
10 12 10 12 12 12 12 12 12
10 10 10 11 10 10 11 10 10 10 11 10 10 10 12
12
Gtr. 2 tacet
D7#9 G7
Gtr. 3
1
1/2 1 1
3
1
10 10 10 10 10 13 13 10 13 10 13 10 10 13 10 13 10 10
13 13 13 13 10 13 13 10 13 10 13 13 13 10
12
D7#9 G7
3 3 3
1 1/4 1
10 13 10 10 10 13 15 13 10 10 13 15 10 10 10 13 15 13 13 10 10 10 10 10 10 10
13 10 13 10 13 10 13 13 13 10 13 10
13 12 10 12 10 12
D7#9 G7
3 let ring
1
1/2
10
10
12 10 12 10 12 10 10 10 12 12 10 12
12 12 10 10 10 12 10 12 12
12 10 12 11 10 8 10 12
D7#9 G7
10 10 10 10 10 10 10 13 10
12 12 12 12 12 12 12 12 12 10 12 12 12 12 12 12 10 12 12 12 10
11
D7#9 G7
3
1
1/2
1 1 1 1 1/2 1
10 13
12 12 12 12 10 12 12 12 12 10 12 12 12 12 10 12 10 10 12 10
12 12 12 10 12
D7#9 G7
3
3
1 1
10 12 12 12 12 12 12 12 10 10 12 10 10 12 10 10
12 12 10 10 8 10 8 10 10 10 8 10 8 10 8
10
D7#9 G7
3
1/2
5 7 5 7 5 7 5 5 5
3 5 7
8 8 8 3 5
10 8 10 8 10 10 10 5 5
D7#9 G7
*
3
3
1 1
8
6 8 6 8 6 8 6 8 8 8 6 8 8 8 10 10 8 6
7 7 7 7 7 7
D7#9 G7
**
5
6 6 6 5 0 5 6 6 5 0 5 6 6 6 5 0 6 6 5 0 6 6 6 8
**As before
D7#9 G7
6 8 8 10
7 5 7 7 5 7 5 5 5 7 9
7 7 5 5 5 7
5 5 3 5 5 5 7
12
D7#9 G7
12 12 12
10 10 13 13 13 15 13 13 12
12 14 14 14 X 14 12
D7#9 G7
3 3 3
3
3/4
12 12
12 12 15 13 15 13 12 13 12 13 15
14 12 14 12 14 12 14 12 12 10 12 12 10 12 10
12 12 10 10
12 12
D7#9 G7
3
w/ bar 1 1
10 10 15 12 12 15 12
10 10 13 15 14 15
10 12 12 12 12 12 13 10 12
12 12
-1/4
D7#9 G7
3
3
3
12 10 12 10 10 10 10 10
12 X 12 10 12 12 12 0 3 0
12 10 X 10 8 10 8 8 10 12
D7#9 G7
3 3 0 0 3 3 0 3 0 3 0 3 0
0 3 0 3
D7#9 G7
1/2 1
3 0 3 3 0 3 0 3 3 0 3 3 0 3 3 3 5 6 0
3
13
D7#9 G7
3 0 3 0 3 0 3 0 3 3 0 5 5 3 0 5 3 0 5 3 0
3 0 3
D7#9 G7
5 3 0 5 5 3 0 6 3 0 5 3 0 6 3 0 5 5 3 5 3 0 3 3 0
3 5 5 5 5 5 0 3 5
D7#9 G7
3 3
14
5 5 7 7 7 5 7 9 10 10 10 7 7 10 7 7 10 7 7 10 7 10 7 7 7 7 10 7
3 3 5 7 10 10
5
D7#9 G7
6
3 3 3
1 1
14 10 13 10 10 10 10 10 13 10 14 10 13 14 10 10 10 10 10 10 10
14 14 13 10 14 10 13 13 10 13 10 13 10
12 12 10 12 10
D7#9
6
13
3
let ring
15 13 10 10 13 13 15 13 10 13 10 13 13 10 10 13 16 13 10 13 15 13 10 13 10
13 10 13 10
10
G7
D7#9
3 3 3
let ring 1
1 1
10 9 10 10 10 10 10 10 13 13 15 13 15 17
13 13 13 10 13 10 13 10 13 13 15
14
G7 D7#9
3
1
17 15 13 15 13 13 10 13 13 13 10 13 13 10 13 10 13 10
15 13 15 15 13 10 10
G7
3 3
1 1/4 1
10 10 10 10 10 10 10 10 10 13 10 10 10 10
13 13 10 13 10 12 12 12 10 12 10 12
12 12 12 10 10 12 10 12 10 12
12
G7 D7#9
3
3
1/2
1 1/2 1/2
10 14 10 10 10 10 10
12 10 12 12 10 12 14 13 13 13 10 12
12 10 12 12 10 12 10 12 10
12 0 3 0
G7 D7#9
3 3
1
3
1/2
1/2 1 1/2
12 10 12 10 12 12 10 12 12 12 10 12 10 12 10
12 12 10 12 10 12 10 12 12 10 10 12 12 12 10 7 12 10 12 10 12 10
12 12 12
G7 D7#9
1 1 1 1
1/2 1/2 1/2 1/2
10
10
12
12
12
12
12
12 /1212 0 10
10
12
12
10
10 12 10
12
12
12
12
12
10
10
12
10
10
12
12
12
12
12
12 /1212 0 10
10
12
12
10
10
12
12
12
12
10
10
12
G7 D7#9
12
10 12 13 13 12 10 13 12 10 13 12 10 12 12 8 6 8 6 8 6 8 6 8
10 12 13 13 12 10 12 10 12 10 12 12 0 0
15
G7 D7#9
2
8
10 8 6 10 10 10 8
0 0 7 10 9 7 7 5 5 7 7 7 7 5 7 5 7 7 5 7 7 7 5 7 5 7
0 7 5 3
G7
3 3 5
5 7 5 5 7 5 7 7 9 9 7 7 9 9 10
5 3 3 5 7
5 5 3 5
D7#9
3
6 6
1
10
10 13
10 9 9 10 12 10 12 12 12 10 12 10 10 12 10
12 9 10
12 10 8
G7 D7#9
6
6 6
1
1 1 1 1/2 1
10 10 10 10 13 10 10 13 13 15
13 10 13 10 10 13 10 10 14 14 10 14
10 12 12 12 12
10 10 12 10 12
10 12 12
G7 D7#9
loco
8va
15 15 15 15 13 15 13 13 10 13 10 10 10
15 14 10 10 13 13 13 15 13 15 13 10 13 10
12
G7 D7#9
1 1/2 3
10 13 14 10 8 6 8 6 6
14 7 7 5 5 5 9 7 5 9 7 5 5 9 7 5 5
7 7
16
G7 D7#9
1/2
5 5 3 X
7 7 7 5 3 5 3 5 3 5 5 3 5 0 5 3 3 3 X
5 5 3 5 5 5
G7 D7#9
0 0
6 6 6 0 6 6 0 6 0 6 0
5 5 5
5 7 7 5 0 0 0
3 5
3 5
G7 D7#9
6 0 6 6 0 6 0 6 0 6 0 6 6 0 6 0 6 0 6 6 5 0 5 0 5
G7 D7#9
3
let ring
12
6 6 8 8 6 6 8 8 10 10 8 8 8 12 12 10 10 13 13 12 10 12 12 12
G7 D7#9 G7
let ring
1
12 12 12 12 10 8 8 8 8 10 10 10 15 10 10 10
13 10 10 13
10 10 12
12
D7#9 G7
3
let ring 3 3
1 1/2 1/2
10 10
13 10 13 13 10 10 14 10
12 12 12 12 10 12 10 10 13 12 12 10
12 12 12 12 10 10
12 8 12 10 8 10
10
17
D7#9
3 3 3 3 3 3 3
let ring
* *
T T T T T T T T T T T T T
8 11 10 10 7 8 12 8 7 12 7 8 10 7 8 11 8 12 8 7 10 8 10 8 12 7 8 10 7 10 13 8 10 10 10 8 12 13
X 10 13 8 10
0
G7
3 3 6
6
* * * *
T T T T T T T T T
8 10 8 10 8 10 12 10 8 12 13 7 8 10 8 11 8 12 8 5 7 8 10 12 8 11 10 8 5 8 12
D7#9
3 3 5 3
*
T T T T T T T T T T T T T T T T T
15 13 12 15 10 7 11 7 12 8 7 10 7 10 8 12 10 12 10 8 7 10 7 11 8 12 7 10 8 10 5 10 11 7 12 7 8 12 8 7 10
G7
3 3 3 3 3 3 3
T T T T T T T T T T T T T T T T
8 10 8 7 10 7 8 9 12 7 10 7 8 10 7 10 7 8 10 9 10 9 12 8 7 8 7
10 9 8 6 9 8 6 10 8 5 10 9 8 10 8 6 10 8 6 9
D7#9
3 3 3
T T T T T T T T T T T T T T T
10 8 10 8 7 9 7 5
8 9 8 10 6 10 6 10 8 9 6 10 6 10 6 9 6 12 10 8 10 8 10 6 10 15 13
18
G7
3 3 3 3 3 3 3 3
T T T T T T T T T T T T T
15 13 15 13 12 10 12 15 10 9 11 5 8 7 8 5 3 7 3 1 5 3 1 8 7 10 8 10 7
13 12 13 15 12
D7#9
6
T T T T T T T T T T T T T T T T
15 13 15 9 12 10 9 12 3 7 5 1 4 1 5 10 5 3 1 5 3 8 5 7 10 8 10 7 9 5 9 5 1 3 5 3 1 5 3 5 1 5 3
G7
2. Now
(Yeah.)
Gtr. 2
15 15
Gtr. 3
1/2 1
14 10 10 10
0 12 12 12 12 10
0 12 10 12 12
0
19
Verse
Gtr. 6 tacet
D7#9 G7
some peo - ples hot. And some peo - ples cold. And
(Some peo - ples hot. And some peo - ples cold. And
(Cold.
8va
Gtr. 2
1
1
13 15 15 13 13 15 15 15 13
15 15 15 15
Gtr. 6 (dist.)
mf
10
Gtr. 3
mp
1 1
10 12 12 10 10 12 12 12 10
12 12 12
20
D7#9 G7
some peo - ples not ver - y swift to be - hold. I tell ya.
To be - hold, yeah.
8va
Gtr. 2
1 1 1/2
13 15 20 15 15 13 13 15 15 15 15 13
15 15 15
Gtr. 3
1/2 1
10
10 12 12 12 10 10 12 12 10
12 12 12
21
D7#9 G7
Some peo - ple do it. Some see right through it. And
Some peo - ple do it, yes, they do. Some see right through it. Cause
Some peo - ple do it, you, bah, bah, bah. Some see right through it. And
Come on,
8va
1 1 1
13 15 20 15 15 15 13 13 15 15 15 15 13
15 15 15 15
1 1/2 1 1/2
10 12 12 12 12 10 10 12 12 12 12 10
12 12 12 12
22
D7#9 G7
now, come on.)
8va
loco
1 1 1
13 15 22 15 13 15 15 15 15 13
15 15 15 15 15
1 1 1
10 15 15
10 12 12 10 12 12 12 12 10
12 12 12
23
Pre-Chorus
D7#9 G7 D7#9
ja - ma peo - ple are bor - ing me to piec - es. They make me feel like I am wast - ing my time.
1
1 1
15 13 13
14 14 14 14 14 12 10 12 10
10
8 10 10 10 10 8 10 8 8
10
1 1
15 13 13
14 14 14 14 14 12 10 12 10
8 10 10 10 10 8 10 8 8
10 10
G7 D7#9 G7
They all got flan - nel up and down em, a lit - tle trap - door back a - round em, and some
3 3 3 3 3 3 3 3 12 12
8 3 3 5 5 5 5 3 5 5 5
3 3 3 3 3 3 3 3 12 12
8 3 3 5 5 5 5 3 5 5 5
24
D7#9 G7
**
3
3
co - zy lit - tle foot - ies on their mind. Po -
Gtr. 2
*** mf
1 1 1 1
13
12 12 12 12 10 12 10 10 10 12 10
12
***Vol. swell
Gtr. 3
mf
1 1 1
13
10 12 12 12 10 12 10 10 10 12 10
12
Vol. swell
Gtr. 6
mf
Vol. swell
*Gtr. 7 (dist.)
mf
1
13 7 0
Gtr. 8 (dist.)
mf
7 7
25
Chorus
Gtrs. 6, 7 & 8 tacet
D7#9 G7
ja - ma peo - ple! Po - ja - ma peo - ple, peo - ple.
Gtrs. 2 & 3
1/4
12 10 10 10 10
12 12 12 12 10 12
D7#9 G7
3 3 3
3 3 3
Lord, they make you sleep - y with the things they might say. Po -
(Whoa,
3 3
3
3
3
(Lawd, they make you sleep - y with the things they might say. Po -
Gtrs. 2 & 3
12
*Gtr. 9
3 3
3
3
mf
3
5 5 3 3 2 3 4
5 1 2 3 5
*Bass arr. for gtr.
26
Gtr. 9 tacet
D7#9 G7
ja - ma peo - ple! Po - ja - ma peo - ple, peo - ple!
please, oh. Ya, mo - jam peo - ple!
Po - ja - ma peo - ple, peo - ple! Wah.
ja - ma peo - ple! Well, po - ja - ma peo - ple, peo - ple! Spoken: I said
Gtrs. 2 & 3
10 10 10
12 12 12 12 12 12 10
12 10 8
10
D7#9 G7
All go a - way. Po -
arf, druff, hey. Wish theyd all go a - way. Po -
8va
Gtr. 2 loco
1
1/2
3
1
20 20
0 0
0 12 12 10 12 10 12 X X 12 10
12 10 12
*
Gtr. 3
3
1 1 1 1 1 1 1
10 13 10 10 10
13 13 10
12 12 10 12 12 12 10 12 10 12 12 12 12 10 12 12
12
Peo - ple! Al - right. I say, I say, I say.
ja - ma peo - ple! The po - ja - ma peo - ple spe - cial.
10 10 10
12 12 12 12 12 12 10
12 10 8
10 10 10
12 12 12 12 12
12 10 8 10 8
28
D7#9 G7
3 3 3 3
Take one home with you and save a dol - lar to - day. Po -
Ow. Save a dol - lar to - day. Po -
8va
Gtr. 7
1 2 1 1
13 13 13 13 13 13 15 13 13
15 15
Gtrs.
6&8
1 1 1/2 1/2 1
15 15 15 15 15 13 13 15 17 15 15
Gtr. 2
0 0 0 0 0
12
Gtr. 3
12
0 0 0 0 0
29
Gtrs. 6, 7 & 8 tacet
D7#9 G7
ja - ma peo - ple! Po - ja - ma peo - ple, peo - ple! Wrap em
Peo - ple!)
ja - ma peo - ple! Spoken: Eem, po - ja - ma. Save a dol - lar.)
Gtrs. 2 & 3
10 10 7 5
12 12 12 12 12 12 12 10
12 10 8
10
up and roll em out, get em out of my way.
Gtr. 2
1
12 15
7 5 7 5 7 5 7 7 5 7 7 7 7 5
7 5 3 7 5 3
Fill 1
Gtr. 6
10 13
Gtr. 3
1
8 12
6 8 8 8 8 8 6
7 5 7 5 7 5 7 7
7 5 3 7 5 3
30
Gtr. 6 tacet
G/B F/A G
Hoi, hoi, hoi. Wrap em
13 12 13 12 10 12 10 10 13 13 15 15
13 15 6 5
End Fill 1
12 10 12 10 10
12 12 10 12
10 10
13 13 12 13 12 10 12 12
7 5
Riff B
Gtr. 2
8 10 10 10 10 8 12 15
6 5 6 5 6 5
7 5 7 5 7 7
7 7
Gtr. 3
1
8 12
6 8 8 8 8
7 5 7 5 7 5 7 7
7 5 3 7 5 3
31
G/B F/A G
Hoi, hoi, hoi. Wrap em
End Riff B
P.M.
13 12 13 12 12 13 13 15 15 13 10
15 15 13 15 15 6 5
10 10
13 13 12 13 12 10 12 12
7 5
Gtr. 3
1
8 12
6 8 8 8 8 6
7 5 7 5 7 5 7 7
7 5 3 7 5 3
G/B F/A G
10 10
13 13 12 13 12 10 12 12
7 5
32
Outro
Gtr. 2: w/ Riff B (till fade) Gtr. 5: w/ Riff A (last 3 meas.)
Gtr. 6: w/ Fill 1
Dm7 G7
Riff C
1 1
8 12
6 8 8 8 8 6
7 5 7 5 7 5 7 7
7 5 3 7 5 3
G/B F/A G
Ee, yeah.
End Riff C
10 10
13 13 12 13 12 10 12 12
7 5
Begin fade
Gtr. 3: w/ Riff C (till fade) Gtr. 5: w/ Riff A (last 3 meas.)
Gtr. 6: w/ Fill 1
Dm7 G7
Uh, ha, ha, ha, ha, ha, ha.
(Oo,
Gtr. 8
3 5
Fade out
Gtr. 8 tacet
G/B F/A G Dm7
33
from Frank Zappa - One Size Fits All
Gtr. 2 (clean)
3
3 3
3
mf
w/ slide
9 7 0 6
9 11 7 5 5 7
Gtr. 3 (slight dist.)
mf
1/2
1/4 1/4
2 2
X 3 5 3 0
*Gtr. 1
mf
5 5
5 7 8 7
7 6 4 6 7 6 6 7
7 7 7 7 7 7
9 9 9
*Harmonica arr. for gtr.
**Chord symbols reflect overall harmony.
1. She
9 7 9 7 9 7 6
9 11 9 11 9 11 9 7 5 5 7
1/2 1/2 1/2 1/2
2 2 2
X 3 5 0 3 5 0 3 5 0 3 0
5 3 5 3
5 7 5 7 5
6 6 6 7 7 6 6 7
7 7 7 7 7 7 7
9 9 9
A A6sus A Am7 A6sus A
*Gtr. 4 Rhy. Fig. 1 End Rhy. Fig. 1
mp
5 7 5 5 3 2
6 7 6 5 4 2
7 9 7 5 4 2
A5 G5 A
Riff A1 End Riff A1
Gtr. 4
**Gtrs.
2&5 Riff A End Riff A
divisi
5 7 5 7 5
5 5 5 7 8 8 7 8 7 5
4 6 7 6 7 6 4 4 7 6
5 7 7 7 5
7 7 5 7
**Gtr. 2 w/o slide;
Gtr. 5 (dist.), played mf.
mf
Riff A2 End Riff A2
Gtr. 6 (dist.)
Gtr. 7
(slight dist.)
divisi Riff A3 End Riff A3
mp
5 7 8 7 8 7 5 5
5 7 7 7 5
7 7 2 4 5 4 5 4 2 2 5 7
3 5 5 5 3
5 5 3 5
A6sus A Am7 A6sus A A5 G5 A
His name is Bob - by, he looks like a po - ta - to.
Gtr. 6
7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5
2
Interlude
Gtrs. 2 & 5 tacet
Dsus2 Csus2
Gtr. 6 & 7
3
3
10 12 10 8 8 10 12
10 8 10
7 7 7 5
7 7 7 5
5 5 5 3
Gtrs. 2 & 5
5 3
7 7 5
7 7 7 5
Chorus
Gsus4 G A5
Shes in love with a boy from the
Gtrs. 6 & 7 *Gtrs.
4, 6 & 7
w/ pick & finger w/ pick
10 5 5
13 5 5
10
4 5
*Composite arrangement
Rhy. Fill 2 End Rhy. Fill 2
Gtr. 4
8 8 3
3 3 3 8 8 3
5 5 5 7 7 3 4
5 5 5 5 5 5
D C
ro - de - o who pulls the rope on the chute when they let those suck - ers go.
Gtrs. 4, 6 & 7
5
5 7 7 7 5
7 7 7 5
7 7 7 5
5 5 5 3
3
A5 F#m7
Gtr. 5
3 3 3 3 3 3
1/2 1/2 1/2 1/2 1/2 1/2
14
4 4 4 2 4 4 4 2 4 4 4 2 4 2
4 4
Gtr. 3
3 Gtr. 4
3 3 3 3 3 Gtr. 3
divisi let ring
1/2 1/2 1/2 1/2 1/2 1/2
5
5 7
4 4 4 2 4 4 4 2 4 4 4 2 4 2 6
4
Gtr. 7
3
3 3
let ring 3
5
5 5 5 5 5
4 X 4
X X X
Interlude
Gtr. 3 tacet Gtr. 7 tacet
Yeah, hey, suck - ers.
Riff D1 End Riff D1
Gtr. 5
Gtr. 6
3 Gtrs. 3 & 5
divisi
Riff C 1/4
14 17 14 17 15 15
17 10 8 17 8 8
17 16 14 16 14 9
16 14
14 12
14 2
Gtr. 4 Riff D End Riff D
8 8 5 3
7 8 8 5 3 5
Gtr. 7 Riff B
Gtr. 2
w/ slide w/o slide w/ slide
8 8
8 8
7 9 9 7
2 2
4
Gtrs. 3 & 5: w/ Riff C
Gtrs. 4 & 6: w/ Riffs D & D1
A5 C5 D5 E5 G5 E5 G5 A5
End Riff C
Gtrs. 3 & 5
5 5 7
5 7 7
5 5 5 8 8 8
Gtr. 2
w/o slide w/ slide
8 8
8 8 8
7 9 7 9 9 7
Verse
Gtr. 4: w/ Rhy. Fig. 1
A5 C5 D5 E5 G5 E5 G5 A5 A A6sus A Am7 A6sus A
2. He got slob - ber - in drunk at the Pal - o - mi - no.
End Riff B
Gtr. 2
7 9 9 7
12
Gtr. 6
let ring
3 2 3 5 5 3
2 2 2 2 2 2 5 5 2 2 2
2 2 2 2 4 5 5 4 2 2
0 0 0 0 0 0 0 0
5
Gtrs. 4, 6 & 7: w/ Riffs A1, A2 & A3
G5 A
They give him
Gtr. 1
1/2 1 1/2
12 15 8 9 5 5 5
14 17 17 15 15 13 15 10 7 5 7 7
14 12
Gtr. 2
14 14 14 9 12 9 7 4 6
14 7 5 5 5 7 7
A A6sus A Am7 A6sus A
Gtr. 1
15
Gtr. 2
15
Gtr. 6
1/4
2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0
3
6
Gtrs. 4, 6 & 7: w/ Riffs A1, A2 & A3
G5 A
Gtr. 1
3
1 1/2 1/2 1/2 1 1
12 12 12
15 15 13 15 13 10 12 12 12 12 10 10
14 14 11 11
Gtr. 2
steady gliss.
15
17 15 13 14
14 12
12 14 14 12 10 11
12 9
Interlude
Gtr. 1 tacet Gtr. 4: w/ Rhy. Fill 2
*Gtrs. 2 & 5: w/ Rhy. Fill 1
Dsus2 Csus2 Gsus4
Gtr. 6
3
3
10 12 10 8 8 10 12 10
10 8 10
7 7 7 5
7 7 7 5
5 5 5 3
Gtr. 7
3
3
10 12 10 8 8 10 12 10
10 8 10
7 7 7 5
7 7 7 5
5 5 5 3
*Gtr. 2 w/o slide.
Chorus
G A7 D C
Well, theres for - ty - four men stashed a - way in tank C, and theres
w/ clean tone
w/ pick & finger
w/ pick
12
2 2 2 2
2 2 2
12 0
**Gtrs. 4 & 7
5 5 5 7 5
5 5 6 5 6 7 5
13 7 7 5
5 5 3
5 5
**Composite arrangement
7
Gtrs. 4, 6 & 7 tacet
on - ly one show - er but it dont ap - ply to Bob - by.
A5 F#m7
Gtr. 5
3
3 3 3 3 3 3
1/2 1/2 1/2 1/2 1/2 1/2
4 4 4 2 4 4 4 2 4 4 4 2 4 2
4
Gtr. 3
3
3 3 3 3 3
1/2 1/2 1/2 1/2 1/2 1/2
4 4 4 2 4 4 4 2 4 4 4 2 4 2
4
Gtr. 7
3 3 3
5
5 5 5 5 5
6 6
Gtr. 7 tacet
Gtr. 5
2
3
1
2
2 5 2
5 4 2 X X 4 4 2 4
4 2 4
0
*Gtr. 6
Gtr. 3
divisi
5 11
4
*w/ dist.
Gtr. 4
5 5 7 5 5
7 7 7 5 7
6 6 8 6 6
2 2
8
Interlude
Gtr. 2: w/ Riff B Gtrs. 4 & 6: w/ Riffs D & D1
Gtrs. 3 & 5: w/ Riff C (2 times)
Gtrs. 4 & 6: w/ Riffs D & D1
A5 C5 D5 E5 G5 E5 G5 A5
Bridge
2nd time, Gtrs. 2 & 3 tacet 2nd time, Gtr. 6: w/ Fill 1
A5 C5 D5 E5 G5 E5 G5 A5
1. You might think theyre dumb and lone - ly,
(Well.)
2. Best - est way that they can feel - o,
but youre wrong cause their love is strong.
out on the high - way roll - ing the wheel - o.
To Coda
E
Stacked up hair and a cheap lit - tle ring. They dont care cause it
Hes her Toot - sie, shes for real - o. Trail - er park heav - en, its a
Gtr. 6
2 2 2 2 0 0 2 2 0 0 2 2 0 0
2 2
0 0 3 4 0 0 3 4 0 0 3 4
Gtr. 3
7 9 7 9 7
7 7 9 7 9 7
X X 7 5 X X 7 5 X X X X X 7 5
0 0 X 0 X 5 X 0 0 0 X X X X X 0 X
Fill 1
Gtr. 6
9
Gtr. 6 tacet
F#m
Gtr. 3
dont mean a thing. Uh, look - a there,
Gtr. 5
2 2 2
4
2 2
4 2
0 0 3 4 2
Gtr. 4
(cont. in slashes)
7
6
X X
X X
4 4 4 X X
F#
2fr
uh, they dont care.
6
6
1 1
2 5 2 2 2 2 2
5 5
4 4 2 4 4 2 4
4
X 4 2 0 X
10 7
9 6
11
10
Interlude
Gtr. 5 tacet
Am7
(cont. in notation)
Gtr. 5 Gtr. 3
3
3
3
1
1 1
10
4 4 4 4 2 2 X
4 4 2 4 4 2 X X X
X X 7
Rhy. Fig. 2 End Rhy. Fig. 2
Gtr. 4
10 7 5 5 5 5
9 6 5 5 5 5
11 5 5 5 5
Riff E End Riff E
Gtrs. 6 & 7
0 3 3 0 0 3 3 0
0 3 3 3 0 0 3 3 0 3
Gtr. 3
10
X
X X X
X X 7
Gtr. 2
2 4 5 5 2 0 0 0 2 5 5 2 2 2
Riff F
Gtr. 3
5 9 5 7 X X X 5 9 5 7
7 7 7 X 7 X X X X X 7 X 7 7
0 0 0 X 0 0 0 X X X 0 X 0 0 0
X 0 0 X X
11
P.M.
2 2 5 0 2 5 5 2 2 5 5 0 0 2 5
2 0 2
0
End Riff F
1/4 1/4
5
5 0 0 5 6 5 5 5 X
7 5 0 2 0 0 7 5 7 7 X
0 0 X 0 0 0 X 0 0 0 0 X
0 0
Gtr. 3: w/ Riff F (2 times)
Gtr. 2
5 5 8 8 5
7 0
7 5 3 4 0
3 5 5
3 3 6 3 3 3
1/4
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 5 5 5
3 3 3 0 3 3 4
3 3
5 7 7 7 7
X 5 3 X 5 5 3 5 3 0 0 0 0 0
5 5 5 5 3 3 3 5
0 0 1 2 2 0 0 1 2 2
0 1 2 0 1 2
5 0 0 3 0 0 3
0 3 0 3
12
D.S. al Coda
Gtr. 2
0 0 2 5 2 0 0 0
0 1 2 X 2 0 0 0 0 7 9 10
0 3 0 12
3
Gtr. 3
1/4
5 5 5 5 5 5 5 5
5 5 5 5 7 7 2 0 5 X 0
0 0 0 0 0 0 0 0
0 0
Coda
E F#m
real good deal - o, real good deal - o,
(Real good deal - o.)
11 11
2 2 11 11
4 4 9 9
0 0 3 4
2
2
2
4
X 0 4
X 0 0 0 0 0 2
Gtr. 3 tacet
C#5 F#5 C#5
real good deal - o, real good deal - o, real good deal - o.
(Real good deal - o.)
Gtr. 6
6 6 11 11 6
6 6 11 11 6 6
4 4 9 9 4
13
Gtr. 6 tacet
E
(Dum.)
(Dum.)
Gtr. 7
let ring
3 5 5 3 3 2 2 0
0
Gtr. 2
Gtr. 6
5 7 7 7 5 5
9 9 7 9 9
9 9 9 7
9
7
Interlude
A5
Gtr. 2
9 7 6
9 11 7 5 5
Gtr. 3
1/4
3 0 5 4 0
Gtrs. 6 & 7
1 3/4
0 0 0 0 0 0
3 3
14
(The
9 7 9 7 9 7 6
9 11 9 11 9 11 9 7 5 5 7
1/2 1/2 1/2 1/2
2 2 2
X 3 5 0 3 5 0 3 5 0 3 0
1/2 1/2
0 0 0 0 0 0
3 3
Outro
Gtrs. 2, 3 & 7 tacet
rest of their lives in San Ber - di - no.)
Gtr. 6
P.M.
P.M. P.M.
2 2
2 2 2 2 2 2 2 2 2 2 2 2 5 5 5 4 2 2 2 5 4 4
2 2 2 2 2 2 2 2 2 2 2 2 5 5 5 4 2 2 5 4 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
15
San Ber - di - no, uh. Gon - na spend the
Gtr. 2
14 13 12 13
12 12 14 14 10 5 7 5 7 5 7
12 14 14 14 13 13 13 12
Gtr. 6
P.M. P.M. P.M. P.M. P.M. P.M.
2 2 2 2 2 2 2 2 2 2 2 2 2 5 4 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 5 4 0
0 3 4 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 2 tacet
Gtr. 6
P.M. P.M.
2
2 2 2 2 2 2 2
2 2 2 2 2 2 2 X X X X X X
0 0 0 0 3 4 0 0 0 X X X X X X
X X X X X X
Come on with me, come on with me, come on with me down in
P.M. P.M. P.M.
1 1/2
2
2 2 2 2 2 2 2 5 2 2 2
2 2 2 2 2 2 2 5 4 4 2 0 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 3 4
3
16
San Ber - di - no. Just six - ty
P.M. 1/4
2 2 2 2 2
2 2 2 0 2 2 2 2 2 2 5 4 4
2 2 0 2 2 2 2 2 2 5 5 4 4
0 0 5 7 0 0 0 0 0 0
0
miles, six - ty miles down the San Ber - di - no free - way.
P.M. P.M.
let ring
2 2 X 2 2 2 2 2 2 2 2
2 2 X 2 2 2 2 2 4 4 2 4 2 4 2 2 2 5 0 2 4
0 0 X 0 0 0 3 4 0 0
0
They got some dark green air and you can choke all day,
End Riff G
Riff G
let ring
2 2 5 2 2
2 2 2 5 4 2 0 5 4 2 5 2 4
0 3 4 0 0 3 4 0 0 3 4
2 2 2 2
5 2 5 2 5 2 2
0 0 3 4 0 0 3 4 3 4 0 0 3 4 3 4
17
rest of their lives, rest of their lives. Say now,
3 3
let ring
2 2 2 2 2 2 2
2 4 2 0 0 2 2 4 2 0 0 5 2 4
0 3 4 0 0 3 4 0 0 3 4
0
3
aint talk - in bout Fon - ta - na, aint talk - in bout, uh, uh, aint talk - in bout, oh, oh,
2 2 2
2 5 4 2 5 2 4 2 5 2 4
0 0 3 4 0 0 3 4 0 0 3 4
A5
Gtr. 3
aint talk - in bout, oh, oh, aint talk - in bout the Red - lands, no, no.
2 2 2 2 2 2
2 5 4 2 4 2 2 2 5 2 4 2 5 4 X 2 4 2
0 0 3 4 0 0 0 3 4 0 0 3 4 4 4
Zulch is the
1 1 1/2 let ring
2 4 4 4 2 2 2 2 2
4 2 2 4 4 4 2 4 4 2 5 4 2 4 2
0 0 3 4 0 0 3 4 0 0 3 4
18
Gtr. 6: w/ Riff G (23 times)
(cont. in notation)
au - to works. Im tell - ing you,
Gtr. 3
let ring
2 5 4 2 0 4 2 0 2 X 2 2 2 2 2 2 2 2
X 2 2 2 2 2 2 2 2
0 0 3 X 0 0 0 0 0 0 0 0
thats where they take all the cars that they hurt.
Rhy. Fig. 3 End Rhy. Fig. 3
X 2 2 2 2 2 2
X 2 2 2 2 2 2
X 0 0 0 0 0 0
*Sung ahead of the beat.
Gtr. 3: w/ Rhy. Fig. 3 (6 times)
Oo, woo, woo, woo, woo.
Lets, uh, go down, down, down, down in San Ber - di - no.
Rhy. Fig. 4 End Rhy. Fig. 4
Gtr. 3
2 2 2 2 2 X 2 X 2 2 2 X 2 X 2 X 2 X 2 X 2
2 2 2 2 2 X 2 X 2 2 2 X 2 X 2 X 2 X 2 X 2
0 0 0 0 0 X 0 X 0 0 0 X 0 X 0 X 0 X 0 X 0
19
Gtr. 3: w/ Rhy. Fig. 4 (3 times)
Would ya blieve it, would ya blieve it now, come. San Ber - di - no,
San Ber - di - no, San Ber - di - no, got to call it. San Ber - di - no, come here
Rhy. Fig. 5 End Rhy. Fig. 5
Gtr. 3
X 2 X 2 X 2 X 2 X 2 X 2 X 2 X 2 X 2 X 2 X 2 X 2
X 2 X 2 X 2 X 2 X 2 X 2 X 2 X 2 X 2 X 2 X 2 X 2
X 0 X 0 X 0 X 0 X 0 X 0 X 0 X 0 X 0 X 0 X 0 X 0
Gtr. 3: w/ Rhy. Fig. 5 (6 times)
San Ber - di - no, whats up? San Ber - di - no, San Ber - di - no,
San Ber - di - no, oh, got to spend all these days there. The
(Oo.)
Gtr. 6
2 2 2 2
5 2 4 2 2 2 2
0 0 3 4 0 0 0 0
Free time
Bb A7
rest of their lives in San Ber - di - no. Spoken: Um, uh,
(In San Ber - di - no.
(In San Ber - di - no.
3
3
3 3 3 3 3
P.M.
5 5 3 3 2 2 2 1 1 0 X 1
3 2
3 2 2 2
3 2 2 2 2
1 0 0 0 3 4
20
3
Bob - by, Im sor - ry you got a head like a po - ta - to, I
Oh, oh,
Oh.
ya, eeh, ya, eeh, eeh, ya.
rake
2 2 2 2
5 4 2 5 4 4
X
X
3
real - ly am.
oh, oh.)
oh.)
Get drunk! Laughed: Heh, heh, heh.)
Gtr. 6
_ 1/2 _ 1/2 _ 1/2 1/4
Gtr. 3
w/ bar
_ 1/2 _ 1/2 _ 1/2 1/4
0 0 0 0 0 0 0 0
21
from Frank Zappa - One Size Fits All
Sofa No. 1
By Frank Zappa
C Dm Em C/F Dm/G Am F
5fr 6fr 8fr 8fr 10fr 5fr 5fr
A
__ 3
Moderately q = 116 =
**C G F C
Gtr. 2 (acous.)
mf
w/ fingers
3 10 12 10 12 8
1
0 10 12 10 12 9
2
3
Gtr. 3 (acous.)
mf
8 8 6 8
9 9 7 7 9
10
*Gtr. 1
mf let ring
w/ fingers
0 1 0 3 0
1 3 1 1 1 1
0 0 2 0 0 0
2 0 3 2 2 2 2
3 2 3 3 3 3 3
3 1 0
*Piano arr. for gtr.
**Chord symbols reflect overall harmony.
let ring let ring
8
9
3 3 5
3 5
X 3
let ring let ring
1 3
3
2 4
10 3 3 5
3
let ring let ring let ring
*T
0 1 3 5 3
0 1 3 6 6 3 3 5 3
0 2 4 5 5 4 4 5 2 4
7 7 5
8 5 0
0 1 3 3
*T = Thumb on 6th string
Gtr. 1
3
let ring
T
1 1 3 7 7 8 5 7 3 1 1 1
3 1 3 8 8 8 6 8 5 3 3 1 0
2 2 4 7 7 9 5 7 4 2 2 2 3
0 3 5 0
2
3 3 3
Dm G Bm/D G/D Fmaj9
let ring
3
1 3 5 7 8 10 7 8 5 8 10
3 1 3 8 8 8 10 6 8 10
2 2 4 5 7 7 7 0 5 9 10
0 3 3 0
7
G C/E Dm G Am G/B
3
let ring let ring
12 10 8 7 8 10 10 12 15
10 10 8 8 8 10 12 13 15
10 10 9 0 10 10
12 12
7 12 10 12 14 3
10 10
2
B
Gtr. 5 tacet
F Em Dm G F/G G F/G G
*Gtr. 4
3
3
mf
12 8 7 8 8 10
10 12 10 10 10 10
10
Gtr. 5 (acous.)
3 3
mf
10 12 8 7 8 10 10
10 10
Gtr. 2
3
3
7 8 8 5 5
8 8 8
7 7
Gtr. 3
3 3
8 10
9 7 10 7 9 7
10 7
Gtr. 1
let ring let ring let ring let ring
1
3 3 3 0 1 0 1 0
2 2 0 2 2 0 0 2 2 0 0 2 2 0 0
3 2 0 0 0 0 3 0 3 3 0
3 3 2 3
1 0 3 3 3 3 3
3
F Em Dm Emb6 F6
Gtr. 4
3 3
3
8 10 8 8 7
7 8 8
10 12 12 10 10
7 9
Gtr. 2
3 3 3
3
10 12 8 7 8
10 10 10 12 8 8 10
7
3
Gtr. 3
3
3
3
7 9
10 9 10 7 7 7 9 7
10 10 5
*Gtr. 6
3
3 3
mf 3
7 8
8 10 10 8 10 6 6 8 5 5 6 6
7 9 9 9 10 7 7 9 5 5 7 7
10 9 10 7 7 9 5 5 7 7
Gtr. 1
let ring
1
3 3 3 1 3
2 2 0 2 2 0 2
3 2 0 0 0 2 3
3 3 2 2
1 0 0 1
4
Gtr. 4 tacet
F G F/G C Dm/G C/G
7
8 8 8 8 8
8 8 6 8 6 5
7
7 9 7 5
5 5
5
(cont. in slashes)
6 8 8 8 6 5
7 7 7 9 7 5
7 9 9 10 7 5
3
let ring let ring
0 0
1 1 0 0 1 0 1 3 1
2 2 0 2 0 0 2 0
3 3 3 0 2 0 2 3 2
3 3 3
1 3 3 3 3 3 3 3
5
C
C
Gtr. 6
Gtr. 2
6 8 5
Gtr. 3
7 9 5
Gtr. 1
let ring
1 1 1 1 1 1 1
0 0 0 2 0 0 0 0 0
2 2 2 2 2 2 2 2 0 1
3 3 3 3 3 3
Dm Em C/F Dm/G
(cont. in notation)
Gtr. 2
5 6 8 8 6
Gtr. 3
5 7 9 9 7
*Gtr. 7
3
mf let ring
8 10 12 12 12 12 12 10
8 10 12 12 12 12 10
Gtr. 1
let ring let ring
0 0 1 0
0 2 0 2 2 0 2 2 0
2 3 3 3 0 0
3
0 1 3 1 1 3 3 3
6
Gtrs. 2, 3 & 7 tacet
F C/E Dm G6 G9(no3rd) Csus2 C F Fadd9
*Gtr. 8
4
mf
6 8
5 5
Gtr. 1 & 6
**
let ring
(Gtr. 6, cont. in upper staff)
1 0 3 0 1 1 0 1 3
1 1 3 5 1 3 3 1 1 1 1 1 1 1 1
2 0 2 4 0 2 2 0 0 0 0 2 2 2 2
3 3 2 2 3 3
G Em F Dm Dm7 G
***Gtrs. 6 & 8
8 8 10 6 6 8 8
7 7 9 5 5 7 7
9 9 10 7 7 9 9
***Composite arrangement
Gtr. 1
let ring let ring
0 1 0 0 1 0 0 0 1 1 0 0
0 2 0 2 0 0 2 2 2 0 0
0 2 0 0 2 0 0 3 3 0 0
3 3 2 3 0 3
3 3 3 3
Em7 Fmaj7 Dm7 G
(Gtr. 6, cont. in slashes)
7 8 5 5 7 7
8 8 10 6 6 8 8
7 7 9 5 5 7 7
9
let ring let ring
(cont. in slashes)
3 3
1 0 8 10 6 6 3 3 0 1 0
2 0 7 9 5 5 4 4 0 2 0 0
0 2 0 0 9 10 7 7 5 5 0 2 0 0
3 2 7 8 5 5 3
3 3 3 3 3
7
Am F Am IX Em AmVIII F type2 G
***
Gtrs.
1&6
*Gtrs. 8 & 9
***
8 5 5 7 7
5 6 8 10 8
Gtrs. 10 & 11
Gtrs. 10 & 11 (elec.) Gtr. 11
***
Gtr. 10
mf
divisi
w/ dist.
**
10 8 6 6 8 8
5 7 9 7
7
Gtrs. 2 & 3
***
5
5 5 4 5 5 7 7
7
Gtr. 12 (elec.)
***
mp
w/ dist.
3 2 3 3
0 5 5 7 7
***Played as even eighth-notes.
8
D
Gtrs. 1, 6, 8, 11 & 12 tacet
G13
8va
***
Gtr. 10
*
15 19 19 19 22 20 15 19 17 17 17 20 19
8va
Gtr. 9
**
***
3
12 15 15 17 12 15 15 17 19 17 15 15
19
Gtr. 3
* ***
5 5
6 8 6 5 5 6 8 6 5 5
7 2 4 2 4 2 0 0 7 2 4 2 4 2 0 0
Gtr. 2
* ***
5 5
8 5 8 5
5 7 5 4 4 7 5 7 5 4 4 7
7 7
Gtr. 10
15 19 19 19 22 20 15 19 17 17 17 20 19
As before As before
8va
Gtr. 9
12 15 15 15 17 12 15 15 17 19 17 15 15
18
As before As before
9
Gtr. 10: w/ Riff B
8va
Gtr. 9 *
**
12 15 15 15 17 12 15 15 17 19 17 15 15
19
Gtr. 10
Rhy. Fill 1 End Rhy. Fill 1
loco
Gtrs. 1 & 14
(cont. on lower staff)
17 19 17 19 19 3 5 5
3 6 6
4 7 5
5
Played as even eighth-notes. Gtr. 14: Organ arr. for gtr., played mf.
Composite arrangement
Fill 1C End Fill 1C
***Gtrs. 1 & 13
Gtr. 13
(Gtr. 1, cont. on upper staff)
8 10 5
8 10 6
7 9 10 7
7 7 9 10
10 8 8 10
***Gtr. 13: Chimes arr. for gtr., played mf.
Composite arrangement
Gtr. 9
Fill 1 End Fill 1
loco
Gtr. 9
Gtr. 12
divisi
Fill 1B End Fill 1B
13 15 13 15 15
5
5 7
3
3 5
Played as even eighth-notes.
Gtr. 3
Gtr. 10
3
6 8 6 5 6 8
5 3
5
Played as even eighth-notes.
Gtr. 2
4 5 7 5 4
10
E
G F Em Am
Rhy. Fig. 1
Gtrs. 1 & 14
7 7 5 8 8 7 7 7 5
8 8 6 10 10 8 8 8 5
7 7 5 10 10 9 9 9 5
Riff D End Riff D
Gtr. 13
7 7 5 8 8 7 7 7 5
8 6
Riff C
Gtr. 9
5 7 7 9
10 10 9 10 9 9 9 7
Riff C2
Gtr. 12
3 5 0 5 7
8
8 7 8 7 7 7 5
Riff C1
Gtr. 10
3 5 5 7 7
8 8 7 8 7 7 7
11
G
End Rhy. Fig. 2
Gtrs. 1 & 14
3
T
5 3
5 3 5
5 4 5 4 2
5
3
Gtr. 13
5 5 7
8
End Riff C
Gtr. 9
7 7
End Riff C2
Gtr. 12
End Riff C1
Gtr. 10
7 7
Gtrs. 2 & 3
1/2
8
7 7 5 7
12
Gtrs. 1 & 14: w/ Rhy. Fill 1 Gtrs. 1 & 14: w/ Rhy. Fig. 1
Gtrs. 2 & 3 tacet Gtrs. 9, 10 & 12: w/ Riffs C, C1 & C2
Gtrs. 9, 10 & 12: w/ Fills 1, 1A & 1B
Dm F G F Em
Gtr. 13
5 7 7 8 5 8 8 7 7
6 8
7
Am G Dm F
7 5 5 7
8
Gtr. 13: w/ Riff D
G F Em
Gtr. 11
10 12 12 14 10 10 9 10 9 9
Free time
EmVII A
Gtrs.
1 & 14
Gtr. 13
Gtr. 11
divisi
7 5
9 6
Gtr. 9
Gtr. 10
divisi
9
7
7 7 /7 7 0
Gtr. 3
let ring
6 6
7 7 7
7 7
5
Gtr. 12
7 5
13
from Frank Zappa - One Size Fits All
111 231 231 1321 1311 311 312 213 231 132 132 321 211
__ =
Verse
3
Moderately q = 116
** C G F C
1. I am the heav - en.
*Gtr. 1
mf
w/ fingers
let ring
0 1 0 3 0
1 3 1 1 1 1
0 0 2 0 0 0
2 0 3 2 2 2 2
3 2 3 3 3 3 3
3 1 0
*Piano arr. for gtr.
**Chord symbols reflect overall harmony.
Em F G F G Dm F G
I am the wa - ter. Ich bin der
3
let ring let ring let ring
***T T
0 1 3 5 3 1 1 3
0 1 3 6 6 3 3 5 3 3 1 3
0 2 4 5 5 4 4 5 2 4 2 2 4
7 7 5 0 3 5
8 5 0
0 1 3 3 3
***T = Thumb on 6th string
G6 Dm G
3
let ring
7 7 8 5 7 3 1 1 1
8 8 8 6 8 5 3 3 1 0
7 7 9 5 7 4 2 2 2 3
0
2
3 3
Sung as even eighth-notes. Sung ahead of the beat.
3 3
Ich bin dein ge - heim - er Schmutz und ver -
Laughed: Ha, ha, ha, ha, ha, ha.
3
let ring
1 3 5 7 8 10 7 8 5 8 10
3 1 3 8 8 8 10 6 8 10
2 2 4 5 7 7 7 0 5 9 10
0 3 3 0
7
G C/E Dm G Am G/B
lor - en - es met - all - geld.
(Met - all - geld.)
let ring let ring
12 10 8 7 8 10 10 12 15
10 10 8 8 8 10 12 13 15
10 10 9 0 10 10
12 12
7 12 10 12 14 3
10 10
Pre-Chorus
F Em Dm G F/G
3
3
Ich bin dei - ne Ritz - e.
*Gtr. 2
3
3
mf
8 7 8 8 10
10 12 12 10 10 10
10
Gtr. 1
let ring let ring
1
0 3 3 0 1
2 2 0 2 2 0 0 2 2
3 2 0 0 0 0 3
3 3 2
1 0 3 3
2
G F/G G F Em Dm
3
3 3
Ich bin dei - ne Ritz - e
Gtr. 2
3 3
7 8 8 10
9
10
8 10 1212 8
7
*Gtr. 3
mf 3 3 3
7 8
8 10 10 8 10 6 6 8 5
7 9 9 9 10 7 7 9 5
10 9 10 7 7 9 5
*Harpsichord arr. for gtr.
Gtr. 1
3
let ring
let ring let ring
1
0 1 0 0 3 3
0 0 2 2 0 0 2 2 0 2 2
0 3 3 0 3 2 0 0 0
3 3 3 2
3 3 3 1 0
Gtr. 2 tacet
Emb6 F6 F G F/G C Dm/G C/G
3
und Schlitz - e. I am the
8 10 7 8 8 8 8
10 8
7
3 (cont. in slashes)
5 6 6 6 8 8 8 6 5
5 7 7 7 7 7 9 7 5
5 7 7 7 9 9 10 7 5
3
let ring let ring
0 0
1 3 1 1 0 0 1 0 1 3 1
0 2 2 2 0 2 0 0 2 0
2 3 3 3 3 0 2 0 2 3 2
2 3 3 3
0 1 1 3 3 3 3 3 3 3
3
Chorus
C
Gtr. 3
3
clouds.
Gtr. 1 3
let ring
1 1 1 1 1 1 1
0 0 0 2 0 0 0 0 0
2 2 2 2 2 2 2 2 0 1
3 3 3 3 3 3
Dm Em C/F Dm/G
3 (cont. in notation)
I am em - broi - dered.
let ring let ring
0 0 1 0
0 2 0 2 2 0 2 2 0
2 3 3 3 0 0
3
0 1 3 1 1 3 3 3
4
*** 3
Ich bin der Aut - or all - er Fel - gen und Dem - ast Pas -
*Gtr. 4
4
mf
6 8
5 5
*Bells arr. for gtr.
**Gtrs. 1 & 3 4
***
let ring
(Gtr. 3, cont. on upper staff)
1 0 3 0 1 1 0 1 3
1 1 3 5 1 3 3 1 1 1 1 1 1 1 1
2 0 2 4 0 2 2 0 0 0 0 2 2 2 2
3 3 2 2 3 3
4
G Em F Dm7 G
peln. Ich bin der chrome din - ette.
*Gtrs. 3 & 4
8 8 10 6 6 8 8
7 7 9 5 5 7 7
9 9 10 7 7 9 9
*Composite arrangement
Gtr. 1
let ring let ring
0 1 0 0 1 0 0 0 1 1 0 0
0 2 0 2 0 0 2 2 2 0 0
0 2 0 0 2 0 0 3 3 0 0
3 3 2 3 0 3
3 3 3 3
Em7 F,7 Dm7 G
Ich bin der chrome din - ette.
(Gtr. 3, cont. in slashes)
7 8 5 5 7 7
8 8 10 6 6 8 8
7 7 9 5 5 7 7
9
let ring let ring
(cont. in slashes)
3 3
1 0 8 10 6 6 3 3 0 1 0
2 0 7 9 5 5 4 4 0 2 0 0
0 2 0 0 9 10 7 7 5 5 0 2 0 0
3 2 7 8 5 5 3
3 3 3 3 3
Am F Am IX Em AmVIII F type2 G
**
Gtrs.
1&3
Ich bin Ei - er all - er Art - en.
Gtr. 4 **
5 8 5 5 7 7
5 6 8
5
Bridge
Gtrs. 1, 3 & 4 tacet
G13
8va
*
Gtr. 8 (elec.)
*
mf
w/ dist.
15 19 19 19 22 20 15 19 17 17 17 20 19
*
8va
*
Gtr. 7 (elec.)
mf 3
w/ dist.
12 15 15 17 12 15 15 17 19 17 15 15
19
*
Gtr. 6 (acous.)
*
mf
5 5
6 8 6 5 5 6 8 6 5 5
7 2 4 2 4 2 0 0 7 2 4 2 4 2 0 0
Gtr. 5 (acous.)
* *
mf
5 5
8 5 8 5
5 7 5 4 4 7 5 7 5 4 4 7
7 7
Ich bin all - e
8va
Gtr. 8
* *
15 19 19 19 22 20 15 19 17 17 17 20 19
8va
* *
Gtr. 7
3
12 15 15 15 17 12 15 15 17 19 17 15 15
18
6
Gtr. 8: w/ Riff B
Tag - e und Nach - ten. Ich bin all - e Tag - e und
8va
*
Gtr. 7 *
12 15 15 15 17 12 15 15 17 19 17 15 15
19
Nach - ten. Ich bin
8va
*
Fill 1 End Fill 1
Gtr. 8 Gtrs. 1 & 9
Gtr. 9
**Gtrs. 1 & 9
3 (Gtr. 1, cont. on lower staff)
(divisi)
17 19 17 19 19 8 10 5
8 10 6
7 9 10 7
7 7 9 10
10 8 8 10
**Gtr. 9: Chimes arr. for gtr., played mf.
Composite arrangement
8va
Gtr. 7 *
13 15 13 15 15
Gtr. 6 *
6 8 6 5 6 8
Gtr. 5
***Gtrs. 1 & 10
3 5 5
3 6 6
4 5 7 5 4 4 7 5
5
G F Em Am
heir, ah, und du bist mein so - fa.
Riff C End Riff C
Gtr. 9
7 7 5 8 8 7 7 7 5
8 6
Rhy. Fig. 1 End Rhy. Fig. 1
Gtrs. 1 & 10
7 7 5 8 8 7 7 7 5
8 8 6 10 10 8 8 8 5
7 7 5 10 10 9 9 9 5
G Dm F G
3
Ich bin hier, ah,
Gtr. 9
5 5 7 5 7 7 8
8 6 8
7
Gtrs. 5 & 6
1/2
8
7 7 5 7
Gtrs. 1 & 10
3
T
5 3 3 5 5 7 7
5 3 5 3 6 6 8 8
5 4 5 4 2 4 7 5 7 7
5 5
3
8
F Em Am G
und du bist mein so - fa.
Gtr. 9
5 8 8 7 7 7 5 5 7
8
Gtrs. 1 & 10
3
T
5 8 8 7 7 7 5 3
6 10 10 8 8 8 5 3 5
5 10 10 9 9 9 5 4 5 4 2
5
3
Gtrs. 1 & 10: w/ Rhy. Fill 1 Gtrs. 1 & 10: w/ Rhy. Fig. 1
Gtr. 9: w/ Fill 1 Gtr. 9: w/ Riff C
Dm F G F Em
Ich bin hier und du bist mein
Free time
EmVII A
Gtrs.
1 & 10
so - fa.
(Yeah, ha, ha, ya, ha, yeah, my so - fa, yeah, ha, hi.
Gtr. 9
7 5