VOLUME 12

Jeff Manookian

PROGRESSIVE PIANO REPERTOIRE IN TWELVE VOLUMES

Gary Barnett
editor

Windsor Editions
 Jeff Manookian

GRADUS
PROGRESSIVE PIANO REPERTOIRE IN TWELVE VOLUMES

The twelve volumes of GRADUS is by no means a method in the traditional sense. It is literally what its
subtitle implies: repertoire for the piano. Indeed, the compositions comprising this series are assembled in a
progressive order from a beginning level to advanced. And, this magnum opus does ingeniously address the many
pedagogical demands of the ambitious piano student and those of the innovative instructor.
The harmonic language of GRADUS, while distinctly original and imaginative, remains remarkably
accessible and musically enjoyable to its interpreter and listener. This is music of our time. The compositions of
GRADUS straightaway explore the geography of the keyboard, while expediting a students note-reading and other
diverse pianistic skills. Above all, this series encourages an independence of thought and fosters the imagination.
The ordering of the repertoire within is totally subjective. This aspect alone would assuredly be a challenge
to any composer and/or editor. For instance, a technically less demanding work may be placed later in the series
due to its perceived musical or interpretive exigencies and vice versa.
Those who explore GRADUS will notice the Nineteen Nocturnes contained therein an analogous
deference to Chopins coinciding set of the identical quantity. Additionally, the composer has rendered regards
to Debussy with the Twelve Etudes dispersed throughout the series. Pedagogically, the sonatina form has been a
cherished vehicle among neophytes and pedagogues. Manookian has penned no less than seven of these jewels
for this present collection. Nonetheless, GRADUS is a compilation of the highest innovation and has no equal in
the abundance of pedagogical material written for the piano.
Jeff Manookians original compositions have received worldwide accolades via their garnering numerous
top awards, commissions, commercial recordings, and publications. His works are currently performed by
symphony orchestras around the globe as well as by other world-class ensembles, choirs, and soloists. As a critically
acclaimed pianist and conductor, Manookian has extensively concertized internationally.
The composer funneled his best creative efforts and intrinsic keyboard knowledge into the creation of
GRADUS. Its realization occupied the span of approximately fifteen years. GRADUS is dedicated to memory of
Manookians two Bichon Frise dogs, Phillip and Lizzy inasmuch as they were at his feet throughout the writing
of virtually every note.
As the editor of GRADUS, I have endeavored to provide those who study these remarkable compositions
with numerous interpretive insights and editorial indications. I profess a unique affinity and understanding of
Manookians music, having had the distinction of professionally collaborating with this composer via several
premieres of his large-scale works as well as with other notable musical projects. Above all, I can claim Jeff
Manookian as my close friend.
Substantial gratitude is extended to Robin Korones a formidable pedagogue in her own right. Her
altruistic efforts in the proofreading of GRADUS and her enlightening suggestions became invaluable in bringing
this work to its final form.
Gary Barnett, editor

Windsor Editions
 GRADUS
to Phillip and Lizzy

Progressive Piano Repertoire in Twelve Volumes

VOLUME TWELVE
JEFF MANOOKIAN

Quixotic
(q)
. # # n # n .
Scherzoso

4
2

.
& 4 n b . # # # n # n . # b
3 5 4 2 1
1

. . . . n . .
F
& 44 # # n n # b # n # n

. . b .
# n . n - .

- - . . n #
n b n b. b . . n b #
4

b
2 2

&
3

J
2

n b n # ?
& n
# n . # b n 2. # n
. . . .2
#
# . . 3n 4
1
5 3

. . . . # . . n 2 # .
b b # n n b n . # n # . n . # # . n n . b b . . b
4

& # n # n n b n #

p sub.

? # n #
n # n
#

Copyright 2006 by Windsor Editions

all rights reserved
 3.

. . . # g n # .

. # - ..
nn . # n n n # 3 # n # . # . . .
# n n . . # # . ggg n . n . . b .
b b n
2 4
3

4 # . .
1

&
p P
. . b gg n b . .
3

b b
leggiero

? 3 n gg
& # n
# b n 4 ?
n
*
*
.
. . n # .
n # . b n . g
g
b - .. g
# . . .
# #
n n n > > > >
44
# n n n
3

&
2

P
b . . . . . . f
n b b n ggg b #
? 44
b n b g b b
b > > > >
* * *

.
# . n # # .

.
& 44 b . #
b # b b 2
3

# n
3 4

n # 4
5 4

n .
1

. # . . n .
. .
F P
? 44 2
& # # n # b n 4
n #

b
2 b n n n n . b n b j
&4 43 b # n n .. #
. . .

34 n b gg # n . n
ggg b b #
& 42 ? b g g n b ?
n n . &
.
* * *
4.

. n b .
# 5 4 . . 1. n # n .
# n
b n # 4 n . n
# # .
n
3

& 4
F
? 44
& # ggg # # # # n n # b
# n

. g .
*

n . . # .
n -.
- -
. # # b # n . b . n b b n n b .
2

.
2

#
1

& J
2

n n
& # # n n . # n .
# . # . n 3 1
b 2
5 3

b b . n . . .

b . . n b b
. . n
b # n b n # n # n . # # . n n . b b .
4
2

&
3

# n
p sub.

& n # . . . n b . n b ? # n
# n
3
5

. b b . . # n 2 # . n 21. # . n # . n . n n #
.
.

4
# # . . . .

n # n
& # n n n 43 # # . n . #
3 4

p
? # 3
nb n ?
# n & # # 4

 5.

. . b b .. n n n . b .
. . # # . b bn . # b b
j
#
. . b .
n

# . n # n b b
& J # J

P . p
b . . . # . #
3

.n
b # . .
leggiero

? #
# n b
n
* * * *
.
# n n # # . n n n . b . # n . n . . n .
3 b # # . n # n .

b n b 44 . .
# . .
n
5 4

&
1

F
? n . # . 44
& # # n n # b ?
b # n
*

. b # . n .
3 n b
# .
& # n n n #
. n . n #
n
5 4 1

.
. F
# .
#
? n # # # n
. # ? & #
&
. # b # n

# n .
# > > > >
. # # . n n n
5

& #
2

# b . #
5 1 3

n
2

. . b #
n .
P f F
n .
? n n b n #

. n b
n n #

& bb
>>>> n

6.

Hot Toccata No. 3

(h) -
-
Vivace

2


J
&2
f
-
- ?
& 22

J

staccato

www - .. - - .. # - .. - ww
- .. - ... - # - ... .# . w
strepitoso

& . .
-
... - - ... - ... - - ... # -
? ...
J ... ... ... ...
- - N
- - -

- -
- .. n ... # - ... - .. - - ... - ..
& . . . n
-
www

- .. f


? n. . - - ..


n. - ... - - ... -
.. .
n - .. .. ..
- - -. -.
*


dolce

J J J J 5 2 j j
&
1

P sub.


?
&
?

b

1 2
 ()
4 #
7.

#
4 3

&
p
?


&
b
- ... # - .. - # - .. - .. - -
# . . . ... - -
# # ...
&
P sub.
# www - .. - - .. - ... -
& . .. ... .
. ..
* -
- - -.
-
# ... ...
# n n n


&
delicato

www
.
& . .. n n www b www
..


( ) ...
-
U
& J n www www
p
ww .. # ? n www
U
w
w . ? ww
& &
ww
*
u U



&
p
P F f
U

?
&

*
8.

Etude No. 11
( ... for grace notes )

(q)
j
3 4
Abbandonato assai
j j #
# j j
4 5
#

& 43
#
3

?
n
2 3 1-1
j
1 2

b b

P j
? 43 j
n .. b ..
n ... .
2

# #
.
j
3
# #
2 2
con molto pedale 3 3
5

12
j #
j
? n n j # j b n
j j
3 5 3

. & J
1 2
b
.
.
? .. n .. n n ...
j j
# # # #

1-1 2
3

j
b. j

# 3

3
j
.
1
j
&
1

5
b

j j ..
..
j
? b ... b
b .
3 2
4
5

#
j
3
# j

J n j j n j j
2

b n b
j j
&
2 4 4

2 1

F
?
.
nn. n n ... n ...
j j j
# # # #
2 2
3 3
 9.

. . # J
rit. a tempo

j j 3
5

&


J P
.. .
# # n .
j
? b j
.
b .. .
. 2
3

j

j 5 j 5
b 2
# # j
n
j1

1-1

& n
2

J
b .. b ..
? . j
n .. b .
# #
.
2
3

b ? b j n
4
3

&
4 2

j
n.
j
b ... b .. ..
j
b
? . .
1 2
3
5

U
j
.
3
j 5


2

? j
2

. & J
1

.
U
? j
n .. .
# #
&
j
.. .
1-1 1 .
10. Hot Toccata No. 4
(q)
.
Presto

4 # > F f
&4

.
& 44 N b
>

&
4 n

1

&

. .
1

4
. . . . .
&
4

.
& .
.
. . *
. . . . . . . n .
1 1

ww sotto voce
n w
&

f P
# . . # . . # . . # . .
& . . . . . . . .

. n . . . . n . . . . .
www>
sotto voce

&
f
P
# . . # . . # . . # . .
& . . . . . . . .
*
 11.

&
1

& n n

* 3

lirico
&
b b

b ?
& b &

.
. .

?
. .
& & . .
b

. .
& ?
b . &
*
. . . . . . . . .
.
& ?
. . . . . .
. . .
& . ?
. . .
* * . .

? www
&


?
&




12.

?
&
decresc.

# ##
(> )

& ?


? # # n 2 44
# # # 4 ## n
4

? # # 2 # 44
# # 4 # #

n
? 44 n &
cresc.

n #

? 44 &
n

# # 3
&
> #
#
&

# . . . .
n . . .
4

& n ?
.
4

. .
n .
n # . .
& # ?
. # . .

1 1
* . .
 .
. . . . . www> . . . .

13.

? n




f
P
? # . .
j
. . . * . .
w

. . . . . # www>


? . n
&

P
? j
. . . &
w

& ?
4

n
1

&
f
?
& &
b 1

?
&

&

?
& &

1
decresc.

&
1

&
4 4

14.
.
&
F
. #
#

& . .
. . . .
*

&
?


? #
& # # #

?
&

#
? # &
#



brillante e piu cresc.

&

&

U
# .
? www & www .
&
>
> .. >
?
www U ..
& w & .

w
*
 15.
Etude No. 12
( ... for chords )

(q)
. . .. b b b . .
Robusto

& 44 ... b b b .. ..
n n .
. . . . . J . J . J . J
.
? 44 # # # . . n n n . . . . # . . # .

J

. .. . .
. # . # n n n ... n .
n
n
& n . J . J J
J
n . n . . . . b b
? . . n b b b

. .
n n n . n . . . .
n . .


n . . . . . ..
. . . . . . . .
& J

b
? b b b b
&
# n n # # #
() w > >
ww > >
#
& b b b
grandioso

b


b



b

> > >
?
& n ww
w b w bw b

b w bw b
> > >

 > > > # ...
n ...
# n n
16.
j
& b # # n n # # #
#
b J
J
> > j
?
b w bw
b w bw
> > >
. # www
# .. j
# J b.
? ?
& # # www w &
> > > > >
>
marcato

? n > # > >

>
# www
w .
.
j w
& # . # # w
? b. j
w b.
w


n
b b ... bb > # n n
? b w J #
j
#
&
.

? b w . #
j
# n n > n n n
& b b .. # # # ?

bw . . . . .

( ) * . .
. . .
#
n .
& . n n . . . . # #
.

. . .
.


... b b b . ... . .. b b b .
. ... . n n n .
?
J J J J J

.. . # # n b b
# #


. # # n n # n n
& J


?
# n & b n # #

# b


 17.

Gigue Fantasque

(qk)
n # - # # 2 n n # -
Allegro molto 5 4

#
2

5 1

& 68 . #
1 3

p leggierissimo

? 68 #
#
n n n
& n
3 5 2
col pedale a piacere 1 2 3

# 4 2 # n . - . 1 # 2 n
n n # # n n # # n n b .. #
# n #
.
1-1 3 3
1-1

J
2 1

&

j # n n b b
& n n
1
. 1 3 b
. . b .
.
5 3

n 1 # > . . . n . . n . . .
& . # n
n
n
3 2 1

n n > >>
F > f
p . . b . . b . .
# > n >
> > > . . b #

& n b b # #
n ? bb b b b bb
.
n .

2 1
1-1 2
3 3

5 n
# n n # # 1-1 # n n 1-1
delicato

2 #
n
3

& . .
1

>
F p
# > . .
# # # . # # # . . # # # .
? # .
# # # #
 . n . . n # - # #
. # . n . .
18.

1 #
#
#
3

&
F
# # # . . # # # . .
? # # b bb & # # n n
n J
n
-
3

n
4

n # #
n # # # # . n .

3

1 3 3

n . n . n
1

& #
1

#
1 3

p F p
# b . . b . b .
.
. ? n n n
& # -
. .
.
n . . # . . .
1 3 1

n n . . . .
. . n . # n # # . .
4

& n . # #
2

. .
.
sub. e marcato
b .
b .
b . .
. . b .

? b b

b . . b . . . . J
. . b . . . . 5 4
# 3 # 5 # 2 n n 1 # 2
# 1 #
n
3

n #
1-1

# # n n # # n
2 1-1

&
1

F
n
? n n n

# # 2 # # n # 2 n n 1 # # 2 n
5 4

5 2 # n b .. # n
n J .. # n
3
1

&

n
? b & b b b # ? .
. b b . b .
#
. .

n 2
19.

-
? n > > >
.
3 2 1

& # #
. . b .
. . f
# .
.
. b .
b . -
? b b b n .
#
. . # .
2 1 5
? .> n 2 1 5 2 ? 5 2
n n &
5
2

&
n
F
? # # #
. # # #
# n # 3 # 2 2
n 2
#
3 n
5 n 31
2

#
delicato

2
j # n
& #
p
# # # . . # # # . . # # # . .
? # # # # #

# 1-1 n # # # 1-1 n # #
# # # n n # # n b . . n . .
3 2 1
1-1

& ?

# # # . .
. # # # . # # # . . b b . n . b .
? # # # & ?
2
3

? #
n . b . b . . b . . b . b .

3

&

F f p

? b
. .
n
5

. n . n . n . . . . . > > > >
> > >
>
4

20.

n # # # n n # 2 nn 1-1 # # 2 n 1-1 # # n b
5

#
4

1 3 1-1

&

? # # # #
&
#
# # n
n n # n
5 5 3

n > > > n > . . . n . n .

n
n # n # # n b n # n n n . # .
4
4 1-1
3
2
1-1 2
2

& #
f
n # # n # # # # . . # # # . .
& # # n ? # #
1

n # . n . . n . . . n . n . # #
n #
# # # n a n n b n n # n # n n # #
n b b n
3 2 1

&
> > >

.
# # # .
? # & b b n
n b
n b b b
b b n > >
n . b . b . n . . . b . b . n
> > >

b
b b n #
> . . 3 2 1 n
& b . . . . . .
.
1

& b b . . # n # . ? .
> # . . # . n #
> > > >
 21.

Nineteenth Nocturne

(q)

Adagio abbandonato
- .
- -
& 46 44
.
6
4 .
74
ww
b b . 46
.
b
3

- . ? 4 b www
3

6 6 .. 74
&4 4 4 .
b b . ww 46
col moltissimo pedale

n - b #w
& 46 44 b .
45 # # ? 44 # w & #
.

P

? 46 nw. 4 5 ? 44
& . 4 w 4 n w
w. . w . w

#w . w
54 # . 44 w# . - - -
43 45
poco accell. a tempo

& # . #
p P
? 54 . . 4
w 4 w 43 45
n ..
&
w w
()
.
# # # #
poco rall.

> #
a tempo

5
&4 . 43 . 44 # 45
#.
p
n
6

5 # # 44 gg # w
&4 43 ?
ggg ww 45
7 g

22.

.
U w #.

& 45 # # # # . 46 43 44

U
? 45 ..
# . & 46 # . 43 . ? 44
. w

()
. b .
w b
& 44 ? w 74 45
b
&

? 44 b . 74 ?
45
.
bb
&

b
w

n
.
#
74 n n . 44 U
lontano

& 45 .
# #

. #
n .. ww .... ww

# # # n n # # ..
? 45 # # # ? b. n 74 w .. ? 4 U
& & 4 w
b. . w .. w

bw
. . .
. .
lirico

& J b
J 45

P
b b b

3

? b 45
b
b 3
 23.

n . # # ..
w- #
5 .
& 4 # b n. 46 44 43

? 45 n # 46 44 43
& # n
w- #

n . - -
n b . b
b
& 43
# 44 b 74 44
# #
3

b
3

n
6

& 43 4
4 74 44
7

#
#

(
b ) b . . poco accell. w - - -
44 b w b . n . 34 44
a tempo

b.
& 44 45
P p P
#.
& 44 w ? 54
.
# & . ?

44
w 43 44
n ww . w

ww
j b ww
& 44 43 n .... 46 44
b b
#

F f
. n. -
? 44 n b
43 46 n b 44
#
b n
b n

24.

b w
& 44 b ?
# n
& # 45
#

? 44 n n
45
6
7

&
b b n
w
.
n # # # # n #
44 ## ww
& 45 43 # # ... 46
a tempo
?
&

n 6
poco rall.

# n
5 # 43 n .. 44 46
7

&4 n ?
w
. w


- .
& 46 # #n ... j n n 43 .. 44 b . 46 44
..
# # - - p
n ... j f
? 46 b 43 . 44 gg ww 64 - . ? 44
ggg N w &
b - - . g


bU
w
j
poco rall.

& 44
. ww ww. ww ww
u
? 44 b www
U
ww ww ww w w
 25.
Burlesque
(q)
. . . . . .
Energico

? 43 .
1 3

5
. . 24 43 . . . 42
2

. . .
f
? 43 42 3

4 2
4

. . .

? 42 .

3
.
.
b 34 b 42 b . . b n 43 . b . . . . . 42
.
. .
. .
. 1 b
.
3

? 42 3 b
4 2
4 3 b
4 42
b
b . b . . b .
. .

.
5

? 42 # 3
& 4 . . . 4
2 3 42
2

4
. . . . . . . . .
. . .
.
? 42 34 j - - - 42 34 j - - - 42
. J J
*

2 3 > . 2 3 > .

& 4 . . . 4
4 . . . 4 42
2

? 2 . 3 . # . . 2 3 . # . . 2
4 b 4 4 4 4
*
b . b . . . . b . . . . 3 > .

& 42 b b b 4 b.
J
2
4 43
P f dim.
b .
. . .
. .
. . . . . .
. b . . b 3
? 42 J J J J 43 42 4
 bb - . . . . .
. 3. . .
. 24 43 42
26.

& 43
1

. . . . . .
. b . . b . . . . . . .

? 43 42 3
4 42
J


() . . . . .
2 . . .
. 3
. . . b 3 . b . . . . . 2
&4 4 2
4 4 4

?2 3 2 3 42
4 4 4 4 b
b b

() . . -

. b . b . . .
3 b . . . 2 # . .
2 b
&4 4 4 # .

? 42 . # .
b 43 b 42 # J &
.
b

-
. .
4
w 4 .
& 44 J J
F

. 4 . . . . . . . . . . # . . . . # . . n . . . . . . . .
1

4
?
3

& b
*
() . . # . . . . # . . . . . .
n n b # . . # . . 3 n . 38 ..
& b 4 . 43
5
2

? #w . 43 38 3
n w n .
. . . . . . . . .
4
3
 ()
b.
27.

3 . 38 .. 44 24 - 38
J
4

& 4 .

? 43 38 44 2 38

. . . . . . . n .
. . . . . . 4
. . . .
. . .
N # - .
. b .
& 38 44 J 42 38 42

?3 4 2 3 2
8 4 n . . . . 4 . . . 8 . n .
4 . .
. . . . . . . . . . .
. . . .
3 # . . . . # . . . . .
? # 3 # .
. 2 # # 43 # .
3
& 4 4 & 8
1

f
? 43 42 # 43 38

n

& 38 # 3 .
4 24 2. . . 43
# . # . . # . . # . #
1 1 1

. . . >

? 38 . 34 n n . . . 42 43
.. . n n - .
- -.
. # . . .
. # . . . . . . .

.
& 43 . 24 1. . # # 44 #
1

>
-
? 43 n n . . . 42 44 n . -
- J
# #
&

 > > # *
. . . . . . . . . . . . . . >
28.
? # # # #
&

~~~~

G
~~~
F

lis
~~~~ san
j j
~~ do
& ? # # # ##

~~~
# . .
> > . . . >
*
b 4 . b b b.
24 - J b b
cantabile

? J 38 . 44 & 42
P
? . b . 42 b b 38 44 . b 2
4
b
b . .2 . . . . .
b . . . n b
< < < b . .
. . . . .

2 #
2 3 4 # # 2 38 .
& 4 - 8 . 4 #. 4 -
1

.
? 42 . b . b . . 38 n 44 # 2 . . 3 #
b . . . . . . 4 . 8
. .
.
. .
. . .
b . . . . .
. . . 24 b . . 43 24 43
1

b
1

& # . # . .
1 1

f
n - . -
? n - .. . 24 43 j - -
-
b - 42 b 3
4
J
b
. . . .
.
.
b b . . . b b . b . . . n . n . . .

& 43 24

? 43 j - b - b - 42 b bb .. j j
b
b
J b -
- n n - .. b b
> >*
*
* glissando on white keys
 . .
29.

& 44 b b # # n n
b . . . . . . . . b . . . . . . . .
P
. . . b . .
? 44 b
b b # #n .
J J
> b
* 5

& n n n . . . . . . . . # # # b # n
2

. . . . . . # . . . . b . . . . . .
f
? b j j


b
b b n b ww
n . . . .
. . b

& b .
# n b # n b . # n 2
. b . . . . . . . . b . . . . . . . b . . . . . . 4
P
ww ww
? b w w
n . 42
. *
()

& 42 b 38 .
.
2
4
38 .
. 42 38
-
. . . .

diminuendo
. . . .
. . . .

?2 3 b . b . . 2 3 b . b . . 2 3
4 8 4 8 4 8
3

& 38 .. 42 44

38 .
. ?
&
perdendo
. . .
? 3 b . b . . 2 . . 3 . . 4
8 4 8 4

 .
30.

dolce ed espressivo

b 2
& n 4
2

? 2
b
b



4

2 3 2 3 4 #

& 4 8 4 8 4 #

? 42 38 42 38 44
b .
. b .
.
* *
# #
& #. j # # ? # 42 38
#.

? 42 38

b
*
? 38 # # 42 38 # # 42
b .
.

? 38 42 38 42
.
nn . b
n n .. .
.
*
.
# 4 . #
? .
44 J #w
& b .
. P
. .

? . . 4 # 3. . . . . . . . # . . n . . . . # . .
1

& 4
*
 ()
# # w-
31.

1 .
J
& 42 44

n # . . . . b . . . . 2 4
1

# . . # . . . . b n . . 4 # n 4
1

&
3 3

. . . .
.
b 2
dolce ed espressivo

4 b
& 4 b

& 44
legato

b n b b b



b b 42
3 # n 2 3 # n 2
& 8 4 8 4

2 b 38 .. 24 b b 38 ..
& b 4 b ?
42
* *
2
3 #
# 3 # . #
2

2
& 4 # j j # 44 #
2

#
P
?2 4
legato

4 4


? 2
& .
J # 42 # 38
5 3

4
3 4

?
42
38 42


b n ..
*
 ? 42 # 38 42 # . .
32.

# .
. . .
? 42 38 42
.
b n ..
n . #
b . . .
.
*
.
? . . . b
38
n
24 b
&
P
? # . # .
38
. . . 42 b
b b .
& - .
. b . .
* *
()
n 4 .
J w
.
J
4

& 4
F

& 44 ?
1

. . . . . b n b . . .
3

- . . . . . . . . . . . . . . . .
*
. . .
5 b
. n . . b . . . . b . . n . . b . .
. .
34 . 38 .
& 43
2

bw .
?b w n . 3 3. # . . . . . 3 3
4 8 . . 4
1 2 .
. .
4 5

. . . . . .
. . ? 3 . . . 2 3 . . . 2

& 43 42
5

4 . . . 4
3 2

4 4
1

f
? 43 . # . . . . . 42 3 42 43 42
. . . 4
. . .
? 42 . . . b 3 . b . . . . . 2 b 1. b . . b n 3 . b . . . . . 2
33.
3 3

4 4 4 4

? 42 43 b 42 b . 43 b 42
b . b . b .
. .

.
5

? 42 #
43 . . . 42 43 . . . 42
2

&
. . . . . . . . .
.
?2 3 j - - - 2 3 - - - 2
4 4 J 4 4 j J 4
. *

2 3 > . 24 43 > .
& 4 . . . 4 42
2

. . .

? 42 . 34 . # . . 42 34 . # . . 42
b
*

& 42
. . .
b b b b . .

. . . .
b b 34 b > .. 42
J
P f dim.
b .
.
.
. . . . . . . .

? 42 J .

J J J 43 42

bb - . .
2 34 . 24 . 43
&4

. b . . b
.
. . . . . . b . . b . . . . . . .

? 42 34 24
J 43
 () . . . . . . . . . . . . b
. . . . .
34.
.
& 43 42 43 42 43

? 43 42 43 42 43

b

() . -

. b . . . . . . b . . . .
3 2 b . b . 3 b . . . 2 # 44
&4 4 4 4

? 43 b .
42 b 43 b b 42 # J & 44
b


- . b .
b 3 b 2
dolce ed espressivo

& 44 . 4 b 4
2

& 44 j - ?
b b b b 43 b . . 42
. . b . .
una corda
2 3 b 3 n b 4 #
# #
3

& 4 4 b 8 4 #
#
F
? 42 43 b . 38 44
b .
b b . . b .. n #
tre corde

& #. # # 43 24 43 42
f
? 34
42 34 42
# n. .


 b b b n
35.

& 42 34 b 42 b 34 b 42

? 42 34 24 b 34 42
b b b
b. b.


b. b
2
44 J b ww
&4
p F
? 42 . # . . . 4 b . . . . . . # . . b . . # . . . . n . .
n 4 b
b
*

# . . . . . . . . . . . . . . .
& . b b b b b b 42
p f
? b . . # . . . . n . .
j . . b
b b b .
b b
J 42
. .

b 38 .. 38 ..
& 42 42 42 -
P
? 42 38 2 38 2
b n 4 b . n 4
b b -
b . . . . < < < b . . . < < <
.
- n . -
& b n 34 38 . 34 # . n . - 38
-
-
-
diminuendo

? b b
b 43 38 b
b
3
4 38
. . . . . . < < < . . . . . .
*
 . . .
& 38 . 43 . 38 34 . n . . 38 42
36.
?
. - .

? 38 3 38 b 3 38 b 2
b b < 4 . . . b < 4 . . . b < 4
< < . . . < < . . . < <
. . .
? 42 . n . 3 58 . n
8 42 . &
.
.
.
f
.
? 42 38 b
b < 85 b b
2
4 . .
. . . . . . < <
&
< < < .


. . . . . . . . . . .
. . . .
3 38
& 4 42 38
. -
. . . b b .. n . .
.
& 43 38 42 38

() . . . . . . . . . . . . . . . . . .

& 38 58

n . - n . - n . -
b b .. b b .. b b .. b b ..
molto cresc. stringendo

& 38 85
(. ) U
. . . . w
n > > > >
allarg.

& 43 44 ?
42
-
n . b b ..
43 44 U 42 b
?
& w
* b
>
*