Taj Mahal(TEJOMAHALAY) - Time to

Tell the Truth

…BY P.N.OAK

There are many legends about the Taj Mahal. But one sentence is common in all
of them. “For the construction, 20,000 men worked for 22 years.” This is well
known throughout the world. The simple question is – where do these figures
come from?

These figures come from a book called "Travels in India" by J B Tavernier, a

French jewel merchant. He was a great adventurer who made six voyages to
India in the days of Shivaji (1638 to 1668). Tavernier says, "I witnessed the
commencement and completion of this monument (Taj Mahal) on which 20,000
men worked incessantly for 22 years.”

Tavernier’s book was first published in French in 1675. In those days, it was a
great adventure for a single man to travel over such a long distance, face many
difficulties, deal with peoples of many cultures and languages, adjust to their
customs and traditions, and come home safely – that in itself was incredible. In
addition Tavernier carried out a trade in precious stones like diamonds. He
completed such voyages, not once but six times. His book was therefore a great
sensation at that time. It was naturally translated into English and during 1677 to
1811; nine editions of the English translation were published, whereas during the
same period twenty-two editions of the French book were printed.

In 1889, Dr. Ball translated the original French book into English, corrected some
mistakes in earlier translation and provided extensive footnotes. He also studied
Tavernier’s movements thoroughly and provided details of his six voyages. From
this it is clear that Tavernier came to Agra only twice – in the winter of 1640-41
and in 1665. This raises another interesting question.

Historians say that Mumtaz, wife of Shahjahan died in 1631 and the construction
of Taj Mahal started immediately. But if that is the case Tavernier could not have
seen the commencement of Taj Mahal, as he came to Agra nearly 10 years later.

Aurangzeb had imprisoned his father Shahjahan in the Red Fort of Agra since
1658 and usurped power. No historian claims that Aurangzeb completed Taj
Mahal. So, Tavernier could not have seen the completion of Taj Mahal either.
And that being the case his statement that 20,000 men worked on it incessantly
is meaningless.

Why have historians kept this truth from us for the last 117 years? The reason is
simple. It strikes at the heart of the legend.
Badshahnama – What Does it Say?

British Historians have proclaimed that in India, Hindu Kings had no

historical sense. Historical records were kept only by the Muslim rulers.
Fair enough, then let us turn to the Badshahnama which was written during
the reign of Shahjahan. The Asiatic Society of Bengal published the
Persian text of Badshahnama in two parts, part I in 1867 and part II in 1868.
The compilation was done by two Maulavis, under the superintendence of
an English Major. The funny thing is that no one quotes Badshahnama to
explain how the Taj Mahal was built. Why?

Elliot and Dowson, two English gentlemen undertook the formidable task of
writing history of India from the attack on Sindh by Mohammed bin Kasim in the
8th century to the fall of Marathas in the 19th century. A period covering some
1200 years. But it was written, based on chronicles of Muslim rulers only. Elliot
and Dowson’s work was published in 8 volumes during 1867 to 1877. Volume 7
deals with the reigns of Shahjahan and Aurangzeb. And yet in the entire volume
we do not find the word ‘Taj Mahal.’ The authors should have said, “Though we
have presented history of Shahjahan based on his official chronicle
Badshahnama, we did not find any reference to Taj Mahal in it.” They did no such
thing. And Historians have kept even this information from us for the last 130
years.

In 1896 Khan Bahaddur Syed Muhammad Latif wrote a book entitled "Agra
Historical and Descriptive." He refers to Badshahnama many times but does not
quote specific page numbers. On page 105 he says, “The site selected for the
mausoleum was originally a palace of Raja Mansingh but it was now the property
of his grandson Raja Jaisingh.” Many authors have referred to Latif in their
bibliography but have not cared to see what he has said. This truth was also
hidden away from us by our Historians.

In 1905, H. R. Nevill, ICS, compiled Agra District Gazetteer. In it he changed the

words "Raja Mansingh’s Palace" to "Raja Mansingh’s piece of land." Ever since
all historians have followed suit and repeated "Shahjahan purchased Raja
Mansingh’s piece of land, at that time in the possession of his grandson Raja
Jaisingh." This deception has been going on for more than a century.

One may ask, “Why would an English officer be interested in playing such a
mischief?” Well if we look at the events of those times the reason is clear cut.

1901

Viceroy Lord Curzon separated some districts from Punjab to create a Muslim
majority North West Frontier Province. Hindus became an insignificant minority in
this province and that marked the beginning of their misfortune.

1903

Curzon declared his intention to partition Bengal to create a Muslim majority

province of East Bengal.

1905

Curzon resigned but put into effect the partition of Bengal.

1906

A Muslim delegation led by Agakhan called upon new Viceroy Lord Minto.
Muslims pleaded that in any political reforms they should be treated separately
and favourably. This move was obviously engineered by the British rulers.

December – Muslim League was started in Dacca.

1909

In the Morley - Minto reforms, Muslims were granted separate electorates.

We should also remember that during 1873 and 1914, some English officers had
translated into English the Persian texts of Babur-nama. Humayun-nama, Akbar-
nama, Ain-e-Akbari and Tazuk - i - Jehangiri, but NOT Badshahnama. Judging
from above events it is obvious why Mr Nevill played the mischief when compiling
Agra District Gazetteer in 1905.

It is astonishing that though Maulavi Ahmad (History of Taj, 1905) and Sir
Jadunath Sarkar (Anecdotes of Aurangzeb, 1912) repeat that Raja Mansingh’s
piece of land was purchased by Shahjahan, they also provide a reference -
Badshahnama.

Volume I page 403. Strange as it may sound, no one had bothered to see what is
written on that page.

In 1964, Mr. P. N. Oak of New Delhi started having his doubts about Taj Mahal.
He put forward an argument that it was originally a Hindu Palace. Oak had to
cross swords with many historians. One of his opponents was a Kashmiri Pandit.
Eventually they went to Government of India Archives. At the suggestion of the
Librarian there the Pandit started to read Badshahnama, soon he came to
Volume I page 403. One line read – "va pesh azin manzil-e-Raja Mansingh bood,
vadari vakt ba Raja Jaisingh." He confessed that Shahjahan took over Raja
Mansingh’s palace for burial of Mumtaz. We owe so much to this honest
opponent of Mr. Oak. He gave word by word translation of pages 402 and 403 to
Mr. Oak who promptly published it in his book "Taj Mahal is a Hindu Palace"
(1968). However, Mr. Oak never stated that the translation was NOT his. It was
done for him by a Persian expert. That made life of his opponents easy. They
said, “Mr Oak’s translation is wrong.”

I obtained Oak’s book in London in 1977. I made a study for one year. First of all
I read all the references generally quoted by Historians and writers.That was
made possible by my being in England. Mr. Oak did not have that facility. All the
references led to the same conclusion that the Taj Mahal is a Hindu Palace and it
was NOT built by Shahjahan. My booklet entitled – "Taj Mahal: Simple Analysis
of a Great Deception" was published in 1986. In 1981, while going through some
references, I started suspecting that the British knew the true nature of the Taj
Mahal for a long time but had deliberately suppressed the truth. Eventually, my
research was published in 10 parts in the Quarterly "Itihas Patrika" of Thane
(India). I collected all the information available on Taj Mahal over the 200 year
period from 1784 to 1984, and shown how the British suppressed vital pieces of
evidence or twisted the truth. My research continued and was published in 1996
under the title – "Taj Mahal and the Great British Conspiracy."

Taj Legend Exposed in England in 1980

Royal Institute of British Architects (RIBA) is a reputable Institution in London.

In1980, in their monthly Journal, they published two letters challenging the
validity of the usual Taj Legend. One was by Mr. Oak, the other by me. No one
has refuted our arguments. Mr. Oak refers to Badshahnama, Volume I page 403.
What have I disclosed in my letter?

it is Nakhas – a great market, then follow the palaces of great Lords – Mirza
What was Agra City like before Shahjahan came to power? That is the question
dodged by all historians. In the 17th century, the Dutch like the English were
trying to trade in India. They had a Factory (trading post) in Agra. Fransisco
Pelsaert was their Senior Factor (Merchant) at Agra from 1620 to 1627. In 1626,
he prepared a commercial report for his directors in Holland. By strange
coincidence, he describes Agra City at that time. He says, “The city is narrow and
long, because all the rich and influential people have built their palaces on the
river bank and this stretches for 10 ½ miles. I will mention some of the well
known ones. Starting from the North there is the palace of Bahadur Khan, Raja
Bhoj, ……. Then comes the Red Fort. (Pelsaert then describes the Fort) beyond
Abdulla, Aga Naur …… Mahabat Khan, Late Raja Mansingh, Raja Madho
Singh.”

English translation of this report was available since 1925. And yet no Historian
refers to it. Why? The reason is simple. In 1626, Pelsaert has said that 10 ½ mile
stretch of the river-bank was full of palaces, the late Raja Mansingh’s Palace
being the last one. The Badshahnama says that Shahjahan took over this palace
 Thus, what we call Taj Mahal
for burying his wife Mumtaz.
today is nothing but Late Raja Mansingh’s
Palace. That is the truth which Historians have
kept away from us.
My efforts had one effect. In 1982, the Archaeological Survey of India published
a booklet entitled "Taj Museum." Though the authors repeat the usual legend,
they say “Mumtaz died in Burhanpur and was buried there. Six months later
Shahjahan exhumed her body and sent her coffin to Agra, on that site until then
stood Late Raja Mansingh’s Palace……"

Today that palace is called the Taj Mahal. Nothing could be simpler. What
building work is needed for burying a corpse in a Palace?

Taj Mahal Photo #1

An aerial view of the Taj Mahal alias Tejo Mahalaya, ancient Hindu temple
complex in Agra. For the last 300 years the world has been fooled to believe that
this stupendous edifice was built by the 5th generation Mogul emperor Shahjahan
to commemorate one of his dead wives--Mumtaz. The two flanking buildings
although identical, only the one in the rear is known as a mosque.

The Taj Mahal has seven stories. Five of them lie sealed and barred concealing
rich evidence. The marble building in the centre is flanked by two symmetrical
ones. The one in the foreground is the eastern one. The one in the background is
being represented as a mosque because it is to the west. They should not have
been identical if only one was to be a mosque. In the courtyard at the foot of the
eastern building is inlaid a full scale replica of the trident pinnacle [found at the
top of the dome]. The tiny tower at the left near the western building, encloses a
huge octagonal multi-storied well.
 Taj Mahal Photo # 2
This is the massive octagonal well with palatial apartments along its seven
stories. A royal staircase descends right down to the water level indicated by the
tiny white patch showing the sun's reflection.

This was the traditional treasury well of the Hindu temple palace. Treasure
chests used to be stacked in the lower stories. Accountants, cashiers and
treasurers sat in the upper stories. Cheques called handies used to be issued
from here. On being besieged, if the building had to be surrendered to the
enemy, the treasure used to be pushed into the water for salvage later after
recapture. For real research, water should be pumped out of this well to reveal
the evidence that lies at the bottom. This well is inside a tower near the so-called
mosque to the west of the marble Taj. Had the Taj been a mausoleum this
octagonal multistoried well would have been superfluous.
 Taj Mahal Photo # 3
A frontal view of the Taj Mahal alias Tejo Mahalaya in Agra. It is octagonal
because the Hindus believe in 10 directions. The pinnacle pointing to the heaven
and the foundation to the nether world, plus the eight surface directions make the
10 directions. Divinity and royalty are believed to hold sway in all those 10
directions. Hence in Hindu tradition, buildings connected with royalty and divinity
must have some octagonal features or the buildings themselves should be
octagonal. The two flanking cupolas (two others to the rear are not seen in this
photo) are also identical.

The towers at the four plinth corners served as watch towers during the day, and
to hold lights at night. Hindu wedding altars and Satyanarayan worship altars
invariably have such towers at corners. [Many other Hindu temples, such as
those at Khajurao, also can be found to have four towers or temples, one at each
corner of the temple foundation.]
The lotus flower cap on the head of the dome is a Hindu feature. Muslim domes
are bald. This marble edifice has four stories. Inside the dome is an 83 ft. high
hall. The Taj has a double dome. The dome one sees from inside ends like an
inverted pan on the terrace. The dome seen from outside is a cover on the inner
dome. Therefore, in between them is an 83 ft. hall. This may be considered as
one storey. Underneath may be seen the first storey arches and the ground floor
rooms. In the basement, visitors are shown one room. All these constitute the
four storeys in the marble edifice. Below the marble structure are two stories in
red stone reaching down to the river level. The 7th storey must be below the river
level because every ancient Hindu historic building did have a basement. Thus,
the Taj is a seven-storied structure.

Taj Mahal Photo # 4

The dome of the Taj Mahal bearing a trident pinnacle made of a non-rusting
eight-metal Hindu alloy. The pinnacle served as a lightning deflector too.
This pinnacle has been blindly assumed by many to be an Islamic crescent and
star, or a lightning conductor installed by the British. This is a measure of the
careless manner in which Indian history has been studied till now. Visually
identifiable things like this pinnacle too have been misinterpreted with impunity.
The flower top of the dome, below the pinnacle, is an unmistakable Hindu sign. A
full scale figure of this pinnacle is inlaid in the eastern courtyard.

Taj Mahal Photo # 5

A close up of the upper portion of the pinnacle of the Taj Mahal, photographed
from the parapet beneath the dome. The Hindu horizontal crescent and the
coconut top together look like a trident from the garden level. Islamic crescents
are always oblique. Moreover they are almost always complete circles leaving a
little opening for a star. This Hindu pinnacle had all these centuries been
misinterpreted as an Islamic crescent and star or a lightning conductor installed
by the British. The word "Allah" etched here by Shahjahan is absent in the
courtyard replica. The coconut, the bent mango leaves under it and the
supporting Kalash (water pot) are exclusive Hindu motifs.

Taj Mahal Photo # 6

The full scale figure of the pinnacle on the dome has been inlaid on the red stone
courtyard of the Taj Mahal. One may see it to the east at the foot of the riverside
arch of the flanking building wrongly dubbed as Jamiat Khana (community hall)
by Muslim usurpers. Such floor sketches in courtyards are a common Hindu trait.
In Fatehpur Sikri it is the backgammon board which is sketched on a central
courtyard. The coconut top and the bent mango leaves underneath, resting on a
kalash (i.e. a water pot) is a sacred Hindu motif. Hindu shrines in the Himalayan
foothills have identical pinnacles [especially noticed at Kedarnath, a prominent
Shiva temple]. The eastern location of the sketch is also typically Hindu. The
length measures almost 32 ft.
 Taj Mahal Photo # 7
The apex of the lofty entrance arch on all four sides of the Taj Mahal bears this
red lotus and white trident--indicating that the building originated as a Hindu
temple. The Koranic lettering forming the middle strip was grafted after
Shahjahan seized the building from Jaipur state's Hindu ruler.
 Taj Mahal Photo # 8
This is a riverside view of the Taj Mahal. The four storied marble structure above
has under it these two stories reaching down to the river level. The 22 rooms
shown in other photos are behind that line of arches seen in the middle. Each
arch is flanked by Hindu lotus discs in white marble. Just above the ground level
is the plinth. In the left corner of the plinth is a doorway indicating inside the plinth
are many rooms sealed by Shahjahan. One could step out to the river bank from
the door at the left. The 7th storey is surmised to be under the plinth below the
ground because every ancient Hindu mansion had a basement. Excavation to
reach the basement chamber should start under this door.
 Taj Mahal Photo # 9
Most people content to see Mumtaz's grave inside the Taj fail to go to the rear
riverside. This is the riverside view. From here one may notice that the four-
storied marble structure on top has below it two more stories in red stone. Note
the window aperture in the arch at the left. That indicates that there are rooms
inside. Inside the row of arches in the upper part of the wall are 22 rooms. In
addition to the four stories in marble, this one shows red stone arches in the 5th
storey. The 6th storey lies in the plinth in the lower portion of the photo. In another
photo a doorway would be seen in the left corner of the plinth, indicating the
presence of apartments inside, from where one could emerge on the river for a
bath.
 Taj Mahal Photo # 10
These corridors at the approach of the Taj Mahal are typically Hindu. They may
be seen in any ancient Hindu capital. Note the two octagonal tower cupolas at
the right and left top. Only Hindus have special names for the eight directions
and celestial guards assigned to each. Any octagonal feature in historic buildings
should convince the visitor of their Hindu origin. Guards, palanquin bearers and
other attendants resided in hundreds of rooms along numerous such corridors
when the Taj Mahal was a Hindu temple palace. Thus the Taj was more
magnificent and majestic before it was reduced to a sombre Islamic cemetery.
 Taj Mahal Photo # 11
This Naqqar Khana alias Music House in the Taj Mahal garden is an incongruity
if the Taj Mahal were an Islamic tomb. Close by on the right is the building which
Muslims claim to be a mosque. The proximity of a mosque to the Music House is
incongruous with Muslim tradition. In India, Muslims have a tradition of pelting
stones on Hindu music processions passing over a mosque. Moreover a
mausoleum needs silence. A dead person's repose is never to be disturbed. Who
would then provide a band house for a dead Mumtaz? Contrarily Hindu temples
and palaces have a music house because morning and evening Hindu chores
begin to the sweet strains of sacred music.
 Taj Mahal Photo # 12
Such are the rooms on the 1st floor of the marble structure of the Taj Mahal. The
two staircases leading to this upper floor are kept locked and barred since
Shahjahan's time. The floor and the marble walls of such upper floor rooms can
be seen in the picture to have been stripped of its marble panels. Shahjahan
used that uprooted marble from the upper floor for constructing graves and
engraving the Koran because he did not know wherefrom to procure marble
matching the splendour of the rest of the Taj Mahal. He was also so stingy as not
to want to spend much even on converting a robbed Hindu temple into an Islamic
mausoleum.
 Taj Mahal Photo # 12
Such are the rooms on the 1st floor of the marble structure of the Taj Mahal. The
two staircases leading to this upper floor are kept locked and barred since
Shahjahan's time. The floor and the marble walls of such upper floor rooms can
be seen in the picture to have been stripped of its marble panels. Shahjahan
used that uprooted marble from the upper floor for constructing graves and
engraving the Koran because he did not know wherefrom to procure marble
matching the splendour of the rest of the Taj Mahal. He was also so stingy as not
to want to spend much even on converting a robbed Hindu temple into an Islamic
mausoleum.
 Taj Mahal Photo # 13
Such are the magnificent marble-paved, shining, cool, white bright rooms of the
Taj Mahal temple palace's marble ground floor. Even the lower third portion of
the walls is covered with magnificent marble mosaic. The doorway at the left
looks suspiciously closed with a stone slab. One can perambulate through these
rooms around the central octagonal sanctorum, now occupied by Mumtaz's fake
grave. The aperture, seen through of the central door, enabled perambulating
devotees to keep their eyes fixed on the Shiva Linga in the central chamber.
Hindu Shiva Lingas are consecrated in two chambers, one above the other.
Therefore, Shahjahan had to raise two graves in the name of Mumtaz--one in the
marble basement and the other on the ground floor to desecrate and hide both
the Shiva emblems from public view. [The famous Shiva temple in Ujjain also has
an underground chamber for one of its Shiva-lingams.]
 Taj Mahal Photo # 14
This is the Dhatura flower essential for Hindu Shiva worship. The flower is
depicted in the shape of the sacred, esoteric Hindu incantation 'OM.' Embossed
designs of this blooming 'OM' are drawn over the exterior of the octagonal central
sanctorum of Shiva where now a fake grave in Mumtaz's has been planted.
While perambulating around the central chamber one may see such 'OM'
designs.
 Taj Mahal Photo # 15
This staircase and another symmetrical one at the other end lead down to the
storey beneath the marble platform. Visitors may go to the back of the marble
plinth at the eastern or western end and descend down the staircase because it
is open to the sky. But at the foot the archaeology department has set up an iron
door which it keeps locked. Yet one may peep inside from the iron gate in the
upper part of the door. Shahjahan had sealed even these two staircases. It was
the British who opened them. But from Shahjahan's time the stories below and
above the marble ground floor have been barred to visitors. We are still following
Mogul dictates though long free from Mogul rule.
 Taj Mahal Photo # 16
On the inner flank of the 22 locked rooms (in the secret storey in red stone below
the marble platform) is this corridor about 12 ft. broad and 300 ft. long. Note the
scallop design at the base of the plinth supporting the arches. This is the Hindu
decoration which enables one to identify even a bare plinth.
 Taj Mahal Photo # 17
One of the 22 rooms in the secret storey underneath the marble plinth of the Taj
Mahal. Many such features of the Taj remain unknown to the public so long as
they see it only as a tomb. If the public knew how much it is missing in the Taj
Mahal it will insist that the government unseal its many stories. Two doorways at
either end of this corridor in the right side wall leading to inner apartments have
been sealed by Shahjahan. If those doorways are opened, important evidence
concealed inside by Shahjahan may come to light.
 Taj Mahal Photo # 17
One of the 22 rooms in the secret storey underneath the marble plinth of the Taj
Mahal. Many such features of the Taj remain unknown to the public so long as
they see it only as a tomb. If the public knew how much it is missing in the Taj
Mahal it will insist that the government unseal its many stories. Two doorways at
either end of this corridor in the right side wall leading to inner apartments have
been sealed by Shahjahan. If those doorways are opened, important evidence
concealed inside by Shahjahan may come to light.
 Taj Mahal Photo # 18
A corner of one of the 22 rooms in the secret storey immediately below the
marble platform of the Taj Mahal. Note the strips of Hindu paint on the wall. The
ventilator at the left, meant for air and light from the riverside, has been crudely
walled up by Shahjahan. He did not bother even to plaster them. Had Shahjahan
built the Taj as a mausoleum what was the purpose of the 22 rooms? And why
are they kept locked and hidden from the public?
 Taj Mahal Photo # 19
One of the 22 locked rooms in the secret storey beneath the marble platform of
the Taj Mahal. Strips of ancient Hindu paint are seen on the wall flanking the
doorway. The niches above had paintings of Hindu idols, obviously rubbed off by
Muslim desecraters. The rooms may be seen door within door in a row. If the
public knew that the Taj Mahal is a structure hiding hundreds of rooms, they
would insist on seeing the whole of it. At present they only peep into the grave
chamber and walk away.
 Taj Mahal Photo # 20
This esoteric Hindu design is painted on the ceiling of some of the 22 locked
rooms in the secret storey below the marble platform of the Taj Mahal in Agra.
Had Shahjahan built the Taj Mahal he would not have kept such elaborately
painted rooms sealed and barred to the public. Even now one can enter these
rooms only if one can influence the archaeology department to remove the locks.
 Taj Mahal Photo # 21
A huge ventilator of one of the 22 rooms in a secret storey of the Taj, is seen
here crudely sealed with unplastered bricks by Shahjahan. History has been so
perverted and inverted that alien Muslims like Shahjahan who spoiled, damaged,
desecrated and destroyed historic Hindu buildings, are being falsely paraded as
great builders.
 Taj Mahal Photo # 22
One of the 22 riverside rooms in a secret storey of the Taj Mahal, unknown to the
public. Shahjahan, far from building the shining marble Taj, wantonly disfigured it.
Here he has crudely walled up a doorway. Such imperial Mogul vandalism lies
hidden from the public. This room is in the red stone storey immediately below
the marble platform. Indian history has been turned topsy turvy in lauding
destroyers as great builders.
 Taj Mahal Photo # 23
Many such doorways of chambers in secret stories underneath the Taj Mahal
have been sealed with brick and lime. Concealed inside could be valuable
evidence such as Sanskrit inscriptions, Hindu idols, the original Hindu model of
the Taj, the desecrated Shiva Linga, Hindu scriptures and temple equipment.
Besides such sealed chambers there are many which are kept locked by the
Government. The Public must raise its voice to have these opened or it should
institute legal proceedings. Shree P. N. Sharma of Green Park, New Delhi who
peeped through an aperture in these chambers in 1934 A.D. saw a pillared hall
with images carved on the pillars.
 Taj Mahal Photo # 24
Burharpur is a very ancient historic city on the Central Railway between
Khandwa and Bhusawal junctions. Burhanpur and the nearby Asirgarh (fort) used
to provide hospitality to Hindu royals proceeding north or south on pilgrimage,
weddings or military expeditions. Barhanpur has many magnificent mansions
which are currently being described as mosques and tombs of alien Islamic
invaders. This building is one such ancient Hindu royal palace captured by the
Moghuls. Mumtaz died here during her 14th delivery around 1630 A.D. while she
and Shahjahan were camping here. She is said to be buried in a Hindu pavilion
in front of this palace.
 Taj Mahal Photo # 25
Mumtaz is supposed to be buried in this garden pavilion of the ancient Hindu
palace (Ahu Mahal) 600 miles from Agra, in Burhanpur. Another version says
that Mumtaz's corpse was kept here exposed to sun, rain, and wild beasts for six
months. The date of her death, the date of her removal from Burhanpur to Agra,
and the date of her assumed burial in the Taj Mahal are all unknown because the
entire Taj Mahal-Mumtaz legend is a concoction from the beginning to end.
[Mumtaz was only one of several hundred wives and women that Shahjahan kept
in his harem.]
YOU HAVE HEARD ABOUT A CIRCLE FROM
WHERE WATER IS BEING DROPPING IN TAJ
MAHAL THAT”S TRUE ITS NOTHING BUT
WHAT WE SEE IN SHIV TEMPLES ………
WHERE WATER IS BEING DROPPED INTO
SHIVLINGS.

……………………………ANURAG