Beruflich Dokumente
Kultur Dokumente
I.
-mm. 1 likes to rush a bit. Violins/viola- dont let the piano throw you off
-mm 27 soprano and tenor- bring out the Glorias while everyone else holds their vowel.
-mm 50- violins/viola softer and smoother. Choir- a couple of pitch issues. This is one of my favorite
parts of the movement and it should be legato and beautiful throughout; think lush. The midi does a
pretty good job of representing my intentions here. Dont let it affect the tempo though!
mm 76 violins watch the tempo! Choir ATB- the subito piano was good- can the consonants and
conviction be even more exciting to compensate for the dynamic?
II.
mm 1 low brass and strings- we could have a bit more here I think. Think powerful, just reserved for the
next entrance at mm20
mm 20 choral more crescendo into mm 20, which is the dynamic climax of the movement
Strings- more accents in our interludes. The tremolo should be atmospheric but also agitated.
IV
Good job listening for the soloist. Strings- more legato and lush in general
Overall- not too short or punchy on the accents. I will consider this in my conducting as well.
Mm6 Strings- dont be timid that the wws drop out. Big string forte!! Celebratory. (Midi a pretty good
rep for this) Maybe mark the pizz at 13 up a few dynamics.
mm 95 orchestra crescendo to forte, then immediately to mf. Make sure to carry over from 95-96
without break
The very last measure will not slow down. Drive to the end!!