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  • MMO - Laureate Series Contest Solos - Advanced Level For Alto Sax (Eb) PDF

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    MMO - Laureate Series Contest Solos - Advanced Level For Alto Sax (Eb) PDF

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    | SAXOPHONE MUSIC BOOK THE BEE FRANZ SCHUBERT ‘Teaney Cool Leeson SOLO DE CONCOURS spy Rana ‘Aresand Bite by flew, EEE Petey GREE, ONATA pet ge pes SO cna ‘COMPACT DISC PAGE AND BAND INFORMATION ‘MMO CD 4116 MMO Cass. 8026 LAUREATE SERIES CONTEST SOLOS ADVANCED LEVEL FOR ALTO SAX Band No, Band No, in Altos: "A 1 Scbubert: The Bee 66 2 The Bee (Slow Version) 7s 3 Rabaud: Solo De Concours - Moderato gaa 4 ~ Allegro os 5 Creston: Sonata IL ioe Sonata III 1" - Tuning Notes - wo co 4116 Printed in Canada ALTO SAXOPHONE MUSIC PERFORMANCE GUIDE by Vincent Abato FRANZ SCHUBERT THE BEE HENRI RABAUD ‘SOLO DE CONCOURS PAUL CRESTON SONATA, OP. 19, 2nd Movement 3rd Movement TUNING Before the piano accompaniment be- gins you will hear four tuning notes, followed by a short scale and another tuning note. This will enable you to tune your instrument to the record. ax PERFORMANCE GUIDE COMMENTARY BY VINCENT ABATO. SCHUBERT ‘The Bet This descriptive piece will be most effective f you mas- ter its technical difficulties before trying to play it up to tempo. The A sharp in the second measure will be eas- ier if you use one and two. Use a chromatic fingering for the ©. Observe the poco a poco ritard, and then work for a round, smooth tone for the measure marked dolce. When you have two slurred notes followed by a staccato, the second slurred note should be short. Ex- aggerate the staccato. You may wish to accent each triplet from measure 57 to the end. RABAUD Solo de Concours ‘You will need to look for natural resting or breathing places in the florid opening section. Do not makea big accelerando; it will be more satisfying from the musical standpoint if you keep it relaxed, The thirty-second notes in measure 11 should be played deliberately, not rushed. tyou do not riterd the end of the Largo section, the Al- legro will be easier to establish. The Allegro needs a. steady tempo. Resist the tendency to rush! The long trill on Asharp canbe fingered with one and one or one and two, regular fingering. Hold back the tempo a little when you get to the sec- tion in 6/8 time. The composer has written this piece in ‘such a way that the change of meter (from 6/8 to 2/4) gives the effect of an accelerando. Keep the tempo ‘constant, and play with a light touch. Use chromatic, ‘fingering for the chromatic scale. If you can't reach the. high F sharp, do not be shy about playing it an octave lower. CRESTON Sonata for Alto Saxophone, Op. 19 2nd Movement: With tranquility I was most fortunate in collaborating in the first per- formance of this work with the composer at the New York American Music Festival. Since then, we have played it together many times. Mr. Creston is a great ‘modern composer, and through his friendship with the {ine artist, Cecil Leeson, he has become prejudiced in, favor of the saxophone. Ifyou follow the suggestions in the score, you will give ‘a most effective performance of this Sonata. | would like to suggest one change: in the 14th measure, if you make the ritard on the second and third beats, and es- tablish the tempo again on the fourth and fifth beats, measure 15 will have an easier flow. Notice the sugges- tion in measure 21: “increase a little.” This crescendo should continue through the first three beats of mea- sure 23; then, at the suggestion “softer,” play a subito plano. Be aware that in this instance “increase” refers, to volume, not tempo. When you come to the same sug- gestion in measure 24, itis coupled to an accelerando. ‘There must be a gradual increase in volume all the way through the first note of measure 27. Exaggerate the thirty-second notes in measure 30. (The arpeggiated chord in the accompaniment will make it easy to stretch the dotted eighth note.) Notice how the saxo- phone in measure 31 is imitated by the piano in the next measure: Saxophone 3 be The ending will be most effective if you try to play it, without vibrato. Do not try to play so softly that you lose, control! ‘rd Movement: With gaiety If you exaggerate the accents and don’t rush, you will capture the jazz/swing atmosphere the composer wants. (Remember, a more moderate tempo can be just as effective as a quick onel) Notice how the theme. is repeated in various keys and with different rhythmic and harmonic backgrounds. You will need to listen carefully to the piano in measures 280 and 281. The saxophone continues the ascending scale, and you will eed to match your dynamic level and work for a blend. ‘You will want to give the last note an especially strong, breath push! Ime] fle ‘ THE BEE d= 80 (rrzany FRANZ SCHUBERT d= 66 (1'57") ‘Trans. by Cecil Leeson Allegretto poco agitato a Creer GePeEreereer Gereeroereyr eresc. poco poco mo cote Eopmige® 1938 by M-naron Company, Box 49, Oyster Bay N.Y. 11774 perrmational Copyright Sect “Lit Righte Reversed Used by Permission Copies of the piano part az0 a able fom the publisher # ae pPebt, zeit bt sith, sss eee “iim. poco a poco a7 v ec peers Berti r ers to tiptoe etests —_— 2 SS 3 ow Wik Poco a poco i a tem, pt Gitieee sete tsetse a uy caer oe eS Sy 4 ee eee = Frese. poco a poco a Sef bef ee ee Ge! GE! Ge! Ge suo epaye Pep . SOLO DE CONCOURS \ HENRI RABAUD 2) = 88 G89") “Arr. ané Edited by Harry Gee Moderato = stoke, Get Cea (ee ee motte cut D mwocn 16 —= f f r r r or Senrraie® 1967 by Souter Masic Compan, POBox 329, San Antonio Texas 78206 Tntematianal Copyright Served ‘Rights Rererved Used by Permission Copies ofthe plano pat se available fom the publisher smo coans fee — espress. 0 18 f GeeP Geer eee see ae eye _—_——_—._ eee 108 ar ddim. or of 114 ae —, —~ P ee 120 fo fe fenet 8 oo f Geet ee ———_ a SSS oo re fe cre acne were ofr ft crops OF ther coreg awocosiie ; = ° t ~ Pr SONATA . " d= 56 a8") PAUL CRESTON Op. 19 With tranquility expressively Re eee Ej 3 3 3 3 ae increase a little increase Bir teerCiact Copyzight MCMXLV by Templeton Publishing Co., Tne. Sole Selling Agent: Shawnee Pros, Inc., Delaware Water Gap, Pa. 18327 Intemational Copyright Secured Made in U.S.A. Ali Rights Reterved Used by Permission ‘Copies of the plano part are avallable from Shawnee Press, Inc.,Delaware Water Gap, a 18327 “4 meer a aa reg ‘gradually fading away retard PP COOrcefc$ ors Ceo oreo coor” i] d= 126 (4'20%) a precede music with galety Ve Ve ) PY eae pete ceetr aun dimaraialy Cf $ YORE Ceer ther p13 . ss ey _——— ~ ero Vani SS Tapas dim. gradually 2 3 7 or : ae _— Sy «Os 3 + dim, gradually 29 = us oe sy Pp increase gradually asa = = = 22 wmocoaie P>—___——-f or er tf Geey Sir or pert MMO Compact Disc Catalog BROADWAY CLARINET $Y CLARINET SOLOS Votre 1 ~ STUDENT LEVEL. Sink uae scence ‘itbvaneea contest $0108 Sy Once = ‘ADVANCED CONTEST SOLOS. Hacape THOEDATE CONTEST S0L08Sacy tormeen cones 90.08 Sankyo ADWANGED CONTEST SOL03- Hea Wat eA Pann Ose Gato Sak ie rvoso caer Baomunitoned op 6 acd ormectarer.—” Bear #0 5 eto ans Soncent anno ravonTes WIM ONGNESTAN ‘Ceemoven concer no.21N 6 aren SoncenoND $02 8CO SEH eheew concerro wo. WE won om. MMO Musie Grou See SRS east woe iiss SS BACHCONGERTO INF MINOR. 6- EACH CON. N ‘DVORAK TRIO NA MAJOR OP 30am Ta — nn —1wocox PIANO - FOUR HANDS Sea a a sana See =o soe aurea 7 wo CD sez peuZOL SMILES OF CHLOHOCD eS 2 SSS hi eo a4 Sat Sten NTROOUTION ARON, io 60 308 Seen : = ha 6 307 IVE CONGENTWASTEN- Orin ew Exective Boulevard, Elmsford, New York 10523, 1-(800) 669-7464 WwW nusone-com * E-mall mmomusC@aol.com ——stuo.co aut at Co 48 Ti ete to ces to 68 ss? a Go ae8 ho C0106 MMO Compact Disc Catalog st Cane Op. ha. 8 os a eo i28 nF ESOS BS tama cose" Livaibrememn op 3 Ne ie. Gos io co 29 7 Sng ue p76 * ho e081 7 Sig Oana 7a 2 ig eo a8 ON Sing Ouetat p Y6No 3 Srpsce hao eb 359 YM Sing Que Op TEN. #-Suvae” fo oo a8 Sharon Seng uaa op TEN 5 ho co 85| HAYDN Seng Osa’ p76 No. a co a36| UTIFUL MUSE FOR TWO VOUNE Yssnten va} ina co are EAUTFUL MUSE FOR TWD MOUNS 1 rd poten, Wd MMOD STE Sonera acne a be canis co har rai ty ci Telfenrror wou ooveanto on SGINNING CONTEST SOLOS Dost Antony myo Cintenuesute contest so.os barr atony Ow i GN OL08 win ri Acie TEACHERS PARTNER Base Plu Sae aoa BO.uNG SUITE FOR PLUTELLAZZ PANO TRI ikerccuata no. ne uomrHLAD EMINDR BUET BED ea —— ooo soe UAL TAD n Eb MAOMRAGH Eb AND AMAJOR SONATA(® CD ea). GD 38 LENann TOF Bo Malo HARE. SON ONO MAON i 837010 RECORDER exe pana Tmo uns AN TE RECORDER Fx org ty MeO OT EAT Wun WMT Tomcat Te RECONDER epee Wd AM OOH ntetve sre unmet racatrtr ne neconacn expe Amos tn cot

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