Beruflich Dokumente
Kultur Dokumente
Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/
info/about/policies/terms.jsp
JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content
in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship.
For more information about JSTOR, please contact support@jstor.org.
University of Nebraska Press is collaborating with JSTOR to digitize, preserve and extend access to American Indian
Quarterly.
http://www.jstor.org
This content downloaded from 150.135.135.70 on Thu, 11 Jun 2015 17:57:47 UTC
All use subject to JSTOR Terms and Conditions
256 AMERICANINDIAN QUARTERLY,
SUMMER 1984
Washburn, Dorothy K., ed. Hopi Kachina, Spirit ofLife. San Francisco:
California Academy of Sciences, 1980. 158 pp. Illustrations, bib-
liography. $15.00.
Hopi Kachina, Spirit of Life, is a catalogue designed to accompany and
supplement a major exhibition of Hopi life organized by Dr.DorothyWashburn
of the California Academy of Sciences. This important exhibition, which was
staged as part of the Hopi Tricentennial in 1980, stressed the world view,
symbolism, and religious observances of the Hopi. This was accomplished
by analyzing in detail the concept of the kachinas, beings who are, as Emory
Sekaquaptewa points out in the Prologue to the catalogue, active teachers
This content downloaded from 150.135.135.70 on Thu, 11 Jun 2015 17:57:47 UTC
All use subject to JSTOR Terms and Conditions
BOOK REVIEWS 257
for the Hopi. It was the goal of the exhibition and catalogue to teach outsiders,
by visual, oral, and verbal means, the basics of the Hopi world view and its
complexities. What is conveyed is how the Hopi view themselves and wish
to be viewed by others. The scheme of the exhibit and catalogue is both
philosophical and historical; the approach combines both emic and etic per-
spectives.
The catalogue, like the exhibition, was a collaborative effort between
Hopi leaders and scholars. The articles were written by men and women who
have spent years in an attempt to understand the Hopi way of life and convey
this understanding to non-Hopi. The articles are summaries for nonspecialists
of excellent research published previously for professional audiences. Watson
Smith writes succinctly on Hopi kiva murals; John Connelly delineates the
basics of Hopi social organization; J.J. Brody writes a concise essay on the
development of Hopi painting; and John and Clara Lee Tanner present re-
capitulations of their work on Hopi crafts. DorothyWashburntakes a successful
first stab at understanding Hopi culture by briefly outlining and analyzing
beliefs concerning kachinas and their place in Hopi culture. Each article is
filled with photographs that show how the objects in the exhibition were
used in daily life or on ceremonial occasions. Following the text are a number
of plates and photographs showing the individual pieces, arranged in the
order in which the visitor saw them in the exhibit. Each legend contains
information quite useful to specialists in material culture.
The most important essay for professional readers who are familiar with
the literature on Hopi culture, is Charles Adams and Deborah Hull's "The
Prehistoric and Historic Occupation of the Hopi Mesas" which presents pre-
viously unpublished information. The article can be divided into three parts.
The first is a useful summary of the prehistory of the Hopi Mesas to 1690.
Interestingly and in keeping with the general theme of the volume, the authors
choose the arrival of the Kachina Cult, ca. 1350-1400, as the point where the
inhabitants of the mesa can be identified as "Hopi." Evidence for the cult is
based on changes in ceramic design and kiva murals, a topic which Watson
Smith expands upon in the next chapter. The second section deals with the
period from 1690 to 1870 and is particularly valuable because it (like the
information presented in the third section) is based on data collected during
the Museum of Northern Arizona'sproject at Walpi from 1975 to 1977. Little
of this information has been published because of the objection of several
Hopis to publication of the completed report. The second section contains
data on Walpi material culture for the period following the expulsion of the
Spaniards and prior to the beginning of intensive Euro-American influence.
Probably most significant is the record of how Hopi ceramics changed in
response to specific events and episodes in Hopi history: for example, 1781
when many Hopi sought refuge in pueblos to the east in response to drought
and a smallpox epidemic with a resulting influx of new ceramic designs and
forms. The third part, 1870 to the present, contains a rich documentary record
complemented by material culture data from Walpi. A period of intense
"directed culture change," the artifactual record shows the introduction of
such manufactured goods as metal tools and hardware by 1910, of canned
goods, stoves and kitchen utensils by 1940, and plastic utensils, soda pop
bottles, books and Cracker Jack boxes since that date. With the wealth of
This content downloaded from 150.135.135.70 on Thu, 11 Jun 2015 17:57:47 UTC
All use subject to JSTOR Terms and Conditions
258 AMERICANINDIAN QUARTERLY,
SUMMER 1984
information evident from this project it can only be hoped that the Hopi will
allow us to learn more about their history and culture as they have with their
support of this excellent exhibit and catalogue.
This content downloaded from 150.135.135.70 on Thu, 11 Jun 2015 17:57:47 UTC
All use subject to JSTOR Terms and Conditions