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Opinion TRENDS in Biotechnology Vol.25 No.

12

Technology and fear: is wonder


the key?
Emilio Mordini
Centre for Science, Society and Citizenship, Via Sistina, 37-00187 Rome, Italy

Technology is a social practice that embodies the Technology, collective imaginary and politics
capacity of societies to transform themselves by creat- All human activities originate in the use of symbols it was
ing and manipulating not only physical objects, but also the symbol that transformed our anthropoid ancestors into
symbols and cultural forms. It is an illusion that scientific human beings. Some symbols are shared by the whole
and socioeconomic drivers are the sole elements deter- species, other symbols are specific to a culture or com-
mining the destiny of a technology. Although they are munity, and others belong only to small groups or individ-
important, what is really crucial is the way in which a uals. The role of symbols in the constitution of the collective
human community metabolizes a new technology, that can be traced to Emile Durkheims work The Elementary
is the way in which a new technology becomes part of Forms of Religious Life and to Gustav Jungs research on
the mental landscape of people living in that society. In the collective unconscious. More recently, the collective
this paper I argue that today, fear of technology mainly symbolic template has been explored in different ways
emerges from a lack of meaning surrounding the tech- by social scientists [13] and psychoanalysts [46].
nology revolution. Present technology is developing Although they come from different perspectives, these
without a sound cultural framework that could give scholars suggest that collective and individual action
technology a sense beyond mere utilitarian consider- emerge from collective imaginary, a kind of cultural con-
ations. Frightening stories then end up being a privi- ditioning that generates the context in which human
leged way to incorporate technology into a meaningful actions gain sense. Collective imaginary acts as a filter
context. However, fear is not the sole emotion that can for new information: it is the lens through which people
enable integration of new concepts into mental perceive the world. Collective imaginary is mainly made up
schemes, two other powerful emotional forces should by stories narratives that convey sense and therefore
be considered: wonder and curiosity. help people to understand novelties by including them in a
series of meaningful events. Stories are materially power-
Introduction ful; they shape practices, relationships, and commitments,
Technology is a social practice that embodies the capacity and as such, demand reflective, accountable attention from
of societies to transform themselves by creating and science policy.
manipulating not only physical objects, but also symbols Modern technology also necessitates a change in the
and cultural forms. In its essence, technology is power. Any relation between science and politics [7]. Because emerging
technology gives individuals, as well as societies, the power technologies often challenge basic moral assumptions (e.g.
to free their lives from certain constraints. Technology the status of the human body, the concept of human
alleviates the tyranny of human material constitution, dignity, the very definition of living being, and so on) they
its physical limitation, its spacial and temporal con- provoke (directly or indirectly) a crisis, or at least a basic
straints, and its limited capacity to perform actions. Yet insecurity regarding moral standards that are either sanc-
technology is not only fabricating instruments for a pur- tioned by law or remain tacit presuppositions. In secular-
pose: birds fabricate nests and chimpanzees use sticks for ized societies these conflicts no longer find a solution based
searching for food, but they did not invent any technology. on religious authority, although religion still has an
What turns instruments into technological objects is important role in shaping morality. The space left empty
neither their level of complexity nor their function but by religious authority was first occupied by politics. How-
rather the meaning associated with them. An instrument ever, traditional political processes, which worked well
becomes a technology when it takes on a symbolic dimen- enough to produce democratic control over centralized
sion, when it is charged by meanings beyond its immediate systems, are unfit to govern decentralized, distributed
purposes and, often, beyond its creators awareness. In this systems such as those related to emerging technologies
paper I argue that the best way to deal with fear of new (e.g. nanotechnology, biotechnology and information tech-
technologies is to address their symbolic meanings, rather nology). Individualization and decline in political involve-
than relying on pure rational arguments. I argue that ment from general society made it increasingly difficult to
wonder and curiosity are an effective way to contrast fear set technology and science policies by relying on traditional
and techno-paranoia. forms of policy decision-making. The answer to this crisis
was the birth of the so called expert system. Experts have
been used to support democratic decisions to replace
Corresponding author: Mordini, E. (e.mordini@bioethics.it). traditional democratic processes, by explaining and advis-
www.sciencedirect.com 0167-7799/$ see front matter 2007 Elsevier Ltd. All rights reserved. doi:10.1016/j.tibtech.2007.08.012
Opinion TRENDS in Biotechnology Vol.25 No.12 545

ing on technology issues. Yet, even experts neutrality and edly, legitimate ethical social issues do exist. Yet anxiety
authority are increasingly contested and it is now clear has not been generated by a rational risk-analysis, rather
that even the expert system cannot solve issues raised by by the irrational feeling that sooner or later nanotechnol-
the lack of a meaningful framework in which technology ogy might turn against us.
innovation can be conceptualized. This has led to two In 2004, North Carolina State University researchers
important consequences. First, policy-makers have been conducted the first US nationally representative survey
under increasing pressure to justify their choices for tech- designed to gauge public perceptions about nanotechnol-
nology development and pursuit of socioeconomic goals, ogy [8]. A random sample of adults in the USA was asked to
but they have often been unable to ground their decisions weigh up potential risks and benefits caused by nanotech-
on consensus (or at least they are unable to evaluate nology. The survey also assessed whether a person had
whether such a consensus exists). Second, researchers read Michael Crichtons best-selling novel Prey, in which
have been under increasing pressure to demonstrate the nanomachines run amok. Researchers anticipated that
policy relevance of their findings and to deliver tangible people who have read Prey would be less likely to accept
results. However, fewer and fewer researchers and scien- nanotechnology. Their objective was to show that popular
tists perceive their social utility; on the contrary, more and literature could negatively influence technology accept-
more they feel that the public consider their research to be ance. However, Crichtons apocalyptic science fiction
dangerous. Ironically, technology revolution, which in revealed a counter-intuitive effect. Most Prey readers pre-
principle should empower people, is generating a profound dicted that benefits of nanotechnology would exceed the
and general sense of powerlessness and of vulnerability. A risks (63%), whereas only a minority (38%) of those who did
crisis of the legitimacy of traditional western metanarra- not read the novel shared the same opinion. Similarly, just
tives (religion, philosophy, political ideology) has left the 13% of Prey readers thought the risks would surpass the
technological citizen alone before his choices. Loneliness benefits, whereas 23% of the non-readers agreed with this.
hardly means autonomy (as some overoptimistic commen- I think that the lesson to be learned from this example
tators believe) more often it means discomfort and fear. In confirms my argument. People dont just need rational
the collective imaginary technology power has increasingly arguments. What they need is a narrative, or the possib-
been perceived as disproportionate, and consequently, ility for including events in a meaningful series of facts.
risky. Every day, we are confronted with fresh evidence Today technology is justified only by utilitarian consider-
of how far the obsession with technological risks has gone. ations. Yet human beings are hardly utilitarian machines,
Techno-paranoia touches many disparate issues, from they are rather symbolic machines. They need meanings
mobile phones to GM foods, from nanotechnology to the to give a sense to their life. What is more frightening for
internet, from avian flu to bovine spongiform encephalo- any human being is non sense rather than bad sense.
pathy (BSE), and government and society are continually Think of a basic human experience, the fear of the dark. We
being re-educated to expect a worst-case scenario. Safety- overcome fear of the dark not thanks to light, but thanks to
first has become a virtue for its own sake, to be repeated stories, and even frightening stories might help to relieve
like a religious mantra, or to be cried as a political slogan, this fear [9].
regardless of the practical consequences. It is clear that the
problem concerns the symbolic dimension of technology Wonder, curiosity and scientific communication
rather than a rational cost-benefit analysis. As the To contrast feelings of vulnerability and alarm about
traditional political and religious systems have lost their innovation, stories should elicit feelings of pleasure for
purchase on society, fear has emerged as the focus for the novelty. A vital instrument to elicit pleasure for novelty
attempt to create new meanings to guide human behavior. is wonder.
Present technology is developing without a sound cultural Wonder is a normal human reaction towards the com-
framework that could give technology a sense beyond mere plexity and richness of reality. For Aristotle, wonder led
utilitarian considerations. Frightening stories then end up people to search for causes and was then essential to the
being a privileged way to incorporate technology into a process of philosophical inquiry. At the beginning of Chris-
meaningful context. tianity, wonder was thought as the proper response to God
and his marvellous creation. Augustine celebrated the
The Prey example human dimension of wonder, by referring to Matthew
An illuminating example of my argument is the way in 8.10, when Jesus marveled before the faith of a Roman
which people understand and perceive nanotechnology. It centurion. Augustine argued that if our Lord marveled, it
has long been a dream of human beings to explore and means that we should marvel. Marvel and curiosity were
eventually to manipulate the infinitely small. For centu- important for Natural Philosophers of the Renaissance,
ries mathematics did the job, then engineers started to such as Ficino, Giovanni della Porta, Francis Bacon and
construct microscopic machines motors, valves, sensors Pomponazzi. They reclaimed the emotion of marvel for
and computers at molecular scale. These would be Natural Philosophy. Marvel according to Ficino allowed
implanted into larger structures in which they carry out the man who understood it to control natural forces. The
their invisible function. Such devises are now a reality and Baroque category of wonder was still more complex [10].
scientists, policy makers, industry and journalists have Baroque was marked by the expansion of the bounds of
called nanotechnology the foundation for the next indus- reality, the emphasis given to dramatization, the promi-
trial revolution. Yet enthusiasm has been immediately nence of details, but also by the aspiration for simple,
sided by anxiety and over-perception of risks. Undoubt- harmonious, elegant mathematical theories. This led to
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546 Opinion TRENDS in Biotechnology Vol.25 No.12

the emergence of a new, sophisticated concept of technol- paying any price and running any risk. Unfortunately,
ogy, based on both on love for simplicity (Descartes clear this is hardly possible.
and distinct ideas) and passion for theatrical machineries. All great narratives, which were used in the past to
Also in the Baroque age, people feared technology (obses- create meanings and to allow people to integrate the new
sion with witches and any kind of sorcery can be partly risks of innovation into their world view, are now largely
seen as a popular reaction to Baroque scientific and tech- obsolete. Yet we cannot stop technology changing because
nological revolution) but this tendency was effectively people are no longer able to make sense of it and therefore
countered by evoking wonder through complex choreo- cannot justify the risks entailed by technological advances.
graphic apparatus in political ceremonies, trompe loeil History teaches that paranoia about technological change
(trompe loeil, literally trick the eye, is a painting tech- rarely stops it. If we are concerned about irrational fear of
nique involving extremely realistic imagery, creating the technology and techno-paranoia, we would do better to
illusion that the depicted objects really exist). in church form a clearer picture of how scientists and policy makers
frescos, extraordinary automata and powerful new weap- should communicate with the public.
ons. Above all, scientists and policy makers should refuse
Wonder is an effective instrument for conveying a new any temptation to reject narratives as nave and mis-
world picture because of its extraordinary suggestive leading. Narratives can give us the key to understanding
power. However, one could argue that this use of wonder what is going on in peoples minds, and they are a crucial
is hardly respectful of democratic procedures [11]. Wonder instrument for trying to influence peoples vision of
in the Baroque age was indeed also the mainstay of future technology. Moreover, narratives can stimulate
political practices for controlling urban masses. By inspir- wonder and curiosity, which is probably the most effec-
ing feelings of respect, fear and fascination, wonder can tive way to create new meaning and to overcome fear and
easily become a powerful tool for social control. Celebrated paranoia.
for the ingenuity of their authors, Baroque wonders enter-
tained the elite while seducing, ruling and controlling References
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