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from Alan Jackson - The Greatest Hits Collection

Chattahoochee
(Extended Mix)
Words and Music by Jim McBride and Alan Jackson
C G F D7

32 1 32 4 3211 213

Intro
Moderately fast q = 176


C5

G 
Gtr. 1 (elec.)

0
(Drums)

5 5 5 5 5 5 5 5
mf
w/ clean tone & slapback delay

2 3 3 2 3 3 2 3

C5 C5

G 0
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

2 3 3 2 3 3 2 3 2 3 3 2 3 3 2 3 3 2 3 3 1 0 0
3 3

0 0
C G C


*Gtr. 2
(acous.)
4
mf

' BB BB
Rhy. Fig. 1

'
**Gtr. 3

G 0 0
mp

9 7 9
10 9 10

**Pedal steel arr. for gtr.


Gtr. 1 Riff A

5 5 4
G 5 5 5 5 5k 5 5

!5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
1/2

5 7 5
2 3 3 2 3 3 2 3 3 2 3 3 5 7 2 3 3 2 3 3 3 3 0 5 5 3
3
*Two gtrs. arr. for one.

Copyright 1992 Sony/ATV Tunes LLC and WB Music Corp.


All Rights on behalf of Sony/ATV Tunes LLC Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved 1
Gtr. 2 0 0 0
5 5 5 5 5 5 5
55 55 55 55 55 55 E55 55 55 5 5 5 5
*Gtr. 4 Riff B

G E55 55 55 E5 
End Riff B

mf
8
8 10 8 10 8 10
8 9 9 8 9 9 8 9 9 8 9 9 9 9 9 8 9
9 10 10 9 10 10 9 10 10 9 10 10

*Fiddle arr. for gtr.

' ' '


Gtr. 3

G ' ' ' 

9 9
10 10

Gtr. 1

G 5k 5
 5 5 5
5
5 5 5 5 5 E5 5 
5 5 5 5 5 5 5 5 5 5 5 5

5
5 7 7 5 7
2 3 3 2 3 3 2 3 3 2 3 3 5 7 7 7 7 6 7

0
G C

G  0  0 ? 4 5k
5

1. Well,

5 5 !5 5 !5 55
G  5  B E55
 
5 5 5 5 ?
1/2

8 10 4 5 5
7 7 5 5 5 5 5 5 5

B ' '
' '
End Rhy. Fig. 1

G B

7 9
9 10

G  5  E555 !5 55
End Riff A

5  5 5 5
!5 5 5 B 5M 5 5 5
1/2 w/ pick & fingers
0
4 3 5
5 5
5 7 5 7 7
5 5 3 3 7 7

2
Verse
Gtrs. 3 & 4 tacet
C G C


Rhy. Fig. 2A End Rhy. Fig. 2A

Gtr. 2

k 
G 5 5 5 5 5
5 5 555 5 5 4 5k 5

 5 5 5 5 5 5 5k 5

5 5k 5 5 5
 4
way down yon - der on the Chat - ta - hoo - chee it gets hot - ter than a hoo - chie coo - chie.

55 55 4 55 55 55 55 4 55 = 55 55 4 55 =
Gtr. 1 Rhy. Fig. 2 End Rhy. Fig. 2

G 4 4  4  = 5 5
5 5 B
1/2

5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5
5
5 5 3

Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A

5k 5

G C

5k 5
G 5
 5 5 5 5 5k 5
 5 5  4
5 5 5 5 5 5 5 5 5 5 5 5 5k 5

 5 5
^

We laid rub - ber on the Geor - gia as - phalt. We got a lit - tle cra - zy, but we nev - er got caught.

55
= 5 5
Gtr. 3

G 0 0 0 ?
mf

13
9 12
10

Pre-Chorus
F C


Rhy. Fig. 3A

Gtr. 2

k
5 5
G 5k 5 5 5 5 5 5 5 5 5 5 4 5 5 5 5 5 5 5 5
Down by the riv - er on a Fri - day night, pyr - a - mid of cans in the

Gtr. 3
'
' BB 5 5 5 '
5 5 '
'
G
let ring
1 hold bend

13 13 13
12 12 12 10 9
10

55 55 55
Gtr. 1

55 55 55 55 55 55
Rhy. Fig. 3

G 5 4 = 4 4 = 4 4  =
 

1 1 1 1 1 1 5 5 5
2 2 2 2 2 2 5 5 5
3

3
G C F D7


5k 5 E 5 5 5 5 5 5 5 5
5 5 5 5 5

G 5 5 E5 5 5 4 5 5 5 5 5 4
pale moon - light. Talk - ing bout cars and dream - in bout wom - en. Nev - er had a plan, just a

55 55MM BB BB 5 5 E BM
5 5 55 BB 5 5 5 5 5
G 
let ring let ring
1 1 hold bend 1
13 14
10 8 13 13
10 10 9 12 12 12 12

G = 5 5 4 55 55 4 55 = 4 55 55 4 55 =
5 B   E 55 5 55 55 55 55 55 55

5
1/2 let ring

1 1 1 1 1 1
2 2 2 2 2 2
5 0 0 0 0 0 0 0
5 5 3 4 5 5 5 5 5 5 5

Chorus
Gtr. 2: w/ Rhy. Fig. 1A (2 times)
G C


End Rhy. Fig. 3A

k k k
G 5 5 5 5 5 5 4 ? = 5 5MM 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5
liv - in for the min - ute. Yeah, way down yon - der on the Chat - ta - hoo - chee, nev - er

55 5 5
5 5M 5 5 5 5 5 5 5 5 5 ' '
G 
let ring
1 1 1 1/2
15
15 15 15
10 12 14 14 14 12
14 14

55 = 4 55 55 55 = 4 55 55
End Rhy. Fig. 3 Rhy. Fill 1 End Rhy. Fill 1

G = 5 =  4 
E5 5 5 5 5 5 5 5 E5 5 5 5 5 5

5 5 5 5 5 5
5 5 5 5 5 5
0 2 3
2 3 3 3 2 3 3 3 2 3 3 3

Gtr. 1: w/ Rhy. Fig. 2 (last 2 meas.) Gtr. 1: w/ Rhy. Fig. 2


Gtr. 3 tacet

k
G C

G 5 5 5 5 5 5 k 5 5 5 5 5 5 5 5 5 5 5 5 5 = 
5 5 5 5 5 5 5 5 5
^^

knew how much that mud - dy wa - ter meant to me. But I learned how to swim and I learned who I was, a

4
Interlude
Gtr. 1: w/ Riff A

2 2
Gtr. 2: w/ Rhy. Fig. 2A (1 3/4 times)
G C C 2
4 ? 4  = =  4

^
G 5 5 5 5 5 5 5 5 5 5 5 5 2
lot a - bout liv - in and a lit - tle bout love. Aw, haw.

Rhy. Fill 2 End Rhy. Fill 2

0 0 '
' '
'
Gtr. 3

9
10

Gtr. 3: w/ Rhy. Fig. 1 Gtr. 3: w/ Riff B


G C

0 0 0 0 0 
G 

C Verse
Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A (2 times)
2nd time, Gtr. 4: w/ Fill 1
G C C

Gtr. 2
G  0  0 ? = 5k 5 5

5 5 5 5 5 5 5


2. Well, we fogged up the win - dows in my

 55 55 E5 !5 k
 5 5 !5 5 5  B E55 E5 5 5 5 5
Gtr. 4

G  5 5 5 4 ?
1/2
5 6 6
8 10 7 8 8 7
7 7 0 10 8 9 8 9
10 10 10 10

Gtr. 4 tacet

 
G C

5k5 4   5 5
5k 5
G 5 5 5 5
5 5k 5 5 5 5 

5 5 5 5
^

old Chev - y, I was will - in but she was - nt read - y. So I

Fill 1
Gtr. 4
5
G 4 ?

13

5
G 5 5k 5
5 5 5 5 5 5 5 5  =  5k 5
 5
5 5 5 5 5 5 5 5

^
set - tled for a bur - ger and a grape sno - cone. I dropped her off ear - ly but I

Pre-Chorus
Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A

k
G C F C

4 k 5 5 5 5 5 5 5 5 5 5 5 = 5 5 5 5 5 5 5 5 5
G 5 5 5k 5 5
5 5
did - nt go home. Down by the riv - er on a Fri - day night, a pyr - a - mid of cans in the

55 ' 55MM 55M 5 55 '


'
 = 5 '
Rhy. Fig. 4

= 5 5
Gtr. 3

G ?
1 1
13
13 13 13
9 12 12 12
10

G C F D7
5k 5 E 5
5 5 5 5 5 5 5
5 5 5 5 5

G 5 5 E5 5 4 5 5 5 5 5 4
5
pale moon - light. Talk - ing bout cars and dream - in bout wom - en. Nev - er had a plan, just a

5 5 55 55MM BB BB 5 '
5 5 5 5 5 5 5 E'
'
G 
let ring let ring 1
hold bend

10 13 10
10 13 13 10
10 9 12 12 12 11
12

Chorus
Gtr. 1: w/ Rhy. Fill 1
Gtr. 2: w/ Rhy. Fig. 2A (2 times)

k k
G C

= 5 5MM 5 5 5 5 5 k
G 5 5 5 5 5 5 4 ?
5 5 5 5 5 5 5 5 5 5
liv - in for the min - ute. Yeah, way down yon - der on the Chat - ta - hoo - chee, nev - er

55 55MM 55 5 5
E 55 55MM 5 E 5 5 55 5 ' '
End Rhy. Fig. 4

 ' '
G  ' '
let ring let ring
1/2 1 1 1/2
10 13 13 10
11 13 13 13 11 12 8
12 12 9
10

6
Gtr. 1: w/ Rhy. Fig. 2 (last 2 meas.) Gtr. 1: w/ Rhy. Fig. 2
Gtr. 3 tacet

k
G C

G 5 5 5 5 5 5 5 5 k 5 5 5 5 5 5 5 5 5 5 5 5 5 = 
5 5 5 5 5 5 5

^^
knew how much that mud - dy wa - ter meant to me. But I learned how to swim and I learned who I was, a

T o Coda ;
Guitar Solo
Gtr. 2: w/ Rhy. Fig. 3A (1st 8 meas.)
G C F

G 5 5 5 5 5 4 0 0
5 5 5 5 5 5 5
lot a - bout liv - in and a lit - tle bout love.

Gtr. 5 (elec.)

G 0 ? 4 =  5 5 55 5 55 5 55 55 5 55 5 M 
5k 5 5 5 5

 5 5
5

w/ pick & finger w/ pick
f
w/ clean tone 1/2 1/2

0 0 0 0 0
3
3 3 5 5 5 5 5 5 3 3
1 3 5

5 
C G C F

5 55 5 55 55 55 55 55 5 55 55 55 55
5 5 5 5 5 5 = !5
5kk !5
G  5 5  5 5 5


w/ pick & finger w/ pick
1 1 sim.

3 3 3 3 3 3
3 3 3 3 3 3 3 3 4 3 4
5 3 4 5 4 5 4 5
5 0 3 3 3
5 7

D7 G

55 55
Gtr. 4

G 0 0 ? 4

0
3 X
0 2

55k 55 E55 5 55 = E5 


55 5 5M 5 5k 5 !55 5k 5 55 =

Gtr. 5

G 55 5 5
5 5 5 E5 5 5 !5 5 5
5

5
* 1
1
3 4 3 1 1 7 5 3 3
4 5 3 1 2 7 5 4 3 2 0
0 7 9 9 7 7 5 2 0
5 7 9 2 0
3 3
*Let 2nd string D ring.

7
Fiddle Solo
Gtr. 2: w/ Rhy. Fig. 3A Gtr. 5 tacet

5 5 5 5 5 5 5 5 55 5 5 5 5 5 5 5
F C G C
5 5 5 5 5 5 5 5 5 5 5 5 5 5 !55
Gtr. 4

G 5 5 5 5 5 5 5 5

0 1 1 1 0 1 1 1 3 5 5 5 5 3 3 5 3
X X X X X X 6 3 5 5 5 5 5 5 4 3 5
2 2 2 2 2 2 5 0 0 0 5 7 X
7

Gtr. 5 Gtr. 1

G ? ? = 5 = 5 5
5 5 ' 5 5 B
B 1/2

3 5
0 0 3 5 5 3
1

55 5 5
5 5
5k E 5
5 E 5 5 5 58v a 5 ! 5 5
F D7 G

55 5 55 55 5 5 5 5 5 5  5 55 5 5 5 5
G

8 8 13 15 17 15
5 6 6 6 8 10 10 13 15 13 15 17
X X X 14 14 14 14 15 16
7 7 7 15 17 14 16 14 14 16 17
17

G ? 5 5 55 55 55 55 55 55
' 5 5 5 5 E 5 5 5 5 5 5 5 5 E5

0 0 0 0 0 0 0
3 0 4 5 5 5 5 5 5 5
3 0 4 5 5 5 4 5 5 5
1

Verse
Gtrs. 1 & 4 tacet

5k 5M 5 5 5 5k 5

G ? = 5 5 5 5 5  5 ^ 5
=
3. Well, way down yon - der on the Chat - ta - hoo - chee

5 5 5 5 k
8v a

5 !5 5 5 !5
G 0 0
1/2
20 20 17 15
16 17 16
17

G 55 55 55 55 55 55 55 0 0

0 0 0 0 0 0 0
5 5 5 5 5 5 5

8
Gtr. 1 tacet

0 0  5  4
5k 5
G 5 5 5
5k 5


5 5 5 5 5 5
it gets hot - ter than a hoo - chie coo - chie.
Gtr. 1

G 5 5 5 0 0
5 5 5 5 5 5 5 5 5 55 5
1/2

2 3 3 2 3 3 2 3 0 5 5 3 3
3

Gtr. 4 tacet


G 0 0 5 5k 5 5 5 5 5
 5 5k 5
 5 5 5 5 = 5

^
E5 5
55
We laid rub - ber on the Geor - gia as - phalt. We
Gtr. 4
 55 55  55 5
G =  = = 5 B 0 0

12 10 8 6
1/2

13 11 10 8 6
7 8 5

Fiddle Solo
Gtr. 2: w/ Rhy. Fig. 3A
F

G 5 5 5 5 5 5 5 5 4 0 0
5 5 5 5 5
got a lit - tle cra - zy but we nev - er got caught.
5
M 55 55 55 55 55 5 5 5 5 5 5 5 5
= 5M 5 5M
Gtr. 4

G 0 ?

13
8 10 10 10 10 13 13 15 13
7 9 10 10 10 10 12 14 14 14
10 10

55M 5 5
Gtr. 3
'
' 55MM  = 5 5
G 0 0
let ring
1
13
10 13 13
10 12


Gtr. 1

G 0 0 55 55 4 55 = 4
5 5 5 5 5 5 5

2 2 2
3 3 3
0 0 0 1
1 1 1

9
Gtr. 3: w/ Rhy. Fig. 4

55 5 55 55 5 55 5
C G C F
5 5 5 5 5 5 5 5 5 5 5 5
5 5 !5
Gtr. 4

G 5 5
1 1
12 12 12 12
15 15 15 15 15 13 10 8 10 10 13
8 7 7 9 10 10 10
10 10

Gtr. 1

G 5M 5 5
' 5 B '
1/2

5
3 5 5 3
1

Gtr. 1 tacet Gtr. 1: w/ Rhy. Fig. 3 (last 2 meas.)

5 5 5 5
5 5 5 5 5 5
D7 G
Gtr. 4

5 55 E5 5 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
E5 5
G
1 1 1 1
13 10 15 15
10 13 10 8 10 10 8 10 12
10 9 7 9 9 9 7 9 14 14 14 14 12 12 14
14 13 14

Interlude
Gtr. 1: w/ Riff A Gtr. 4 tacet Gtr. 3: w/ Rhy. Fig. 1 Gtr. 4: w/ Riff B
Gtr. 2: w/ Rhy. Fig. 2A (1 3/4 times)
Gtr. 3: w/ Rhy. Fill 2
C G C

G ' 0 0 0 0

15

D.S. al Coda
G C

Gtr. 2
  5k 5 5

G 0 0  0  0 ? = 


4. Well, we

5 5 !5 5 5
Gtr. 4
55 55 5 5 5 5 55 5 55 5
G 0 0  B 5M   
1/2
12 12 12
1
12
1

8 10 13 13 15 15 15
7 7 12
10

10
; Coda

0

G C C G C

GGG
Gtr. 2


= 4
rit.

G 5 5 5  5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5


lit - tle bout love. A lot a - bout liv - in and a lit - tle bout love.

' BB
Gtr. 3

0 ' BB
G

rit.

9 7 9
10 9 10

55M 55M 55M 


Gtr. 1

G 0 4 4 4 ?
rit.

5 5 3
5 5 4

Outro

0 0 0
A tempo
Gtr. 1 tacet Gtrs. 2 & 3 tacet

Gtr. 1
Gtr. 2

Gtr. 3

' ' '


G ' ' ' ? 4
5

5
9
10
0
3

Gtr. 1: w/ Riff A (1st 7 meas.) Gtr. 3: w/ Rhy. Fig. 1 Gtr. 4: w/ Riff B


Gtr. 2: w/ Rhy. Fig. 2A (1 3/4 times)

BM
C G C

0 0 0 B EB 5 0
^

G
Yeah, ee!

0 0
G C



Gtr. 2

G 0  0  ? 4
2
0
2
_
^


Spoken: Thats right.

 5
Gtr. 4
5 5 5 '
G 0  5 5 5
' '
5 5 5 '
%

Gtr. 1
divisi
1/2

8 10
7 7 5
5 7
5 5 3

11
from Alan Jackson - The Greatest Hits Collection

Dont Rock the Jukebox


Words and Music by Roger Murrah, Alan Jackson and Keith Stegall

G C D

32 4 32 1 132

C

Chorus
3
Moderately fast q = 148 ##=# 
#
G C G
Rhy. Fig. 1

Gtr. 1
(acous.)
p

E 3
G  5 5 5 5 !5 5 5 !5 ? = 5 5 5 5 4 ?
5 5 5 5
Dont rock the juke - box, I wan - na hear some Jones

55 55 55 E 55 55 E 55 55 BBMM 55 !! 55 55 55 55 55
E =
G  4
*Gtr. 4

? 4 = 3
=
mf
w/ fingers 1/2 1/2
1/2 1/2
1 1

15 15 16 16 17 17 17 17
16 16 16 16 16 17 17 17 17
17

*Pedal steel arr. for gtr.

E
Gtr. 3 (elec.)

G 4 ? 55 55 55 5 55 5 55 5 5

55 5 5 5 5 5 55 5 55
5 5 5 5 5 5 5 5
mf
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

1 1 1
0 0 0 0 0 2 0 0 0 0 2 4
0 0 2 0 2 0 0
3 3 3 3
3 3 3 3 3 3 3 3

Riff A

E
G  4
Gtr. 2 (elec.)

? 5 5 5
55 5 55 5 55 5 55 5 55 5 5
5 5 5 5 5 55 5 5
5 5 5 55 5 5 5
mf
P.M.

5 7 5 7 5
5 7 5 7 5 3 3 3 3 3 3 3 5 7 5 7 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3

Copyright 1989 Sony/ATV Songs LLC, WB Music Corp. and Murrah Music Corp.
All Rights on behalf of Sony/ATV Songs LLC Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved 1

E 5 5 5 
3

G = 5 5 5 5 5 5 5 5 5

? = 5 5 55
 5 5 55


cause my heart aint read - y for The Roll - ing Stones.

5M 55 55 55 '
E5 5 5 55 BB 55MM 55

5 5 5 '
G
let ring
1 1 1 1

15 15 12 12 15 15
14 14 12 12 14 14 14

E = = =
G 55 55 55 55 55 55 55 55 55 55 55 55
5 5 5 5 5 5 5 5 5
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

0 0 0 0 0 0 0 0 0 0 0 0
2 0 2 0 2 0 2 0 2 0 2 0
3 3 3 3 3 3 3 3 3

E
G 55 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
P.M.

5
5 7 5 7 5 5 7 5 7 5 7 5 7 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

D G

 
E 3 555 5 5
G 5 5 4 ? =
5
5 5 5
5
?

55 5 5 55 5
I dont feel like rock - in

E 5 5
5 5 5 55 55MM BB 55 55 5 5
G =  5 5 4 55 = 5 5

3 3
let ring let ring let ring
1 1 1
7 7 0
15 13 10 7 7 8 8 8 0
11 14 14 9 12 12 7 9 7 7 7
10 9

E 55 5 55 55 55 55 55 55 55 55
G 5 5 5 5 5 5 5 55 5 55 55
5 5 5 5 5
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

3 3 3 3 3 3 3 3
2 4 2 4 2 4 2 4 2 0 0 0 0 0
0 0 0 0 0 0 0 2 0 2 0
3 3 3

E
G 55 5 55 5 5 55 5 5 55 5 55 5
5 5 5 5 5 5 5 55 5 55 5 55
5
5 5 5
P.M.

2 4 2 4 2 2 4 2 4 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0
5 7 5 7 5
3 3 3 3 3 3 3

2
To Coda 1 ;
C G C G

E  5
3

= 5 5 5 5 5 5 5
3

G 4   5 5 5 4 ? 4
5 5 5 5  5 5
5
 
M
since my ba - bys gone, so dont rock the juke - box,
E5 5 55
55 5 5
G 5 5 B M 4 5 5 5 5 ' 4 5 5 5 5 5 5 =
3
let ring let ring
1 1 1/2 1 1

5 8 8 8
5 5 3 7 7 5 4 4 7 4 7 7 7

E 55 55 55
G 55 55 5 55 55 55 55 55 5 55 5 55
5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5
P.M. P.M. P.M. P.M. let ring P.M. P.M. P.M. P.M. P.M. P.M.

1 1 1 1 1 1 1 1 1 1
0 2 0 2 0 0 0 2 0 2 0 0 0 0 0
0 0 2 0 2
3 3 3 0 1 2 3 3 3
3 3 3 3 3

E
End Riff A

G 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5 5 5
P.M. P.M.

5 7 5 7 5 7 5 7 5
3 3 3 3 3 3 3 0 1 2 3 3 3 3 3 3 7 5 7 0
3 3 3 3 3

D G

4 ?
End Rhy. Fig. 1

M
E 5 5 5
(cont. in notation)


G = 5 5 ? = 5

3


5
 5 !5 5 5 5 5 5 55

5 5 5 5 5 5
play me a coun - try song. 1. Be - fore you drop that

M BBMM 5 5 5 5 55M
E 5 55 5  5 5
G = 3 3
4 ?
3
1/2
1 1 1 1
14 12 12
10 10 15 15 15
9 9 14 14 12 14
14

E 5 55 5 55 55 4 ?
G 5 5 5 5 5 5 55
5 5 5
55
5
55 5
5M
P.M. P.M. P.M. P.M. P.M. P.M.

3 3 3 3 3
2 4 2 4 2 0 0 0 0 0
0 0 0 0 2 0 2
3 3 3 3

E
G 55 5 5 5 5 5
5
5 5 5 5 5 5
4 ?
5 5 5 5 5
P.M.

2 4 2 4
0 0 0 0 0
7 5 7 5 5
3 3 3 3 3

3
Verse
Gtrs. 2, 3 & 4 tacet
C G
E
G 5 5 5 = ? = 5 5 5 5
 5 5 !5 = 4 ? = 5 5 5 5 5 5 5
3 3 3

55
quar - ter, keep one thing in mind: you got a heart - broke

55 55 55 55 55 5 '
5 5 5 5 5
5 !55 5 E5 5  BM '

E !BM 5 5
*Gtr. 5

G 4 5 E5 = 
mf
w/ fingers **
15 15 15 15 15 12
13 11 13 11 15 15 15 15 15 13 15
12 12 12 14 16
12 13 14 12 12 13 14 12

*Piano arr. for gtr. **Tremolo pick, alternating between the two notes in a
sextuplet sixteenth-note rhythm for three beats.

Rhy. Fig. 2

E 55 55 55 55 55 55 5 5 5 5 5 5
Gtr. 1

G 555 55 55 55 55 55 55
5 5 5 555 5 555 5 5 555
5 555 5 555 5 555 5 555
let ring let ring

0 0 0 0 0 0 3 3 3 3 3 3
1 1 1 1 1 1 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 0 0 0 0
3 3 3 3 3 3 3 3 2 2 2 2
3 3 3 3 3 3 3 3

A7 D
E  3 55 5

G 5 5 5 555 4 4 5 5 5 5 55 5 5 4 ? = 5 5 5
55

5
hill - bil - ly stand - ing here in line. Ive been down and lone -

55 E 5 5 5
E 5 5 5 5 5 5M E 5M 55 ! 55 55 55 5 5 55 55 55 55 55 5 5 5 5
8v a

G 4 = 5 = 4
let ring

12 12 12 20 20 19 17 15 15 14 15 14 14 14
13 14 12 14 12 14 14 22 22 20 19 17 17 15 15 15 15 15
14 14 14 14 19

E E555 55 55 E555 55 55 55 55 55 55 55 55 55
G 5 55 5 55 55 5 5 55 55 5 55 5 5 55
5 55 5 5 5 55 5 5 5
let ring let ring

0 0 0 0 0 0 2 2 2 2 2 2 2
2 2 2 2 2 2 3 3 3 3 3 3 3
0 0 0 0 0 0 2 2 2 2 2 2 2
2 2 2 2 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0

4
Gtr. 5 tacet
C G C

E 5 5 5 5 5 5 5 5
3 3

5 5 5 4 4  5 5 !5 4 ? = 5
3

G  
5 5 5  5
- ly ev - er since she left. Be - fore you punch that

 5M 2 55M 5
E 5 5  = 5 55 5 5 B = 2 !5  = 5 !5 5 5 5
Gtr. 6 (elec.)

5 5 5 5 = 5
3
5
G 4 4
5
5 5
3
mf
hold bend
w/ clean tone
1 1 1
P.M. 1/2
6 X 7 7
8 X 6 6 5 5 3
5 7 7 7 7 5 5 5 3 5
5 7 5

E 555 55 55 555 55 55 5 5 5 555 55 55


Gtr. 1

G 55 55 55
5 55 5 5 555 5 55 5 5 555 5
55
5 5
55
5 5 55 5 5 555
let ring let ring let ring

0 0 0 0 0 0 3 3 3 0 0 0
1 1 1 1 1 1 0 0 0 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 0 0 2 2
3 3 3 3 3 3 3 3 2 2 3 3 3 3
3 3 3 3

D.S. al Coda 1
G D G
E  5 ? = 5 !5 !5 ? 4

5 5 5 5 !
G 5 5 5 5 5 5 5 5 5 !5 5
5
num - ber, could I make one re - quest? Dont rock the juke -

E 
5 !5 5 5 5 5 5 5 5 !5 5 5 4 ?
3

G  5M 5 2 !5 E5
3 3

B 5M 5 !5 5 5
3 M
1/2 1/2

3 1 0
3 0 3 2 0
5 X 3 3 2 0 0
5 1 2
3

End Rhy. Fig. 2

E 5 5 5 55 55 5 5 5
G 55 55 55 5 5 55 55 55 4 ?
5 555 5 555 5 5 5 5 5 555 5 555 555
M
let ring let ring let ring

3 3 3 2 2 3 3 3
0 0 0 3 3 0 0 0
0 0 0 2 2 0 0 0
0 0 0 0 0 0 0 0 0
2 2 2 2 2
3 3 3 3 3 3 3 3 3

5
; Coda 1
G D G

E
G 5 5 5 5 ? = 5 5 5 5 !5    
3

55 5 5M !5 = 4 0
- box, play me a coun - try song.

E 55 55 5 55 5 5 BB 55MM 5 5 5 5 5 5 E5 5 5 5 5 5
8v a

G 4 5 5 5
5 !5 5 5 5 5 5 E5 5 5 5 5 5
 3 3
3 3 3 3 3 3
let ring
let ring let ring let ring let ring
1 1 1
15 15 15 17 17 17 18 18 18 19 19 19
8 8 8 10
7 4 7 7 7 5 9 15 16 16 16 17 17 17 18 18 18 19 19 19

E 55 5 55
G 5 55 55 55
5 5 5 5 5 5 55 5 55 55 55 55
5 5 5 5 5 5 5 5 5 !5 E5
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

3 3 3
0 0 0 2 4 2 4 0 0 0 0
0 2 0 2 0 0 0 0 2 0 2 0
0
3 3 3 2 3 3 3 3 0 1 2

E
G 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 !5 E5
P.M.

2 4 2 4
0 0 0 0
5 7 5 7 0 5 7 5 7 5
3 3 3 3 3 3 3 3 0 1 2

Pedal Steel / Guitar Solo


Gtr. 1: w/ Rhy. Fig. 1
Gtr. 2: w/ Riff A
G C G
55 5 ! 55 5 55 5 55 5 5 !5 5
55 5 5 55 5 55 ! 555 555  !55 !E 55 !55 555 !! 555 55
loco

E
Gtr. 4 5
5 5
5 !5 5 5 55 5 !5 5 5
5 !5 5 5 5 5
G 3 3 3 3
3 3 3 3
let ring
1 1 1 1 1 1 1 1
15 13 8 6 8 7 8 9 10 9 8 7
15 15 13 13 15 12 8 8 6 6 8 8 8 8 10 11 12 11 10 8 10
12 12 14 14 12 12 12 10 7 5 7 7 5 7 7 9 10 11 10 9 7 9

E
Gtr. 3

G 5 55 55 55 5 55 55 55 5 5 5 55 55
5
5 5 5 5 5 5 5 5 5 5 5 5 5
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

1 1 1 1
0 0 0 0 2 0 2 0 0 0 0 0
0 2 0 2 0 2 0 2 0
3 3 3
3 3 3 3 3 3 3

6
5 5 5 5 5 5 5 5
D

E 5 5 !5 !5 5 5 5 5 5 5 55 5 5 5 5
55 5 5 55 5
5 5 5 55 5 5 5 55 55
G 5 = 
3 3 3 3
1/2 let ring
1 1 1 1 1 1 1
12 14 12
8 15 15 12 15 15 13 10 10 7
7 14 14 14 12 12 14 14 12 14 14 9 12 12 7 9 9 7 9 7
14 12 12

E 5 5 55 55 55
G 55 55 55 55 55 55 55 5 55 55 5 5 55 55 55 5 55 55 5 5 5 5 5
5 5 5 5 5
P.M. P.M. P.M.

3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 2 4 2 4 2
0 2 0 2 0 0 2 0 0 0 2 0 0 2 0 2 0 0 0 0
3 3 3 3 3

Gtrs. 3 & 4 tacet


G C

5 5 5M 5 5 5
Gtr. 6

E ' 5 5 5 5 5 5
5
5 5 5 5
Gtr. 4 let ring

G = = 5

? 4 3 3
Gtr. 6 hold bend hold bend
divisi P.M. 1 1

10 6
8 10 10 10 8 8 8
7 9 7 7 7
10

E 5 55 55 55 55 55
Gtr. 3

G 5 5 0 0
5

3 3 3 3 3
2 4 2 2 4 2
0

5
G C G

E 5 5 5 5 5 5 5
5 !5 5 5 5 5 
5 = !5
5
Gtr. 6
!5
G 5 =  5
 5M = =
3
3
1 P.M.
1/2 1/4 1 1
3 10 7
6 6 8 10 6 6
5 5 5 3 7 9
5

E 0 0
Gtr. 2

G 5 5 5 5
5 5 5 5
P.M.

5 7 5 7 0
3 3 3

7
D G
E 0 0 4 5 5 5 5

G
2. I aint got

E 5 5M 
G 5 5 5 5
3

= 5 5 5 !5 5 !5 4 ?
5
3
55 5 5 !5 5
5M
1 1/2 1/2
3
5 5 5 3 3
5 5 3 2 3 2 0 0
1 2
3

E
G 5 5 5 5 !5 4 ?
5 5 5 5 5 5 5 5 !5 5M
P.M.

4 2 4
0 0 0 0 3
0 3 1 2
3 3 3

Verse
Gtr. 1: w/ Rhy. Fig. 2
Gtrs. 2 & 6 tacet
C G
E  ?  3
G !5 5 5
=  5 5
5 5 5 5 4 ? = 5 5 5 5 5 5
5 5 5
noth - in a - gainst rock and roll but when your hearts been

E = 5 5 5 = 5 5 5 5 5 5 5 !5 5
*Gtr. 7

G  5M = ? 5 5 555  5 5 5 5
3
mf
1 1 1 1

5 6
17 7 7 7 5 7 4 7
5 7 5 7 7 7 5

*Fiddle arr. for gtr.

A7 D
E  5 5 5 5 5
G 5 5 5 = ? =  5 5 5 5 5 5 5 55  = ? =
3

5 5 5
bro - ken, you need a song thats slow. There aint noth - in like a

5 5 5 5 !5 E5 5 !5
E= 5 5 5 5 5 E5 5 5 !5 5 5 B
G 5 E5 4 4
1/2

14 17 13
12 15 14 17 15 13
12 14 14 14
11 14 15 14 12
12

8
Gtr. 7 tacet
C G C

E 5 5 5 5  = 5 5 5 5 5 5
G 5
5 5 5 4 4 5 5 !5 4 ?
5 5 5 5 
steel gui - tar (to) drown a mem - o - ry. Be - fore you spend your

5 5 B 55 5 M
55 !55M 55M BB 55
EE 55 55 BB
55
E 5 555 5
EE555 55
Gtr. 4

G 4 5 5 5 5 55
5
5
= 
w/ bar let ring w/ bar
1 1
8 8 8
5 5 5 10 10 10 15 12 10 13 13 13
5 5 5 5 5 5 9 9 9 14 12 10 12 12 12
7 7 7

-1/2 -1/2 -1/2

E 4
Gtr. 3
   
G 55 = 4 55 55 4 55 = 4 55 55 4 55 = 4 55 55 4 55 = 4 55 55
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

1 1 1 1 1 1 0 0 0 1 1 1
0 0 0 0 0 0 0 0 0 0 0 0

G D G

E  
 5 5 5 5 ! 5
3

G 5 5 5 5 !5 4 = 5 5 5 5 !5 5 5 5 4 ? =
5
mon - ey, ba - by, play a song for me and dont rock the juke -

55M 55 5 55 BBMM 5 5 5 5 !5 5 5 5 5 !5 55M


E 5 5 BM E5 5 555 5
G 4 =  3 3 3
4 ?
3

let ring
1 1 1/2 1 1
1/2
10 14 12 13 12
15 15 15 10 15 15 14 14 13 15
14 14 14 12 11 14 14 12 14

E 4  
G 55 = = 55 4 0 0 0
P.M. P.M.

0 0
0 0

9
Chorus
Gtr. 1: w/ Rhy. Fig. 1 (1st 12 meas.)
Gtr. 2: w/ Riff A
G C G
E  M  5M

= 5 5 5 5 5 5 5 5
 !
G 5  5M !!5 4 = 5
5 5 5 5 5 !5 4
5 5 5
- box, I wan - na hear George Jones cause my heart aint

55 55 55 E 55 55 E 55 55 BBMM 55 ! 5
5 55 55 55 55M 55M 55 5 B
E = 5 5 5 B
G 4 = 3
4
1/2
1/2 1/2
1 1 1

15 15 16 16 17 17 17 15 15 12
16 16 16 16 16 17 17 17 14 14 12
17

E 5 5 55 55
G 5
55 5 55 5 55 5 55 5 5 5 5 5 5 5
55 5 55
5 5
55 55 55 55 5 5
5 5 5
55 55

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

1 1 1 1
0 2 0 2 0 0 0 0 0 0 0 0 0
0 2 0 2 0 2 0 2 0 0 2 0 2 0
X X X X 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3

D
 
E 55 5 5 5
5 5 5 5 ? = 5 !5 5 5 5 5 5 !5 5 5 E5 5 ? =
3
5
G
3

5 5
read - y for The Roll - ing Stones. I dont feel like

5
E 55 5 5
55 5 5
55 '
'
5 E5 5 E5 55 E55 55 EE 55 55 E 55 5
G =  = EE55 55 E55 !5 E 5 !5 E 5
let ring
let ring
w/ bar
1 1
4 5 7 8 9 10 13 14
12 15 15 4 5 6 7 4 5 6 7 9 10
12 12 14 14 14 6 7 4 5 6 7 13 14
6 7

E
G 55 55 5 55 55 55 55 55 5 55 55 55 = 55 5 5 55 5 55 55 55 55 5 5 55 5 55 55
5 5 5 5
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 2 4 2 4 2 2 4 2 4 2
0 0 2 0 2 0 0 2 0 2 0 0 0 0 0
3 3 3 3

10
G C G C
E
3

G 5 5 5 ? 4  5 5 5 5 !5 4 ? =  5 5 5 5 5
5 5 5 5
rock - in since my ba - bys gone, so dont rock the juke-

! 55 55 ! 55 ! 55 55 55 '
'
E  = 5 55 5 55 55 55 5 55 5 BM
G 4 = 5 5 5 5 BM
let ring
1
15 15 13 12 13 13 12 7 7
17 17 15 13 15 15 13 8 8 8 8 8 8 5
7 7 7 7 7 7 7 5
9 9

E 5 5 5 55 55 5 5 5 55 55
G 55 5 55 55 55 5 5 5 5 5 55 5 5 5 5 5
5 5 5 5 5 E5 5
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

1 1 1 1 1 1 1 1
0 0 0 0 0 2 0 2 0 0 0 2 0 2 0
0 2 0 2 0 0
3 3 3 0 1 2 3 3 3
3 3 3 3

G D G C

Gtr. 1

E = 5 5 5   5 5 5
G 5 5 5 5 5 5
3

? ? =
3

5 5 5 !5 5 5 5
- box, play me a coun - try song. Yeah, dont rock the juke -

E 5 5 5 ' 5
= 5 5 5 5 ' 5 5
Gtr. 4 Gtrs. 4 & 7

G 4 5 5 E5 5 5

let ring
1

8 10 7
7 9 7 7 9 11
9 9 5 7 8 9 10

E =
Gtr. 3

5 5
G 55 5 55 55 5
5 5 5 5 5 5 5 5 E5 5 5 5 5 5
5 5 5 5
P.M. P.M. P.M. P.M. P.M. P.M. P.M.

0 0 0 4 2 4
0 2 0 2 0 0 0 0 0 0 0 2 4
0 0 1 2 3
3 3 3 3

E
Gtr. 2

5
G
5 5
5
5 5 5
5
5 5 5 5 5 5 55 5 5 E5 5 5 5 5 5
P.M.

2 4 2 2
0 0 0 0 0 2 4
5 7 5 7 0 0 1 2 3
3 3 3 3

11
Outro
G D G5 G7/B Bb A G G7

Gtr. 1
(cont. in notation)

E 5 5 
= 5 5 5 5 !5   
3

G 5 5 ? 5 !5 5M 5 = 4 0

- box, play me a coun - try song.

E 5 5 5 5 5 !
5M
Gtr. 6

G 0 0 0 = =
3

P.M.
1

8 8 10 10
10

5 5M 5 5 5M 5 5 5 5 
E 5 =  
Gtr. 7

G = ? 4 4 5M =

1
10
13 13 14 13 12
12 0

E ' 
55MM
'
' !55 55 55 !55M
Gtr. 4

G 4 4 5M =

8
12 11 10 9 8 7 7
12 12 11 10 9 9

E 
Gtr. 3

5 5 5 55 55 4 =
G 55 5 55 55 55 5 5 5 5 5 55  55 55 ! 55 ! 555MMM
5 5 5 5 M 5M
P.M. P.M. P.M. P.M. P.M. P.M.

3 3 3 3
0 0 0 0 2 4 2 4 2 0
0 2 0 2 0 0 0 0 0
5 4 3 2 2
3 3 3 3 7 6 5 3 3

E 
55 55
Gtr. 2 *Gtrs. 1 & 2

5 5 55 !55 4 555MMM =
G
5 5
5
5 5 5
5 5 5 5 5 5 5 5 M 55MM
P.M.

3 2 1 0 0
2 4 2 4 4 3 2 0 0
0 0 0 0
7 5 7 0 2
3 3 3 3 3 3
*Composite arrangement

12
from Alan Jackson - The Greatest Hits Collection

Gone Country
Words and Music by Bob McDill

G D C Em

21 34 132 32 1 12

Intro
Moderately q = 126
* G5 D Csus2
Riff A End Riff A

E 5 5 5 5
Gtr. 1 (elec.)

G 5 5 5 55 55 5 5 5 5 5 5 5
5 5 5 5


f
w/ clean tone
let ring


3 3 3
0 0 2 0 0
0 2 0 0 0 2
2 3 3
3
*Chords symbols reflect implied harmony.

Gtr. 1: w/ Riff A (3 times)


G5 D Csus2 G


Gtr. 3
(acous.)
4


mp

E 5 5 5 5 5 5M
5
**Gtr. 2

G 0 ? 4 
f
1 1

10 10 10
7

**Pedal steel arr. for gtr.

D C G D C


E
G 0 0 ? 4 5 5


1. Shes been

E55 5 5 5 5 5 5 5 5M 55 5 55 55MM
G 5 5 5 5  5
5 5


1

let ring let ring

1 1 1 1 1/2

10 10 10 10 10 5
9 9 7 7 7 5 9 9 7 4 4

Copyright 1994 UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. and RANGER BOB MUSIC
All Rights Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
All Rights Reserved Used by Permission 1
C Verse
3rd time, Gtr. 2: w/ Fill 2 1st & 2nd time, Gtr. 2 tacet 1st time, Gtr. 1: w/ Riff A
2nd time, Gtr. 1: w/ Rhy. Fill 1
3rd time, Gtr. 1: w/ Rhy. Fill 4
G C D G D C


Rhy. Fig. 1 End Rhy. Fig. 1

Gtr. 3

E 4 =  5M 5 5 5
G 5 5 5 5 5 5 5 5 5 5 5 5 4 ? ? 4
5 5
play -ing that room on the strip for ten years in Ve - gas. Ev - ry
folk scenes dead, but hes hold - ing out in the vil - lage. Hes been
mutes to L. A., but hes got a house in the val - ley. But the bills

E'
Gtr. 2

G ' 0 0 0

3
4

E
Riff B End Riff B

55 55MM 55
Gtr. 1

G  5 55 5 0 0
5 5M 5 5
5
let ring let ring let ring
3 1 3
0 0 2 2
0 0
2 3
3

Gtr. 1: w/ Riff B 1st time, Gtr. 1: w/ Riff A


Gtr. 3: w/ Rhy. Fig. 1 (3 times) 2nd time, Gtr. 1: w/ Rhy. Fill 1
3rd time, Gtr. 1: w/ Rhy. Fill 4 (played p
)

E
G C D G
 = =  5M 4 ?
5k 5
G 5 5 5 5 5 5 5 5 5 5 5 5 
5
night she looks in the mir - ror and she on - ly a - ges.
writ - ing songs speak - ing out a - gainst wealth and priv - lege.
are pil - ing up and the pop scene just aint on a ral - ly.

E ^'
Fill 2

'
Gtr. 2

Rhy. Fill 1 Rhy. Fill 4

E 55 55 5 5 55 55 E
5 55 55 BB 55 5 55 5 5 5 5 5
Gtr. 1 Gtr. 1

G 5 555 G
5 5 B 5 5 5
1

3 3 3 3 3 3
0 0 4 2 2 0 0 0 0 2 2 2 0 0
0 0 2 0 0 0 0 2
3 3

2
Gtr. 1: w/ Riff B

E
D C G C D
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
G ? 4 5 5 =  5
5
Shes been read - in a - bout Nash - ville and all the rec - ords that ev - ry - bod - ys
he says, I dont be - lieve in mon - ey, but a man could make him a kil -
He says, Hon - ey, Im a se - ri - ous com - pos - er schooled in voice and com - po -

1st time, Gtr. 1: w/ Riff A Gtr. 1: w/ Riff B


2nd time, Gtr. 1: w/ Rhy. Fill 2
3rd time, Gtr. 1: w/ Rhy. Fill 4 (played p)

E5
G) D C G

5 5 5 ? ? = 5k 5 4

G 5 5 5 5 5 5 5
5

^
buy - ing. Says, Im a sim - ple girl my - self,
lin, cause some of that stuff dont sound
si - tion, but with the crime and the smog these days,

1st time, Gtr. 1: w/ Riff A


2nd time, Gtr. 1: w/ Rhy. Fill 3
3rd time, Gtr. 1: w/ Rhy. Fill 4 (played p )

E
C D G D C

G 4 5k 5 5 4 ? ? 4

5 5 5 5M 5 5k 5 5

5
grew up on Long Is - land. So she
much dif - frent than Dy - lan. I
this aint no place for chil - dren. Lord, it

Bridge
Em D Em D

Gtr. 3
(cont. in notation)

5
E    5 5 5 =  5 5   5 5
G 5 5 5 5 5 =  5 5  5 ? 5 5 5

5
5 5

^ /
^

packs her bags to try her hand. Says, This might be my last chance. Shes gone
hear down there its changed you see. Theyre not as back - ward as they used to be. Hes gone
sounds so eas - y, this should-nt take long. Be back in the mon - ey in no time at all. Hes gone

E 55
Gtr. 1

55M 
G B
BB BB M 5 55 5
'
55 55 55 55 55 55 55

'
p let ring
3
2 2 2 0 2 2 2 2 2 2 2
2 0 0 0 0 0 0 0 0 0 0
2 2 2
0 0 0

Rhy. Fill 2 Rhy. Fill 3

E 5 5 5 5 55 5 E 5 5 5 5 5
Gtr. 1 Gtr. 1

G 5 5 5 5 55 5 5 5 5 555 G 55 55 5 5 5 5 5
5 5 5 5
3 3 3 3 3 3 3 3
0 0 0 0 2 2 2 0 0 0 2 0
0 0 0 2 0 0 2 0
2 3 3
3

3
Chorus
Gtr. 1 tacet

G 5 5 5 5 5 5 5 5MM
G C D G

5
E
5 ? 5 5 5 
5 = 5 ?
M

- /
5

^
Shes
coun - try, look at them boots. Hes gone coun - try,
Rhy. Fig. 2 Hes

E5 55 55 55 55 55 555 555 555 55 55 55 55 55 55 55 55 55 55


Gtr. 3

G 555 55 55 55 55 55 55 55 55
55 55 55 55 55 55 55 55 55 55
55 55 55 55 55 55 55 55 55 55 55 55 55
3 3 3 3 3 3 0 0 0 2 2 2 3 3 3 3 3 3 3
3 3 3 3 3 3 1 1 1 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 2 2 2 0 0 0 0 0 0 0
0 0 0 0 0 0 2 2 2 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 3 3 3 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3

To Coda 2 ;
C D G C D


5
Gtr. 3

5 5 5 5MM 5
E
G 5 5 5 5 5k5
 = 5 4 =  5 5 5 5k 5
 = 
M 5

- / - / - /
5 5

^
her Shes Shes
back to his roots. Hes gone coun - try, a new kind of suit. Hes gone
his Hes Hes

E5 55 55 55 55 55
G 5555 555 555 5
5
5
5
5
5
0 0
(cont. in slashes)
0 0 0 2 2 2
1 1 1 3 3 3
0 0 0 2 2 2
2 2 2 0 0 0
3 3 3

To Coda 1 ;
Interlude

0 0
Gtr. 1: w/ Riff A (2 times)
Gtr. 3: w/ Rhy. Fig. 1 (last 2 meas., 2 times)
Em G
End Rhy. Fig. 2

G 5 5 5 B
E 5
5 = 2
 2 2M 2
 = 4 0


coun - try. Here she comes.

5 5 5 55 5 5 5 55 5M
E 0 ?
Gtr. 2
5
5

G
let ring

let ring
1 1 1
10 10
10 10 8 10 10 10
7

E
Fill 1 End Fill 1

0 ? 4 0
Gtr. 1

G 5
5

14 2

4
D.S. al Coda 1

E
D C G D C

0 0 ? 4
5k 5
G  5
2. Well, the

55
5 5 55 5
5M
E 5 55 5 5 55 5 5 5 5 5 55 5
Gtr. 2

G 5 5  5 5 5

let ring let ring



let ring let ring let ring let ring

1 1 1 1 1 1
10 10
10 8 10 10 10 10 8
9 9 7 7 7 5 9 9 7 7 7 5

; Coda 1
Pedal Steel Solo

^0
Gtr. 1: w/ Fill 1 Gtr. 1: w/ Riff B (3 times)
Gtr. 3: w/ Rhy. Fig. 2

G C D
Gtr. 3

E = 2  = 4 0 0
G 2 2 2
^

Here he comes.

55 55 55 55
E 5 5 5 5 5 5M 55 5 5
55 5
Gtr. 2

G ? 55 

let ring

let ring let ring let ring

1 1 1 1
10 10 10 10
0 10 10 8 10 10 10 8 5 10
0 9 5 9

G
5M 5
C D
55
G
5
E5 5 5 5 5 55 5 5 5 5 5 5 5 5
5
G 5 5
Gtr. 2

5 5
let ring

let ring let ring let ring

1/2 1/2 1 1 1 1
10 10
8 12 12 12 8 8 8 10 10 10 10
7 7 7 5 9

5
0 0
D.S. al Coda 2
C D Em
Gtr. 1

E 0 0 ? =
G 5 5
5
3. Well, he com -

5 5M 5 5 5
5M 55 5 55 55 55 5
E 5 5 5 5 5 5 5 5 5 5 5 5
Gtr. 2

G =
let ring let ring
1 1 1 1
12 14 0 10 10 10 10
13 15 7 8 10 10 10 10 10 10 8
4 7 7 9 9 11

; Coda 2
Interlude

0 0
Gtr. 1: w/ Riff A (2 times)
Gtr. 3 tacet
Em G5 D Csus2
Gtr. 3


G 5 5 5 5 B
E 5 
= 2 2 2 2 = 4 0 0
^

coun - try. Here he comes.

E ' '
Gtr. 2

G 0 ? B
w/ slide
steady gliss.

5 12

EB
Gtr. 1

G B B B 5M = 0 0
let ring
grad. bend grad. release
1

3
2 2

6
Chorus
Gtr. 2 tacet

5 5
= 5
Gtr. 3: w/ Rhy. Fig. 2 (1st 4 meas., 2 times)

E 5 5
G5 D Csus2 G

G 0 4 5 5 5 5MM 4 = 
5
Yeah, hes gone coun - try, a

  Riff C

E
Gtr. 2

55 55
Gtr. 1

G 5 5 5 5
Harm. 5 5
w/o slide
3
5 0 0
0 0
2
3
Pitch: G

C D G C D

E 5 5 5
G 5 5 5 5 5
5
5 5 5 5MM 4 =
5
 5 5 5 5 5
5
^

^
new kind of walk. Hes gone coun - try, a new kind of talk. Hes gone

E 55 55 55 55 55MM
End Riff C

G 5 55 55  5 5 5
5 5 5 5M 5 5 5 5 5 5 5

3 3 3 3 1
0 0 2 2 2 0 0 0 2 0
0 0 0 0 0 2
3 2 3 3
3

Gtr. 1: w/ Riff C
G C D G C D

E 5 5 5 5MM = 5M 5 5 5 5 5 5 5
G 5 5 5 5MM ? 5 5 5 5

5 5 5
5
coun - try, look at them boots. Hes gone coun - try. Oh, back to his roots. Hes gone

Outro
Gtr. 1: w/ Riff C (till fade)
Gtr. 3: w/ Rhy. Fig. 2 (1st 4 meas., till fade)

E
G C D G

G 5 5 5 5 ? ? =  5 5 5 5 5 ?
5


coun - try. Hes gone coun - try.

5
E5 5 5 5 55 5 5 5 BB BB
5 5 5 5 5M
Gtr. 2

5
G 
let ring

let ring
1 1 1
10 10
10 10 10 10 8 7
9 7 7 7 7 7

7
E
C D G C D G
5 5 5 5 5 5 5 = 5 5 5 5 5 5
G 4 5 ? 4 5 ?
Ev - ry - bod - ys gone coun - try. Yeah, weve gone coun - try.

E 5 55 5 5 5 5 5 B 5 5 5 55 5 5 5
G 5 5 5 5 5 5 5M = 5

let ring let ring let ring 1 1/2 1/2
let ring
1/2
1/2 1
0 7 7 7 7 7 7
3 8 8 7 8 8
4 7 7 7 7 7

Begin fade

E
C D G C D G

=  5 5 5 5 5 5 5 5 ? 0 0
G
5

55
The whole worlds gone coun - try.

55 5M 5 5 5
E 55 5 5 55 55
4  BB 5 5 5 55 5 5 5 5 =
G 5 
let ring
10 1
let ring let ring let ring
1 1 1
10
8 7 10 10 10 8 10 8
7 7 5 7 9 9 7 7 9 7

E
C D G C D G

G ? = 2 2 2 =

0 0 0
^

55
We gone.

E 5 5 5 55 5 5 5 5 5 5 5M 5 5 5 55 5M
5 5 5 5M
G 5   
let ring let ring
1
10
let ring let ring let ring
1 1 1 1
0 7 8 7 10
3 10 8 8 8 10 10 10
5 9 7 7 9

5
Fade out

E 5M 5 5 5
C D G C D G

5k
 5 5 5 5 5 5 5 B 5 5 5 5 5 5 55
4
G
let ring

let ring
1/2
1 1
0 7 7
8 3 10 8
7 9 9 9 7 4 4 5 7 5 9 7

8
from Alan Jackson - The Greatest Hits Collection

I Dont Even Know Your Name


Words and Music by Alan Jackson, Ron Jackson and Andy Loftin
E7 A7 B9 E B5 E5

2 1 2 3 2134 231 134 1


type2
E6 A5 A6 B5 B6
4fr 4fr 2fr

3 1 3 13 14


Intro 3
Fast q = 256 ##=#
#
E7
Rhy. Fig. 1

Gtr. 2
(acous.)
mp
EE
Gtr. 1 (elec.)

G E E  !5 !5 5 5 5 5 !5 5 5 5 5 !5 5 5 5 5
mf 5 5 5 5
w/ clean tone

5 7 7 7 7 5 7 7 7 5 7 7 7 7
15 0 0 0 0

Gtr. 2: w/ Rhy. Fig. 1


End Rhy. Fig. 1

E
EE E !5
5  5 5 5 !5 5 5 !5 5
3 3

G 5 5 !5 5
!5 !5 5 5 5 5 !5 5 5 5 5 !5
5 5 5

7 7
7 9 8 7 5 7 9 8 7 5
7 5 5 7 7 7 7 5 7 7 7 7 5
0 0 0

Verse
Gtr. 2: w/ Rhy. Fig. 1 (2 times)
E7
EE
GEE4 =  5 5 5 5 5 5 5 5 5 5 5
  5 !5 5 !5 5 5 !5 5 E5 4 5 5
5
1. Well, I was sit - tin in a road - house down on High - way For - ty - one. You were

EE 4 !5 E5 = 5 4
Gtr. 1

G E E 5 !5 3
!5 5
5 5 5 !5 E5
' ' '
let ring
1/2

0 1 2
0 0
7 5
7 6 5 3 0

1994 WB MUSIC CORP.


All Rights Reserved Used by Permission 1
E EE 
GE 5 5 5 5 5 5 5 
5 5 !5 5 !5 5 5 5 5
? 4 !5
 5
wip - in off some ketch - up on a ta - ble that was done. I

E EE BM ' BBMM 5 5 5 !5 5 5 5
G E !!55 E5 BM ' !5

hold bend
let ring let ring
1
0 0
0 3 3 3
0 1
0

A7
Rhy. Fig. 2

Gtr. 2

EE    
GEE 5 5 5 !5 4 4 5 ? 4 5

!5 5 5 5
 5 5 5 !5 5 5 5 5 5

knew you did - nt see me, I was in a cor - ner booth. Of

EE
Gtr. 1

G E E !!55 E5 BM ' ' 4


5 5 5 5 !5 E 5
let ring
1/2

1 2
0
2
2 4 0
3

E7 End Rhy. Fig. 2

E E
G E E 5 !5 5 5 
5 E5 5 5 5 !5

5 !5
 
5 5 5M 4 = 5 5
5
course you werent my wait - ress, mine was miss - ing her front tooth. So I

E EE 5 5 5
5 5 = !5 E5
GE 0 
' ' let ring
1

7
7 7 5 3 4

2
B9
Rhy. Fig. 3 End Rhy. Fig. 3

EE
(cont. in notation)

 
GEE5 5 5 = 5 5 5 5M 5 5 5 5

5 5 5 5 5 5 5 5 5 5

flagged you down for cof - fee, but I could - nt say a thing. But Im in

EE
GEE' B 4 5 55 ' B 5 4
let ring
1 grad. bend 1

4 6 6 6
7

Gtr. 1 tacet
E B5 E E/F# E/G E/G#
EE  
G EE5 B 5 5 !5 E5 5 5 
5 5 5 5 5 5 5 
!5 E5 B ? ? !5 5
love with you, ba - by, and I dont e - ven know your name. Im in
Rhy. Fig. 4 End Rhy. Fig. 4

EE 5 55 55 5 55
Gtr. 2

G E E 555 4 ? 0 '
' 555 5 5 5 5 E55 55 5
5 ' 5 !5 E5
5M 5
0 0 0 0 0
0 0 0 0 0
1 4 1 1 1 1 1 1
2 4 2 2 2 2
2 2 2 X X X
0 0 2 3 4

EE
GEE 0 0 0
Gtr. 1

B B !B EB

0 2 3 4

Chorus
Gtr. 2: w/ Rhy. Fig. 2 (1 1/2 times) Gtr. 1 tacet
A7
E EE
GE B = = 5 5 4 4 5

5 !5 5 5 5 5 5 !5 5 !5 5 5 5 E5

love with you, ba - by, I dont e - ven know your name. Ive

E EE
Gtr. 1

GE 0 0
' '

3
E7
EE
GEE5

!5 5 5 5 E5 
!5 E5 5 5 5 5 5 ? 4 !5 5
5 !5 5
nev - er been too good at all those sex - u - al games. So

A7
EE
GEE5 !5 5 5 5 5 !5

5 5
 5 5 5 5 5 5 ? 5 5 5
may - be its just bet - ter if we leave it this way. Im in

Gtr. 2: w/ Rhy. Fig. 4


E B5 E E/F# E/G E/G#
EE  
GEEB 5 5 5 5 5 5 5 5 5 5 5 5 !5 E5 B ? 0
love with you, ba - by, and I dont e - ven know your name.

Guitar Solo
Gtr. 2: w/ Rhy. Fig. 2
A7

EE 5 5 !5 5 5 5 5 5 5 !5 5 5 !5 E5
5 5 !5 5 !5 55
Gtr. 1

GEE !5 E5 5 5 !5 5 4
5 E5 5 5 5
hold bend
1 1/2 1/2
0 5 5
2 3 0 7 8 8 8 5
1 2 3 4 7 7 5
1 2 3 4 7 5
0 3 4

E7 5 !5 5 5 5
EE 5 5 5 !5 5 5 5 5 !5
GEE = 5 5 5 5 5
5 !5 E5 5 !5 ! 5
3
1 1 let ring
12 10
12 12 10
11 12 11 9 9 7 7
11 9 9 8 7 5 6
7 7 5
7

A7

Gtr. 2

EE 55
Gtr. 1

GEE 55 !55 5 5 5 2 !5 !5 55 5 5 55
5 5 
!5 E 5 5 !5 5 5
5 P.M.
1/2

2 0 5 0 3 2 0
2 0 6 2 0 0
5 7 X 5 2
0 2 4 4
6 5 0 3

4
E7

EE
G E E 5 5 !5
! 5 E 5 !5 ! 5 5 !5 5 ! BB 5 E 5M 5
3

5 ! 5M E 5 5
3

5 5 5
1/2
P.M. P.M. P.M.

2 1 0 2 0
3 4 3 0 2 2 0 2 2 3 4
0 0 0 3 4

Gtr. 2: w/ Rhy. Fig. 1


B9 E7

EE 5 5 5 BB
GEE 5 5 !55 5 5
5 !5M E5 5 55 5 5 =
3 3 3
5
5 5 !5M E5 M
P.M. P.M. P.M. let ring
1 1
7 0 0 0
7 5 3 3
4 6 6 4
2 4 5 6 4 5 6 4 4 4

E EE 
GE 0 0 ? = 5 5
2. So I

EE 5 5 55MM E955 55 E5
GEE5 5 !5
Gtr. 1

5  5 5 5 !5 5 !5 5 5 !5 5 5 5 5 5 5
let ring
1/2 1/2
0 0 0 3 4 2
2 2 0 4 5 0 3 0
3 2 0
2 0
2
5 3 2 2 2 2

Verse
Gtr. 2: w/ Rhy. Fig. 1 (2 times) Gtr. 1 tacet
E7
EE 
G E E 5 5M 5 5 5 5 = 5 !5

5 !5

5 5 ? = 5 E5
5 5
or - dered straight te - qui - la, a lit - tle cour - age in a shot, and I

M M
mf
55 55 E9 55 BBMM 55 E 55 !E 55 55 5
*Gtr. 3 Gtr. 3

EE 4 ! 55 E! BB BB 5
GEE  = =
Gtr. 1 ' '
divisi

12 12 15 16 13 14
11 12 12 14 16 17 14 15 12
12 13 14

0
*Fiddle arr. for gtr.

5
E EE
GE 5 5 5 !5M
 5 5 5 5 !5 5 !5 5 5 5 !5
? 4 !5
 5
asked you for a date and then I asked to tie the knot. I

5 5 !5 5 5
E E !5 E5 5 5 5 !5 5 5 5 5 E5 5
GEE  = B ' 5

1/2
14 17 14 15 14 12
12 14 15 14 12 12
12 13 14 13
14 14

Gtr. 2: w/ Rhy. Fig. 2


A7
EE    
G E E 5 !5 4 4 5 ? = 5 5

5 5 5  5 !5 5 !5 5 5 5
5 5
got a lit - tle wast - ed, Yeah, I went a lit - tle far. But I

EEEE BM 5 55 ! 55 55 55 5 5
G 5 5 ' 5 E55 55 55 5 =  =

5 5 7 7
2 0 4 5 5 7 8 8 7 5
14 2 5 6

E7
E EE
GE 5 !5 5 5 5 E5 5 5

5 5
 5 5

5 5 5
 ? 4 =
2

fin - ly got to hug you when you helped me to my car. The

E EE 55 EBM B 5 5 5 5 5 B 5 5 5 5 5 5 !5 E5 = 5 4
8v a

GE
3
let ring
1 1
7 9 12 14 15 16 17
7 9 7 9 7 7 12
9 9 11

Gtr. 2: w/ Rhy. Fig. 3


B9
EE    
GEE 4 B 5 5

5 5 5 5 5 5 5 5
 5 5 5 5 5 5 5

last thing I re - mem - ber, I heard my - self say: Im in

8v a

E EE ' 5 B 5M
5 5
!5 E5 5 = 5 5 5 5 5
GE 4 ? 4
1 1/2
1/2 1
17 17 16 14 14
15 14 14 12 14

6
Gtr. 2: w/ Rhy. Fig. 4
E B5 E E/F# E/G E/G#
EE 
G E E5 B 5 5 !5 5 5 5 E5 5 5 5 5 5 5 ? ?

5
B !5 5
love with you, ba - by, and I dont e - ven know your name. Im in

E EE 5 4
8v a
B
8v a
5 5 !5 5 5
GE ? 0 0 4 5 5 5 E5 5

12 19 17 19 15 14
17 14
16 14 13 16

Chorus
Gtr. 2: w/ Rhy. Fig. 2 (1 1/2 times) Gtr. 3 tacet
A7
E EE
5 5MM

GE B 5 5 5 4 = !5 4 5
! 
5 !5 5 5 5 5 !5 5 5 5 5

love with you, ba - by, I dont e - ven know your name. Ive

EE
8v a

GEE '
' '
' 0 0

14
14

E7
E EE
GE 5

!5 5 5  5 5 E5

5 5 5 5 5 ? 4 !5 5
5 !5 !5 5
nev - er been too good with all those sex - u - al games. So

EE
GEE 0 0 4 = 5 5 !5 5 !5 5 5 5 5 5
Gtr. 1

   
let ring

3 3 3 3
4 4 4 4

A7
EE
GEE 5 !5 5 5 5 5 !5

5 5
 5 5 5 5 5 5 ? 5 5 5
may - be its just bet - ter if we leave it this way. Im in

EE  B ' 55 5 55 5 = 55 = 5 55
G EE5 B !5
5
4  =  5 5

let ring
let ring let ring grad. release
1 1 1 1 1/2
5 5
5 5 5 5 5 5
4 6 4 4 4

7
Gtr. 2: w/ Rhy. Fig. 4 Gtr. 1 tacet
E B5 E E/F# E/G E/G#
EE  
GEEB 5 5 5 5
5 5 5 5
5 5 5 5 !5 E5
B
? 0
love with you, ba - by, and I dont e - ven know your name.

5 !5 5
E EE 5 5 5 !5 5 5 E5 5 5 5 5 5 5
*Gtr. 4


GE 5M 4 ? 0 0
f
1/2
w/ clean tone
5 7 9 7
7 5 0 8 5 0 9 5 0 5 7
2

*Pedal steel arr. for gtr.

Pedal Steel Solo


A7

Gtr. 2

EEEE 5 5 5 !5 5 5 5 !5 5 !5
B 5 5
!5 !5 5 5
5 5
!5 !5 5 5
5
E5 5 E5
Gtr. 4

G 5

let ring
1/2
9 7
10 8 7 10 10 8 10 8 10 8
9 8 7 6 6 9 9 7 7 9 9 7 7 9 8

5 5
E E !5 E5 5 5 5 !5 5 5 5 !5 5 5 5 E5 5 5 5 5 5 5 5 5 5 B
GEE  =  = 5 =
-
1/2 1 1
5 7 17
8 9 7 7 7 7 7 5 17
9 7 7 9 7 6 6 8 9 6
9

A7

5 5 !5 55
EEEE 5 5 5 5 !5 5 5
= 5 5 !5 5 5 5 5 5 5 !5 5 5 !5 5 5 5M
5
G = = =
- - - -
1 1 1/2 1/2
12 10 5
15 10 5 5
16 14 14 11 11 6 6 6 4 6 7 4 7 6 4
7 7 7

8

3
Slower q = 99 ##=#
#
E B5 E

EE
GEE 0 0 0 ? 4 = 
5
55M ! 55M
3. The

EE 5 5 5 5 5 5 5 = 55 5 5 5 55M E55 BB 55MM


GEE E5 5 5 5
5 !5 !55

1 w/ bar
1
1 1
5 7 7 6 5 4 4
5 7 7 7 7 5 7 8 7 3 3
4 3 4 4 3 4

-2

Verse
Gtr. 4 tacet
E5 E6 E5 E6 E5 E6 E5 E6

Gtr. 2
P.M.

EE
GEE5 
3
 5 5 5 5 = ?
3 3 3
5 !5 5  5 !5 5 !5 5 5 2
5
next thing I re - mem - ber I was hear - in wed - ding bells,

E EE ! 55
Gtr. 1

GE 5 5 5 5 5
3

5 5 5 5 5 !5 5
5
55 55 5 5 55 55 5 5 55 55 5 55
3
P.M. let ring
1
0
3
0 2 2 0 2 0
2
2 2 4 4 2 2 4 4 2 2 4 2
0 0 0 0 0 0 0 0 0 0 0 0

E5 E6 E5 E6 E5 E6 E5 E6 E5

P.M.

E EE 3  
GE 5
3
 5 5 5 5 = 5
3

!5 5 5 !5
3 3 3
5
5 5 !5 5 !5 5 5 5 5 !5

stand - in by a wom - an in a long, white, lac - y veil. I

EE 5 5 5 5
GEE 5 5 5 5 5 5
!5 5 5
5 5 5 5
5 5 5 5 5 5 5 5 5 3 3

P.M. let ring

0 0
3 3 3
4 4
2
4 4 2 2 4 4 2 2 4
0 0 0 0 0 0 0 0 0

9
A5 A6 A5 A6 A5 A6 A5 A6 A5

P.M.

EE 
G E E 5 !5 5
3

5 5 5 5
3
 
3 3 3 3

5 5 5 5 5 5 !5 5 5 5 5 5 5 5
!5 !5
raised the veil and she smiled at me with - out her left front tooth and I said,

E EE
GE 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 !5 5
P.M.
1/2

2 2 4 4 2 2 4 2 2 2 4 4 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2

E5 E6 E5 E6 E5 E6 E5 E6 E5

P.M.

EE  
G EE5 5 5 5 = = 4 =

5 5 E5 5 5 5 5 5  5
5 2
Where the hell am I and just who the hell are you? She

E EE
GE 5 5 5 5 5 5 55 55 5
55 55 5 5 55 55 5 5 55 55 5 5 5 5 5 55
P.M.

2 2
2 2 4 4 2 2 4 4 2 2 4 4 2 2 4 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

type2 type2 type2 type2 type2


B5 B6 B5 B6 B5 B6 B5 B6 B5

P.M.

EE
GEE5 5 5 3 5 5 5
 
3 3 3

5 5 5 5 5 5 5 5 5 5 5 5 5
5 5
said, I was your wait - ress, and our last names now the same, cause Im

EE
GEE5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 !5 5
P.M.
1/2

4 4 6 6 4 4 6 6 4 4 6 6 4 4
2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2

10
Tempo 1
Gtr. 2: w/ Rhy. Fig. 4 (last 2 meas.)
E5
 ? 0
E E/F# E/G E/G#

= 4
M accel.

EE 
GEE5 5 5 5 5 5 5 5 5
*
 5 5 5 5 ? ? =
5 5 B 5 5
mar - ried to you, ba - by, and I dont e - ven know your name. Yeah, Im

EE
GEE  = 4 ? 0
5M accel. B B !B EB

0 0 2 3 4
*Sung as even eighth-notes.

Chorus
Gtr. 2: w/ Rhy. Fig. 2 (1 1/2 times)
A7
E EE 
GE 5 !5 5 5

5

5 5

= = 5 !5 5 5 5 !5 5 5 5MM 5 5 4 4 5 5
mar - ried to a wait - ress I dont e - ven know her name. Ive

EE
GEE =5 !5 5 5 
Gtr. 1

0 4 2
' ' 1/2

4 4 X
0

E7
EE 
GEE5 !5 5 5 5MM

E5 ? 4 5
5 5 5 !5 5 !5 5 5
!5

nev - er been too good at all those sex - u - al games. I


5 5 5 5
EE
!5
5 5 5 5 5 5 5 5
GEE  = 5
4  =
' '
let ring let ring let ring
1 1 1
16 10 7
15 15 10 10 7 7 5
6
2

A7
EE 
GEE5 !5 5 5 5 5 !5 5 5 5 5 5 5 5 ? 5 E5M
nev - er thought my love life would quite turn out this way. Hey, Im

EE ' B
GEE ? 0 5 E5 5 55 5 !5 !5 5
3 3

!5
0
5 0
2 3 4 3 2 0
2 0

11
Gtr. 2: w/ Rhy. Fig. 4
E B5 E E/F# E/G E/G#
EE  
G E E 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 B ? 4 2 2 =
2 2 2
mar - ried to a wait - ress and I dont e - ven know her name. Spoken: Get me out - ta here.

E EE 5 5 5 5 5 5 5 5 5 5 5 !5 5 5 !5 5 5 5
GE
Gtr. 3

0 0 0
3

9 9 9 9 9 9 9 9 9 9 9 12 11 9 9 11 12
12

EE !BBB
Gtr. 1

GEE 5 4 ? 0 5 5 5 5 !5 B
!5 5 ! 5 E 5
M '
1 1/2
0
3
2 2 2 0
2 2 0 2
2 3

Fiddle Solo
Gtr. 1 tacet
Gtr. 2: w/ Rhy. Fig. 2 (1 1/2 times)
A7
!5 E5 5 5 5 8v a 5 5
EE B 5 5 5 5 5 5 5 5 5 5 5 5 5 !5 5 5 5 5
Gtr. 3

GEE 5 5 5

1/2
14 16 17 16 19 16 17 16 15 19 15 14
10 13 10 10 12 14 17 19 17 17
11 9 11 18 16 18

E7
5 !5 E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5555 5 5 5 5 5 5
!5 5 5 5 !5 5 5 5E5 5
8v a

EEEE 5 5
loco

5 5 5 5 5 5 5
Gtr. 3

G
let ring
1/2 1 1
0 0 0 0 0 0 0 0 0 14 17 14 15 14 14 16 17
17 20 17 19 17 19 17 19 17 19 19 17 14 15 17
18 16 18 16 14 13 16 13 16
14

E EE
GE
Gtr. 1

0 0 0 ? 5 !5 ! 5 E 5
1/2

2 0
3

12
Gtr. 1tacet
A7 E
Rhy. Fig. 5

Gtr. 2

B 5 5 !5 5
5 5 5 5 5 5 E5 5 !5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5
8v a

EE 5
5 !5 5 5 5 5
GEE !5 !5

2
1 1
17 17 15 17 17 17 16
19 17 15 17 17 17 17 20 17 20 17 17 20 17 17 17 19 17
18 14 16 14 19 20 20 19 18

E EE
GE 4 ? 0 0 0
5 ! 5M 5 5 5
1/4

0
3 3 2 0

Gtr. 2: w/ Rhy. Fig. 4 (last 2 meas.)

B9 E E/F# E/G E/G#


End Rhy. Fig. 5

5M !5 5 5 5 5
!5 E5 B 5M
loco

5
8v a

E EE 5 !5 5 5 5 5 E5 5 !5 E5 5M
Gtr. 3

5
GE 5 5   = = 3

1/2

19 17 15
17 20 19 20 19 17 19 17 15 14 12 12 12 14
16 18 20 20 14 12 13

EE
GEE 55 55
Gtr. 4

0   ? 5 5
5M 5 5 5 5 !5 5 B 5M 5
w/ fingers
1/2

2 2
1 1
2 2
2 0 2 0
2 2 0 2 0

E EE
GE
Gtr. 1

0 0 0  
! 5M 5 E 5M 5

3 0 4 0

13
Pedal Steel Solo
Gtr. 2: w/ Rhy. Fig. 2 (1 1/2 times)
Gtr. 3 tacet

55M 55M 55M 55M 55 55 !55MM !55M


55M 5M
A7
E EE 5 55MM !55 5M BB
Gtr. 4

G E !55 5M 5 5 5 !55MM

5 5 5 = 5

5 5M

B !55 5

w/ bar w/ bar w/ bar w/ bar

5 5 5 7 8 8 10 12 10 8 8
4 4 4 6 9 9 9 11 11 11 9 9 9
5 5 5 7 9 9 9 11 11 11 9 9 9
10 10

EE
Gtr. 1

GEE 0
' ' '

E7
! 55
EEEE !5 E 5
5MM !5 E 5
5 55 55 ! 55 E55 55 55 BBMM 55 55 55 BBMM
G  4
1/2 1/2 w/ bar

10 4 4 5 5 4 4
12 12 12 5 5 7 7 5 5
12 12 12

E EE 
!55 555 5M !5 5 5 5 5M
GE 0 4 B 5 5 5 55 5
let ring

7 7 7
2 2 2 2 9 9 9 9
7
7

EE
A7
5M 55M !5M 55M 55M 55M !55M 5M 5M
GEE4 5 5 5 5 5 5 5
5 !5 5 5 5 5 !5 !5 5 5 5 5 5 !5 5 4

5 7 8 10 5 7 8 10 5
4 6 9 11 4 6 9 11 4
4 5 5 7 7 9 9 11 4 5 5 7 7 9 9 11 4 5

EE
GEE 5 5 5 5 5 5 5 !5 5
5 5 5 5 5 5 5 5
P.M.

0 0
2 2 2 2 2 2 2
0 0 0 0 0 0 0 0

14
Gtr. 2: w/ Rhy. Fig. 5 Gtr. 2: w/ Rhy. Fig. 4 (last 2 meas.)

E B9 E E/F# E/G E/G#


55 9 55 55 BB
EE 5 5 5 5 5 B M  !5 5 5 5 95 5 B
GEE 5 5 5 5 BB BB
5
 5 5 = 5 5
 E55 B B
1 1 steady gliss. w/ bar w/ bar

7 7 5 5 7 8 8 7 5 5 17 17 17
4 6 6 6 18 18 18
7 8 8 7 6 6 18 18 18

-1/2

EE
GEE 5 5 5 5 !5 = 
5 5 5 5 5 5 5 5 5 !5 5 B B !B EB
let ring 1/2

2 2 2 2 0
0 2 2 0
0 0 0 0 2 2 0 2 3 4

Flatpicking Guitar Solo


Gtr. 2: w/ Rhy. Fig. 2 (1 1/2 times) Gtr. 1 tacet
Gtr. 4 tacet
A7
f

EEEE 5 !5 5 5 !5 !5 E5 5 E5 5 5 5 !5 5 !5 5 !5 E5
Gtr. 5 (acous.) Gtr. 5

G 5 !5 5 5 !5
4 ? !5 E5 5 !5 5 5 5 5 !5
3

Gtr. 1
5 5 5
divisi
1/2
5 3 0 0
4 3 1 2 3 4 4 2 3 2 1 0 1 2
2 0
2 1 0 2
0 3 4 3 2 0 2 0
2 2

E7
E EE 5
5 5 5 5 !5
55 !5 55 5
5 2 5 5 5
55 !5 55 5
5 5 5 = !5
GE E5 5 !5 5 5
5 5 5 E5 5
4 4 4 4 4 4 4
5 5 5 5 5 5 5 1
4 6 4 7 7 4 X 4 7 7 4 7
2 0 4 6
2 4
0 0 2 4

EEEE E5 5 !5 5 5 !5 5 !5
A7
E5 5 !5 !5
G 5 5 5 5 5
5 5 !5 ! 5 E 5 5 !5

5 3 2 0 0 3
2 3 1 2
2 0 2 0 2 4 4 6
2 1 0
3 4 4

15
Gtr. 2: w/ Rhy. Fig. 5

5 5 5 5E 5 ! 5 5 5  5 5 !5
EE 5 5 5 E5 ! 5 5 5 !5 5 5 5 5 5
GEE  =

5 9 9 12 9 10 9
12 11 10 8 9 12 10 9 8 7 10 8 8
6 9 9

Gtr. 2: w/ Rhy. Fig. 4 (last 2 meas.) Gtr. 1 tacet

B9 E E/F# E/G E/G#


EE
Gtr. 5
5 5 5 5 !5 E5 B
GEE5 5 !B 5 5 5 !5 E5 5 !5
.
3
(cont. on lower staff)

7
7 10 10 8 9
8 9 7
9 9 8 7
10 11 7
10

EE 5
Gtr. 1 Gtr. 6 (elec.)

GEE ! 555 55 55 4 ? 4 = 
5 5 5 5 5 !5 5 5
5 f
w/ slight dist.
let ring let ring
1/2 (cont. on upper staff)
0
1 1 1
0 0 0
2 2 2 0 2 2 2
2 0

Outro - Guitar Solo


Gtr. 2: w/ Rhy. Fig. 2 (1 1/2 times) Gtr. 5 tacet

5 5 5 E 5 5 5 ! 5 !5
A7
E EE 5 5 5 55 !5 !5 55 5 55 5 !55 5 !55 E5 5
Gtr. 6

GE !5 5 5
let ring P.M. P.M. P.M.

0 0 0 0 0 0 0
14 12 10 11 12 9 10 8 7 8 7 5 3 1 2
9 7 6 4 4 2 0
2 1

EE
Gtr. 5

GEE 4 0
!5

E' BM

8 9

16
E7
EE
Gtr. 6

GEE !5 5 !5 5
5 !5 E5 B 5 5
5 5 !5 ! 5 !5 5 5 5 5 5
1/2

0 2 0 2 0 0
0 3 0 2 0 2 0
0 0 3 3 3 3

A7
E EE 5 5
GE 5 !5 5 5 !5 !5 5 5 5 !55 5 55 5 5 5
5 E5 !5 5 5 5
1/2

5 5 2 2
0 0 0
2 0 4 6 0 0 2 4 4 4 2 4
2 0 0
3 3

E EE
G E 55 5 !55 5 5 5 55 5 !55 5 5 5 55 5 55 5 5 5 !55 !5 5 5 5 5

2 0 2 0 2 0 2 0
2 0 0 0 2 0 0 0
4 4 2 4 4 4 2 4 4 4 2 4 0 4 4

E B9 E

4 ?
Gtr. 2

55
EEEE !5 5 5 !5 5 5 5 3 55
Gtr. 6

G 5 !5 5 !5 ?
3
3
5 5 5 !5 E5 5 5 5 E5 5 5 5 5 !5 !5 E5 5
1/2 1/2
3 2 0 12
3 2 0 12
3 2 0 13
2 0 14
2 1 0 0 1 0 1 2 1 2 2 0
3 3 0

17
It Must Be Love
Words and Music by Bob McDill
(D) (G) (A)

132 21 34 123
Gtrs. 2 & 3: Capo IV

Intro
Moderately q = 113
**(D) (G) (D)
Rhy. Fig. 1



***Gtrs.
2&3
mp

EE E 5k
G E EE  = 4 5 5

(Drums)

5 BM
Gtr. 4

0 ? 4


mf
w/ clean tone & reverb


6 8 6 6

Pedal steel arr. for gtr.

E EE E  5k 5
5 55 = k 5 5 k 5 5k 5
5 55 = k 5 5 k 5
*Gtr. 1 (elec.)

GE E = 4 5 5 55 5 5 5
 M 5k 5
 5 5k 55 55 55 4 5 5 55 5 5 2

f
w/ slight dist.


7 7 7 7
6 8 6 6 6 4 4 6 8 6 6 6
6 8 6 8 6 4 4 4 6 4 6 8 6 8 6 X
4 6
*Two gtrs. arr. for one. **Symbols in parentheses represent chord names respective to capoed guitars
***Gtr. 2 (acous.), Gtr. 3: Banjo arr. for gtr. Composite arrangement

(A) (D) (G) (D)


End Rhy. Fig. 1 Rhy. Fig. 2



5 5M
EEEE E 5 55 5 5 5 5
G E 4 =   ? = 55 5 5 '


let ring let ring

1 1 1

14 7
6 13 13 13 13 6 6 6

5k

55 55 55 5M 5 5 5
E E E k k k5 5 5 5 5 5 5 5 5M
G E EE 55 55 = 55 55 55 55MM = 5 5 = 5k 55 55 55k 5 5
5   5 5 5 5 4
 5 555 555 5
14 16 14 14 11 11 9 9
7 7 7 14 16 14 14 11 11 9 9
6 8 6 8 6 6 8 6 6 6 4 4 4 11
6 8 6 8 6 6 8 8 6 4 4 4 6 4
6 4 6

Copyright 1978 UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. and RANGER BOB MUSIC
All Rights Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC.
50 All Rights Reserved Used by Permission
F# B
(A) (D) *(D) (G)


End Rhy. Fig. 2

Gtrs.

E EE E
2&3

GE E 0 5k 5 5 5 5 5k 5 5  =

5 5 5
5k 5
 5 5 5
5 5

^
55k
1. First I get cold then hot, think Im on fire but Im not.

5k 5 55 55 55 55 5 5 5 5 5 5 5

E EE E
Gtr. 1

GE E 5 0 0
3
3

14 14 12 11 11 12 11
13 15 15 15 13 11 11 13 11
13 11

*Symbols in parentheses represent chord names respective to capoed guitar.


Symbols above represent actual sounding chords.

F# C# F#

E EE E
(D) (A) (D)

G E E k 5 5 5 5 5 5 5 5k 5 5
= 
5 !5 = 4 
5k 5 5 5 5k 5
 
5 5 5k 5

5 5 5
Oh, what a pain Ive got. It must be love. Theres noth - in I can do.

E EE E 5k 5
5 55 k 5 k 5 55M = 55M =
Gtr. 1

GE E 0 ? 5 5 5 5
55 5

4 5


7 7 7 7
6 8 6 6 6 6 6
6 8 6 8 8 8

B F# C# F#

EEEE E
(G) (D) (A) (D)

G E 5 5 5 5k 5 = 
5 5 5 5 5 5 5k 5 5 5 5

k 5 5 5k 5 5
 !5 = 4
5
All that I want is you. Look what Im go - in through. It must be love.

EE E
Gtr. 4
55 55 55 55
G E EE 0 0 ?

7 7 14 14
6 6 13 13


EE E 55M 5 5
222 555 5 =
G E EE 4
Gtr. 1

5 = 4 5 5 4 4 = 5 5 5M 5 5
 5 5


let ring

6
7 7
8 4 6 X 6 6
9 X 8 6 8 8 6 4
X 9 6

51

Rhy. Fig. 3

E EE E k k 5 5 5 5k 5 5 k
Gtrs.

k 5 k
 
= 5
2&3

G E E 5 5 5 5 5 5 5 5 5 5 5 5 5 5  5 5 5
  5  
It must be love, it must be love. I fall like a spar - row and

BM 55 BB 5 5 5 55 B
EEEE E BM = 5 5
BB
B
G E
let ring let ring
1 1
6 7 6 7 6
14 14 12 7 7 7
13 13 13 11 6 6
7

EEEE E4 ? 0 0
G E 5

4

(A) (D) (G) (D)


End Rhy. Fig. 3


k k
Gtrs.

E EE E k 5 5 = 4
2&3

G E E 5 5 5 5 5 5 5 =

= 5 5 5
5 5 5 5 5 5
 5 5 5 5 5
 
fly like a dove. You must be the dream Ive been dream - in of.

EEEE E
Gtr. 4
5
55 5 5 5
55 3 55 ' 55 5 5
G E ? 3 ? =
let ring let ring let ring
1 1 1 1

14 14 14 7
13 13 11 13 13 6 6

Verse
Gtrs. 2 & 3: w/ Rhy. Fig. 2 (2 times)

F#
(G) (D) (A) (D) (D)


EEEE E 5 k 5 k 5  5 5k 5   = 4

G E 5 5 5 5 5 5 ? 5 5 5k5

5 5 5 5 5 5k 5

  5

Oh,what a feel - in, it must be love. 2. Some - thing is wrong al - right,
5
E EE E B BB  4 5 5 5 5M 5 5M '
GE E  0  '


let ring
1
1
9 4 6
7 7
6 6 11 6 6 6

52
EEEE E
(G) (D) (A) (D)

G E 5 5 5 5k 5 5 = =  = 4
5 5 5 5 5 5 5 5k 5 5 5k 5 5 !5
 
5 5

^
I think of you all night. Cant sleep til morn - ing light. It must be love.

EE E B ? 5 !5 5 5 5 55 = = 55 55M = 55
G E EE ?B
Gtr. 4 Gtr. 1

= 5  5 = ? 5 5 

Gtr. 1
3
divisi
p P.M. P.M. mf

7 7 7 7 7
6 8 9 8 8 6 6 6 6
9 6 8
9 9

B F#

E EE E
(G) (D)

G E E k 5 5 5 5 5 5 5k 5 5 5 5 5k 5 5 =
5 5 5 5 5
5 5 5 5 5

^
See - ing you in my dreams, hold - in you close to me. Oh, what else can it be?

EE E 55M 5M 55M 5k 5 5k 5 = 5k 5 =
5 5 5
G E EE = = 5 = 5 = 55 = = 555 5 =
 4  = 4

mp
P.M. P.M. P.M. P.M. P.M.

7 7 7 7 7 7 7 7
6 6 6 6 8 6 8 6 8 6 6 6
4 4

Chorus
Gtrs. 2 & 3: w/ Rhy. Fig. 3 (2 times)
B F#

k
C# F# F#

k 5 5 5k 5
(G) (D)

k
5 5
(A) (D) (D)
EE E   
G E EE 5k 5
 5 !5 = 4 5 5
5 5 5 5 5 5
 5 5 = 5

5 5  
It must be love. It must be love, it must be love. I

5 5 BBMM
E EE E 55 55 5 5 5 5 5 B 5 5 5 5 5 5
Gtr. 4

GE E ?
let ring
1
7 6
7 7 14 14 7 7
6 6 13 13 13 13 11 6

E EE E 55 5k 55 55 55M 55M 55M 55M


5 = 4
Gtr. 1

GE E 5 5 5 5k 5
5 4 5 = 4 5 = 4 5 =
   
P.M. p

6 6 7 6
7 7 7 7 7 7 7
6 6 6 8 6 6 6 8 6
6 8 6 8
9

53
EEEE E 5 k 5 5 k k k
5 5 5 5k 5 5 = = 5
 
5 5 5 5 5 5 5 5 5
G E 5 5 5
 5 5 5 
   
fall like a spar - row and fly like a dove. You must be the dream Ive

55 5 5 55
E EE E B 5 5 55 55 5 BM 5
GE E 5 = 55 4 4 = 
let ring let ring let ring
1 1 1
14 14 14 14
7 14 14 14 14
6 6 13 13 13 13 13

E EE E 55M
5 = ?
GE E 4 k 5k 5M
= 4 4 ?
3

 5 5
5  5 5 5 5 5

7
7
8
6 4 6 4 4
6 8 8 9 6

Gtr. 1 tacet
B F# B F# C# F#

5 k 5 k 5 5k 5 5 
(G) (D) (G) (D) (A) (D)

G E EE 5 5 5 5 5 5 = 5
EE E
 k
4 5 5 5 5 5 5 5 5 5 = 4
 
been dream - in of. Oh, what a feel - in, it must be love.

EE E 55 5 5 5
BB 5 5 5 5
55MM 5 5 5
G E EE ? 5 B
Gtr. 4

= =
let ring 1

let ring let ring

6 7 6
7 7 7 4 12 11
6 6 4 13 11 11
13 11

Interlude
Gtrs. 2 & 3: w/ Rhy. Fig. 1

F# B F#

E EE E '
(D) (G) (D)
'
Gtr. 4

GE E ' ' 0

11
11

E E E k 5 5 5 5k 5
5 55 5
G E EE 5 5 5 = 5k 55 55 5 5 5 5
Gtr. 1

5 5 5 5 5 5 22 = 5k 55 55 5 5 5 5
3

5 5 5 5 5 5  5
mf P.M.

7 7 7 7 7 7
6 8 6 6 6 4 4 4 X 6 8 6 6 6
6 8 8 6 4 4 4 6 4 6 X 6 8 8 6 4
4 6 6

54
EE E
(A)
55 5 5 55 BBMM
(D)

G E EE ? = 4
let ring
1

14 11
13 13 11

EEEE E 5k 55 5k 5

55 55 55 5k 5
5 55
5k 5 5k 5
G E 5 5 = 5 5
5 5 5 5 22 = 5 55 5
5 5M


6 7 6 7 6 6 7 7
6 6 6 6 X 6 8 6 6 6
6 8 6 8 6 6 X 6 8 6 8 6 4


B F# C# F#
(G) (D) (A) (D)
5 5
E EE E = 5 5
GE E ? = 5 5
5 5 5 5
'
'
? 

14 14
4 3 11 11
4 6 6 4

5k
5 5
 55 55 55
*Vol. swell

EE E 5 5 55 55 55 5 5k
 5 5 5k 5 5 5 5 k
G E EE 5 5 5 5 5M = 5 5 5
5 5 5M 5 5 5M
14 16 14 14

14 16 14 14 11 16 14 14 14
4 4 4 15 13 13 11 13 15 15 13 11 11
4 4 6 4 13 11
4 6 13 11 9

Chorus
Gtrs. 1 & 4 tacet Gtrs. 2 & 3 tacet

k
F#

EEEE E k k 5 5 k k k 5
5
(D)
 


  
G E 5 5 5 5 5 5 5 5 5 5 5 5 = 5 5 5 5 5 5 5 5 5
   5   
It must be love, it must be love. I fall like a spar - row and

E 55
Gtrs. 2 & 3

GE 55 4 ? 0 0
*

2
3
2
0

*Capoed fret is 0 in tab.

55
EEEE E k k k 5 5 5 5 5 5 4

5 5 5 5 5 5 5 5 5
G E 5 5 5 5 5 5 = =  5 5
  
fly like a dove. You must be the dream Ive been dream - in of.

Outro-Chorus
Gtrs. 2 & 3: w/ Rhy. Fig. 3 (till fade)

k
F#

EE E 5 k 5 5 k k  k k 5
5 5 5
(D)
 

   
G E EE 5 5 5 5 5 5 5 5 5
5
4 5 5
5 5 5 5
 5 5
   
Oh, what a feel - in, it must be love. It must be love,

EE E
Gtr 4
55 55 55 55 BBMM 55
G E EE 0 ?
1

7 7 14 14 14
6 6 13 13 13

5 5 5 k k
B F# B F# C# F#

EEEE E k k 5 5 5 5 5k 5 5 =
5 5
(G) (D) (G) (D) (A) (D)
 

G E 5 5 5 5 5 = 5 5 5 5 5 5 = 5
     
it must be love. I fall like a spar - row and fly like a dove. You
M
EE E 55 5 5 55 55 5 55 5 55M 55
G E EE ? = 5 B ? 4 = 
let ring let ring let ring
1 1 1
6 7 6 7 14
7 7 14 14 14 11
6 13 13 11

B F# B F#

EEEE E 5 5 5 5 5 k 5 5 5 5 5 5 5k 5 k
(G) (D) (G) (D)
k


G E 5 5 5 5 5 5 5 5 4 5 5 5 5
   
must be the dream Ive been dream - in of. Oh, what a feel - in,

EEEE E BBMM 55 55 5 5 5 5 B BB
G E ? =
let ring
1 1

11 11 7 7 7
11 11 6 6 6 6

56
EEEE E k k  k k 5 k k 5
(A) (G) (D)

k
5 5 =
(D)
 
G E 5 5 5 5 5 5 5
 
= 4 5 5 5 5 5 5 5 5 5 5 5 5 5 5
   


It must be love, it must be love. I

55 5 5M 5 55M 55
it must be love.

E EE E 5 BM 5 5M
GE E ?
Gtr. 1

? =


let ring let ring
1 1 1

14 14 14 11
13 13 11 13 13 13

E EE E k k k k
B F# C# F#

5 k 5 =
(G)
 (D) (A) (D) 
5 5
G E E 5 5 5 5 5 5 5 5
 5
 5 5 5 5 = 5

5 5 5 5 5 5 5
  
fall like a spar - row and fly like a dove. You must be the dream Ive

E EE E
Gtr. 4

GE E 0 0 ? 5M 5


6 6


EEEE E 5 = 55 4
Gtr. 1

G E 4 = 5 ? 5 = 5 !5 5 5 5 4 ?
 
1

11 7
6 6
4 6 6 4

B F# B F# C# F#

5 5 5 5 5 = 5 5 5 5 5 k 5 5k 5 5
(G) (D) (G) (D) (A) (D)
EEEE E k
5
4  = 4
G E 5 5 5 5 5 5 5 5
M
5 5 5M 5 5 5M 55 55
been dream - in of. Oh, what a feel - in, it must be love.

EE E M 5 5
G E EE 5 5 5M
 5

B ? 4
1 1 let ring
1 1

14 14
6 6 6 13 13 13 13 11 13 13

EE E 5 !5
G E EE 5 5 5 4 55 55 55 55 55 55 5
5 5 5 = 5k 5 5 4 4 = 5 5 ! 5 55 E55

6 5 4 2
7 X X X
6 8 8 8 8 8 6 4 6 5 4 3
4 6 8 8 8 8 8 6 4 4 6 8
4 6

57
5 5 5 5 5k 5 5 k
(G) (D) (G) (D)

E EE E 5 k 5 5 5 
k
G E E 5k 5 5 5  5 5M = 5 5 5 =  5 5 5
5 5 5  
It must be love, it must be love. I fall like a spar - row and

EEEE E B 55 5 5 5 B 5 55 5 5
BB BB
G E 5M 5



let ring let ring
1 1
7 6
7 7 7 7
13 13 13 11 6 6 6

EE E
M
555 22 22 55 22 22 22 22 55M 22 22 55 22 22 22 22 55M 22 22 55 22 22
G E EE 4 2 2 5 2 2 2 2 5 2 2 5 2 2 2 2 5 2 2 5 2 2

6 X X 6 X X X X 7 X X 6 X X X X 7 X X 6 X X
7 X X 7 X X X X 7 X X 7 X X X X 7 X X 7 X X
6 X X 6 X X X X 8 X X 6 X X X X 8 X X 6 X X

Fade out
C# F# B F#

EEEE E k k k 5 5 = 4
(A) (D) (G) (D)



= = 5 5 5 5 5 5
G E 5 5 5 5 5 5 5 5 5 5 5 5 5 5
  
fly like a dove. You must be the dream Ive been dream - in of.

EEEE E 5
55 5 5M 5 55 55 55 5M B 5 5 5 5
G E ?  ? 3
let ring
1 1 1 1

14 14 14
13 13 11 13 13 13 13 13 11

EEEE E 222 222 555M 222 222 55 22 22 22 22 55M 22 22 55 22 22 22 22 55M 22 22 55 22 22


G E 5 2 2 2 2 5 2 2 5 2 2 2 2 5 2 2 5 2 2

X X 4 X X 6 X X X X 6 X X 6 X X X X 7 X X 6 X X
X X 6 X X 7 X X X X 7 X X 7 X X X X 7 X X 7 X X
X X 6 X X 6 X X X X 6 X X 6 X X X X 8 X X 6 X X

58
from Alan Jackson - Greatest Hits Vol. 2

Its Five OClock Somewhere


Words and Music by Jim Brown and Don Rollins
D G A Bm Em

132 21 34 123 13421 23


Gtr. 1: Drop D tuning:
(low to high) D-A-D-G-B-E
Intro
Moderately fast q = 125


D G A
Gtr. 2


(acous.)
mp
E = 5 5 5 '
*Gtr. 3

G E  = 4 0 ?


mf
w/ clean tone & reverb
w/ fingers


5 7 5
7

*Pedal steel arr. for gtr.

E 
Gtr. 1 (elec.)

G E  5 5k
 5M 5M 5k 5 5k

5 5 5 55 55 MM 55 = 55 55 55 55 55 55
M M
f
5 5
5 5 5 5 5 M M
w/ clean tone 1/2


0 6 6 6 4 4 4
0 2 4 4 2 4 4 2 0 0 4 4 7 7 7 5 5 5
2 0 0 2 0
0

0
Verse
Gtrs. 1 & 3 tacet
D

E  
GE 0 ? 4 =  5 5 5 5 5 5 5 5 5 5 5 5 5
2


1. The sun is hot and that old clock is mov-

5 5M 5 5
E 5 5 M
5 5 5 5 BM '
GE4 = 5 55
0


let ring
1 1 1
10 10 10
7 9 9 7 9 9 9

E
G E 55 55 = 55 BB =
55 5 5 5 5
0
5 5 5 '
1/2 1

4 2
5 4 4 0 0
5 4 2 0
2 2 0

2003 EMI APRIL MUSIC INC., SEA GAYLE MUSIC, WARNER-TAMERLANE PUBLISHING CORP. and R. JOSEPH PUBLISHING
All Rights for SEA GAYLE MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
Gtr. 1 tacet
D

Gtr. 2
E 
GE5 5 5 4 
5 5k 5
= 4 =  5 5 5 5 5 5 5 5 5
3

5 5 5 5 5 5
5 5 5
in slow, and so am I. The work day pass - es like mo - las - ses in win -

E
Gtr. 1

GE 0 ? 0
5 5 5 5 '

0
0 2 0
0

 =
Bm


D G

Gtr. 2
E = k 5
GE5 5k 5
5 5 4 =    = 5  5 5
5 5 5 5 5 5 5
5 5

^
^

ter - time, but its Ju - ly. Im get - tin paid by the hour, and


8v a

E 5M 5 B '
Gtr. 3

GE 0 


17 17 22

Gtr. 3 tacet
D

Gtr. 2
E   
GE5 5 5 5 5 5 5 4 =  k 5 5 5 5 5 5 
5 5 5 5 = 5 5
5
5 5
^

old - er by the min - ute, my boss just pushed me o - ver the lim - it. Id like to

E
Gtr. 1

GE? 4 4 =  5
!5 5 5 !5 5 5

5 '
let ring
1/2

2
0
2 2 0 0 3 3

2
Chorus
G D A D

= 4
Rhy. Fig. 1






Gtr. 2
=
E k   k
G E 55 5 5 5 5= =  5 5k 5 5 5 5 5 5 5 5 5 = 4 ? 5 B
3

5 5 5 5
2
call him some - thin, I think Ill just call it a day. Pour me some - thin


E ' 5 5 5 3 5 5M
Gtr. 3

GE 0 ' 0 ?

7 10
9 7 9
7

E = 55 55 55 55 =
Gtr. 1

GE BM 0 0
5 5 5 5 5 5 5
let ring dont pick

0 2 2 2 2
2 2 2 2
0 2 0 0 0 0
12

G A D
End Rhy. Fig. 1


E k  k
k 5 5 5 5 5 5 5
G E 5 5 5 5
 5 5 5 5 5 5

5 5
 5 5 5 5 5 5 5 5 2 = = 5  
2
^^

tall and strong, make it a Hur - ri - cane be - fore I go in - sane. Its on - ly half past twelve,


k 5 M
B
E 5 5 5 5 BM 55 5 M
55 B
GEB = 5 '


7 5 7 7 15
7 7 9 9 6 7 6 7 7 14

E
GE 0 0 4 = 
5 5 5 5 5
?
let ring B

0 0
4 2 0
0

3
Interlude

= 4
G


EE 5  k 
G 5 =
5 
5 5 5 5 5 5 = 4 ? =  5 5k 5 5 5 5
5 5 5 B 4
but I dont care, its five o - clock some - where.


BM 55
EE BM 5 5 5MM
= 5 5 5 55
55 55MM 55 5 5M 5 5
G  = 4 ? 

5 5 7 5 7 5

15 15 5 5 7 5 7 5
16 16 6 6 9 11 11

E 
GE 0 = 55 55 55MM 55 55MM 55 = 4 ? 4 5k
 5M 5M 5k 5 5k

5 5
5 5
P.M. P.M.

2 2 4 2 4 2
2 2 4 2 4 2 2 4 4 2 4 4 2 0
0 0

E
GE 0 0 0 ? 4 = 
5
2. Well,


EE = B 5
55M 55M 55 5 5
5 5 5 55 5M 5 5 5
G 5 5 ' 4 


=7
1
10 10 10 9 0
5 7 5 10 10 10 10 10
7 11 9 9
7

E 
GE 5 55 55 MM 55 = 55M 55M 55 55 55 55 55 55 = 55 BB =
5 5 5 5 M M 5 55 5 5 5
55 5
1/2 1/2 1

0 6 6 6 4 4 4 4 2
0 4 4 7 7 7 5 5 5 5 4 4 0 0
0 2 0 5 4 2 0
2 2

4
Verse
Gtrs. 1 & 3 tacet
D

Gtr. 2
E 
GE5 5 5 5 5 5 5 5 5 5 5 5 5 5 5k 5 = 4  
5 5k 5
= 4 = 
5 5 5
this lunch break is gon - na take all af - ter - noon and half the night. To -

EE
'
G '
Gtr. 3

 5M
*Gtr. 4

0 = 5M 55 4 = 55 5
5 5 5 5 55 55 5
'

Gtr. 1
divisi
f

7
7 2 2 2
0 2 4 2 4 2 4
0 2 4 5 0
0 5
*Piano arr. for gtr.

 =

A Bm A D

Gtr. 2

E    
GE 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 4 5 5 
5 5 5
 4 5 5

^
mor - row morn - in I know therell be hell to pay, hey, but thats al - right. Aint

E 5 5
Gtr. 3

GE
5
0 0 0 ? 4 5

9 9
7

E = 5 5 5
Gtr. 4

GE 5 5 4 =  ?
B 5 5 M BM 5 5 5 5 5M
let ring

3
2
4 4 2 2 4 4
0 0 2 4 5

E
Gtr. 1

= 5 B
GE 0 0 0 = 5 5

B
let ring

4
2 3
2
2

5
Gtr. 1 tacet

Gtr. 2
E  
GE5 5 5 = 5k 5 4

5 5 5  5 5 5  5 5 5 5 5 5 5 5 5
2

^
^
had a day off now in o - ver a year. My Ja - mai - can va - ca - tions gon - na

EE '
Gtr. 3
'
'
G ' ' '


* mp

7
7 9
5 7 7

*1/2 vol.

E
Gtr. 4

GE' 4 =  5 55 5
5 5 '

5 0 2
0 2 2 0

Gtr. 4 tacet

= 4

D G D A
=
E  k 5k 5
 5M
G E 5 5 5k 5 4 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 = 4

4 = 
3

5
5
^

start right here. If the phones for me you can tell em I just sailed a - way. And


'
EE ' '
'
BBMM
BM
55
5
G ' 0


* mf

10 10 10
12 10 10
7 12 11 11
7

*Vol. swell

Gtr. 1

E 5 5 5 5 
G E = 5k 55 5 5 5k 55 5 5 5
Gtr. 1

= 5 5 5 55 = 4
'5 5 5 5 B 5 5 5 5 55 55 55 5
Gtr. 4
divisi

3 3
2 2 0 0 2 2 2 2
2 4 2 0 2 4 2 0 2 4 5 4 5 0 2 2 2 2
0 2 0 0 0 0 0

6
Chorus
Gtr. 2: w/ Rhy. Fig. 1

55k B
D G A D

E k 

k
GE 5 5 5 5 5 5

5 5
 5 5 5 5 5 5

5 5
 5 5 5 5 5 5 5 5 2 = = 5
2

^^
pour me some - thin tall and strong, make it a Hur - ri - cane be - fore I go in - sane. Its


E 5 5 = 5 5M B M 55 55
5
'
' '
'
Gtr. 3

GE ? =

1

14 15 14 10
9 7 9 7 14 16 14 11
14

E BBMM
Gtr. 1

GE 0 BM 4 0 4 = 
GGGGG

5 5 5 5 5
GGGGGG

3
3
0
0 0
4 2 0

Gtr. 2
5 5 5 = 5k 5 5
E k  
G E 5 5 5 5 5 5
  5 5 5 = 4 ? =  5k 5 5 5
5  5 5 5
on - ly half past twelve, but I dont care, its five o clock


M 5 M 5 5M 5 5 55M M 55 5M 55
'
EE 5 5 5 5 5M '
Gtr. 3

G    5


let ring
1 1 1

10 10 10 10
9 11 11 14 14 14 9 9 6 9 9 9

E
Gtr. 1

5 5
GE 4 5 5 5 5555 BM

BM 5 B 5 5 5 5
let ring

3
0
4 5 5 4 2 0 2
0 0 0 0
0 0

7
Guitar/ Pedal Steel Solo
D


E
G E 5 5 B 4 0 0 0
some - where.

E 5 5 5
GE 0 0 0 ? =

15
14 16

E 5 5 5 5 5 5 5 = 5M 5 5 5
GE 5 5 5 5 5 5 5 5 5 5k 5 5
5 5 5 5 5 5 5 5 5
1/2 1/2 1/2 1 1
5
10 8 7 5 5 3
0 0 2 2
0 0 0 4 11 9 5 7 5 0
4 0 4 0 0 2


E 55k
5 5 5 55 5
 55 k 5
55M 55 EE 55k 55 !! 55M 5 55 5 M 55M 5
M  M
E 5 55 5 5 !! 55 5 55 55 55
GE !55 E!55 5 5

13 14 13 14 12 12
1 1
9 8 9 7
1

14 15 14 15 13 13 15 15 12 10 10 9 10 8 10 10 5
14 14 12 14 12 14 14 12 8 9 9 9 9 7 9 6
10 11

E
G E !5 5 5 = ? 0 0

3 2 0

8
Bridge
D Bm G


E   MM   MM
GE ? 4 5k 5 5 5k 5 M 5 5 5 5 5 5k 5 5 5k 5 M 5 5 5 5 5 5 5 5
I could pay off my tab, pour my - self in a cab and be


B
EE 55 = 5 5 5 5 5 BM 4 BBB
G 


7 5 7 5 3 8
7 7 6 4 4
5

E BB
GE 4 = 
5 5 5 5 5 B ?
'
3
3
0
2 4 2 0
4 2

0
Em


Bm


E  k 5MMM 5 5 5 5 =  
G E 5k 5 5 5 5 5 5k 5 555 = 4 5 5 5 5 5k 5 5

5 5 5
 
=
^^^

^^ ^
back to work be - fore two. At a mo - ment like this I cant help but won - der,

EE BBB
BB 5 5 5
BM
'
'

'
'
B
G


let ring
1
7 9 10 7 7
8 10 10 10 7 8
9 9

E
GE 0 4 = 5 5 5
5 5
4 5 5 5 5 5 5
'
let ring
3
0 0 0
2 4 2 0 4 4
4 2

9
0 0 0
Gtr. 3 tacet
Em A

GGG

GGG
E  
GE= 5k 5M 5 4 ? = 5 5

5 5 5 5 5 5 5 
what would Jim - my Buf - fet do?
(Jimmy Buffet) Spoken: Funny you should ask, Alan. Id say,

E
Gtr. 1

GE 0 0 ? 4 5

14

Chorus
Gtr. 2: w/ Rhy. Fig. 1 (1 1/2 times)

E k   
D G A D

G E5 B 5k 5 5k 5
5 5 5 5 5  5 5 5 5 5 5  5 5 5 5 5 5  = 5
5   5 5
Pour me some - thin tall and strong, make it a Hur - ri - cane be - fore I go in - sane. Its

M 5
E 5M 5 5 5 '
Gtr. 3

GE 0 4 5M 5 0

M
let ring
1

8 10
7 9 9
9
10

E
Gtr. 1

GE  = 4 ? 0 0 ?
3

5555 5 5
5

0 2 0
4 2 0
0

0M
G A


Gtr. 2
4
E  
G E 5 5 5k 5
5 5 5  5 5 5 5 5 5  4 4 ?  B 5 5 5 5
 5 5 5


on - ly half past twelve, but I dont care. All: Pour me some - thin

5 5M 5M M  5
B 5 5 5k BMM
EE 5 5M B 5 5M 5 5  = 5 55 55M 55 5M 55 4  B 5
G    
9

10 10 12 12 10 10 10 10 8 10 10
9 11 9 9 9 11 9 7 7
12 11 12 12 11

E
GE 0  = 4  ? 4
5 5 5 5 5 5 5 5 5
' 1/2

0 2
0 0 0 0 2
0 4

10
G


A D

E  
G E 5 5 5k 5 5 5 5 5 5 5 5k 5 5 5 5 5 5 5 5 5 4
  =  5 5 5 5 5 5 5k 5
5  

^
tall and strong, make it a Hur - ri - cane be - fore I go in - sane. Its on - ly half past twelve,

' 55k BB

E 5 5 ' ' 55 55MM
GE? 4

1
5
7 5 7 8 10
9 9 6 7 9 11

E 5
GE  B 4 = 
5 5 5 5 5
5M '
let ring '
3
0
0 0
0 4 2 0
5 0


G A

E  
G E 5 5 = 5 5 5 5 5 5
4 ? 4 =  5 5 5 5
5
but I dont care. And I dont care,
(Alan Jackson) Spoken: He dont care.


55 55 '
E 55 55MM 55 55 '
GE  ? 4

9 10 9
10 12 12 10 12 10
11 12 12

E 5
GE 5 5 5 B
5 5 5 !5 E 5 5 5 '

5
let ring
1 1/2

3
0
4 5 5
0 0 3 0 2 0
5

11
Outro
Gtr. 2: w/ Rhy. Fig. 1 (till fade)



= 4 ?
D G

E
GE 5 4 ? = 5 5k5 5 5 5 5 5 B 4 0

5
its five o - clock some - where.

E 5
GE 0 0 ' 5M 5 = 5 5


7 9 11
9 7

E 
GE 4 55 = 4 ? 4 5kk 5M
 5M 5 5 5k= 5 5 5 55 55 55
5k 5 5 555 5 5 5

55 5 5
1/2 1/2

2
2
2 2 k4 4 2 4 4
=2 0 0
0
4 4
2 4 4 2 0 0 0 0 2
4

(J.B.) Spoken: What time zone am I on? What country am I in?


(A.J.) Spoken: It doesnt matter, its five oclock somewhere.

55M 55M
E ='
Gtr. 1 tacet

55 5 5M 55M 55 55M
A D
5 5
GE
5 5 5
? = =

1 hold bend 1 1
10 10
10 10 10 10 10 10 7
9 9 9 9 9 9 7

E
GE = 55k 55 55 55 

M M 55 55 55 55 55 = 55 55 0
5 M M
5

4 6 6 6 4 4 4 4 2
5 7 7 7 5 5 5 5 4 4
0 5
4

J.B. Its always on five in Margaritaville to come to think of it.


I heard that.

55 ! 55 E! 55 55
G A
5 55 55
E 5k 55 5k 5
5 55 E55 5 5 5
Gtr. 3

GE 5 =

9 9 10 11 12 14
8 8 8 8 10 10 10 12 13 14 15
7 9 7 9 7 8 9 9 9
9

12
Youve been there, havent you? I've seen your boat
Yes sir.

55 55 k 5
D
E 55 kk 5 ! 55 55
E 55 '
'
GE
5
Gtr. 3

4 5 5 5 5 5
Gtr. 1
divisi
5
steady gliss.

k 15
1 1/2

k 17
15 17 14 14 14 5 5
17 19 16 15 15 5 5

0 0
4 4 0

there. Alright, well thats good. Okay.


Ive been to Margaritaville a few times. Stumble my way back.
Gtr. 3 tacet

E
Gtr. 1 G A D

GE 5 5 5 5 5 5 5 5 5 5 5
5 5 5 !5 5 5
5 5 5
5 !5 5 !5 5 5
1/2 1/2

0 6 4 2 0
0 0 4 5 7 5 4 2 2 2 2 0 0
2 0 3
3 2 0

Always wanna make sure you can keep it between the navigational beacons. Al -
Ha, ha, ha, ha ha, ha, between the bouys, I got it.

E BB BB 55
G A
'
Gtr. 3

GE ? 4 '
*

7 8 8 5
7 9 9 6

5 5 55 55 55 55
5 55 = 5 55 5 5 =
*Vol. swell

E 5  5 5 5M E5
Gtr. 1

GE
5
5 = 2 5 5 5
5

5

k 5

5
55
w/ pick & finger w/ pick & finger
let ring let ring let ring
1 1 1
7 7 7 7 9 7 5
3 5
X 7 7 7 7 7 6 9 9 7 4 4 2
0 2 4 8
0 2 4

right. Well , its five oclock, lets go somewhere. Lets get outta here.

5
Im ready, crank it up. Im gone.
5 5 5 5 5 55 5 5 5 5 55 55 5 55M 55 55
D G

E B 5 55 5 55
GEB 4 5 !55 5 5 5
w/ pick & finger
3 3

1
10 14 12 10 10 3 7 7 7
7 10 7 3 3 8 8 8 8
7 11 14 16 14 12 14 12 9 7 5 4 7
16 14 9

E
G E 5 5 5k 5 5 !5 5 5 ? 0
3

5 5 !5 5 B
1/2

0 2 2
2 4 3 2 0 0
0 2

13
5 5
EE E5 5 5 5 !5 55 5 55 5 5 !5
5 5 55 5 E55 5 5 55 5 55 5 55 BBMM 55
A D

G
1 1/2 1 1 1
9 7 10
10 8 10 10 10 7 10 10 10 7 7
8 9 6 7 9 9 9 7 9 7 9 9 9 7 7

5 ! 5 5 5 5 k=
E !5 5 5M
GE 0 ? 4 5 5  = 5
w/ pick & finger
let ring
=9
10 8 7 7
10
2 7 7 10 7

G A D
5 5 5 5 5 5 5 5
E 5 5 5 5 5 5 5 E5
GE '
' 0 0
let ring

14 14 14 14 14 12 12 15
3
4 14 14 14 14 14 12 12 15

EE 5 !55 5M 5 5 5 55 55MM 5 5 k
5 5 5 = 5 5 5 5 5 5 5 5 5k 5 5 5 5 =
G  5 5 5 !5 5 5
5k 5 5 5M


w/ pick & finger
let ring let ring let ring 5
let ring
1/2 1/2
7 7 7 9 5
10 10 8 10 10 8 3
9 9 7 7 9 9 7 9 4 6 6 4 2 0
2 4 3 2 0 0
2 5
0

5
Fade out

55 55 55 5
G A D
55 55 ! 55 E! 55 8v5a 5 ! 55 55 E! 55
loco

E 5 E5 5 55 55 55
E5 5 5 5 5 5
5 5 55 '
'
GE = 5 =


let ring
1/2

15 9 10 11 12 14 15 16 16 17 14 15 12 14 14 10
12 12 10 12 13 14 15 17 18 18 19 15 17 14 15 15 10 10
15 15 12 12 8 9 11

5 5 5 !5 5
E 5 5 5 5 5 55 5
GE 5 5 5 5 5 5 5 BB
B
55
5
!5 =
5
let ring
5
' w/ pick & finger
14 12 10 8 8 7 5
3 3 3 2 2
0 0 2 2 14 12 11 9 9 7 5
2 2 2
0
5 0

14
from Alan Jackson - The Greatest Hits Collection

Mercury Blues
Written by K.C. Douglas and Robert Geddins
D G Bm A

132 21 34 13421 234


Gtr. 2: Drop D tuning:
(low to high) D-A-D-G-B-E

Gtr. 3: Open D tuning:


(low to high) D-A-D-F#-A-D

Intro
Moderately fast q = 171
Half-time feel End half-time feel
D


Rhy. Fig. 1

Gtr. 1
(acous.)

E (Drums)  mf

G E ? 0 4
*Gtr. 3

5 !5 5 !5 E5
mf
w/ slide


0
0 3
0 3
*Two Dobros arr. for one.

E  
5 5 5 5
G E ? = =
Gtr. 2 (elec.)

5 5 2 5 5 5 2 5
mf


w/ clean tone & slight chorus
w/ pick & fingers
P.M. P.M. P.M.


3 3 3 3
2 X 2 2 X 2
0 0

Gtr. 1: w/ Rhy. Fig. 1


End Rhy. Fig. 1



E
GE 5 4 !55 55 55 55 !55 55 BBMM 4 !5 E5 5
5 B 5 5 !5 5
0 0

0 0
10 10 10 12 12 0
0 10 10 10 12 12 0 3 0
5 5 0 3

E
GE 5 5 5 = 5 2 5 5 5 5 = 5 2 5 5 5 5 = 5 2 5 5 5 5 = 5
!5 5
P.M. P.M. P.M. P.M.
1

3 3 3 3 X 3 3 3
2 2 X 2 2 2 2 X 2
0 0 0 0 0
3

1970 (Renewed 1998) B-FLAT PUBLISHING and TRADITION MUSIC (BMI)/Administered by BUG MUSIC
All Rights Reserved Used by Permission 1
Verse
D
Rhy. Fig. 2

Gtr. 1
5k
E
5k !5
 5 5 5 =  !5 5 5 5 5
GE 0 ? 4 5 !5 = 

5 5
1. Well, if I had mon - ey, I tell you what Id do. Id

E BB
MM
!55 55 55 55 55 55 55
Gtr. 3

GE 5 5
4 5 4 5
!5 5 5 B

mp

0
0 12
10 10 12 12 12 12 12
0 10 10 12 12 12 12
5 12 12
3 2 0

E
Gtr. 2

GE 5 5 5 = 5 2 5 5 5 5 = 5 2 5 5
55 4 5 5 5 5 = 5 2 5

P.M. P.M. P.M. P.M. P.M.

3 3 3 3 X 3 3 3
2 2 X 2 2 2 2 2 X 2
0 0 0 0


E k 5 5 !5 5 5 5 5k 5 5 !5k 5
G E !5 5 5 5 = 5k 5 5 !5 5 5 5 5 5 5 = ? = 5
go down - town, buy a Mer - cu - ry or two. Cra - zy bout a Mer - cu - ry, Lord, Im cra -

E 55 55 55 55 
GE 4 5 4 5 4 5 4 5 E55 55MM BB BBMM 4

12 12 12 12 4 5
12 12 12 12 4 5
12 12 12 12

E
GE 5 5 5 = 5 2 5 5 5 5 = 5 2 5 5 5
5 =
5 5
5
5 5 5 5 M = 5 !5 E5
P.M. P.M. P.M. P.M.
1/2

3 3 3 3
2 2 X 2 2 X 0 0 0 0 0 0
0 0 0 0 4 5 3

2
D Bm A


E 5 = 5 5 5 5 5 5 5 5 5 5
G E 5 5 !5 5 5 5 E5 ? 5 5 5 5 5
5 5 !5 5
- zy bout a Mer - cu - ry. Im gon - na buy me a Mer - cu - ry and cruise it up and down the road.

E E5 55MM BB BBMM
G E 5 4 BBMM 55 '
'

11 12
11 12 9 9 7
9 9 7

E
GE 5 5 55 = 5 2 5 5 55 = 5 5 BBMM BBMM
5 5 5 5
P.M. P.M. P.M.

3 3 3
2 2 2 X 2 2 2 4 2
0 0 2 4 2
0 2 0

Verse
Gtr. 1: w/ Rhy. Fig. 2
D D
End Rhy. Fig. 2






k
E = !5k !5 5 5 5 =  !5 5 5 5 5

GE 5 4 ? ? 5

!5 5
5
4
2. Well, the girl I love, I stole her from a friend.

E BB 55M BB 55M BB 55 BB 55
GE 4 B 5 4 B 5 4 B 5 4 B 5
mp

12 12 12 12 12 12 12 12
12 12 12 12 12 12 12 12
12 12 12 12 12 12 12 12

E
G E 5 5 55 !5 E5 5 !5 = 55 4 5 5 5 4 2 5
5 !5 5 5 5 !5 5 5
_

5

f
mf
P.M. P.M. P.M. P.M.
1/2 1/4 1/2

3 3 3
2 2 2 2 X 2
0 0 3 0 0 3 0
0 3 0
2 2 0

3
k
G
E
G E !5 5 5 5 5 5 5 5 !5 5 5 5 5
 5 5 !5 5 5 5 5 5 5 !5 ? = 5 !5 5
He got luck - y, stole her back a - gain. She heard he had a Mer - cu - ry, Lord, shes cra -

E BB 55 BB 55 
Gtr. 3

GE 4 B 5 4 B 5 E55 55MM BB '


'
mf

12 12 12 12 4 5
12 12 12 12 4 5
12 12 12 12

E 
Gtr. 2

5 5
GE 5 4 ?
5 5 =
5 5 5 5 5 5 5 5 5 = 5 5 5 5 5 5 !5

_
P.M. P.M. P.M.
1/4

3 3
2 0 0 0 0 0 0 0 0 0
0 0 0 0 4 5 4 5 3

D Bm A

E 5 ? 5 5 5 5 5 5 5 5 5 5 5 5
G E 5 5 !5 5 5 5 E5 =
5 5 5 5 5 !5 5
- zy bout a Mer - cu - ry. Im gon - na buy me a Mer - cu - ry and cruise it up and down the road.

EE EE55 55MM BB 55 EE55 5 5 B


5 5 B '
G  ' '
'
(cont. on lower staff)

11 12 12 11
11 12 12 11 11 12
11 12 9 7
9 7

E
GE ' 4 5 = 55 5 BBMM '
'
'
 5 '
P.M. P.M. let ring (cont. on upper staff)

3 2
2 2 2 4 2
0 4 2
2 0

4
Guitar Solo
D D

Gtr. 1
E
G E E5 4 ? 5 5 E5 5 2 4 0 0

^
Oh, lets go.

E
Gtr. 2

GE 4 
3

5 5 5 ! 5 5 !5 5 ! 5 5 5 5 5M E 5 5 5 ! 5 5 !5 5 5 ! 5 5 5 5 5 5 E5
f
5
grad. bend
1/2

0 3 0 0 0 0 3 2 0 0 0 3 4
0 3 0 3 3 3 0 3 3 0 3
0

E BB 55 55 55 55 55 55 55 55 55 55
Gtr. 3

GE 4 B 5 5 4 5 5 5 5 = 4 5 4 5 4 5 4 5
mp

12 12 12 12 12 12 12 12 12 12
12 12 12 12 12 12 12 12 12 12
12 12 12 12 12 12 12 12 12 12

E !5 5 5 !5 5 5 5 5 5 5 5
G E !55 5
55 55 !5 E5
5 !5 5 5 5 ! 5 5 5M
 !5 5 5 5 5 22
E5 5
let ring let ring
1/2 1 hold bend 1 hold bend

7 7
1 1 1 0 6 6 6 6 6
2 1 0 0 2 X
0 3 0 0 0 3 3 X
3 0 0 3 5 4 5

E 55 55 55 55
GE 4 5 4 5 4 5 4 5 4 555 4 555 4 555 4 555

12 12 12 12 5 5 5 5
12 12 12 12 5 5 5 5
12 12 12 12 5 5 5 5

5
D Bm A


M
EE !55 
55 5 5 5
5k
5 5M !5 5
!5k E5
=  5 E5 5 5

G
_
5 !5 5 
5 5 5 5M 5
E5 5 5 5


let ring
1/4 1
5 0
6 2 3
7 5 3 4 4 4 2 2
7 7 5 3 5 3 4 4
5 5 1 2 4 5

E 55 55 55 55
GE 4 5 4 5 4 5 4 5 BBMM 55 BBMM 55

12 12 12 12
12 12 12 12 9 9 7 7
12 12 12 12 9 9 7 7

Verse
Gtr. 1: w/ Rhy. Fig. 2
D D

E = !5 5 5 5 5 = 5 !5 5 5 5 5 4
GE 0 ? 4 !5

3. Well, hey now ma - ma, you look so fine

EE 5 2 ! 55 5 2 2 5 55 = 5
55 5 5
5 5M 5 5
55 5
55 5 '
' 0
G
mf
(cont. on lower staff)
1 1 1

13 10 10 10 10 10 7
11 X 12 X X 9 9 9 7 9 9 9 9 7
9

E BB 55 55 BB 55 55 55 55 = !5 5 5
GE 4 B 5 5 B 5 4 5 4 5 4 5
mf
(cont. on upper staff)
0
12 12 12 12 12 12 12 10
12 12 12 12 12 12 12 10
12 12 12 12 12 12 12

6
G
E 5 5 5 5 5
GE 4 !5 5 !5 5 5 5 = 5

!5 5 5 ! 5 5 5 5 5 =
rid - in round in your Mer - cu - ry for - ty - nine. Cra - zy bout a Mer - cu - ry,


5 !5 5 5 B
E 5 55MM BB 55 5 !!55
Gtr. 3

G E !5  = 4

3
15 17 3
10 12 12 15 15 17
10 12

E
Gtr. 2

GE 4 !55 5 5 5 5 5 5 5 !5 5 5 5 5 = 5 5 5
5 5 5 5
let ring P.M. P.M.

1 3 3 3 1 0 3
2 2 2 2 2 0 0 0 0
0 0 0 0

D Bm
E = 5 5 5 = 5 5 5 5 5 5 5 5 5 5
GE ? 5 5 !5 E5 !5 5 5 E5
?
Lord, Im cra - zy bout a Mer - cu - ry. Im gon - na buy me a Mer - cu - ry and

E 5 !5 5 5k
 55 55
G E 5 ! 5 5 55 5 5 5 B 5
= !5 E5 5 5 B ?
5 !5 5

3 3 2 0
7 9 9
3 3 2 0 0 2 5 7 9 9
0
0 3 0
0 3 5

E 5  5 5 5
GE 5 5 5 5 5 5 5 4 ? 4
5 5 5 5 5 5 B 5 5 5
P.M. P.M. P.M.

3 3 3
0 0 0 0 2 2
4 5 0 0 0 0 0
2 0 2

7
A D

E
G E 5 5 5 5 5 5 5 !5 5 E5 4 ? !2 2 2 2 2 2 2 2M 4
cruise it up and down the road. Spoken: Oh, put it in high gear now.

E
GE
*Gtr. 4

0 0 4
55 55 55 55 55 55
f

0 0 0 0 0 0
0 0 0 0 2 0

E '
*Fiddle arr. for gtr.

' 5 5 !!55 55 5 5 5 5
Gtr. 3

BB
GE 5 5 5 5 5 5 B
.
7 0 3 2 0 0 0
7 0 0 3 2 0 2 0 0
0 3 0
2 4

E
Gtr. 2

GE !5 5 5 5 5 5 5 5 5 5 5 5
BM 5 5 5 5 5 !5 5
1/2

0 0
0 0 3 5 3 5 3 5 5 7 5
0 0 0 2 2

Fiddle Solo
Gtr. 1: w/ Rhy. Fig. 2

E
D

GE ! 55 5
55 !55 55 55 55 5
! 55 55 5
55 555 5 55 55 55
= 5 5
5 5 5 ! 55 5
let ring let ring let ring let ring
2 2 2 2 2 2 2
0 0 3 0 0 0 0 0 0 0 0 0 0 0 2 0
3 5 0 0 3 3 5 0 0 0 2 0 3 2
3 5

<<M <<M <<M


E 55 BBMM BB 55 < 55 < 4 55 <
G E !55 5 BM B
4 5 4 5 5
!5
**Harm. Harm. Harm.

0 12 0 12 0 12
0 12 0 12 0 12
0 12 0 12 0 12
10 12 12
10 12 12
10 12 12
**w/ finger (next 7 beats)

E 5 5 5
GE 4 ? ? 4 5 5
4 5
5 P.M. P.M.

3 3 3
2 2
0
0

8
5 5 !5 E5 5 5 !5 E5 5 !5 E5
G D
E 5 B BB
G E 55 5 55 5 5 5 5 5 5 5 B 5 !B 5 5

3

let ring
1/2 1/2 1/2 1/2 1/2

8 8 8 10 8 6 6 6
2 2 2 0 X 7 7 7
2 0 4 2 5 4 7 9 9 9 9 7

<<M
E
GE4 55 < 4 ' BBMM 4 !555 BBMM
5 !55 ' BM
Harm.

0 12
0 12
0 12 3 5 10 12
3 5 10 12
10 12

E 5 = 5 5
GE5 ? ? 4 5 5 5 5 5 ? 5 5 5 5

P.M. P.M. P.M. P.M. P.M. P.M.

3 3 3 3
0 0 0 0 0 2 2 2
0

!5 5 5 5 5 5 55
Bm A D
E 5 !5 E5
G E 5 5 5 5 E5 5 !5 5 5 5 5 5
!5 5 5 E55 5 5 ! 5 5 !5 E5 5 E5
1 1/2 1/2

7 10 10 10 8 6
7 7 9 7 0 2
7 7 8 9 7 9 9 7 3 0 3 0 0 3 4 5 6
0 3

E BMM
G E BBM 4 BBMM 55 '
' 4 55
5
55 55 55
5 5 5

0 0 0
0 0 0
12 0 0 0
12 9 9 7
12 9 9 7

E
GE 5 5 5 55 5 '
' '
' 5 5 5
5
5 5 5
5
' '
P.M. P.M. P.M. P.M.
3 3 3
2 2 4 2 2 2
0 0 0 4 2 0 0 0 0
2 0

9
Verse
Gtr. 1: w/ Rhy. Fig. 2 Gtr. 4 tacet

k
E k 5 5 = 5 !5 5 5k 5
 
D

GE ? = 5 !5 5 !5 5 5 5 5 5 4 !5 5 5 5 5 5 5 5 5
 
4. Well, my ba - by went out, she did - nt stay long. Bought her - self a Mer - cu - ry, come a

E
G E 5 5 5 E5 !5 5 !5 E5 B
? 0 0
1/2

7 0
7 7 6 0 3 0

<<M <<M <<M <<M <<M <<M


E 55 55 55 55 < 4 55 < 4 55 < 4 55 < 4 55 < 4 55 <
GE 4 5 4 5 5 4 5 5 5 5 5 5
*Harm. Harm. Harm. Harm. Harm. Harm.

0 0 0 0 12 0 12 0 12 0 12 0 12 0 12
0 0 0 0 12 0 12 0 12 0 12 0 12 0 12
0 0 0 0 12 0 12 0 12 0 12 0 12 0 12

*As before

E
G E 5 5 55 5 5 5
5 0 ? !5 5 5 5
5
55
5
55
P.M. P.M.
3 3 3 3
2 2 5 2 4 2 2 2
0 0 0 0 0 0

k
E = !5k 5 5k 5

G D

G E !5 5 5 5 5

5
 5 5 !5 5 5 ! 5 5 5 5 5 = ?
5 5 !5 E5 !5 5 5 E 5
 !

cruis - in home. Shes cra - zy bout a Mer - cu - ry. Yeah, shes cra - zy bout a Mer - cu - ry.

<<M <<M
E 55 < 4 55 < 5 5MM !55 55MM BB
Gtr. 3

GE 4 5 5 !5 5 BB BBMM 4 
mf
Harm. Harm.

0 12 0 12
0 12 0 12
0 12 0 12 3 5 10 12
3 5 10 12

E
Gtr. 2

GE 5 !55 55 55 55 55 5 55 = = 55 4
!5 5 5 !5 5 5k 5 5 5 5 !BM 4
 

f mf
let ring
1

1 1 1 1 1 3 3 3
2 2 2 2 2 2 2 2 2
0 3 5 3 5 3
3 5
5

10
Bm A D
E = 5 5 5 5 5 5 5 5 5 5 5 5 5
GE ? 5 5 5 5 !5 5 E5 4 ?
Im gon - na buy me a Mer - cu - ry and cruise it up and down the road.

E BBMM  
GE 4 55 55MM 55 4 55 55MM BB '
'
mp

12
12 7 9 5 7 0
7 9 5 7 0

EE 5  5 5 = !! 55 E5 55 =
!5
555 = 222 555 5 5 4 BBB 222  55 5
= 5 !5 = 5 5 5 5 5
4 5 5 5
G  5

2 5 5 5 B 2 5k 5


f
P.M. P.M. P.M. P.M.
1/2

=7 =5
13 10 7 X 7 5 X 7 5 3 3 3
12 12 10 11 7 X 7 6 X 7 5 4 2 1
12 12 9 X 9 9 9 7 X 0
9 X 9 9 9 7 X 7 9

Piano Solo
Gtr. 1: w/ Rhy. Fig. 2 (1st 10 meas.)
Gtr. 3 tacet

E 
D

GE 2 2 2 2 !2 E2

0 0 0
Spoken: Oh, cruise now.

8v a
f

55 55 55 ! 55 55 55 55 5 55 ! 55 55 55 55 55 55 5 !5
5 55 5 5 55 55 5 55 5 5 5 55
*Gtr. 5 Gtr. 5

E ? = 5
G E_ '
Gtr. 3
_'
divisi

17 19 19 20 20 20 17 19 19 20 20 20 17 17 19 17 17 19 20 17
19 20 20 22 22 22 19 20 20 22 22 22 19 19 20 19 19 20 22 19
19 19 19 19 19
0
0
*Piano arr. for gtr.

E 5
Gtr. 2

G E 5 !5 5 ! 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55
5 5 5 !5 5
_

5
mf
1/4 1/2 P.M.

3 3 3
0 4 2 4 2 4 2 4 2 4 4 2
3 0 0 0 0 0
3 2 0
2 2 0

11
G D

!5
EE 55 5 55 55 5 55 5 5 !55 55 55 55 55 55 55 5 5 !55 5 55 5 5 5 5
8v a
Gtr. 5

5 55 5 55 5 5 55 5 5
G

19 20 19 17 17 17 17 17 15 15 17 17
20 22 20 19 19 17 18 18 18 17 17 18 18 20 18 17 18 17 15 15 15
19 19 19 19 19 19 19 16 14 14 16 14 16 14 14 16 14

E k '
Gtr. 3

GE ? 4 ' BBMM 4 !55 '


!55 ' 5 '

3 5 10 12
3 5 10 12
10 12

E 5 5
Gtr. 2

G E 55 55 5 5 5
5 5 5 5 5 5 5 55 5 5 5
5 5 5 5 5 5 !5 5
55 5 5 55 5
5

_
P.M.
P.M.
1/4

3 3 3 5 3 5 3 3 3
2 4 2 2 4 0 0 0 4 0 0 4 2 4 2
0 4 5 5 5 4 5 5 3 0 0

Bm A
!5
5 !5 E5 5 !5 E5 5 5 5 5 5 5 55
8v a

E !55 E5 !55 E5 5 55 5 = 5 5 5 5 5 5
GE 4

17 17 17 19 19 19 13 12
18 19 18 19 17 17 18 19 17 18 19 17 15 X X
19 19 19 19 16 14 16 16 14 12

E BMM
G E BBM 4 5k ' ?

5 ' BB

12
12 7 9 7
12 7 9 7


E 55 55 55 5 5
G E 55 BBMM 55 55 5
5k
5 5 5  5 5 5


P.M. P.M. P.M.

3 3
2 4 2 2 2 4 2
0 0 0 4 2 2
0 0 2 0 0

12
Verse


D D

= 4 ?
k 5 5 5
Gtr. 1


E
GE 0 ? 4 5 !5 5 !5 5 =
5

5. Well, if I had mon - ey, I

5 5 5
EE 5 5  5 5 !5 E! 55 55 !5 5 E5
loco


Gtr. 5

5 5 5 5
G !5 E!55 55 !5 E55 = 4 ?
-
3

15 15 15 10 12 10 7 0
14 13 12 10 11 12 10 7 2 0 2
12 7 6 5 3 4 3 4

E
Gtr. 3

GE 4 55 4 55 4 55 4 55 55 = 4 ?
5 5 5 5 5

5
0 0 0 0 0
0 0 0 0 0
0 0 0 0 0
0

E
Gtr. 2

GE 55 55 55 55 = 4 ?
!5 5 5 5 5 5 5 5 5 5 5
5
P.M.
3 3 3 3
2 2 2 2
0 0 0 0 0 0 0
3 5 5 5



Gtr. 5 tacet

0 = 4 ? 0

Gtr. 1

E 5 5 5 5 5 5 5 5 5
G E !5 =  !5 5
5 !5 5 5
= 5
^^^

5 
tell you what Id do. Id go down - town, buy a Mer - cu - ry or two. Cra -

E
Gtr. 3

GE 0 55 = 4 ? 0
5

5
mf

0
0
0
0

E
Gtr. 2

55 =
GE 0 4 ? ? =

5 5

2 5
P.M.

3
2
0 0
X 0

13
0 0
G D


E = 5 5 5 = 5 5 5
G E !5 5 5 ! 5 5 5 5 5 = ?
5 5 !5 E5 !5 5 5 E5
?
- zy bout a Mer - cu - ry, Lord, Im cra - zy bout a Mer - cu - ry. Im gon - na

E k '
' 55 !55 5k
B
G E !55 BBMM BBMM 4 !55
5 B 4


3 5 10 12 12 10
3 5 10 12 12 10 10 12
10 12

E
GE BBMM 55 55  5 !5 5 B
!5 5 5 5 5 5  5 5  
5 5 5

_

f 1/4
mf f

3 3 3
0 0 0 2 7 5
3 3 3 0 0 0
2 2
3

Bm A G


E 
GE
5 5 5 5 5 5 5 5 5 5 5 5 5 5 !5 5  !5 5 ? ? = 5 5 5
5
buy me a Mer - cu - ry and cruise it up and down the road. Im gon - na

E
GE 5k BBMM 4 5k 4

5 5
 BBMM 5 5 5 5
5 5 5 5 5 5


let ring

7 9 5 7 5 5 5 5
7 9 5 7
4 5 5 4 5 5

E
GE '
' 55 55
' 5 5 2 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 E5
mf P.M.
4 2
4 2 X
2 0 0 0 0 1
4 5 5 5 5 5 5 4 5 5 5 5

14
0
Bm A G


E k
GE 5 5 5 5 5 5 5 5 5 5 5 5 4 ? 4 !5 5 5 5 5 5
5 5 !5 5 5
buy me a Mer - cu - ry and cruise it up and down the road. Yeah, Im gon - na


E   M
G E 55k BBMM
5 5 5 5
4 5k BBMM 4 E5 5 5 5 5 5 E5 5 5 5

5

0 0 0 0

4 5 4 5 4 5 4 5 4 5
7 9 5 7
7 9 5 7

E
GE BBMM 55 55 5 5 55 55 55 55 
5 5 5 5 5 5 5 5 5 5 5 5M
P.M.

4 2 2 0 0 0 0
4 2 2 0 0 0 0
2 0
4 5 4 5 4 5 4 5 4 5

0
Bm A D


E !5 5 E5 5 5 5 
GE 5 5 5 5 5 5 5 5
5 5 !5 5 E5
4 ? ? 2M 2
buy me a Mer - cu - ry and cruise it up and down the road. Spoken: Oh,

E M 55k E'
G E BBM 55 55 BB

4 ' 4 5 4 5 4 B
!5 5
0 0 0
5 0 0 0
5 5 7 0 0 0
5 7
3 2

E 5 5 '
GE BBMM BBMM 5 5 5 5 5 55 '
5 5
P.M.
3 3 3
4 2 2 2 2 2
4 2 0 0 0 0
2 0

15
Dobro Solo
Gtr. 1: w/ Rhy. Fig. 2

EE !2 3 2
D

G  4 ? 0 0 0

^
lets go!

E
Gtr. 3

GE !5 ! 5 5 !5 E5 5
!5 5 5 !5
5
5 5 5 !5 5 5 5
5 5
!5 5 5
5 5
5 5

3 2 0
0
0 3 0 0 0 3 0 3 2 0
0 3 0 0 3 0 3 0
0 0 0 0

E
Gtr. 2

GE 5 55 5 5 5 5 5 5 5 5 55 5 5
5 5 5 5 5 5 5 5 5
P.M. P.M. P.M.
3 3 3 3 3 3 3 0
2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0


EE 5 55 55 55 55 55MM
G D

G 5 = BBMM 5 !5 5 k 5 ! 2
 E5 !5 5 5 5 5 5 !5 E5 5 
0

5 5 5 3 0 X
5 5 3 0 10 10 12 12
3 4 2 0 0 0 3 0 10 10 12 12
0 2

E
G E 5 5 5 5 = 55 5 5 5 5 5 5 5 55 5 5 5
55
5
55 5 5 55 = 5 5 5
 5
5
5
P.M. P.M. P.M. P.M. P.M.
3 3 3 3 3 3 3
0 0 0 0 0 0 2 2 2 2 2 2 2
4 5 5 4 5 5 5 5 0 0 0
0


E 5 5 5 5 5 5 5 5 5 5k 55

Bm A D

 = 5 5 5 5 BBMM
GE 5 = BB 5 !5 !5
5 5 5


(cont. on lower staff)

7 7 9 5 7
14 12 14 12 5 7 7 5 7 0
12 0 10 12
10 10 12 12
10 10 10 12

E 55 55 5 5 5
GE 5 5 55 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 =
5 5 5
let ring P.M. P.M. P.M. let ring (cont. on upper staff)

3 3 3 3 3
4 4 4 2 2 2 2 2 2
4 4 2 2 2 0 0 0 0 0 0
2 2 0

16
Outro-Guitar Solo
Gtr. 1: w/ Rhy. Fig. 2 (1st 8 meas.)

5 5
D
5 5 5 5 5 5 5 5
EE ! 5 !5 E 5
5 5
5 !5 5
5k
Gtr. 2
E5 5
G =  = 5 !5 5 5 
5 !5
f 1/2
1 hold bend 1/2
14 12 10 5
13 13 13 13 12 9 9 9 8 6
7 5 5
7 7 5 3

E 55
Gtr. 3

55 55 55 55 55 55
GE 5 4 5 4 5 4 5 4 5 4 5
0 0 0 0 0 0
0 0 0 0 0 0
12 0 0 0 0 0 0
12

E !5
G

G E 5 !5 E5  5 5 5 5 5 5 5 5 5 = 5 !55
5 5M 5 5 !5 5 
let ring let ring
1/2 1 1/2

1
0 3 5
0 2 0 2 2 4
5 3 3 3
5 4 5

E 55 !55
GE4 5M 4 E55 '
' BB 4

0
0
0 4 5 10
4 5 10

D Bm


Rhy. Fig. 3

Gtr. 1

E 5 5 5 !55 55
Gtr. 2

GE 5 5 5 55 E5 !!55 !5 E5 5 5 5
5
5 5M 
5 5 5 5 E5
E5
1/2 1/2

5 5 5 1 1 2 3
4 4 4 4 4 4 2 1 0 3 4
3 4 0 0 4
1 2 4

E ' BBMM BBMM


Gtr. 3

'
GE 4 E55

4 5
12 4 5
12

17
0
A G
End Rhy. Fig. 3



E  5 !5 5
5 5
GE 5 5 5 !5M E5 5 5 !5 5 5 5 5 !5 5M 5
= 
E5
0
1 1/2
3 1
1

2 0 3
4 4 2 3 2 2 0
0 3 5

E 55k
GE ' E55k

!'  '
' 55 !!55 5 55 55 4
5 ' 5 ' !5

5 7 4 5 5 3
5 7 4 5 5 3 3 5
5 7 4 5 3 5

Gtr. 1: w/ Rhy. Fig. 3 (1 1/2 times)


Bm A G

E 55 !55 5 !5 55
= 5k 5 5k
Gtr. 2

GE
 5
5 5 E5 5 5 5 5 5 
5  = 5 !5
E5 !5 5 5 5 5
7 5
8 6 5 3
7 5 5 3 4
7 9 9 7


2 2 1 2 1 2 2
6 7 7 6 7 7

E   
Gtr. 3

G E EE55 55MM 55 4
EE55 ! 55MM
! 55 4 E55 !!555MM
5 M
BB
B

4 5
8 9 9 6 7 4 5
8 9 9 6 7 4 5

Bm A

E 2 2 5 5 5 5 5 55
G E 5 !5 5 B = !55 55 E5
5 = 
!5 5 !5 5 5
let ring 1 let ring
7
7 7 5 7 5
0 X X 9 5 7 5 6
5 3 0 0 7 0
3 1 2

E
G E 555 BBMM !5k ' 5k

E55 BM '
 '
'
5 5 5

5 4 5
5 4 5 7 9 5 7
5 4 5 7 9 5 7

18
0 0
Free time
D

Gtr. 1


E 55 !55
Gtr. 2

GE 55 55 55 !5
5 5 5 5 !5

_
5 B '

_
let ring
1/4 1/4

7 5 3 1 0
7 5 4 2 0
0 0 3 0
0
3 0

E 5k ' 55MM !55 55 55


Gtr. 3

' 55 55 55 55 BB 55 55
G E !55 ' 55 55 55 55 BB 55MM 

0 0 0 0 0 0
0 0 0 0 0 0
10 12 0 0 0 0 10 10
10 12 0 0 0 0 10 10
10 12

0M 0M 0
 
Gtr. 1
M = 4 ?
5 5 !5 5 5 5 5 5 5
5 5 !5 5 5M 5

5 !5 D5 E5 5
5 B 5
E
Gtr. 4

 =  = 4 ?
GE =   =
3 6
3


grad. bend
1/2

12
1 1/4
16 15 13 16 15 13 16 15 13
15 15 15
12 12 10 10
12 12

EE 55 55 55 55 BBMM
15ma

5 !5 5 
Gtr. 2 loco

!5 5!5k E5 5 !5
3

G 0 = 4 ?
5 5


3
*
let ring
1 1

3 1
X X X 3 1
X X X 2 0
3 4 3 0

*Pluck strings behind the nut w/ left hand and bend strings w/ right hand.


E 5 55MM 5 5 5  55
Gtr. 3

G E !5 5 ' B 5M 5  = 4 ?

12
0
10 12 12 10 0 0 12
10 12

19
from Alan Jackson - Under the Influence

Pop a Top
Words and Music by Nat Stuckey
G C D E A


21 34 32 1 132 231 123
Intro 3 Chorus
Moderately q = 116 ##=#
#
Gtr. 1 tacet
k(G) G C

 = 4
Rhy. Fill 1 End Rhy. Fill 1 Rhy. Fig. 1

Gtr. 3 ?
(acous.)
mp
E
G  0 ? 5 5 5 5 5 5 5 4 ?
3

5
Pop a top a - gain

E 5 = 5 5 5
G  55 55
*Gtr. 2 8v a

0 4 ? 4 5
  

3
mf 1 1 1
15
15 15 15
14

*Pedal steel arr. for gtr.

E 5 5 5 5 5 5 5 5
Gtr. 1 (elec.)

5 5 5 5 5 = 4 ? 0
3

G 
3 3
f 3
w/ clean tone

7 7 3 3
8 3 3 3
4 4
5 2
5

D C G

Gtr. 3

E 3
3

? 5 5 5 5 5 5 4 5 5 5
3

5 5 5
3 3

G 5 5 5  5 5
Ive just got time for one more round. Set em up, my

5 5 5
E 5 5 5 BM
8v a

5 5 5 B
Gtr. 2 8v a

G 0 B
3
w/ pick & fingers
let ring 1/2
1
1
17 19 19 15
17
19 19 16

Copyright 1965 Sony/ATV Songs LLC


Copyright Renewed
All Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved 1
C D C

E 5MM 5 5 5
5 5 5 4 ? ?
3 3

5 5
3

G 5 5 5 
friend, then Ill be gone and you can

B B
5 5 5 5 BM
8v a

E  55 5 B B
G 4 5
 = 55  5
3
let ring let ring w/ pick & fingers
1 1
15 17 22 19
15 17 15 17 17
17 17 21 21

D C G

E    
5MM
3

5 5 5 5 5 5 55 ?
3

G  5 5 5
let some oth - er fool sit down.

55 55 5 5 5 5 5
8v a

E 5 5 B  B 4 5 5 5 5
G 5 5 5 B  B  
3 3
1/2 1/2
1 1 1
17 17 14 14 12 19 19 19
20
17 17 14 14 12 19 19 19

Verse
Gtr. 2 tacet
G C D
End Rhy. Fig. 1 Rhy. Fig. 2

E 0 = 
G 5 5M 5 5 5 5 55  = =  5 5 5 5 5
5 5 5 5
1. Id like for you to lis - ten to a joke I heard to - day
8v a

E 5 5 5 5 5 5 5
Gtr. 2

G 5 ' 0 0
3
1/2 1
15
15 19 15
16 16 14

E 5 5 5 B 5M
*Gtr. 4

G 4