Beruflich Dokumente
Kultur Dokumente
MUSE 365
These two terms are often mixed up and misunderstood by many people. The vocal
range of a piece for instance is the total range of pitches that a particular voice part
has to sing. The tessitura of a piece defines what notes a particular voice part hangs
around for a majority of the piece. If we think about the tenor part for any particular
piece, the range of pitches will most likely be around f-f. However, some pieces can
have a tessitura that hangs around the upper part of the range from about d-f and
others can have a tessitura that hangs around the lower part of the range from f-c.
Tessituras can sometimes really define how difficult it is to sing a piece. Coming
from a tenor standpoint, tessituras that revolve around d-f for the whole song can be
very vocally exhausting and difficult to sing. It is not that the tenors cant hit those
notes because it is within the typical range, but when a piece is written in the upper
part of the staff the whole time, it becomes increasingly more difficult. Likewise it
would be very difficult for altos to sing in the lowest part of their range for an
extended period of time, because it takes much more control and breath to
consistently hit those notes. If it is done too much, it can become vocally damaging,
so it is important that choral directors do not pick too much repertoire that includes
difficult tessituras.