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y

u
si
c
a
ste
rcl
a
ss

P
DF
for
R
uss
el
lFe
rra
nte
(
vi
ds1& 2
)
Voice Leading
1. Hear
2. Feel
3 .Understand
4
& 2w
c w 2 w w
5 3 4 5
#1 1
3
1

1 1
?c
1
4
2
5 1
4
2
1
5 4

I IV VII III VI II V !

& w w
w ww
5

ww
?
IV VII III VI II V I

4
#2
&
3 3
1 2 1

w w
9

w w
?
1


2 1


3 5 4 3
5

I V VI III IV I II VI

&
13 ww
? w w w
ww

VII IV V II III VII I
#3 #1 add Sus 2 and Passing tones

. . . .
&
.
. .
17

? .

& . . . w
21

.
? .
.
ww

#4 #1 add Secondary dominants and passing tones


j
. . # . n . . .
&
. . .
#
25

? .

& . # . n . w
29

.
? .

.
ww
#5 Passing tones in all voices


&

33


& w
w
37


?
ww

j j
#6 #5 backwards
j j
&

J J J J
j j j j
41


?
J J J
J

j j ww
&
J

J
j j j j ww

45


? J
J J
J
#7 harmonic mionir

b
b b b b b
& b

b b b b b b
49

b
? b b

& b b
b b b b w
53
w
b
? b b b b
b b ww
*Add 2 harmony


& c
ww
w

Rhythm

?c
w

&

ww
w


1. 2. 4.
?
3.
w


1. I Ma 7(no 3rd)/IV 3. poly chord (I/IV)
2. 7th chord 4. I Ma7/ 3rd of chord



1. 2, 5, 7, harmony


alternate

&

?
inversions of I inversions of IV IV I IV I

I IV

& wwww

can work over different roots many other possibilities!!!
?
/III /IV /VI /I



&
wwww

?

ww
top note can be 1, 2, 5, or 7 of chord

ww # # # wwww # wwww w
B is 7 B is 1 B is 2 B is 5

&
5

# # www
7 1 2

ww
5 7 1 2
2 5 7 1
1 2 5 7

put 3rd in bass of 1,2,5,7 chord

& wwww # # # wwww # wwww w


# # www
B/D # A/C # E/G #
? w #w
C/E
#w #w

top midde note (G) can be 1,2,5,7 of chord bottom middle note (D) can be 1,2,5,7 of chord

n
& b b b #
# #
b b n
A b/C E b/G D/F #
5 7 1 2 2 5 7 1

?
C/E G/B

F/A C/E

G/B
#

bottom note (C) can be 1,2,5,7 of chord

& b b b b

B b/D D b/F
1 2 5 7

?
C/E F/A

RH arp 1, 2, 5, 7 of I chord Spread Voicings - cycle 4 - 1/4/ vs. 1/4
LH arp 7 chords in cycle 4


& c
(IV) B m7(b 5)
5 2 4 1 3 1 3 1 5 2 4 1


Rhythm


F Maj7
?c
C Maj7 (I)

(VII)


5 2 3 1 2 5 1 4

&

Dmin7
3 1 3 1 2 4 1 4 2 5 1 3


E min7

(III) A min7 (II)
?
(VI)




&


2 4 1 4 1 4 2 5 4 1 5 2


C Maj7

F Maj7 (IV)

(I)
?
G 7 (V)



&
B m7(b 5)
3 1 3 1 5 2 4 1 3 1 3 1 2 4 1 4

?
E min7 (III) A min7 D min7 (II)

(VII) (VI)




&


2 5 1 3 2 4 1 4 2 5 1 5

?
G7 C Maj7 G7

(V) (I) (V)


RH arp 1, 2, 5, 7 of I chord
Spread Voicings - cycle 4 - 1/4/ Triplet vs. 1/4 Triplet

LH arp 7 chords in cycle 4

3

& c
3 3

2 3 1
3

2 1 2
3

5 2 4 1 3 1 3 1 5 4 5 4
Rhythm IV
I VII
?c
3

3
3 3

5 4
3

2 3 2 3 1 2 3 1 4 1


3 3

&
3


3 3 3

2 5 1 3 1 4

III VI II

?
3


3 3


3
3 3 3

&
3


V I IV

?
3


3 3


3 3 3



3
3

&
3 3 3 3



3 3

VII III VI II

?
3 3



3 3 3 3
3

&
3


V I V

?
3 3


3 3


Spread Voicings - cycle 4 - 1/4/triplet vs. 1/4
RH arp 1, 2, 5, 7 of I chord


LH arp 7 chords in cycle 4

3
& c ..
3


3 3 3 3


B m7(b 5)
5 2 4 1 3 1 3 1 5 2 4 2 1 2 1 4 2


Rhythm


C Maj7 (I) F Maj7 (IV)

(VII)
? c ..


5 2 3 1 2 5 1 4

3
3

&
3 3 3 3



1 3 2 4 1 4
D min7

A min7

E min7 (III) (VI) (II)

&
3 3 3
3 3



C Maj7 F Maj7

G7 (IV)

(I)
?
(V)



&
3


3 3 3 3 3 3 3


B m7(b 5)
?
(VII) E min7 (III) A min7 (VI) D min7 (II)


& ..
3


3 3 3 3 3



?
G7 C Maj7 G7

(V) (I) (V)

..

RH arp 1, 2, 5, 7 of I chord Spread Voicings - cycle 4 - 1/8/ vs. 1/4 Triplet


LH arp 7 chords in cycle 4

b

& b bb c
5 2 4 1 3 1 3 1 5 2 4 1 3 1 3 1 2 4 1 4 2 5 1 3

3
Rhythm I IV

VII
? bb c 3
3

bb
3 3



5 2 3 2 3 1 2 3 1 4 1 4

bbb
& b
2 4 1 4 2 5 1 4 3


III
3 3
VI II

? bb 3
bb
3


3 3



bbbb
&


I IV

V
? bb b
3 3

b
3 3 3



b bbb
&
II
? bb b
VII III VI


3

b
3 3 3 3 3
3



bb

& bb


V I V

? bb b 3
b
3 3 3


3 3


Cycle 2 triads
C D min E min F G A min B
o C

& c

I II III IV. V VI VII
I
?c
Cycle 3 triads
C E min G Bo D min F A min C E min G B o D min F A min C
& c


?c
I III V VII II IV VI I III V VII II IV VI I


Cycle 4 triads

& c

B o E min B o E min A min
Rhythm I IV VII III VI II V I IV VII III VI II V I

?c
C F A min D min G C F D min G C

cycle iv triads in open position
C F Bo Em Am Dm G C
& c


I IV VII III VI II V I

?c

Bo

Dm G C F

F Em Am
&


?
IV VII III VI II V I
cycle iv triads open position sus 2-3
C B
o Dm
F Em Am G C
& c


I IV VI III VI II V II

?c

Bo
Dm G

C

F Em Am
&



IV VII III VI II V I

?
Based on 3 part 4th's/cycle 6-cycle 3


Rhythm
& c



&
5


&


b b b b b b b b n
9

b
b b b b b b b n
Move in min 3rd's instead of diatonically

& b b b b


12

b b bb n n n
& b b b b b b n n ww
w
16

b b n n
Used Melodically
b n
3

b b
3


3 3

b n b
3

& b b b

b b b b b b b b b b b b
19
3 3
3 3 3 3
3

&
22 3 3

b b
3 3 3 3 3 3 3

b n n b b b b b n n
3 33 3

&
25
Use diminished Scale 3 3 3

b n
3

& b b J
28

& b b b n #
b # b b n b b n #
30

& # # # n n b b n b b
b # # n #

33
MELODICALLY

& b b b n b b n b b n
37
b
& b b n b n b b n b b n b b
39

r!
& b n b b b n b

Ab
42

POLYTONALITY-CYCLE 6 IN TWO KEYS C &


&

44

?b
etc.

b b
b b
or C & E

&


46

?
etc.

# # #
#

& "
48

? "