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Les Nabis
Key information
A Parisian group of Post-Impressionist artists
and illustrators who became very influential
within the field of graphic art. They dated from
1888-1900. They were a group of 15 artists.
Emphasis on design was shared by the parallel
Art Nouveau movement.
The work with the Nabis all differed in subject matter, they had input in many different art movements
such as Symbolism, Post-Impressionism, Fauvism, Synthetism and many more. Some of them believed
that a painting was a harmonious grouping of lines and colours. Their subject sometimes related to
ordinary, everyday life but in fact related to mysterious and mystical. "Sounds, colors, and words have a
miraculously expressive power beyond all representation and even beyond the literal meaning of the words."
Is what they would recite before their meetings. The core of Les Nabis was Pierre Bonnard, Maurice
Denis, Ker Xavier Roussel, Flix Vallotton, and douard Vuillard.
http://www.theartstory.org/movement-les-nabis.htm
Ambitious decorative paintings enjoyed resurgence in Europe from the late 1880s through the
early twentieth century. In Paris, Pierre Bonnard, Maurice Denis and douard Vuillard were
among the most influential artists to embrace decoration as paintings primary function. Their
works celebrate pattern and ornament, challenge the boundaries that divide fine arts from crafts,
and in many cases, complement the interiors for which they were commissioned.
https://www.metmuseum.org/toah/hd/dcpt/hd_dcpt.htm
Key features
A group of Post-Impressionist artists and Illustrators.
Parallel to the Art Nouveau movement.
Bold simplified style inspired by Paul Gauguin.
Among the most influential artists to embrace decoration as paintings primary function.
They would recite a mantra before meetings. Which is what they followed.
Their work challenged the boundaries that divide fine arts from crafts.
The core of Les Nabis was Pierre Bonnard, Maurice Denis, Ker Xavier Roussel, Flix Vallotton, and
douard Vuillard.
2 Key Artists
Pierre Bonnard
Key information
Pierre Bonnard was a member of the Symbolist group of painters known as Les Nabis, and so
subscribed to the Nabi doctrine of abandoning three-dimensional modelling in favour of flat colour
areas. However, although Bonnard was a member of this group, he was not interested in obscure
Symbolist subject matter and was not a mystic. Instead, he was satisfied - even fascinated and
delighted by - the scenes of simple daily life around him. Because of this, he has been called an
"intimist."
http://www.theartstory.org/artist-bonnard-pierre.htm
Bonnard has been described as "the most thoroughly idiosyncratic of all the great twentieth-
century painters", and the unusual vantage points of his compositions rely less on traditional
modes of pictorial structure than voluptuous colour, poetic allusions and visual wit. Identified as
a late practitioner of Impressionism in the early 20th century, Bonnard has since been
recognized for his unique use of colour and his complex imagery.
http://www.tate.org.uk/art/artists/pierre-bonnard-781
Key features
Abandoned three-dimensional modelling in favor of flat colour areas for Nabi.
Was not interested in Symbolist subject matter, instead fascinated by the daily life around him.
Described as the most thoroughly idiosyncratic of all the great twentieth-century painters.
Recognized for his unique use of colour and his complex imagery.
Identified as a late practitioner of Impressionism in the early 20th century,
http://www.tate.org.uk/art/artworks/bonnard-nude-in-the-bath-t12611
http://www.tate.org.uk/art/art-terms/o/oil-paint
Coffee
The dining table used in this artwork was one of Bonnards favourite subject matters. Its associations
with domestic routine and conviviality linked to his intimate vision of art.
There is evidence of alterations in the work, which is why Bonnard used oil paint, as it made it easier for
him. The subject matter in this artwork is Bonnards wife; Bonnards domestic life was a massive focus
for his work. His domestic settings allowed Bonnard to record the atmosphere, incidents and
relationships that he caught with his eye, which Bonnard used and inspiration and implemented into his
work.
http://www.tate.org.uk/art/artworks/bonnard-coffee-n05414
douard Vuillard
Key information
douard Vuillard was a member of the Symbolist group known as Les Nabis. However, he was less
drawn to the mystical aspects of the group and more drawn to fashionable private venues where
philosophical discussions about poetry, music, theatre, and the occult occurred. Because of his
preference for the painting of interior and domestic scenes, he is often referred to as an "intimist,"
along with his friend Pierre Bonnard.
http://www.theartstory.org/artist-vuillard-edouard.htm
In addition to painting, Vuillard, like most of the other Nabis, was involved in book illustration, poster
design, and designs for the theatre. In 1893 Vuillard helped found Aurlien Lugn-Pos Thtre de
lOeuvre, which produced Symbolist plays. Vuillard designed stage sets and illustrated programs. He
also executed two series of masterful lithographs that reveal his great debt to Japanese woodcuts.
https://www.britannica.com/biography/Edouard-Vuillard
Key features
Less drawn to the mystical aspects of Nabis, and drawn towards the fashionable private venues.
Referred to as an intimist. Particularly known for intimate interior scenes.
Involved in book illustration, poster design and designs for the theatre.
In 1893 Vuillard helped found Aurlien Lugn-Pos Thtre de lOeuvre.
Executed two series of masterful lithographs that reveal his great debt to Japanese woodcuts.
http://www.tate.org.uk/art/artworks/vuillard-girl-in-an-interior-n04436
The Laden Table
This artwork is about the Paris house in which Vuillard lived with his mother. In this artwork you can see
Vuillards niece standing at the table doing her lessons, her brother at the window, a silhouette of
Vuillards mother on the right and a painting of Vuillard hung up on the wall at the back.
I feel the subject matter in this artwork is Vuillards niece, this is because there is not much contrast
within this artwork, the only thing that clearly dominates is the white apron that the niece is wearing,
this draws concentration towards her, meaning she if often the first element on the canvas anyone will
see. Also to support this she is also the biggest element on the canvas compared to her brother, the
paining and the silhouette.
http://www.tate.org.uk/art/artworks/vuillard-the-laden-table-n05145
http://www.tate.org.uk/art/art-terms/p/pastel
Key Links
Les Nabis is a group of Post-Impressionist artists, the majority of the members have very similar styles to
the way they compose their artworks, as well as the mediums they use. In both artists work, the way they
have positioned the viewer, it feels as if you are looking through someone else point of view.
As well as Les Nabis being Post-Impressionist artists, the group itself was known as a Symbolist group. So
youd expect all of the artists to of contributed towards Symbolism Art. In fact Pierre Bonnard and
douard Vuillard are a part of the few in Les Nabis who werent amazed or interested is having
Symbolism or Symbolic topics as their subject matters.
For Pierre Bonnard, his interest was in the real-life around him, so he was more of a realist. Then for
douard Vuillard, his interest fashionable venues.