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a ee Sy ae Nights » Rasputin The Devil Sent You ToLorado * Kreuzberger Néachte Y.M.C.A. * KissYou AllOver » MamaLeone MOSM N em nese MCS eR TAH Hits von Baccara: Bino - Boney M. - Chris Norman & Suzi Quatro CCRC U Iams ceI MO RMOLIM Cele RCO MeN UCN OL) RT RASC RU hen ecdgen i Y.M.C.A. INHALT Village People Kreuzberger Nachte Gebriider Blattschu8 Mexican Girl Smokie /Bernd Cliver The Devil Sent You To Lorado Baccara / Heino Goethe war gut Rudi Carrell Kiss You All Over Exile Lovemachine Supermax Mama Leone Bino Rasputin Boney M. Summer Nights John Travolta & Olivia Newton-John ‘Stumblin’ In. Chris Norman & Suzi Quatro Gemeinschaftsausgabe der Musikverlage: 12 14 16 20 24 26 29 32 CHAPPELL — INTERSONG — ED. INTRO — MAGAZINE — MELODIE DER WELT ‘Auslieferung: Chappell & Co. GmbH, Heinrich-Barth-Str. 30, 2000 Hamburg 30, Telefon 040/44 1531 Vilage People — Metronome M.C.A. Gm 2dd.4 basso 4. Young man, Yeung man, Text und Music: J. MORALVH. BELOLOWV, WILLIS there's no there's a place you eae young man ‘cause ein anew town there's no need ‘ay there and 'm vure you willfind —ma- ny ways {© Copyright 1978 by CAN'T STOP Musi, USA Edition INTRO Geby, Meise! HG, Borin, fr Deutschland, Sstereich, Schwelz. ‘Ale Rachto vorbehalten ~ Nachdruck verboten tobe to nave hap- od ite Horus Is fun to say atthe Y. uM & a n ne —— Ws fn to stay atthe a e+ ver ryt thing for young men to ent joy. You can ang out with all the boys. Wes fun to stay atthe —— W's fun to way a ome OT MG. As % Mi Gee You can get yours self clear you can You can _ et Your self clean imere's no ‘Young man, young ‘man, ‘are yeu have a good meal, You need fo feel down: Hist’ lng to “me? oo ee ee Jer fo rong oi IE You want vert 2¢ Yous man, ate you Haening to mie? Fiat Soy mah na do és witb) I aid, Young man you ean make real your seams But you've got to bow shis one thing. No man does it all by himself, I sald young man pur your pede on the shert, And just go there to the Y. Ma Cy As I'm sure they can help you today. (To Chomsss) ‘man I was once fn your shoes Tas down and out snd with the blues, 19 Man cated if 1 were alive, felt the whole world was 10 Jive, ‘That's when someone come up to me And said, "Young mar, take 4 walk up the street, It's a place there called the Y.M.C. ‘They can start you back on your way, (To Chon 2. erat 8, Und wie 4 Takte = 4,5 Sek, Verse site schon seit ‘ner Smn= de aiem> ich dumm — a frage mich doch son Typ, beh tus dies", ich age jay inne mer er teint dann Gie~ “Se Fra be iid # ein um) elt nen Koel pear) tach her um, ten Wire sehare pos ie ky drum ier" eh les, aa der ‘Sind ach let ur die” Aue gen lat, fch sagt: vere a oe | tain ke schnell, ob wohl ich's nicht vers trag, weil ich wer der sage a8 er von det Zel= tung war’, ‘und da schwin-de, lew be Sn» de raze ort mir, in dies sem © Copyright 1978 by SINUS Musiveriag Hans Ukich Weigel GmbH, Bertin, ‘Ale Rechie vorbehalten ~ Nacharuck verboten, volz Je och lee re GES ser wart er der "Lor als = tem dak ied bleibe's aus nahms- wel- se mal beim Da plote~ lich set- zen Bin ‘Reat- ‘ner oft, fhe Frth« mor gens wack" ich aid sich sechs Mann gu mip und, bee sels len laure stark, foll- “tet. euch was schaim’s, ein and! =rer meint, das 1 ge auf, Seche zehn- uh “zebn, die enw ze Welt stheine # # # bring’ se mal dzei_ Bier, ich seh" schon dop> pelt und dat aus gu= tem al les am Sy- stem, das i “to Msank wie mef- ne Let ber, Sgt" ‘ich sich um mich al reba, sur im Margen fihy le ich mich niche so denn in E+ che knel= pen gett es, uma die zwolf Sew me- ster warn doch nicht ganz um ein von den drei= ig Blet> chen” = ge=— stem war woh ia eee Refrain a Kreuz- ber= ger Nach” te sind Lang, pats [igi gd c Kreuz- ber ger Nach te tind «dang, is srg Bit fang'= so jenz = dang- sam any gear dam, 2 Jeu gO oF" LD e Mexican Girl PETER ORLOFF (Orig-Text und Musk: CHRIS NORMAN/PETE SPENCER & Deutscher To LeJuan- i came 10 MODERATELY (tte) “skin was sof “Rs the T.. me last and she exied over and ov ets vel vet ibd bee “hate ft shone 1p the moons ight, Deh, fou know and 1 think and as the te turned to day. ite the and T D D : She ~ looked so fipe welt, she moon light, ‘Made in 42 co, ee berg. ‘Then the looked at me with her (© Conyrgnt 1978 by Chinnichap Pubishing/Smokie Publehing/Rek Publishing Ltd, London. ELODIE DER WELT, J Michel KG, Musiverag,FrankurtiMln fr Deutschland, Osterelch, Schweiz ‘Ae Rechte vorbehalten — Nachdruck verbaton, Jooked al- right aud she moaned, "Ooh,Dade ay, move on vet schooled in France Ooh ia “ove” ‘int'she need-ed” “no” teach ‘in, ‘dark brown eyes ind she Whis+ pered,"Has= tala. vise ta, Ab Om, —be= by, you Know what 1 ike and 1. think i's the Oh, | man, 1" Gan say——— nw cere nas tons at ways 1 be Well, I don’t know’ whar she means— but it’ sound=—— ‘ed $9 good so G6 ‘CHORUS > don't leave me a> lone, ——— 1 gota heart as big st a stone 1 wane you to say, you ktow my heart i longing to “say — " AP and 1 need. you be lieve, that as long as" oT live me, to. be. and love. me 1 will al | | Ss 7 Mex- i+ can Gil mem=—_ ber the one that 1 caed —_____ my Mewsi= can Gin 2. Her Letzten Sommer in Mexico und mein Auto blleb plttzlich stehen. Keinen Tropfen im Task meh und welt und brett niehts ru sehen, Stunden stafd ich 2m Strasenzand, bis eln Auto kam um halb sieben, Es var klapprig und alt, doch sein Inhalt, der war 2um Verlleben, Bin junges Madchen stleg ausz “Kann leh dir helfen?” Host" teh se fragen, Und sie-gab mir Benzin, dock ich konat’ niet umdin, {ht 24 sagen: Mexican Gis, heut" nacht oder aie, Bitte sag olcht, es ist noch au fu, Ich bin morges sehon weit, und bis morgen ist Zelt fr uns zwel, Mexican Gif, bald bis di alletn, ann ist mein Herz so tchver wie'ein Stein, Doch ich werd" oicht vergesten, was heut" nacht gewesen ist zwischen uns zwei, Mein Mextean Gi Zwei Autos standen am Strafenrand, und die Nacht wurde zum Morgen, land sie sagter "Tetat rub ich nach Haus, denn die machen sich Sorgen.” Ste sab mich mit waurigen Augen an, und sle sagte: "Hasta La Vista!” Vielleicht war es ein Abschied flr immer, als ich sie kaste. Mexican Gitl, bald bist du alleia, dann ist mein Herz so schwer wie’ein Stein; ‘denn es witd langsam hell, und der Morgen, der kommt viel zu selnelt, Mexican Gin, ich bring dich nach Haus, bitte denk nicht, "es macht mir niches ausy denn ich werd" hie vergessen, was heut" nacht geweven ist awlchen uns zwei, Mein Mexican Gin, bald bist da atlein ."s. : teat tee Ib4 The Devil Sent You To Lorado Text: FRANK DOSTAL Musk: ROLF SOJA Rel eo MP1 att cesmember the plo Verse 3 no the tame old me- lor diet______ the late aight a no diff rent me- lo- dy ————_you won at was wild and loud but then a shot outeside the dee eft all che men velthout 4 barroom, And then I. saw you for the frst time. dollar, And now you gor ta leave Lor rado. {© Copyright 1978 by Magazine Music, Muskveriag GmbH & Co. KG, Hamburg 36. ‘Ate Rechte vorbohalten — Nachdruck verboton, the way you steppedout off the dark upto me bar the waat You om off here by noon ch can tell oS, are whisehy for me foryouTe-qui- 1a," The de-vitsentyou t Lo- "0, hete we go to Atmailll- 0. . because he knew thar was there Amanwith such a face tn such a because he kuewthat | was there “And\chen? hasta you'd stay I felt it Jone-tome place can ‘The devil sent you to Lam right awa sul re> memeber the pir 4 Rudi Carrot ~ MAC/CBS Goethe war gut (SWEET MOLETS) Dt. Specatext: THOMAS WOITKEWITSCH (Orig-Toxt und Musik: CY COBEN/CHARLES GREAN sia HE sien yar pane ex, kam = mals zur ee =(esiey kam aus der Stadt und sie hate te NS (GB) sagy te au thy Dumein—Nav_me__ it nf ub ver sog- te die. Schwef- ne, den Stier. und die = O- ma, die Der some ders ges fiel tim fbr kraf™ «= ges Hun- ger, und fh Sch’ gwar fue, doch ich = bin gar ein Let Ter, bin meine te¢ Du welt doch ge naur ein di die ger Lande wit, der was He ver> spree, fand fret, Se War bes stimmt ein "sa~" me Reus en, der hei” ray ten mud, dare Mf gab “sie thm el nen braucht ei= ne Frese, Bem = Dorf- ball sah er volm- er Last ein Spite se im = Kow_ chen, er wu te gwar, was je~ der, wei, aie gunz tes Ben Kaf= fee, der dann war, doch’ Tie» be macht blind. er © Copyright 1951 by Edwin H. Moris & Co. Inc. New York. ‘ChappalMorrs Lid, London/Chappell& Co. GmbH, Hamburg, ‘Ate Rechte vorbehalten — Nachdruck verboten, 6 Msd- chen mit ei-_— ner phan ta sti>_ sehen ell=- le, Sie tanz= ten nicht E- “heist etzt~ lich “Goch der gro8- “te 'Se~_ gen, und fle Ut ‘sn nahm sie ins Hea und ‘sie rrteg> “te ein'n Sehmup- fen, des- hal bat er aus dem Grund, er fach_ so nach_= Mist unde = rach «aus, dem ss fem ‘Kom plex Mane ner woll'n im= mer ur_—eim = und wats ihe re Hand, bald a= men Bas bles am Tae fen= dem Refrain ‘Coe the var gu, Mann, der tonn- te retemen, wenn ich ¢s vere such',schwite Ich Was> ser und Blut, lund teh merle , ste | jer dese mals Goe= toe var [ioe 8 | fer 16 Text und Musik: NICKY CHINN/MIKE CHAPMAN VERY SLOW When I get home,babe,——_gonsna light your fire. AML day I been thinkin’ a bout you 4 o44ig 3 3 4 babe, you're myone de- size, Gonna weap my arms ax round you, hold you close tp me, Ts 44 (Ob, dabeytwantto taste your lipssI want to fillyour fan tar sy, yeah! 2 3 © Conytignt 1978 by Chinichap Publishing Lid/Rak Pubishing Ltd, London, ir dle Welk auBer USA und Canada. MELODIE DER WELT, lone! KG, Musixerag, Frankfurt/Main, fir Deutchland, Ostrich, Schweiz ‘Ale Rechte vorbohallen — Nachdruck vetboten babe, don't know where'd be, You're not just_an-oth-er lov=—er, no,you'e evrything to me 1 ¢¢ o¢2 2 © Evtry time I'm with you,baby, 1 do the things you do. 2g ‘You don‘thave to say a things, just can't be-lieve it’s true, a4 ‘You can see it in my eyes, — 1 Jet me show how much, 2 4 Gon'tiknow what'd do with out you, aoa hen you're layin" fa my arms__and you ato 2 can feel it in your touch, a4 Love you, _ need you, yeah, 1 want to Kiss you all ov ver__ and or ver gain. 1 want to kis you all ov ver 8 ‘TIL the might closes ‘, ill the night clos es Stay with me,lay with me, hold-ing_—me,lov~ing me, 19 bar bye Here with me,near with me, feeling youclowe tome, ba ——_— So show me, thow me eve" ayrthiag you do, ‘Cause,barby, no one does it quite like you. a 4 J 3 4 Till the night closes DS.al® REPEAT AND FADE AD U6, [FINE ‘Text und Musk: KURT HAUENSTEIN SLOW-BEAT If you need — nf need a one—day lovs__er * Rbythmus simile Just call sev-en one day love ‘© Rhythmus simile usw, im gletchen Rhythmus © Copyright 1978 by-ROCKOKO MUSIC* Musiveriog GmbH, Bedin. ‘Ale Rechte vorbehalten — Nachdruck verbotan, 2 if you need —__ me a ro day's — lover juste 8 1 ‘ 5 4 3 2 today’s_—_ lover ‘cause the Tove —____ love T will give— you. ‘cause the love —_ the Tove Twiltgive— you — sweeter than ——~ ‘+ nysthing else —____ in this world simile ctor: Sweeter. a ny-thing else In this word 23 cHoR: Sweeter — really sweet 1am ss machine in town the best you can get_— five ty mfles a> round te Toye machine intown [2 (ipoken): get a piece 2 Macma le- one. du mutt ein gn gel sein, Mama fe > ae, Mazma Le > ne, wokommt der Wa =\gen her? 2.x Bva fad lib.) 3 3 — Masma te-o = ne nur fir die Arcmen sehiagt dein = Masma [e> 9 > ae ——— Well dann die Hoffenung in tne”= te Mama Le= 0 + ne, fin schwar-zer Wa-gen mit ef ~ nem = ¢ ¢ 3 (© Copyright 1976 by HANSEATIC Musikverlag GmbH, Hamburg 12, ‘Ale Rechte vorbehalten — Nachéruck verboten. 25 emma ting Ma-ma le - 0 - ne, Her- zen ight, Mama le > o> ne Bin men = mee: Maca te 28 2 ne, — i e du hast fr dieses Dorf 10 viel ge~ tan, en Kin-dem hast du Brot ge- Viel< leicht witd morgen al= les bes = ser sel, ann brau-chen Kin- der nicht fu must du Zu=rick in die~ses sche ne Land nachdem wir al- le uns 30 ge ben sle_ha~ben sonst nicht viel vom Le ben Max mae-| "2" Wet nen, dann wach-sen Blu-men aus den Stel ~'nen_ Mas ma le = ne. seli=nen,” a5 uns be freit von un = ser'n Tet nen Mas male- 0- nes 2 Mas ma Le ne Mas ma Le= = net 3 Text und Musk: F. FARIAN/REYAMIF. JAY cms: live da cere tain man in. Rus sla Jong a> go he was big and. strong inhi, ruled the usc lan land and ne- vermin the Czar pit the Karta choke danced man just_got- ta go de- cla~ ted his _ene-mies but the _la~_dies_ begged don't you it pare ple looked ‘ith and fe bat to eyes a flav ming glow mest” peor ple looked at him, with _ter-ror_and_ with fear, but 10 real ty une der Bae in BR” RFE Sls Gf ata’ “he warche amano" prea, bur Be ty 1 “do” it please, No daube this Rar= pur in” had Tots of ‘hide den Charms, though he ints: i Mos- cow chicks he was such @ loves ly dear, He could preach the war real at when he had’ a gil to squeeze. For “the queen he war mute they just fell ins to is arms. ‘Then one night’ some 1 © Copyight 1078 by “FAR Muskverag GmbH, Borin. ‘la Rechte vorbehalten — Nacheruck verboten. 2 bibele like a preacher full of exe tat sy and fire, But he ale 10 was no whee-let dea~ er’ hough she _heatd the things he'd done, She be Ueved he Men of higher stan- ding seta rap they're not 10. blame, Come tovie sit cher wor men would dev fer’ Who would fest fer son? GIRLS: 1,/2, Rav mae nase pur ein ding and) "he" realy ly) came, MAN: 3, Rav a= fase pus tin Jor ver of the Rus-slan queen there was a cat that real~ ly was gone, Rar rascpuctin Jo= ver of the Rus-slan queen they put somepot~ son in tol his wine. Rae rascpu-eln Ruvvsiat greatest lovermachine ft was_a shame how he carried on. Pusat greatest lovesmachine he drank it all and said feel fine, SPOKEN: ut when his drinkin’ and lusting, and his hunger for power hecame known to more and more people, the demands to do something about this outrageous man became Louder and louder! iy by lay hoy AY NY hey dey ap ieg r MaMa ae eu alla erecta gna ye rage sas pus tin us~ sian queen Hs pur tin love ma “Chine ‘they didn't quit- they [Iowancted his head 2. POKEN: sey a ae oe eel wD Jonn Travolta & Oliva Newtonvohn — RSO/PoL Summer Nights ‘aus dem Fimweteroig "GREASE" Text und Musik: WARREN CASEVIJIM JACOBS BOYs"Summer lov-in’, She swam by mez Took her bev~ ing MODERATELY 4.(Skoacintlt turned colder hhsd me Summer lov-int —_—ap-penedsofait, BOY: Met git, she got He ran. by me; ot my suit damp. Saved er fe; ino We went stilling: drank lemonade. __'we made out that's where itends So "T''eld her “we'd etl be frends, imi: Then we made crs zy for me, GIRL: Met a boy, cute as_can_ be, Summer days She neer= ly drowsed,— He showed ff, splashing “a round. —— Summer aun, uun- der the docks We stayed out till ten o'clock, —— Summer fling our tue love vow. —— BOY: Wonder what She's doin” tow. Summer dress diifcing a= way to, BFK, ob, those sum= mer night, Well =a, well= a, well =a Something’ begun, —— But, uh, oht those sum> mer night, —— Well at well ay well =a beg dontmenta ge But oped atte ak Bw © Copwight 1972 & 1978 by Warron Casey and Jim Jocobe, ‘Al rights throughout the world controled by Edwin H. Morte & Co. Inc, New York, CChappel-Morts Lid, London/Chappell& Co. GmbH, Hamburg, ‘Ale Rechte vorbehalten ~ Nachdruck verboten, wh. Tell me more, Tell we more, Did you get very Tar? y Tell me more. Tell me uk, Tell me more, Tell me more. Was it. love at fit sight? Tell me more: Tell me Tore, Like, doer he havea car? more, Did” she” put up) a fight 3 ‘uh, ohythose summer alghrs, —__ ‘Tell me more, tell me more. But you don't got to bra —— Tell me more,tell me more. ‘Cause he sounds like adrag. —_ ‘Shusda bep bop. Shu-da bop bop. Shu-da bop bop. Shuda bop bop, GIRL: He got friend-ly, hold- ing my band, 31 BOY: She got ftiendly, down in the sand, im He was sweet; just turned eighteen, BOY: She was good. You know what mean, —— summer heat; boy and girl meet, But, why oh those sum= mer nights, Tell me more. Tell me Las TIME mote. How much dough did he spend? Tell me more,tell me more.Could she get_me a friend#SLOWLY DS.al® Tell me more, tell me more, yr J ooenaretr (BOTH) Out tove eae te and vo we ber gts, | tf ont Seda ct doe 2 3 v ——— Foolristely tayring ourhearts on the ta= ble, stum=bi-in" tn, 1 A pnt Re‘n on Golan cr dom ‘ + 2 i Our love is a flame boring withvin, pm Ren cmt Sele ct lo® FA 9 \ 1% vov int ifa—_ter pe etter aap wr OA A von Rm sm So fom edoe | 6 sete 4 faa © Conyton 1978 by ChowichapPabiating Lak Pbling Lid, London ly | MELODE DER WELT, Michel Ka, answer, Fairs, or Botcand, Ost Sohne . ‘Ate Rechte vorbehalten — Nachdruckverboten 139 | Cot leh Gi- 69 WA Fah £9 -#A4 4) c (a HE) ‘Were-evrer you go, whats evs er you doy om Sel tder h 7 LX 2 a4 are fle towing you, L_ You know these zecke ess thoughts of mine: pm Rem odor A EES Gu fq pom na epg om @? { 29 ‘ ——‘camoshary,youvesbows — me 20. mare things thar 1 never ney, fp 20 RE ie om Sola ot do — GOTH whatrevrer ietakes, Ba-by,I"l do efor you. '_seerdone tr Five hy Ys couplet 2 (HE) Youwereso yourg, ah, and Iwas so free. [-——_(SHHE) 1. may__have been ; | So a] 52 ppg oot vine ee lg Bet ate aa i young but, Su Sd v6 (SHOR, why wari mer__f te) ae by, you stow > go me s0 mary: things that 1 newer see, —_f— (BOTH) whutreve er you need,