Beruflich Dokumente
Kultur Dokumente
Fiction
Structure
• Chronological: The storyline follows the literal, sequential order of events.
• In medias res: "In the middle[s] of things"): The classical tradition of opening
an epic not in the chronological point at which the sequence of events would
start, but rather at the midway point of the story. Later on in the narrative,
the hero will recount verbally to others what events took place earlier. Usually
in medias res is a technique used to heighten dramatic tension or to create a
sense of mystery (http://web.cn.edu/kwheeler/lit_terms_I.html)
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• Frame narrative: The result of inserting one or more small stories within the
body of a larger story that encompasses the smaller ones
(http://web.cn.edu/kwheeler/lit_terms_I.html)
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Style
Formal:___________________________________________________________
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Informal/Conversational:_____________________________________________
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• Syntax: the standard word order and sentence structure of a language, as
opposed to diction (the actual choice of words) or content (the meaning of
individual words). http://web.cn.edu/kwheeler/lit_terms_I.html)
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• Tone: The writer’s attitude toward his or her audience and subject. The tone
can often be described by a single adjective, such as ‘formal’ or ‘informal,’
‘serious’ or ‘playful.’
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• Point of view: The perspective from which a story is told. If the narrator is
part of the action, the story is told from the first-person point of view. We see
and know only what the character telling the story sees and knows. In a story
told by a third-person, the narrator is someone outside the action. An
omniscient third-person narrator is all-knowing; the narrator knows more
about he characters and events than any one character can know. A limited
third-person narrator tells only the thoughts and feelings of one character.
First-person:
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Third-person:
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Omniscient third-person:
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Limited third-person:
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Irony: The general term for literary techniques that portray differences between
appearance and reality, expectation and result, or meaning and intention.
• Verbal irony: Words are used to suggest the opposite of what is meant.
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Theme
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• Archetype: An original model or pattern from which other later copies are
made, especially a character, an action, or situation that seems to represent
common patterns of human life. Often, archetypes include a symbol, a theme,
a setting, or a character that some critics think have a common meaning in an
entire culture, or even the entire human race.
(http://web.cn.edu/kwheeler/lit_terms_A.html)
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Characterization
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Humor
• Wit: Elements in a literary work designed to make the audience laugh or feel
amused, i.e., the term is used synonymously with humor. In seventeenth-
century usage, the term wit much more broadly denotes originality, ingenuity,
and mental acuity--especially in the sense of using paradoxes, making clever
verbal expressions, and coining concise phrases.
(http://web.cn.edu/kwheeler/lit_terms_A.html)
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• Sarcasm: Another term for verbal irony--the act of ostensibly saying one
thing but meaning another (http://web.cn.edu/kwheeler/lit_terms_A.html)
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(http://web.cn.edu/kwheeler/lit_terms_M.html)
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Nonfiction/Argument
Rhetoric (art of argumentation and discourse)/Rhetorical strategies
• Claims: An assertion that presents an argument from a personal point of view
Specific Literary Example:
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(Honors only)
• Pathos: creating an emotional reaction within the audience
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• Logical fallacies (basic intro): Fallacies are statements that might sound
reasonable or superficially true but are actually flawed or dishonest. When
readers detect them, these logical fallacies backfire by making the audience
think the writer is (a) unintelligent or (b) deceptive. It is important to avoid
them in your own arguments, and it is also important to be able to spot them
in others' arguments so a false line of reasoning won't fool you.
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• Deduction: The process of logic in which a thinker takes a rule for a large,
general category and assumes that specific individual examples fitting within
that general category obey the same rule. For instance, a general rule might
be that "Objects made of iron rust." When the logician then encounters a
shovel made of iron, he can assume deductively that the shovel made of iron
will also rust just as other iron objects do. This process is the opposite of
induction.
Sound Patterns
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• End rhyme: Rhyme in which the last word at the end of each verse is the
word that rhymes
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• Internal rhyme: A word in the middle of a line rhymes with a word at the
end of the same metrical line
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• Cacophony: (Greek, "bad sound") The term in poetry refers to the use of
words that combine sharp, harsh, hissing, or unmelodious sounds. The
opposite of euphony.
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Figurative Language
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Fixed Forms
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• Lyric: A lyric poem is a musical verse that expresses the observations and
feelings of a single speaker. Lyric poems have a musical quality achieved
through rhythm and such other devices as alliteration and rhyme.
Specific Literary Example:
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• Ode: A long, often elaborate stanzaic poem of varying line lengths and
sometimes intricate rhyme schemes dealing with a serious subject matter and
treating it reverently. The ode is usually much longer than the song or lyric,
but usually not as long as the epic poem. Conventionally, many odes are
written or dedicated to a specific subject.
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Drama
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• Reversal: The point at which the action of the plot turns in an unexpected
direction for the protagonist (http://highered.mcgraw-hill.com)
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• Catharsis: The purging (release) of the feelings of pity and fear that,
according to Aristotle, occur in the audience of tragic drama. The audience
experiences catharsis at the end of the play, following the catastrophe
(http://highered.mcgraw-hill.com)
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• Aside: Words spoken by an actor directly to the audience, which are not
"heard" by the other characters on stage during a play
(http://highered.mcgraw-hill.com)
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• High comedy: Comedy that is sophisticated and clever; often pokes fun at
the upper classes
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• Low comedy: Comedy based on crude or low-class subject matter; slapstick
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