Beruflich Dokumente
Kultur Dokumente
Submissions should be articles no longer than 8,000 words, prefaced by an abstract, and sent
by email to: plijournal@warwick.ac.uk as a Word, ODT or RTF file. Include an e-mail
address for future correspondence.
Before submitting an article, please ensure you have read the Notes for Contributors.
Truth will begin only at the moment when a writer takes two different objects, poses their
relation, analogous in the world of art to the unique relation of causal law in the world of
science, and encloses them within the necessary rings of a beautiful style
My concept of objective and at the same time highly political style and writing is this: to focus
on what is denied to the word; only where this sphere of the wordless discloses itself with
unutterably pure force can a magical spark spring between word and dynamic act, unifying
them. Only the intensive aiming of words toward the nucleus of the innermost muteness can
be effective
I ought to have sung this new soul what a pity it is that I did not dare to say what I had
to say at the time as a poet. Perhaps I could have done it!
Philosophy has tended to be regarded of as dealing with pure, ephemeral thought. Its world of
ideas is one into which words intrude only out of an often tiresome secondary need: the
need to be recorded, catalogued, communicated. Yet properly considered, philosophical ideas
are inextricably bound up with their formative materiality: the words, tropes, forms, and
figurations which not only enable their communication, but inform and structure their
formulation. From Heraclitus use of oracular poetics to Adornos strategically difficult,
resistant style of dialectics, certain thinkers have not only emphasised this inseparability but
made central use of it in their philosophies. They have embraced and deployed style, made
use of literary and rhetorical form or particular modes of semantic construction, and played
with words, tropes, and phrases in the development of philosophies which think themselves
through such devices.
For our twenty-ninth volume, Pl invites papers which explore the place of style and form in
philosophy. Submissions should seek to interrogate the relation between what we think and
the way we think it whether that be through examinations of a thinkers specific style or use
of forms, or through broader considerations of the significance of language and literary form
in the structuring and formulation of philosophy.
Possible topics for papers include, but are not limited to:
Varia
As well as works addressing the theme of each issue, Pli is always happy to consider: