crysis = ARTBOOK lotutichilitioh NANO EDITION Mea Ts Tre Tis adalah Ayvatualisitiaycrysis = 90 INTRODUCTION 02 Oo) ENVIRONMENTS: 06 Work in Progress ( Dennis Chan 1 14 The Artist specks [Dennis Chan 28 The Artist spake [ Vitor lonesan 28 The Artist specks [Frans Hewon 2 02 CHARACTERS: sa YQ f The Artie apaals (Can Walker | 53 es Nae 7 ARTBOOK The Artist apache oa la The cts: spa 10s Content (>) 04 PROPS m The Artist spooks ( Gragar Maple 28 o5 STORYROARDS 140 ‘he Artis: speaks: [Asti Castle ve The Arist specks (Trudi Coat | ua The Arise afesks (Bors Hiseicky] ve 05 COVER ART 154 07 MOTION GRAPHICS 164 The Artise speaks [ Andrew Booth 166 08 THANK YOU mm Biisliocbacholuvlibvlisboetatialdstibctbaliateestacbcbaabostastibochsalaatiartetaibiebsabvle eg areca nano eran localeorrsis= GETTING OFF ON by Peter Watts . There # certain beauty in deetruction im bosed ef caurse Ive geellly deocrbed the . earh throes cf the whale damn pleret mare then . feck in my oan wreng Sb you cent dery thar trecughaat the known inverse death ered ‘esrructian a whar ta al about Ertrony Freee fen: things Fal ape: the cerear cearot Pot Four Pent cosmologes! madels beer aut were baking ‘doin the barrel of timate anfltion at the ered of tire e derlfista vor where even protore dey ireo restirgress. ARMAGEDDON 4 inthe maarina herds Gyaa “This dk gta you wah mania Fur 5 cot igh sway on ones, or sured amay nan ‘Seon tala ar the bateorn eft postcards fran trey mare Wohin these pages youl saa ina shottorad starefrores, ‘whole aeyines fir (Even F we cant actualy nama toert for comyricht reaeone Ur boca fame omen wart to ae apentiarei ith Winlarce’ and Is realy Fang no ane brings up the rquiston ‘gan. But feégracal Lafipthtirstiibidiny“Those are tha artists wha Lckatart the Faure Theyre the era we First desired he Fiat showed us what Acar’ uni wee gong to lek Ike. There & thebeckin fpinct whch theunards die Thesis the cxerm Feuse utera teres ie tran abut ie ove, whore prisire stata of fldad badly boge stretch fn far ina the datance thay male er own horizon Theis where sian paractes ~ hatach, htiseue ~ dure mutersorg eee tenth a banter corpres end suck them dey. Noe exer the humans ere huren for the mas: pars embeded inthe ermorad chee of predatory eae with infrared eyes ar sterng cut ct the work threugh the ightberding cyclopeeyas of haart sue {The Fac that are or te of them mht cee sccessorized with rk pkardats doesst realy iarectalltrat much fram the anocs}ypse Nee ‘iy thawghl The very her of thepiece — Feet mss = what fe — ook the acting oo much ee gore Figfvtech goer flayed evn the muses mare = pradiet of opera robaticalabe then of eny ere flog heteen men ancl weman, These are Byers of hellCenke never imagined thane are shee tet shod mabe yaur shn eraed Ard yet comahavs tal ches — beo.eFul Thisis carnage rancered aa eile a crucx wih se muraliterioca shoricg @ heft of pala surlighe nth erty bau Arderelr church, rere Feemerl ty smple are! merore rts carne encore terpl froma inst corarent Sornahow teres ‘pean ave yhora h Manhattan froctured angers spit Sich Averue, maja: warerfells hurdler avr Broadaay. An efi buddng merphe int on scout erga, Fourteen series Hh CCrytis artets hem Fareed ertrepy ant thi chy core are turned tina on absurd anc gerious (pngle There may be olen behind the earrege bub the @ Nene’ Aemagecan Beauty destruction, Hl re te eure how they 16 that The quys tated these mages have oot tobe sor hod of ack geniuses,SLNAWNOYIANSAcRysis= FOREWORD MAGNUS LARBRANT Art Directorcorsis =ees a) heer Peete eet ceed Sleatetice eset erent eed leet tee ea ei ge aeee aed BS ee Far see sl el eee beter Seen pee iment ae setter cater tia « WORK IN PROGRESS 5 pe OL CO heeeseste teea eT CCE eee eee ee ee ee ee ee eeWis lbp ho hvdontinb giant Minh ees Semen ater ae s 64 Gee mitacRasis' WHERE ARE YOU FROM? 1 crow up nthe mast epi esha Harmallen), Gather, Sweden HOW LONG ARE YOU WORKING IN THE INDUSTRY AS A CONCEPT ARTIST? | edad en my Fret pb ee professionel Concest Artist ot Crys eet have een working here fer elmast wn ard ha years WHAT WAS YOUR FIRST CONTACT Wark ART? Since ight my firs par are pepe and rayne tnche cn since my parerts were ody thrking thee a bray wkd enyny ping area Fi oon ands woh aasiteres? I eritrereerben that moment but ti got the drawing. pene ‘hate y Fret contact wth at conernne ih fpomes certacn al =0.0n WHAT IS YOUR GIGGEST INSPIRATION? Lie tha my igest eration, He its apc, ts un lid bt vary inte, yeu can lesen Sa much Fron tot the same te nothing, we have soon b tbeen thre dane the. tcl yuu bk? WHICH ARTISTS INSPIRED AND INFLUENCED YOU? Every orto repinen me end rely ilgencan me ao ve prefesseral, unpre sal urnore, ariel evry style anything erie the way pers watts ere en dFFera. co unRUe, Unareeet bekanced qe Wb ore a petane > The Artist speaks WHEN YOU ORAW AN ENVIRONMENT FOR EXAMPLE , 9 YOU DD & LOT OF PRELIM! NARY SKETCHES, OF 18 THE WORK MOSTLY AFIRST IMPULSE? ‘The vay |wark i very ‘experimental {ekwaye change the wy | werk [Someeires Ian do ten thuréneie before | stare Most of tha tin | st start Fava an ieee. guess experimertra keeps me intrested fond cfelenged Sorchow the end recut ooh the aame reimetter what. Far work ea have 2 couple of dofned wey of werking. Far example there ise dffarence n the work flaw Ihave re dy i werk on 8 concept or thrae ar ive days I qlese the mere te | have the move tre can tener rw things IN THE SKETCHING WHAT IS YOUR FDC, FORM OR COLDA AND LIGHT OF jonny FEELING? Wher I chotch ind of hee very atrzract in the buginirg FI have dain Hid fF fink El londy wart 9 lt new shop sic Fara thet eon cormruncate something rere ine Maced ane! hf ala en irgertantheg her [sheen Bs | ry eo hoop & 2 open fer new is ard charges as posibleWHERE ARE YOU FROM? Sake a smn peaceful esburb ta Stockhaim in Sweden HOW LONG ARE YOU WORKING IN THE INDUSTRY AS A CONCEPT ARTIST? = baa ‘ove a year now that have keen working aa @ CCincepl Artct Bere fe worked about two yeora as an Hustrator WHAT WAS YOUR FIRST CONTACT WITH ART? Old grarhic novels ry del hed sever | cit rad Engen ot the in, but the hawinge cay feecinated me WHICH ARTISTS INSPIRED ANO INFLUENCED YOU? A tof araing artists are peer WHEN YOU DRAW AN ENVIRONMENT FOR EXAMPLE, 00 YOU 00 A LOT OF PRELIM NARY SKETCHES, OR I THE WORK MOSTLY AABRST IMPULSE? Io oth dsperes on whe ware werd up wth. oe o the ties 71 have chor aa in crs shetch | ual wore with ‘hat one Dang mary shetchos usualy to wer ‘sore pratlem fut then tras dane war to che | | VIKTOR JONSSON - | crysis= ipta pants, Thera vever just ore way taco things so sketches are quod Fired cxher engl INUTHE SHETO-NG WHAT 5 YOUR FOCUS, FORM OR COLOR ANG LIGHT OR MODD/ FEELING? When onl sketching on per focus manly en form nd compost pre. ight nce Fearests me reat | gp oe mad mind but anyway thaw tn be defined by thage other meen Pow weit yau Fel 7 you toad in the achiol enirermere youre peirting? Celera ore thing Irealy negeeo experment rere vith WHATS A BAD ANO WHAT 1S & GOOD PAINTING IN YOUR DPIMON? | fue partie thot cffer scree naw tothe wert. CRereimes fm Soa ingen by paintings thet are amazingly wll sre The best ashknge are those wo do beth inmy opirien. Werks of ar that teres yu to ‘work harder none dey come cose to parting lke thee yoursok ia the border oF good ert thet inspires yeu conekenly moves My de ere thet | ‘was pret of dante anymare Sa the qusstion bea et relative ta wha youre asking The Artist speaks (~) valisalocaliassafiaslatealiveloitiaclinliarlia oe srrecocwasn enoCUNO 46. O68 yycrersis= same VISUAL CHALLENGES FRANK KITSON Senior Art Director soyg | GHARACTERSorysis= 2 _ ALIENS AND HUMANS _) MAGNUS LARBRAND Art Director Same vant for the Huran characters bull yp @ y cf tory cheractera and combo “The goal was for the ples behave better ard thercreapsis2=i coasis= WHAT KINO OF PROUECTS HAVE YOU WORKED ON? Thus for Ive vere! cn over ‘wary Am a eefaision presser he ‘wa Chea Neen drerred! atren Rms, Qactar WHERE ARE YOU FROME Yorishire LEC (Whe, the Golden Compass, Robin Hend, Prince of Percio ard enay Piters ipcarng Jen Carte HOW LONG HAVE YOU BEEN CONCEPT ART of Mors to aames fos IST] PROQUCTION DESIGNER? Ive worked 2s 2 froreege artist nthe fim televeon ore gamns ARE THERE ANY LIVING OR DEAD ARTISTS incusery fr the past seven years “THAT HAD A PARTICULAR INFLUENCE DN YOUR WORK AND WHAT INSPIRES YOU IN WHAT NSPIRED YOU TO BECOME AN ARTIST? YOUR DAILY ARTISTIC WORK? Chie to my Irepration to became an artist? Vetualy always kur Dasign roots Fd thet Architees and warted tobe = deceser Happy he art are oper are sruch ofan rfkierca as arte Iuerretya srk har Plans haan an togral pert’ fact mare 2a Gucheinster Faden Arch Kear cfthe desen process A ecconcepe arts. ve —_Lebiss Wends Fin Muck, Tarren faurd thet the 2 hove complement ane ancther Ears Mathew Hiton The let perfectly Fagarding daly toprol proche! automotive devigners and cereapt are oom, Ore slnaya needa cmecre or to expire ta DAN WALHER ~( > The Artist speaks (SX