Beruflich Dokumente
Kultur Dokumente
2016
Theory
Placement
Page 1 of 7
2.
Write
the
requested
semitone
(ST)
or
whole
tone
(WT)
above
or
below
each
of
the
given
notes.
ECMS,
2016
Theory
Placement
Page 2 of 7
1. For
each
of
the
given
key
signatures,
name
the
major
and
relative
minor
key.
2. Write
each
of
the
requested
scales
in
the
clefs
provided,
one
octave
ascending
and
descending.
Use
whole
notes
only.
Provide
the
proper
key
signature
and
use
accidentals
where
necessary.
ECMS,
2016
Theory
Placement
Page 3 of 7
(d) A Lydian
(e) Bb Aeolian
III. Intervals
ECMS,
2016
Theory
Placement
Page 4 of 7
1. Add
the
correct
time
signature
and
name
the
type
of
meter
it
represents.
ECMS,
2016
Theory
Placement
Page 5 of 7
2. Write the requested triad in root position, first inversion and second inversion.
ECMS,
2016
Theory
Placement
Page 6 of 7
4. Complete
this
figured
bass
by
providing
a
roman
numeral
analysis,
then
add
a
soprano,
alto
and
tenor
line.
5. A
chorale
phrase
appears
below.
Answer
the
questions
and
follow
the
directions.
a. What
is
the
key
of
the
excerpt?
________________________________________________________
b. Provide
a
harmonic
analysis
using
Roman
Numerals.
c. What
kind
of
cadence
closes
this
excerpt?
____________________________________________
d. How
do
you
account
for
the
F4
on
the
third
beat
of
the
first
measure?
____________________________________________________________________________________________
e. Circle
and
label
all
of
the
passing
tones
and
neighbor
tones.
& bc
w
w
w
? c
b w
J
##
In C major In B-flat major
bb
In b minor In d minor
& b n #
b
#
ECMS,
2016
Theory
Placement
Page 7 of 7