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SACRIFICE AND THE COMMODITY FORM
IN THE ANDES
PETER GOSE
For Andean culture, sacrifice is a necessary consequence of production, property and power,
and an important idiom of social cohesion. Any relationship of tribute involves sacrifice because
wealth is not alienable from the body, but a part of its vitality. The social model provided by
Andean sacrifice exists in a motivated opposition to commodity exchange. By denying alien-
ability, it negates a basic premiss of possessive individualism. Rather than individuate people
and mediate their association through things, sacrifice deindividuates through the annihilation of
the mediating object. In this precise inversion of the commodity form, Andean culture does not
resist capitalism, but expresses a profound historical experience of its dark side.
This article is about the use of sacrifice as an image of social cohesion and power
in Andean culture. Although sacrifice is no longer an official part of the tribute
owed by peasants to the state, as it was under the Inca empire, and despite the
incorporation of the Andean region into the periphery of world capitalism,
commodity exchange has not supplanted sacrifice as the dominant idiom of
social synthesis. On the contrary, capitalist penetration has actually exacerbated
the sacrificial logic of Andean culture, and that is what I intend to document and
explain here. Not only do Andean peasants view their own society through
sacrifice, but they extend it to the innermost workings of capital, and their
relation to it, by means of the nakaq (Que. 'slaughterer', 'sacrificer'), an image of
terror and power that constantly recreates itself in the Andean imagination.
The slaughterer is often portrayed as a bearded white man, wearing a white
poncho or tunic, riding a white mule and carrying a machete at his side. In other
accounts, he may be a mestizo who wears black leather clothing made from the
hide of his flayed human victims, and rides a black mule. Some accounts even
pose a team of two, where one is black and the other white, for the nakaq is a
creature of death and polarity. Often a known resident of the area in which he
works, the nakaq waits in ambush at strategically remote points on paths and
roads. When people move in groups of three or more, he is unlikely to attack,
but the lone traveller is almost certain to be assaulted. As potential victims
approach, his machete rings out: chiring . . . , chiring . . ., to indicate how
many are coming. The crudest of the slaughterers simply slash their victims'
throats with the machete, and drag them off to caves or mineshafts where, hung
upside down, they drip the fat of their bodies into receptacles. Others are more
subtle, and possess a powder ground from the dried foetuses of previous female
victims, which they blow from a distance towards the unwary traveller.
Stupefied by the impact of the powder, the victim turns in a trance towards the
Man (N.S.) 21, 296-3 IO
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PETER GOSE 297
niakaq, and kneels down in front of him for the 'operation'. The niakaq removes
the fat from the victim's body with a machete, a long curved needle (yawri) used
for severing the spinal nerves of animals, or a special machine from the United
States. The wound heals instantly, and the victim comes to, feeling weak and
dizzy, remembering nothing, but able to continue the journey. Over the
following days, however, he or she will waste away and die.
The grease thus obtained is often cached by the niakaq at the site of extraction,
or under a bridge. It is held to be an extremely valuable commodity on the
national and international markets (Ortiz I973:I66) because it is essential for all
metallurgy, lubrication of machines and pharmaceutical medicines. Even that
vanguard of capitalist technological development, the US space programme,
has been identified as a consumer of human grease from Peru (Szeminski &
Ansion I982: 2I2). Later in this article, I shall investigate the various uses to
which Andean people think their grease is put. Since virtually every ethno-
grapher of the Andes, including myself, has been identified as a niakaq (see Vallee
& Palomino I973: II-I3), there is by now a literature on the topic that is too
large to be treated superficially. For the moment it is enough to establish that
Andean peasants continue to see their connexion to more global structures of
power in terms of sacrificial tribute.
It has, however, been easier to document this imaginary relationship than to
do it interpretive justice. Precisely because the niakaq can be assimilated into
western notions of imperialism, anthropologists have treated it as a metaphori-
cal representation of a supposedly more real economic exploitation by unequal
exchange. For example, the niakaq is presented as the cornerstone of an ideology
of resistance (Larouche I98I: 83, 87, 90), in which grease signifies the labour-
power of the Andean peasantry (Szeminski & Ansion I982: 2I2; Larouche I98I:
87), as it is appropriated by feudal landlords, sold to city merchants and sold
again to the imperialist heartlands (Szeminski & Ansion I982:2II-I2). Here, the
nakaq becomes a terse allegory of commercial exploitation that not only predates
dependency theory, but gives a more 'correct' class analysis of it (Szeminski &
Ansion I982: 2I2). Something crucial is lost in this substitution of the meta-
physics of political economy for those of sacrifice. Everything proceeds in these
analyses as if grease were alienable from the body in the same way that
labour-power is under capitalism, but the difference is that slaughtering is lethal,
not a repeatable transaction that keeps both parties intact. Indeed, it is difficult
not to accuse these authors of obscuring and sanitising the unmediated violence
of the slaughterer with their own commodity fetishism. Meanwhile, this
habitual economism denies that our construction of the world through ex-
change theory is also imaginary, and that an alternative model of sacrifice might
indeed tell us something about our own way of life.
Few have been more aware than Michael Taussig (I980) of the pernicious
effects of methodologically imposing commodity fetishism. It is therefore with
the greatest regret that I must question his interpretation of the sacrificial rites of
the Bolivian tin miners as 'gift-exhange' with the mountain spirits (Taussig
I980: I44, I57-8, 223-4). Transformed by the analytical intervention of 'the
gift', sacrifice comes to stand for peasant production in the same way that the
commodity relates to capitalism, in a confrontation of 'antithetical exchange
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298 PETER GOSE
Andean sacrifice
What follows is a synopsis of my experience in the town of Huaquirca, Province
of Antabamba, Apurimac, Peru, and of the growing literature on Andean
sacrifice.
The sacrificial rites of Apurimac are known as t'inkas (Que. 'libations'), a
name that also applies to the sprinkling of alcohol on the ground or wafting of
its vapours towards the mountains, acts which precede all Andean drinking
sessions. At Carnival during February, and around Santiago on 25 July, every
household in the Antabamba region that owns horses, cattle or wool-bearers
(llamas, alpacas and sheep) will perform separate rites for each of these cat-
egories of livestock, with cattle receiving additional rites on San Marcos
(25 April). Animal fertility and wellbeing are the primary concerns of the t'inkas,
but their correspondence to the part of the year when the crops are consumable,
and labour-sharing across household boundaries is at its lowest ebb links them
significantly to the agricultural cycle, at least in predominantly agricultural
communities. The seasonal nature of these offerings is less marked among those
who specialise in herding, but when the term 'libation' is used to denote these
rites, it suggests a restitution of fluids spent by the mountain spirits during the
growing season, whose end is marked by Carnival (cf. Harris I982: 57). These
same mountain spirits, in addition to controlling rainfall, are thought to regulate
animal fertility, and it is for both these reasons that they receive burnt offerings
and sacrifices.
Andean mountain spirits go by a variety of regional titles (see Morote Best
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PETER GOSE 299
I956: 289-go; Earls I969: 66), but are generally called apus in the Antabamba
Valley. Everywhere, they are said to be the owners of the territory under the
sway of the mountain that gives each its individual name. The apus may appear
as condors, falcons, pumas and other wild animals, but when they take human
form, it is stereotypically as large, blonde, blue-eyed men, dressed in the fancy
clothes and riding boots that would have been worn by a hacendado in the earlier
part of this century. Apu was the title of local and regional rulers in the
precolumbian Andes, and this sense of rule is maintained in the contemporary
mountain spirits' sovereignty over particular territories, and their appearance as
powerful white men. Many accounts have the apus constantly paying tribute to
each other in gold and silver, for which they use the wild vicufia as a pack
animal. In some areas, these tribute networks are held to culminate in Lima,
where they provide the Peruvian state with its revenue (Earls I969: 69-70).
According to the height of the mountains they are associated with, the apus form
hierarchies, sometimes represented as segmentary lineages, through which this
imaginary tribute flows. More commonly, however, these hierarchies are cast
in an administrative idiom, and closely parallel the various levels of local and
regional government (cf. Favre I967: I40; Earls I969: 70; Isbell I978: 59, i5i).
Apus may also be united by limited divisions of labour in which each takes
charge of a certain sort of livestock or crop, or carries out a certain social control
function, such as doctor, lawyer, judge, priest or policeman (Earls I969: 67).
The focus of sacrificial rites in the Andes is something known as a mesa. This is
a Spanish word that acquires two meanings due to the intermediate Quechua
rendering of the Spanish vowels e and i. As mesa (table), it refers to a rectangular
piece of cloth that is spread on the ground, from which a series of 'servings'
(platos) are prepared and offered to various groups of mountain spirits during the
course of the rite. As misa (mass), it marks the semi-sacrificial nature of this
consumption. The sense of mass is reinforced by the fact that the man of the
household sponsoring the rite, who constructs and burns the offerings, is given
the title of 'priest' (cura) for its duration. This is a position of extreme responsi-
bility, for should the 'priest' be incompetent, the mountain spirits, or the mesa
itself, could take their revenge on the ritualist, his family or animals. The
frequent use of 'altar' as a synonym for 'table' confirms the connexion between
the active and the objective aspects of these rites.
As these offerings are being constructed and burned, pairs of men and women
come to the table, where they are served a large cup of corn beer and a small one
of cane alcohol. From these, they sprinkle libations on the various offerings and
items of ritual paraphernalia present on the mesa, while invoking the vital force
of animals of other households, and attempting to fix it on the grazing territory
of the sponsors through the use of magical names. When the libations and
invocations have been duly completed, each member of the pair drains first the
cup of corn beer, then the cup of cane alcohol, and places both cups rim-
downward on a pile of coca leaves at the foot of the 'table'. If many leaves adhere
to the cups, this indicates the success of the invocation, and that there will be an
analogous adhesion of imported vital force to the sponsors' herds. This process
of libation and invocation is overseen by a figure known as the 'son-in-law'
(qatay), who seldom actually stands in this relationship to the sponsors, but is
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300 PETER GOSE
The flower serving is given to the most important mountains; it's like serving a big meal,
something extra, to the authorities while the lower bundles are for the plebeians, that is, the
mountain spirits of less value. 'Town Council' is the name of the highest ranking mountain, and it
[i.e. the flower serving] is like serving a glass of champagne to the prefect.
Thus the hierarchy of offerings denotes rank among the mountain spirits.
The third offering is also served in a husk 'plate', and consists of three animal
figurines made from llama chest fat and flour of white and yellow maize
(llampu). Collectively, they are called 'vital force' (Que. kallpa), and it is this
aspect of the animals, especially their sexuality and fertility, that the figurines
embody. Like previous offerings, this one is also burned, but unlike them, may
sometimes be interred at a strategic location within the corral where the rite is
being performed.
The agricultural peasantry of the Antabamba Valley profess no ability to
make higher offerings than this, and thus do not follow their pastoralist
neighbours through to the culmination of these offerings in sacrifice. I now take
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304 PETER GOSE
the mountain attempts to reconstitute the generative capacities of its own body,
although Utupara's withered leg suggests that permanent damage is possible. A
similar point emerges from a story of the rival apus, P'iste and Kuqchi. As the
mining of Kuqchi is becoming increasingly thorough, P'iste assumes responsi-
bility for it and gleefully yells: 'Hey Kuqchi, I'm getting close to your balls!'
Mute with rage, Kuqchi sends a burst of water through the mineshafts, killing
all the workers and destroying the entire operation. Here mining is tantamount
to castration of the apus, and would similarly seem to jeopardise their ability to
convert offerings into precious metals. Even in their negation, organic fertility
and the production of riches are inseparable.
A significantly different view emerges from the Bolivian tin mines. Studies
show that the miners sacrifice to promote regrowth of the ore (Nash I979: 226;
Platt I983: 49), as if it were like the animal and vegetable life addressed in
agrarian rites. Furthermore, sacrifices of white llamas during Carnival and on
i August are normally thought to be sufficient to prevent the mountain spirits
from taking human victims (Nash I979: I23, I34-5). To maintain sacrificial
substitutability while entering into the mountain, that embodiment of power
and totality, and to direct it through work, is a tremendous accomplishment in
Andean culture. Here is the grounding of class consciousness in Andean culture
that Nash (I979: 3) so rightly insists upon. Not only does the suspension of
offerings by management threaten the lives of the workers (Nash I979: i 56), but
it would also seem to stunt the sacrificially-induced growth of ore, and thus
demonstrate management's incompetent direction of the productive process.
The miners themselves have taken over the shamanistic duties elsewhere
entrusted to the head engineer, and although they lack the autonomy to
exchange with the mountain, they have managed to mediate their relationship
to it through the sacrifice of animals.
Only the experience of working in the mines, and confronting the combined
forces of capital and the mountain makes this sacrificial substitutability credible,
for in enclave areas such as the Antabamba Valley, mining appears as a kind of
sacrificial holocaust in which all mediations between worker and mountain
disappear, and each destroys the other. Of course it is historically true that
Andean peasant communities were forced to send men to the mines during the
colonial period, and that thousands of them died there. Platt (I983: 50-I)
describes modern ceremonies that recall the sendoff given to these men, and
treat them as sacrificial victims offered to the state so that the community might
retain control of its land. While the sacrificial cost of agrarian activity is now
considered to be much lower in most parts of the Andes, this dread of mining
remains.
To summarise, as human activity increasingly taxes and destroys the internal
and external generative surfaces of the mountains, so the offerings made to the
apus, or extracted by them, become more violent. Organs wrenched from the
body substitute themselves for sequences of ritually constructed offerings. As
offerings become more potent, the process of making them becomes simpler
and more violent, until finally ritual is eliminated altogether, as people involun-
tarily render their organs to the apus in fatal and unforseen attacks. The aesthetic
efficacy of these higher offerings is probably due to the synthesis and spon-
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PETER GOSE 305
taneous activity of the organ, particularly in the case of the palpitating heart. To
substitute the last vestiges of autonomic nervous activity for consciousness is a
small price to pay. For in the extraction of the beating heart we approach
something like a concrete image of birth, in the particularly agonised form that
sacrifice imparts to the emergence of new life from old.
The slaughterer
It is in the nakaq, I would argue, that this trend towards involuntary assimilation
reaches its peak. Like an apu deranged by mining, the nakaq strikes randomly,
and accepts no sacrificial substitutability. His extraction of fat from human
bodies parallels the extraction of the metallic substance of the apus in mining,
and provides a necessary ingredient for its metallurgical transformation. This
grease, like the llama chest fat that is an ingredient in the husk offerings and vital
force figurines, must be combined with other elements to be effective. In
contrast to the organs seized by the apus, it does not have an internal differenti-
ation or impulse towards activity. So while the attacks of the nakaq are as violent
and unpredictable as those of the apus, they do not recognise the organisation of
the human body in the same way. Yet the niakaq is sometimes thought to castrate
(Stein I96I: x; Isbell I978: I64), suggesting a possible generative relation
between grease and testicles, and the familiar nexus of organic fertility and
metallic wealth. According to Bastien (I978: 45-6), fat represents the 'energy
principle' that consists of both vital force and political power, and complements
blood, the 'life principle' which would here seem to relate to the heart and
embodiment. When victims of the nakaq waste away and die, they confirm that
fat is indeed the repository of vital force in the body. I will argue that the various
uses of fat that we are now about to examine all derive from its vitalising
powers, but must supply the life forms that are to be vitalised. Tribute in fat
marks political power because of the way it allows rulers to direct the life-force
of the ruled.
The medical uses of fat are probably the oldest and most persistent part of the
nakaq complex and stress the organic nature of the tributary relationship. The
earliest evidence of something like the modern slaughterer demon comes from
the first millenarian uprising against the Spanish, called the Taki Onqoy
('Singing Sickness'), that took place in the years I564-7I:
[it is] believed by the Indians that from Spain they had sent to this kingdom for Indian grease to
cure a certain illness for which no medicine can be found except said grease, for which reason in
those times the Indians went very timidly, and kept apart from the Spaniards to such a degree that
firewood, herbs, and other things they did not want to bring to the house of the Spaniard, for
saying that there inside they would kill them to take the grease (Molina 1574: 97).
A premiss of the movement was that the smallpox epidemics that swept the
Andes at the time were the revenge of regional deities (including the apus) for
their ritual neglect by the native population, and similar notions seemed to have
informed the subsequent Muru Onqoy (i589) and Yanahuara (i596) move-
ments (see Curatola I978: I 83; Espinoza I973: I46). Thus it was not merely at an
economic level that the Andean peasantry was torn between two groups of
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3o6 PETER GOSE
rulers, for each was felt to impose its need for tribute on their very bodies.
Similarly, the Spanish will to power was manifested as disease, a bodily lack that
only the grease of a subjected and sacrificed Andean populace could satisfy.
The idea that the niakaq brings pestilence still exists in the contemporary Andes
(Mostajo I952: I75), even if residually when compared to the Taki Onqoy.
Some accounts mention fissures in the hand that holds the machete (Morote Best
I95I: 75), suggesting that skin disease may remain an immediate motivation for
slaughtering. I was told that in the Antabamba area, there was recently a mestizo
who was getting old and blind, and took to slaughtering to stay alive. People
called him a condenado ('condemned one') to his face, indicating that incest or
some other serious moral corruption lay at the root of his degeneration, but he
nonetheless continued to slaughter people for many years, until not even this
could sustain him. When approached on paths, he would appear above the
maguey plants and hold up one hand, palm towards the face, dropping his
fingers one by one to the ground, where they would writhe like worms, so
transfixing the victim for the 'operation'. This abhorrent display of decompo-
sition allowed the niakaq to appropriate the vitality of his victims. A mestizo
truck driver in Antabamba told me that he had once given a ride to a Japanese
medical student, who began to make discrete inquiries about whether he might
obtain human grease in the area. Many of the accounts collected by Morote Best
(I95I) and Manya (I969) portray the conversion of grease into marketable
medicines as a brisk business in the pharmacies of Cuzco. Other accounts have
the central Peruvian Andes supplying Lima with human grease in order to cure
mange (Quijada Jara I958: I03). The culmination of this vision comes in an
account from Andahuaylas, where major chemical companies in the United
States and Germany foment slaughtering in the Andes in order to obtain the
effective ingredient for their pills, which may then be sold back to Peru (Ortiz
I973: I66). Modern accounts continue to stress that Indian fat is superior to that
of mestizos (Manya I969: I36; Ortiz I973: I67), and it is probably for this reason
that the latter, along with white and black people, are most prone to become
niakaqs. The lack of those who rule is manifested in images of disease and decay,
which only a steady flow of grease from the Andes can forestall. Politics consists
of the transcendental assimilation of the ruled by rulers, and is correspondingly
violent.
If grease is an essential form of sacrificial tribute, then it is not surprising that
the Church should be a major focus for the elaboration of niakaq imagery. An
account given by Casaverde (I970: i8o) depicts the Convent of Santo Domingo
in Cuzco, once the Inca Temple of the Sun, as a clearing house for the traffic in
grease, from which licenses are also issued to niakaqs to prevent an indiscriminate
slaughter of the flock. This relates to the idea that both colonial and republican
states have issued licenses to slaughterers that make them immune to pro-
secution (Quijada Jara I958: I00, I02; Manya I969: I36; Skar I982: 242;
Szeminski & Ansion I982: 2I i), and puts the power of the Church at the same
level as that of the state, as indeed it was throughout most of the colonial period.
Morote Best (I95I: 78) shows how the Bethlehemite order were suspected of
being nakaqs for performing autopsies and operations in their rural hospitals.
This is a particularly sensitive area since the colonial Church's 'extirpation of
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PETER GOSE 307
idolatry' campaign was primarily directed against the 'cult of the dead'. By
interfering with death ritual, the Church was effectively breaking a cyclical flow
of vital force between the worlds of the living and the dead, and starving the apus
who mediate that flow (see Gose I984). Autopsy is still considered to be
slaughtering even though the victim is already dead (Valderrama & Escalante
I980: 263). In some areas, slaughterers are thought to live in graveyards where
they extract grease from cadavers, and follow their souls around the com-
munity, seeking to victimise living mourners. Their presence is indicated by the
smell of a skunk (Oblitas Poblete I978: I23), an animal that is associated with
buried treasures (tapados) in the Antabamba area, and in turn, nakaqs can smell
grease from great distances (Vallee & Palomino I973: I3). The ritual collections
of money mentioned earlier are said to have a similar smell called waspi (Isbell
I978: I2I), which may indicate a consolidation of precious metal from rotting
flesh. In Arco, a neighbourhood of Ayacucho, there is an image of the Ninio
Nakaq, or Christ-Child Slaughterer, whose image is given a procession on All
Souls' Eve, and is taken to preside over children dying of disease in their homes
(Morote Best I95I: 79). The Christian appropriation of the energy released on
death could hardly be more directly expressed.
Thus, the clergy become an army of slaughterers, and the Church requires
grease for the holy lamps (Mostajo I952: I75), to polish the faces of the saintly
images (Morote Best I95I: 79), etc. As niakaq, the priest still wears the white or
black tunic of his station, (Manya I969: I36; Oblitas Poblete I978: I23), and may
use a little bell and a call to prayer to mesmerise his victims for the 'operation'. In
the Departments of Apurimac and Ayacucho, priests are not so commonly
thought to be niakaqs as in Cuzco, yet it is widely held that grease is used for
casting church bells, to which it imparts a particularly rich sound, and extra-
ordinary durability (Skar I982: 242; Szeminski & Ansion I982: 2I0).
Ringing metal is indeed an important part of the poetics of the nakaq. In some
accounts, church bells mysteriously ring as the nakaq leaves town on business
(Szeminski & Ansion I982: 2I0). We have already seen how the ringing of his
machete indicates the number of potential victims approaching, and how the
little bell stupefies people for the extraction of their grease. Like the nakaq's
writhing disconnected fingers, the sharp dry voice of his machete articulates a
bodily lack which is partially satisfied in its use to obtain grease for further
metallurgy. Enchanted metallic ringing becomes both the means and the ends of
these attacks, and if grease changes hands as a commodity between the harsh
clang of the machete and the sonorous tolling of the church bell, then the jingle
of money only smooths the transition. This implicitjuxtaposition of disease and
ringing metal may seem strange until we recall that metal is mined from the
mountains, and is virtually the flesh of the apus. Thus the extraction of grease
from human bodies follows the extraction of metal from the mountains, and
facilitates its transformation.
While grease is also mentioned in the casting of streetlamps and objects of
copper in general (Morote Best I95I: 72), it is as a lubricant that it interacts most
extensively with metal. In Huaquirca, the Utupara mining machinery and the
Electroperu generating station were identified as important local consumers of
human grease. Mills, mines and railways are the most commonly identified
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308 PETER GOSE
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PETER GOSE 309
the powers of transformed metal, the nakaq resembles nothing so much as the
oracle-servant (pongo) of an apu.
Conclusion
Thus the machine world served by the niakaq has a place in Andean culture
already well-prepared by the apus. The niakaq is no more a representation of the
evils of capitalism than are the apus, but like them makes the amoral assertion
that production, power and riches demand organic tribute, the transcendental
assimilation of the ruled. I would suggest that the niakaq articulates an erotico-
religious desire for transcendence in the face of power more than an economic
analysis of it, or an ideology of political resistance to it. Why else would the fact
that capital has so little interest in directly exploiting the Andean peasantry only
heighten its imaginary need for their grease?
The existence of sacrificial tribute as a model of social synthesis in the
contemporary Andes cannot, however, be read as a simple throwback to
pre-columbian times, no matter how obviously its roots may lie there. For what
is truly remarkable about the nakaq and the apus is how comprehensively they
explore a 45o-year experience of non-Andean society and its inner workings.
This sacrificial history would not have occurred, or even have been possible, if it
did not in some way address the reality of capitalism. In this article I have argued
that Andean sacrifice denies the possessive individualist framework of com-
modity exchange by asserting the inalienability of precious metals from the
body, and that to appropriate one is therefore to appropriate the other. The
result is an apparent lack of mediation in social relations, whereby their
intensification implies the transcendental annihilation of the individuals in-
volved. This is virtually a precise negation of commodity fetishism, whose
endless reified mediations enshrine individuality at the expense of transcend-
ence. Both sacrifice and commodity fetishism represent the severed halves of a
dialectic in which individuality might be established without becoming rigid,
and transcended without eliminating the body, its lived-in point of departure.
Thus we have to admit that sacrifice will always be present where there is
commodity fetishism, even if its expression is displaced to peripheral areas such
as the Andes, and recognise, therefore, our own participation in these more
baroque moments of Andean culture.
REFERENCES
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Autores Espanoles, 209, I 5 I-90. Madrid, I 968.
Bastien, J. I978. Mountain of the condor: metaphor and ritual in an Andean ayllu. St Paul: West.
Bataille, G. I962. Death and sensuality. New York: Walker.
Bray, W. I 978. The gold of El Dorado. London:
Casaverde, J. I 970. El mundo sobrenatural en una comunidad Allpanchis 3, I2I-244.
Carter, W. I977. Trial marriage in the Andes? In Andean kinship and marriage (eds) R. Bolton &
E. Mayer (Am. anthrop. Ass. spec. Publ. 7). Menasha: American Anthropological Associa-
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Curatola, M. I978. El culto de crisis del 'Moro onqoy' In Etnohistoria y antropologia andina (eds)
M. Koth de Paredes & A. Castelli. Lima: Museo Nacional de Historia.
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3IO PETER GOSE
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