PAPER-III

MUSIC
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S-16-13 1 P.T.O.
 MUSIC
Paper III
(Hindustani / Karnatak / Rabindra Sangeet / Percussion Instrument Vocal/
Instrumental and Musicology)
Special Instructions :
This paper has two parts. Part-I consists of 50 objective questions common to all,
which is compulsory and carries 2 marks each.
Part II has Four sections viz Part II, Part III, Part IV, Part V Hindustani,
Karnatak, Rabindra Sangeet and Percussion Instruments with 25 questions each of 2
marks each. Candidates should select any one of the Part II / Part III / Part IV / Part
V as per his / her discipline.
PART I
Hindustani / Karnatak / Rabindra Sangeet / Percussion Instruments Common to all

1. First person to play Indian Classical 4. How many Kakus are mentioned in
Music on Slide Guitar is Sangeet Ratnakar ?

(A) Pt. Brij Bhushan Kabra (A) 8 (B) 4

(C) 6 (D) 5
(B) Pt. Vishva Mohan Bhatt

(C) Pt. Varun Kumar Pal

5. Which of the following is a famous
(D) Nalin Kant Mukherjee dance of Manipur ?
(A) Navkuchiya (B) Teratali

2. Correct Bols of Maseetkhani Gat are (C) Natuvangam (D) Laiharoba

(A) Dir Dir Da Dir Da Ra Da Ra

6. Which of the following is a famous
(B) Da Dir Dir Dir Da Dir Da Ra
Oddissi dancer ?
(C) Dir Da Dir Da Ra Da Da Ra (A) Sitara Devi
(D) Dir Da Dir Da Ra Da Ra Da (B) Charan Girdhar
(C) Kumudini Lakhiya
(D) Kelucharan
3. Ravanhattha is a folk instrument of

(A) Punjab
7. Which term was used for orchestra,
(B) Kerala in Bharat Munis Natyashastra ?
(C) Madhya Pradesh (A) Vitat (B) Mandal

(D) Rajasthan (C) Krushtha (D) Kutap

Paper-III 2 S-16-13

III
: / / / ( / )
:
2 I 50 ,
2-2
II II / III / IV / V ( / / /
) , 25-25 2-2 II /
III / IV / V 25

I
/ / /

1. 4.
: ?
(A) . (A) 8 (B) 4

(B) . (C) 6 (D) 5

(C) .
5.
(D) ?
(A) (B)
2. (C) (D)
(A)
(B) 6.
?
(C) (A)
(D) (B)
(C)
3. ? (D)
(A)
(B) 7. ,
?
(C) (A) (B)
(D) (C) (D)

S-16-13 3 Paper-III
8. As per Hindustani Music, what is the 14. Ustad Faiyaz Khan was an artist of
required interval between Vadi and
(A) Agra Gharana
Samvadi ?
(A) 9/12 (B) 10/14 (B) Gwalior Gharana
(C) 9/13 (D) 7/11 (C) Atrauli Gharana
(D) Bhendi Bazar Gharana
9. The conclusive part of Thumri is
rendered with
(A) Rela (B) Kayda 15. Nandikeshwar is the author of
(C) Ladi laggi (D) Jhala (A) Raga Tatva Vibodh
(B) Raga Rahasya
10. Which of the following musician is
famous for Thumri ? (C) Rag Darpan
(A) Saiduddin (B) Fahimuddin (D) Abhinaya Darpan
(C) Riyazuddin (D) Bindadeen

16. Jangda Geet is the folk form of

11. Avirbhav in a raga is meant for
which of the following ? (A) Gujarat (B) Punjab
(A) Beginning of Raga (C) Rajasthan (D) Uttar Pradesh
(B) Soulful presentation
(C) Reinstatement of Raga
17. Vikrit Swar of Bharat
(D) Spiritual presentation
(A) Teevra Tar Ni
12. What is the length of Shudha Ni (B) Kaushik Ni
according to Ahobal, as per the
(C) Antar Gandhar
method of placing the swaras on the
36 wire of veena ? (D) Teevratam Dhaivat
(A) 20 (B) 27
(C) 32 (D) 18 18. Dominant chord is formed of

(A) Pa + Ni + Re
13. Identify the correct order of tuning
the four-string Tanpura : .
(B) Dha + Sa + Ni
(A) Madhya Pa, Tar Sa, Tar Sa,
Madhya Sa (C) Ma + Dha + Sa
(B) Mandra Pa, Madhya Sa, (D) Sa + Ga + Pa
Madhya Sa, Mandra Sa
(C) Mandra Pa, Tar Sa, Tar Sa,
19. Instrument of equally tempered scale
Mandra Sa
(D) Madhya Pa,Tar Sa, Tar Sa, (A) Tanpura (B) Violin
Mandra Sa (C) Guitar (D) Harmonium
Paper-III 4 S-16-13
8. 14. ,
? ?
(A) 9/12 (B) 10/14 (A) (B)
(C) 9/13 (D) 7/11 (C) (D)

9. 15. ?
?
(A)
(A) (B)
(B)
(C) (D)
(C)

10. (D)
?
(A) (B) 16. ?
(C) (D) (A) (B)
(C) (D)
11.
(A) 17.
(B)
(A)
(C) :
(B)
(D)
(C)
(D)
12. 36" , .

? 18.
(A) 20" (B) 27" (A) + +
(C) 32" (D) 18" (B) + +
(C) + +
13.
: (D) + +

(A) , , ,
(B) , , , 19.
(C) , , , (A) (B)
(C) (D)
(D) , , ,
S-16-13 5 Paper-III
20. What is the basis of classification of 26. Musical form similar to Jawalli
Swaras in tempered scale ? (A) Padam (B) Kriti
(A) Major tone (B) Minor tone
(C) Tillana (D) Daru
(C) Semi tone (D) Half tone

27. Jykra invented the

21. No. of Sanchari Bhavas
(A) Dundubhi (B) Veena
(A) 23 (B) 13
(C) 33 (D) 43 (C) Ancient Harp (D) Flute

22. The main characteristic of Chanda 28. Rag Bhairav corresponds to

(A) Varnic (A) Mayamalavagoula
(B) Matric (B) Saveri
(C) Matra (C) Bhupalam
(D) Layabaddhata
(D) Sriranjini

23. Which music journal is edited by

29. Jiva Svaras are
Prof. R.C.Mehta ?
(A) Chayanut (A) Raga Chya Svaras

(B) Sangeet Masik (B) Nyasa Svaras

(C) Kala Saurabh (C) Amsa Svaras
(D) Journal of Indian (D) None of the above
Musicological Society

30. Misra Chapu Tala has

24. Bilawal as Shuddha Swar Saptak was
(A) 9 aksharakalas
first recognized in
(B) 6 aksharakalas
(A) Chaturdandi Prakashika
(B) Nagmate Aasfi (C) 7 aksharakalas
(C) Sangeet Sar (D) 8 aksharakalas
(D) Sangeet Kalpdrum
31. With which style of singing EK
25. Chenda is an instrument TAAL is used ?
(A) Cymbal (B) Wind (A) Dhrupad (B) Khayal
(C) Percussion (D) Melodic (C) Thumari (D) Tappa
Paper-III 6 S-16-13
20. 26.
?
(A) (B)
(A) (B)
(C) (D)
(C) (D)

27. ?
21.
(A) (B)
(A) 23 (B) 13
(C) (D)
(C) 33 (D) 43

28. ?
22.
(A)
(A) (B)
(B)
(C) (D)
(C)
23. . . . (D)
?
(A) 29.
(B) (A)
(C) (B)
(D) (C)

(D)

24.
30.
(A) (A) 9
(B) (B) 6
(C) (C) 7
(D) (D) 8

25. ? 31. ?
(A) (B) (A) (B)
(C) (D) (C) (D)
S-16-13 7 Paper-III
32. Writer of the book Bhartiya Taalon 37. Which style of singing is adorned
ka Shashtriya Vivechan with PARANAS ?

(A) Dr. Lal Mani Mishra (A) Dhrupad (B) Khayal

(C) Thumari (D) Tappa
(B) Dr. Arun Kumar Sen
(C) Acharya K.C.D. Brihaspati
38. Which TAAL of Karnatak Taal
(D) Dr. Avan E. Mistri system is depicted by the symbol of
101 ?
33. Composition with Tihayee played (A) Dhruva Taal (B) Roopak Taal
three times (C) Mathya Taal (D) Ek Taal

(A) Tihayee (B) Tukada

39. Most expandable composition of
(C) Rela (D) Chakradar
Tabla
(A) Quiada
34. The Book in which Theka word is (B) Tukada
used for the first time (C) Mohara
(A) Radha Govinda Sangeet Sar (D) Kamali Chakradar
(B) Sarmaye Isharat
(C) Sangeet Naad Vinoda 40. Match the following :

(D) Sangeet Kaladhar List I List II

(i) Zakir 1. Vazid Hussain
Hussain
35. Writer of the book TABLA
(ii) Kumarlal 2. Kishan Maharaj
(A) Arvinda Mukherjee (iii) Afak 3. Allarakha Khan
(B) Arvinda Sharma Hussain

(C) Arvinda Mulgaonkar (iv) Pooran 4. Gudai Maharaj

Maharaj
(D) Arvinda Azad
Codes :
(i) (ii) (iii) (iv)
36. In which Swar should Tabla be tuned (A) 3 1 2 4
for accompaniment ? (B) 3 2 1 4
(A) Gandhar (B) Madhyama (C) 3 4 1 2
(C) Pancham (D) Shadaj (D) 3 2 4 1
Paper-III 8 S-16-13
32. 37. ?

(A) (B)
(A) .
(C) (D)
(B) .
(C) ... 38. 101
(D) . . ?
(A)

33. (B)
(C)
(A) (B)
(D)
(C) (D)
39. -
34. (A)
(A) (B)
(B) (C)
(C) (D)
(D) 40. :
I II
35. (i) 1.
(A) (ii) 2.
(B) (iii) 3.
(C) (iv) 4.
(D) :
(i) (ii) (iii) (iv)

36. (A) 3 1 2 4
? (B) 3 2 1 4
(A) (B) (C) 3 4 1 2
(C) (D) (D) 3 2 4 1
S-16-13 9 Paper-III
41. Who was not appointed as music 46. Which percussion instrument is being
teacher in the Tagore family ? used for accompaniment with
(A) Srikantha Singh Rabindra Sangeet ?

(B) Vishnu Chakravarti (A) Sarangi (B) Esraj

(C) Jadu Bhatta (C) Mandira (D) Sri Khol

(D) Ramshankar Bhattacharya

47. Mention the name of Rabindra opera
with a story related to Dasarath, king
42. Who was the second son of Maharshi
of Ayodhya & Rishi Kumar ?
Devendranath ?
(A) Mayar Khela
(A) Jyotirindranath
(B) Bhanu Singher Padavali
(B) Satyandranath
(C) Kal Mrigaya
(C) Hemendranath
(D) Chitrangada
(D) Rabindranath

48. Which one is the first Pada of

43. Tagore family originally came from
Bhanu Singher Padavali ?
which place of Bangladesh ?
(A) Bose Achhi He Kobe
(A) Maimansingh (B) Chattagram
(B) Gahan Kusuma Kunja Mojhe
(C) Dhaka (D) Jashore
(C) Sono Tar Sudha Vani
(D) Sansare Tumi Rakhile
44. What was the original surname of
Tagore before coming to Kolkata ?
(A) Dishari (B) Kushari 49. Which author is known for
Ashtapadi ?
(C) Dastidar (D) Tripathi
(A) Vyankatmukhi
(B) Jaydeva
45. Which song was composed by
Rabindranath following his elder (C) Ramamatya
brother Jyotirindranaths He (D) Lochan
Antaryami, Trahi ___ ?
(A) Kon Sundar Hote Amar 50. What is the term for playing Tala on
(B) Anander-I Sagar Hote hand ?
(C) E Parabase Robe Ke Hai (A) Panivadak (B) Udgata
(D) Sakal Garba Dur Kori Dibo (C) Veenavadak (D) Vitatvadak
Paper-III 10 S-16-13
41. 46.
? ?
(A) (A) (B)
(B) (C) (D)
(C)
(D) 47.
?
42. ? (A)
(A) (B)
(B) (C)
(C)
(D)
(D)

48. ?
43.
? (A)
(A) (B) (B)
(C) (D) (C)
(D)
44.
?
(A) (B) 49. ?
(C) (D) (A) (B)
(C) (D)
45.
, .
? 50. ?
(A) (A)
(B) (B)
(C) (C)
(D) (D)
S-16-13 11 Paper-III
 PART II
Hindustani Music

51. Main Singer of Samveda is known as 55. Haveli Sangeet falls under which
(A) Pratiharta (B) Trigata musical form ?

(C) Samvachik (D) Udgata (A) Dhrupad (B) Khyal

(C) Thumari (D) Tappa

52. Arrange the following forms in
chronological order :
56. Which of the following is the biggest
1. Rika 2. Khayal centre of Haveli-Sangeet at present ?
3. Salagsuda 4. Dhrupad
(A) Mathura (B) Gokul
5. Dhruva
(C) Nathdwara (D) Jaipur
(A) 5, 1, 4, 3, 2 (B) 1, 3, 4, 5, 2
(C) 1, 5, 3, 4, 2 (D) 1, 2, 4, 5, 3
57. Following Swara combination is of
which Raga ?
53. Which of the following represents
Ma Dha Ni Dha a Ga
Mewati Gharana ?
(A) Joti Ram Moti Ram (A) Maru Bihag

(B) Chhannu Lal Mishra Sen (B) Hindol

(C) Rajan Mishra Sajan Mishra (C) Kamod

(D) Surinder Singh Tejendar Singh (D) Multani

54. The title Gana Saraswati was 58. Following Swara combination is of
bestowed upon Sushri Kishori which Raga ?
Amonkar by
Ni Sa Ga Ma Pa Dha Pa
(A) Ragasheela Saraswati
(A) Bhimplasi
(B) Dayanand Saraswati
(B) Bhairavi
(C) Naad Saraswati
(D) Jagatguru Mahaswamiji of (C) Multani

Shringeri Muth (D) Bilaskhani Todi

Paper-III 12 S-16-13

IIII

51. ? 55.
(A)
?
(B) (A)
(C) (B)
(D) (C)
(D)
52.
:
56. ,
1. 2. ?
3. 4. (A)
5. (B)
(A) 5, 1, 4, 3, 2 (C)
(B) 1, 3, 4, 5, 2
(D)
(C) 1, 5, 3, 4, 2
(D) 1, 2, 4, 5, 3
57. ?

53. , '
? (A)
(A) (B)
(B) (C)
(C)
(D)
(D)

58. ?
54. -
?
(A) (A)
(B) (B)
(C) (C)
(D) (D)
S-16-13 13 Paper-III
59. Write down the names of the 63. The author of Pranav Bharati is
following Scholars in chronological
(A) V.N. Bhatkhande
order :
(B) Bholanath Bhatt
(i) Parshwadev (ii) Sharangdev
(C) Omkarnath Thakkur
(iii) Matang (iv) Ahobal
(D) Ramashraya Jha
Codes :

(A) (ii), (iii), (i), (iv)

(B) (i), (iv), (iii), (ii) 64. According to Solfa Notation system
the swaras are known as
(C) (ii), (iv), (iii), (i)

(D) (iii), (i), (ii), (iv) (A) Sa, Re, Ga, Ma, Pa, Dha, Ni

(B) C, D, E, F, G, A, B

60. Name the pair of playback singers in (C) 1, 2, 3, 4, 5, 6, 7

the film Sur-Sangam (D) Do, Re, Me, Fa, Sol, La, Si
(A) Gundecha Brothers

(B) Salamat Ali-Nazakat Ali

65. Which is the most suitable
(C) Rajan-Sajan Mishra combination representing Malhar
(D) Singh Brothers Ang is ?

(A) Re Ga Re Sa
61. How many Brahamans are there in (B) Ma Re Re Pa
Samveda ?
(C) Pa Ga Ma Re Sa
(A) 6 (B) 8
(D) Dha Ni Re Sa
(C) 7 (D) 9

66. Who was the son of Alladia Khan ?

62. Ranayani branch is related to

(A) Atharavveda (A) Haddu Khan

(B) Yajurveda (B) Manji Khan

(C) Samveda (C) Mohammad Khan

(D) None of these (D) Ali Akbar Khan

Paper-III 14 S-16-13
59. 63.
:
(A) ..
(i)
(B)
(ii)
(iii) (C)

(iv) (D)
:
(A) (ii), (iii), (i), (iv)
64.
(B) (i), (iv), (iii), (ii) ?
(C) (ii), (iv), (iii), (i) (A) , , , , , ,
(D) (iii), (i), (ii), (iv) (B) , , , , , ,
(C) 1, 2, 3, 4, 5, 6, 7
60. -
? (D) , , , , , ,

(A)
(B) - 65.
?
(C) -
(A)
(D)
(B)
61. ? (C)
(A) 6 (B) 8 (D)
(C) 7 (D) 9

66. ?
62. ?
(A)
(A)
(B) (B)

(C) (C)
(D) (D)
S-16-13 15 Paper-III
67. Acharya K.C.D. Brahaspati belonged 72. Name the Kuchipudi Dancer
to which Gharana ?
(A) Sonal Mansingh
(A) Kirana (B) Rampur
(C) Gwalior (D) Agra (B) Swapna Sundari

(C) Shashwati Sen

68. Raga of Kalyan thaat having Rishabh
Vadi (D) Kiran Sehgal
(A) Shuddha Kalyan
(B) Chayanut
(C) Kamod 73. Author of Kala Nidhi Grantha
(D) Yaman Kalyan
(A) Govind Dixit

69. Which combination of Ragas belongs (B) Parshvadeva

to Deogiri Bilawal ?
(C) Someshwar
(A) Kalyan + Shuddha Kalyan + Nat.
(B) Saranga + Desh + Kalyan. (D) Kallinath
(C) Bilawal + Kalyan + Shuddha
Kalyan.
(D) Khamaj + Kalyan + Malhar. 74. Author of Music of Hindustan

(A) William Johns

70. Who is the author of Gharandar
Gayaki ? (B) Fox Strangeways
(A) S.N. Ratanjankar
(C) E. Clements
(B) Vaman Rao Deshpande
(C) Dr. Thakur Jaidev Singh (D) N. Augustus Williard
(D) Dr. Subhadra Chowdhury

71. Which musician of the films sang 75. Who edited Sahsaras Grantha ?
Hori Ayi Re Kanhai Rang Barse,
(A) Krishnanand Vyas
Suna De Jara Bansuri ?
(A) Lata Mangeshkar (B) Dr. Premlata Sharma
(B) Asha Bhonsle
(C) Parshvadeva
(C) Suman Kalyanpur
(D) Shamshad Begum (D) Bhatta Shubhankar

Paper-III 16 S-16-13
67. ... 72.
?
(A)
(A)
(B) (B)
(C)
(C)
(D)
(D)
68.
(A)
73.
(B)
(C) (A)
(D)
(B)
69. (C)
?
(A) + +
(D)
(B) + +
(C) + +
74.
(D) + +
(A)
70. ? (B)
(A) ..
(B) (C) .
(C) . (D) .
(D) .

71. 75. ?

? (A)
(A) (B) .
(B)
(C)
(C)
(D) (D)
S-16-13 17 Paper-III
 PART III
Karnatak Music

51. Thiruvattiyur Pancharatna 58. Kavi Kunjara Bharati has composed

(A) Dikshitar (B) Shyama Shastri (A) Daru
(C) Swati Thirunal (D) Tyagaraja (B) Todaya Mangalam
(C) Ashtap di
52. Marga is an important part of (D) Sarabhendra Bhupala
(A) Dasa Prana (B) Yati
(C) Kriya (D) Jati 59. Match the following :
I. Janani Pahisada 1. Patnam
53. Dikshitars Chandram Bhaja Manasa Subramanyam
Iyer
is a Kiriti
II. Aparad-hamulan 2. Navagraha
(A) Nava Varna Kriti
(B) Panchalinga Sthala III. Smaramyaham 3. Navaratri Kriti
(C) Nava Graha IV. Svara ragasudha 4. Tyagaraja
(D) None from the given Codes :
I II III IV
54. Tiruvasagam was composed by (A) 3 1 2 4
(A) Arunagirinathar (B) 2 4 1 3
(B) Manikkavasagar (C) 3 4 1 2
(C) Annamacharya (D) 1 2 4 3
(D) Andal
60. Assertion (A) : Devotion and Music
55. Arrange the following in order of have traversed together since
Parent scales : time immemorial.
(i) Hindolam Reason (R) : Vedas glorify Gods.
(ii) Vijaysri Codes :
(iii) Malaymarutam (A) Both (A) and (R) are true.
(B) (A) is true, (R) is false.
(iv) Ananda Bhairavi
(C) (A) is false, (R) is true.
Codes:
(D) Both (A) and (R) are false.
(A) (iii), (ii), (i), (iv)
(B) (i), (iii), (iv), (ii) 61. Write the correct sequencing :
(C) (i), (iii), (ii), (iv) (A) Raga Vibodha, Sangita
(D) (ii), (i), (iii), (iv) Ratnakara, Swaramela
Kalanidhi, Chaturdandi
56. Venkatesha Pancharatnam composer Prakasika, Dattilam.
(A) Swati Thirunal (B) Dattilam, Chaturdandi
(B) Vina Kuppaiyar Prakashika, Sangita Ratnakara,
(C) Mahavaidyanatha Iyer Raga Vibodha.
(D) None of the above (C) Sangita Ratnakara, Dattilam,
Swaramela Kalanidhi,
Chaturdandi Prakashika.
57. Which is not a Pancha Dasa Gamaka ? (D) Dattilam, Sangita Ratnakara,
(A) Andolita (B) Tribhinna Swaramela Kalanidhi,
(C) Ahata (D) Tripuscha Chaturdandi Prakashika.
Paper-III 18 S-16-13
 III

51. 58. ?
(A) (B) (A)
(C) (D) (B)
(C)
52. (D)
?
(A) (B)
(C) (D)
59. :
I. 1.
53.
(A) II. 2.
(B) III. 3.
(C) IV. 4.
(D) :
I II III IV
54. ? (A) 3 1 2 4
(A) (B) 2 4 1 3
(B) (C) 3 4 1 2
(C) (D) 1 2 4 3
(D)
60. (A) :
55. -
: (R) : ,
(i) (ii)

(iii) (iv)
: :
(A) (iii), (ii), (i), (iv) (A) (A) (R)
(B) (i), (iii), (iv), (ii) (B) (A) , (R)
(C) (i), (iii), (ii), (iv) (C) (A) , (R)
(D) (ii), (i), (iii), (iv) (D) (A) (R)
56.
(A)
61. :
(B) (A) , ,
(C) , ,
(D) (B) , ,
,
57. (C) , ,
? ,
(A) (B) (D) , ,
(C) (D) ,
S-16-13 19 Paper-III
62. Padam Aliveni Entu Chaiwo is 68. Sita Rama Vijayam of Tyagaraja is a
composed by (A) Kriti
(A) Kshetregna (B) Opera
(B) Swati Tirunal (C) Utsava Sampradaya Kriti
(C) Irayimman Tampi (D) Bhajana
(D) Annamacharya
69. Tillana Daru is a
63. Match the following : (A) Divyanama Kirtana
I. Navavarna 1. Kanchipuram (B) Samkirtana
II. Lalgudi 2. Swati Thirunal (C) Misra Prabandha
Pancharatna (D) Ugabhoga
III. Utsava 3. Dikishitar
Prabandham 70. Vijaya Raghava Pancharatnas
IV. Panchalinga 4. Tyagaraja composer is
Sthala (A) Kshetregna
Codes : (B) Annamacharya
I II III IV (C) Narayana Tirthar
(A) 2 4 3 1 (D) Tyagaraja
(B) 3 4 2 1
(C) 3 4 1 2 71. Annamacharyas composition are
(D) 1 3 2 4 also known as
64. Papanasa Sivan composed (A) Srinagara Kirtanas
(A) Marivere dikyavaru (B) Churnikas
(C) Dandakams
(B) Ma ramanan
(D) Daru
(C) Gopalaka pahimam
(D) None of the above
72. Rudra Veena is also known as
65. Sadir Nritya is known as (A) Saraswati Veena
(A) Bhartanatyam (B) Mahati Veena
(B) Mohiniyattam (C) Yazh
(C) Kuchipudi (D) None of the above
(D) Kavadi Chindu
73. Tanjore Krishna Bhagavatar was
66. Composer of Melaragamaleka famous for
(A) Patnam Subramanyam Iyer (A) Kalakshepam (B) Dandakam
(B) Maha vaidyanatha Iyer (C) Pallavi (D) Padam
(C) Maha vishwanatha Iyer
(D) Madhurai Mani Iyer 74. Chetasri in Dvijavanti is modelled
after
67. Assertion (A) : Tanjore Vina is also (A) Khayal (B) Tappa
known as the Saraswati Vina. (C) Dhrupad (D) Abhang
Reasoning (R) : Vina and Yazh
developed side by side. 75. Prathamanga and Dvitiyanga are
Codes : parts of
(A) Both (A) & (R) are false. (A) Raga alapana
(B) (A) is true, (R) is false. (B) Varnam
(C) (A) is false, (R) is true. (C) Kuravanji
(D) Both (A) and (R) are true. (D) Rga Tanam Pallavi
Paper-III 20 S-16-13
62. 68.
(A) (A)
(B) (B)
(C) (C)
(D) (D)
63. :
I. 1.
69.
(A) (B)
II. 2.
III. 3. (C) (D)
IV. 4.
: 70.
I II III IV (A) (B)
(A) 2 4 3 1 (C) (D)
(B) 3 4 2 1
(C) 3 4 1 2 71.
(D) 1 3 2 4
(A) (B)
64.
(C) (D)
(A)
(B)
(C)
72.
(D) (A)
(B)
65. ? (C)
(A) (B) (D)
(C) (D)
73. ?
66.
(A) (B)
(A)
(C) (D)
(B)
(C)
(D)
74.
?
67. (A) : (A) (B)
(C) (D)
(R) :
- 75. ?
: (A)
(A) (A) (R) (B)
(B) (A) , (R) (C)
(C) (A) , (R)
(D)
(D) (A) (R)
S-16-13 21 Paper-III
 PART IV
Rabindra Sangeet

51. Which Tal was created by Tagore 55. Which one of the following mishra-
in 3/2/3 divisions ? raga was not created by Tagore for

(A) Jhampak (B) Khemta his composition ?

(C) Rupak (D) Rupakda (A) Kafi-Kanda

(B) Sohini-Kalingra

52. Marana re, Tuhu mama Shyam (C) Bhup-Kalyan

Saman song is from which opera ? (D) Pilu-Barwa

(A) Valmiki Pratibha

(B) Bhanu Singher Padabali 56. Which type of singing influenced

(C) Kal Mrigaya Tagore mostly in his compositions ?

(D) Mayar Khela (A) Khyal (B) Thumri

(C) Dhrupad (D) Lok-Geet

53. To whom Tagore mentioned as the

curator of all of my songs ?
57. Tomar Geeti, Jagalo Smriti belongs
(A) Abanindranath to which category of Rabindra
Sangeet ?
(B) Dwijendranath
(A) Prakriti (B) Prem
(C) Dinendranath
(C) Puja (D) Baul
(D) Sourindranath

54. Mention the style of the following 58. Who was the author of the book
Rabindra Sangeet Compositions : Rabindra-Smriti ?

Amar Mallika Bane or Sakhi (A) Amiya Tagore

Bahe Gelo Bela.. (B) Sahana Devi
(A) Baul (B) Lok Geet (C) Indira Devi Choudhurani
(C) Kirtan (D) Thumri (D) Kanak Biswas

Paper-III 22 S-16-13
 IV

51. 3/2/3 55.

? ?
(A) (B) (A) -
(C) (D) (B) -
(C) -
52. ,
- ? (D) -
(A)
(B) 56.
?
(C)
(D) (A) (B)
(C) (D)
53.
?
57.
,
(A) ?
(B)
(A) (B)
(C)
(C) (D)
(D)

54. 58. ?
:
(A)
..
.. (B)
(A) (B) (C)
(C) (D) (D)
S-16-13 23 Paper-III
59. The following songs are based on 63. Which Prohibited note was used in
which raga ? his composition Tomaro Ashime in
(i) Majhe Majhe Taba Dekha Pai raga Bihag by Tagore ?
(ii) Achho Antare Chirodin (A) Komal Re
(iii) Bendhechho Premer (B) Komal Ga
(iv) Pratidin Ami He (C) Komal Dha
Codes : (D) Komal Ni
(A) Gaud Mallhar
(B) Khamaj
64. According to the Tagore, which one
(C) Kedara is the correct division for
(D) Kafi accompaniment with Rabindra
Sangeet in Ada-Chautal ?
60. The song Simar Majhe Asim Tumi (A) 2 + 2 + 2 + 2 + 2 + 2 + 2
is based on which raga ?
(B) 2+3+2+2+3+2
(A) Jai Jayanti
(C) 2+4+4+4
(B) Todi
(D) 3 + 2 + 2 + 3 + 2 + 2
(C) Chhayanat
(D) Paraj
65. According to the Tagore, how many
divisions are in Sur-faktal ?
61. The song Aji Pranami Tomare is
based on which raga ? (A) 3 (B) 4

(A) Paraj (C) 5 (D) 2

(B) Bibhas
(C) Bihagada 66. How many songs were not composed
(D) Bhairavi by Rabindranath in Geetanjali out
of a total 157 number of songs ?

62. Which Gharana or style of (A) 57 (B) 61

Hindustani vocal tradition influenced (C) 71 (D) 76
Tagore mostly in his compositions ?
(A) Banaras Gharana 67. Which of the following is being used
(B) Kirana Gharana to play Esraj ?
(C) Gwalior Gharana (A) Plectrum (B) Java
(D) Vishnupur Gharana (C) Stick (D) Bow
Paper-III 24 S-16-13
59. ? 63.

(i) ?
(ii)
(A)
(iii)
(B)
(iv)
(C)
:
(D)
(A)
(B)
64. ,
(C)
(D) ?
(A) 2+2+2+2+2+2+2
60. (B) 2+3+2+2+3+2
? (C) 2+4+4+4
(A)
(D) 3+2+2+3+2+2
(B)
(C)
65. , -
(D) ?
(A) 3 (B) 4
61. .. (C) 5 (D) 2
?
(A) (B)
66. 157
(C) (D) ?
(A) 57 (B) 61
62. (C) 71 (D) 76

?
(A) 67.
(B) ?

(C) (A) (B)

(D) (C) (D)
S-16-13 25 Paper-III
68. Who used to make suitable lyrics to 71. Who was felicitated by Rabindranath
Jyotirindranaths compositions other with the title Swar Saraswati ?
than Rabindranath ? (A) Jadu Bhatt

(A) Nabo Gopal Mitra (B) Gyanendra Prasad Goswami

(C) Gopeswar Bandopadhayay
(B) Akshay Choudhury
(D) Radhika Prasad Goswami
(C) Indira Devi

(D) Radhika Prasad Goswami 72. Who was the teacher of Sourindra
Mohan Tagore and Kali Prasanna
Bandopadhayay ?
69. How many Padas were included in
(A) Gyanendra Prasad Goswami
Bhanu Singher Padabali ?
(B) Radhika Prasad Goswami
(A) 42 (B) 32
(C) Kshetra Mohan Goswami
(C) 22 (D) 18 (D) Girija Shankar Chakravarthy

70. Match the following Talas in terms

of their total number of Matra : 73. Tumi Sandhyar Megha Mala
song is based on which Tal ?
I Ektal (i) Ada-Chautal
(A) Ektal (B) Kaharwa
II Teental (ii) Khemta (C) Kawali (D) Teental

III Jat Tal (iii) Madhyaman

74. Naba Anande Jago song is based on
IV Dhamar (iv) Rupakda
which raga ?
Codes : (A) Todi (B) Gurjari Todi
I II III IV (C) Bhairavi (D) Asavari

(A) (ii) (i) (iii) (iv)

75. He Mor Debata .. based on which
(B) (ii) (iii) (iv) (i)
Tal ?
(C) (i) (iii) (ii) (iv) (A) Jhaptal (B) Sur-faktal

(D) (iii) (i) (iv) (ii) (C) Teental (D) Ektal

Paper-III 26 S-16-13
68. - 71.
?
?
(A)
(A) (B)
(B) (C)
(C) (D)

(D)
72.
?
69. ? (A)

(A) 42 (B) 32 (B)

(C)
(C) 22 (D) 18
(D)

70.
73. ..
:
?
I. (i) (A) (B)
II. (ii) (C) (D)
III. (iii)
74.
IV. (iv)
?
: (A) (B)
I II III IV (C) (D)
(A) (ii) (i) (iii) (iv)

(B) (ii) (iii) (iv) (i) 75. .

?
(C) (i) (iii) (ii) (iv)
(A) (B) -
(D) (iii) (i) (iv) (ii)
(C) (D)
S-16-13 27 Paper-III
 PART V
PERCUSSION

51. Aadi-Deva of Avanaddha Vadyas 57. On which part M Varna is played

(A) Brahma (B) Vishnu of Dhumakit ?
(C) Mahesh (D) Ganesh
(A) Chaanti (B) Syahi

52. The percussion instrument used with (C) Lava (D) Gajara
Lawani of Maharashtra is
(A) Changa (B) Upanga
58. Tabla player who was famous for
(C) Dholak (D) Naal
composing jodas of Gat
53. The fraction depicting Layakari of (A) Haji Vilayat Ali
Ku-aad (B) Salari Miyan
(A) 3/4 (B) 5/4
(C) Sidhar Khan
(C) 7/4 (D) 9/4
(D) Gudai Maharaj
54. Assertion (A) : The mukh (basic) of
Quaida is played in
59. A phrase of tabla syllables played
dugun/chougun and after
improvisations it ends with a three times is called
Tihai. (A) Tihai (B) Chakradar
Reason (R) : Because Quaida is a
(C) Gat (D) Theka
non-expandable composition.
Codes :
(A) (A) correct, (R) wrong. 60. Artist who had command equally
(B) (A) correct, (R) correct. over Tabla and Pakhawaj both
(C) (A) wrong, (R) correct.
(A) Laljee Gokhale
(D) (A) wrong, (R) wrong.
(B) Ismail Daddukhan
55. Lakshan of Shatpitaputraka Tal is (C) Prem Vallabha
(A) | |
(D) Rosevel Layal
(B) | |
(C) | |
(D) | | 61. First well-known lady tabla player
(A) Dr. Yogmaya Shukla
56. Alla Rakkha Khan belongs to (B) Dr. Aban E.Mistri
Gharana of
(C) Rimpa Shiva
(A) Delhi (B) Lucknow
(C) Farukhabad (D) Punjab (D) Anuradha Pal

Paper-III 28 S-16-13
 V

51. 57. ?
(A) (B)
(A) (B)
(C) (D)
(C) (D)
52.
58.
(A) (B)
(C) (D)
(A)
53. (B)
? (C)
3 5
(A) 4 (B) 4 (D)
7 9
(C) 4 (D) 4
59.

54. (A) :
/ , , (A) (B)
(C) (D)
(R) :

: 60.
(A) (A) , (R)

(B) (A) , (R) (A)
(C) (A) , (R) (B)
(D) (A) , (R)
(C)
55. (D)
(A) | |
(B) | |
61. -
(C) | |
(D) | | (A) .
(B) . .
56. ?
(A) (B)
(C)
(C) (D) (D)
S-16-13 29 Paper-III
62. Match the following : 69. Raja Chhatrapati Singh played
List I List II (A) Tabla (B) Pakhawaj
i Guitar 1. Budhaditya
(C) Nakkara (D) Dukkada
Mukherjee
ii Sitar 2. V.G. Jog
iii Violin 3. Brij Bhushan 70. Ustad Haji Vilayat Ali was the
Kabra founder of which Gharana of Tabla ?
iv Shehnai 4. Jagannath (A) Delhi
Pacheriwal
(B) Punjab
Codes :
i ii iii iv (C) Lucknow
(A) 2 4 3 1 (D) Farukhabad
(B) 3 2 4 1
(C) 3 1 4 2
(D) 3 1 2 4 71. To set Jhaptaal in the span of Ektaal
(From Sam to Sam) causing layakari
63. The form of Rupak tal in Karnatak of
system (A) 5/6 (B) 6/5
(A) (B) (C) 5/4 (D) 6/4
(C) (D)
64. Composition played in uninterrupted 72. Gopuchha is a kind of
flow set in fast tempo (A) Jati (B) Gati
(A) Peshkar
(B) Rela (C) Graha (D) Yati
(C) Bant of Theka
(D) Tihai 73. A small and attractive composition
65. Tilwada Theka accompanies the on Tabla to catch the sam.
singing style of (A) Tukda (B) Mukhada
(A) Thumri (B) Ghazal (C) Gat (D) Tihai
(C) Bada Khyal (D) Chhota Khyal
66. Awap is a 74. Writer of the book Pakhawaj Aur
(A) Nibaddha Kriya Tabla Ke Gharane Avam
(B) Nishabd Kriya Paramparaen
(C) Sashabd Kriya (A) Yogmaya Shukla
(D) Alap-gan (B) Aban E. Mistri
(C) Madhukar Ganesh Godbole
67. Total number of Dha and Dhin
syllables are used in the Theka of Trital (D) Girish Chandra Srivastava
(A) 6 Dha - 6 Dhin
(B) 7 Dha - 7 Dhin 75. Writer of the book Mridanga-Sagar
(C) 7 Dha - 6 Dhin
(D) 6 Dha - 7 Dhin (A) Ghanshyam Das
(B) Purushotam Das
68. Taal having four talies and three khaleis
(C) Bhagwan Das
(A) Chautaal (B) Ada-Chautaal
(C) Vasant Taal (D) Ek-Taal (D) Gopal Das
Paper-III 30 S-16-13
62. : 69. ?
I II (A) (B)
i. 1. (C) (D)
ii. 2. ..
iii. 3. 70. .
iv. 4. ?
: (A) (B)
i ii iii iv (C) (D)
(A) 2 4 3 1
(B) 3 2 4 1
71. ( )
(C) 3 1 4 2
(D) 3 1 2 4
5 6
(A) 6 (B) 5
63. 5 6
(A) (B) (C) 4 (D) 4
(C) (D)
72.
64.
(A) (B)
(A) (B)
(C) (D)
(C) (D)

65. 73.

?
(A) (B)
(A) (B)
(C) (D)
(C) (D)

66. 74.
(A) (B) :
(A)
(C) (D)
(B) .
67. (C)
(D)
(A) 6 -6 (B) 7 -7
(C) 7 -6 (D) 6 -7 75. -
(A)
68. (B)
(A) (B) (C)
(C) (D) (D)
S-16-13 31 Paper-III
 Space For Rough Work

Paper-III 32 S-16-13