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  • Greece & Rome, Vol, 9, No. 27, 1940

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    Jean Cocteau's play La Machine Infernale is an adaptation of the Oedipus myth. The play in four acts was published in Paris in 1975. Scholars have analyzed how Cocteau reinterprets and modernizes elements of the ancient Greek myth, including its themes of fate, free will, and the monster-like nature of the Sphinx. Critics have also explored Cocteau's use of mythology and how his play relates to the works of other thinkers like Sophocles, Stravinsky, Freud, and Derrida in dealing with the Oedipus story.

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    Jean Cocteau's play La Machine Infernale is an adaptation of the Oedipus myth. The play in four acts was published in Paris in 1975. Scholars have analyzed how Cocteau reinterprets and modernizes elements of the ancient Greek myth, including its themes of fate, free will, and the monster-like nature of the Sphinx. Critics have also explored Cocteau's use of mythology and how his play relates to the works of other thinkers like Sophocles, Stravinsky, Freud, and Derrida in dealing with the Oedipus story.

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    15 Ansichten1 Seite

    Greece & Rome, Vol, 9, No. 27, 1940

    Hochgeladen von

    aijmais
    Jean Cocteau's play La Machine Infernale is an adaptation of the Oedipus myth. The play in four acts was published in Paris in 1975. Scholars have analyzed how Cocteau reinterprets and modernizes elements of the ancient Greek myth, including its themes of fate, free will, and the monster-like nature of the Sphinx. Critics have also explored Cocteau's use of mythology and how his play relates to the works of other thinkers like Sophocles, Stravinsky, Freud, and Derrida in dealing with the Oedipus story.

    Copyright:

    © All Rights Reserved
    Als DOCX, PDF, TXT herunterladen oder online auf Scribd lesen
    Markieren Sie unangemessene Inhalte
    von 1

    Obra Analisada :

    Cocteau, Jean. La Machine Infernale: pice en quatre actes. Paris : Libraire Larousse, 1975.
    Bibliografia Consultada:
    Bauchatz, Paul. Oedipus: Stravinsky and Cocteau Recompose Sophocles in: Comparative Literature, vol.
    43, no. 2, 1991.
    Boorsch, Jean. The use of Myths in Cocteaus Theatre in: Yale French Studies, no. 5, 1950.
    Cambier, Guy. Le Recountre dOedipe et la Sphinx dans La Machine Infernale in: Acta Classica, Vol.
    6, 1963.
    Carmy, Shalom. The Sphinx as a leader in: Tradition: A Journal of Orthodox Jewish Thought, Vol. 14,
    No. 3, 1974.
    Derrida, Jacques. Lcriture et La difference. Paris: Editions de Seul, 2014 (1967).
    Eynat-Confino. On the uses of the Fantastic in the Modern Theatre: Cocteau, Oedipus, and the monster.
    NY: Palgrane/Macmillian, 2008.
    Fialho, Maria do Cu. Jean Cocteau LA Machine Infernale: e as vozes da tradio in: HVMANITAS,
    vol. XLV, 1993.
    Fraisse, Simone. Les mythes grecs et le renouveau de la tragdie in: Esprit, Nouvelle srie, No. 338,
    1965.
    Girard, Ren. La Violence et le Sacr. Paris : Pluriel, 2016 (1972).
    Kallish, Martin. Oedipus: from man to archetype in: Comparative Literature Studies, Vol. 3, No. 1,1966.
    Mason, Pierre. La Machine Infernale: A Modern Adaptation of the Oedipus Legende by Jean Cocteau in:
    Greece & Rome, vol, 9, no. 27, 1940.
    Peyne, Henry. LInfluence des littratures antiques sur la littrature franaise de lpoque contemporaine.
    in : Orbis Literarium, vo.. 9, no. 3, 1954 (2007).
    Renger, Almut-Barbara. Oedipus and the Sphinx: the threshold myth from Sophocles through Freud and
    Cocteau. Chicago: UCP, 2013.
    Rockwell, Kiffin. La Machine Infernale in : The Classical Outlook, Vol. 54, No. 7, 1977.
    Simiot, Bernard. La Machine Infernale in : Hommes et mondes, No. 101, 1954.
    Sfocles. Rei dipo. (trad. Maria do Cu Fialho). Coimbra: INIC, 1979.
    Touchard, Pierre. La Machine Infernale in : Esprit (1932-1939), Vol. 2, No. 20, 1934.
    Winegarten, Renee. In Pursuit of Cocteau in: The American Scholar, vol. 58, no. 1989.

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