B a l l a d e

f a r Flte u n d O r c h e s t e r
PARTITUR S C O R E -

29
 Cari Reinecke
1824- 1910

Ballade
fir Flte u n d O r c h e s t e r
op.288
BALLADE
FOR FLUTE A N D ORCHESTRA

Herausgegeben v o n / Edited b y
YVONNE MORGAN

c o M c e R t o p l A a r o AGOAeas
Nr. 29

A M A D E U S V E R L A G B E R N H A R D PULER W I N T E R T H U R / S C H W E I Z
2003

B P 1284
 Cari H e i n r i c h Carsten Reinecke, geboren a m 23. Juni 1824
i n A l t o n a , g e s t o r b e n a m 1 0 . M a r z 1 9 1 0 i n L e i p z i g , zhlt
z u j e n e n Gestalten der deutschen R o m a n t i k , welche gleich
mehrere Epochen der Musikgeschichte durchlebten, ohne
s i c h v o n d e n n e u e n Strmungen b e e i n f l u s s e n z u l a s s e n .
M i t t e n i n d i e F r u h r o m a n t i k hineingeboren, k o n n t e er d i e
schpferische L a u f b a h n v o n s o g e g e n s a t z l i c h e n T e m p e r a -
menten w i e C h o p i n u n d Schumann, Brahms u n d Liszt
e b e n s o m i t v e r f o l g e n w i e d i e E n t w i c k l u n g des V i r t u o s e n -
t u m s u n d der k l e i n b u r g e r l i c h e n S a l o n m u s i k .
D e r v o n seinem Vater z u m M u s i k e r ausgebildete C a r i
Reinecke, d e r n i e eine Schule besuchte, konzertierte
anfnglich als G e i g e r u n d P i a n i s t , b e v o r s e i n u n s t e t e s L e b e n
i m Jahre 1 8 6 0 die w o h l entscheidende W e n d e erfuhr: e r
w u r d e z u m Leiter der Leipziger G e w a n d h a u s k o n z e r t e b e r u -
f e n u n d als P r o f e s s o r a n s d o r t i g e K o n s e r v a t o r i u m g e w a h l t .
Z u v o r w a r er v i e l gereist: 1 8 4 5 h a t t e er h a l b E u r o p a d u r c h -
q u e r t ; e i n J a h r spter w a r e r H o f p i a n i s t i n K o p e n h a g e n
geworden, w o er m i t Niels W . Gade Freundschaft schloK.
W e i t e r e n K o n z e r t t o u r n e e n f o l g t e n A n s t e l l u n g e n a m Klner
K o n s e r v a t o r i u m , i n B a r m e n u n d i n Breslau. V o n Leipzig
aus b e r e i s t e R e i n e c k e als S o l i s t u n d D i r i g e n t u . a . Dnemark,
E n g l a n d u n d R u f S l a n d . A l s L e h r e r besafi R e i n e c k e e i n e n
w e i t iiber den deutschsprachigen K u l t u r r a u m hinausragen-
d e n R u f . Z u s e i n e n S c h i i l e r n zhlten I . A l b e n i z , L . J a n a c e k .
E . Grieg, Chr. S i n d i n g u n d J Svendsen.
A l s glnzender M o z a r t - S p i e l e r , d e r z u m e h r e r e n K l a v i e r -
k o n z e r t e n beliebte K a d e n z e n schrieb, e r w a r b sich C a r i R e i -
n e c k e e b e n s o grof?e A n e r k e n n u n g w i e als K o m p o n i s t v o n
Klavierwerken fiir d e n U n t e r r i c h t . Seine lange z u U n r e c h t
vergriffenen u n d vergessenen I n s t r u m e n t a l w e r k e erleben i n
j u n g e r e r Z e i t e i n e R e n a i s s a n c e . D a z u zhlen d i e h e u t e w i e d e r
z u m R e p e r t o i r e gehrende, r o m a n t i s c h e E m p f i n d s a m k e i t
verstrmende Fltensonate Undine" o p . 1 6 7 ( A m a d e u s B P
7 6 0 ) , s e i n e ber e i n e n Z e i t r a u m v o n 6 7 J a h r e n k o m p o n i e r -
t e n fnf S t r e i c h q u a r t e t t e , m i t i h r e r w a r m b l i i t i g e n M e l o d i k
u n d i h r e m f e i n g e a r b e i t e t e n S t i m m e n g e f l e c h t , d a s T r i o fr
O b o e , H o r n u n d K l a v i e r o p . 1 8 8 , d i e 3 Phantasiestcke
op. 4 3 fiir V i o l a u n d K l a v i e r ( B P 4 5 2 ) , sein T r i o op. 2 6 4
fiir K l a r i n e t t e , V i o l a u n d K l a v i e r ( B P 4 5 3 ) . D e m i i b e r 2 8 0
W e r k e umfassenden kompositorischen Lebenswerk stehen
S c h r i f t e n z u r S e i t e , d i e , w i e e t w a d i e Ratschlge u n d W i n k e
fr d i e m u s i k a l i s c h e J u g e n d " o d e r Die B e e t h o v e n s c h e n
Klavier-Sonaten: Briefe a n eine F r e u n d i n " i n w e i t e n Kreisen
z u m Verstandnis derKlassik beitrugen.
R e i n e c k e s c h r i e b s e i n Fltenkonzert i n D - d u r , o p . 2 8 3
(BP 313) i m Jahre 1908, m i t 8 4 Jahren! Das schwarmerisch
angehauchte, heiter-elegisch irrlichternde K o n z e r t ist ganz
d e n Ausdrucksmglichkeiten d e r Flte v e r p f l i c h t e t . E s gehrt
e b e n s o z u m R e p e r t o i r e w i e u n s e r e v o r l i e g e n d e Ballade fiir
Flte und Orchester, op. 288, d i e d e r M e i s t e r als S c h w a -
n e n g e s a n g seines i m m e n s e n Schaffens d e m K o n z e r t f o l g e n
liels. D e r G e s t u s dieses W e r k i s t b e r a u s c h e n d schn! Q u e l l e n
u n s e r e r N e u e d i t i o n s i n d d i e E r s t d r u c k e d e r P a r t i t u r u n d des
Klavierauszugs, letzterer v o n der H a n d Reineckes.
Cari H e i n r i c h Carsten Reinecke, b o r n o n 2 3 June
1824 i n A l t o n a , died o n 10 M a r c h 1910 i n Leipzig,
is o n e o f t h o s e figures o f G e r m a n r o m a n t i c i s m w h o
l i v e d t h r o u g h several m u s i c h i s t o r i c a l epochs w i t h -
out being i n any way influenced b y the n e w tenden-
cies. B o r n i n t h e e a r l y r o m a n t i c e r a , h e e x p e r i e n c e d
t h e c r e a t i v e c a r e e r s o f s u c h o p p o s i t e p e r s o n a l i t i e s as
C h o p i n a n d S c h u m a n n , B r a h m s a n d L i s z t , as w e l l as
the d e v e l o p m e n t o f the v i r t u o s o a n d o f middle-class
salon music.
T a u g h t b y his father, C a r i Reinecke w h o never
a t t e n d e d s c h o o l b e g a n b y c o n c e r t i z i n g as a v i o l i -
nist a n d pianist, before h i s r o v i n g life w a s b r o u g h t
t o a h a l t i n 1 8 6 0 b y h i s a p p o i n t m e n t s as d i r e c t o r o f
Leipzig's G e w a n d h a u s concerts a n d professor at t h e
Conservatoire. Prior to this h e had travelled extensi-
vely: i n 1845 h e t o u r e d h a l f o f E u r o p e ; a year later
he became court pianist i n Copenhagen, where he
made friends w i t h Niels W . Gade. F u r t h e r concert
tours w e r e f o l l o w e d b y posts a t t h e C o n s e r v a t o i r e ,
i n B a r m e n a n d i n Breslau. F r o m Leipzig, Reinecke
t r a v e l l e d as s o l o i s t a n d c o n d u c t o r t o D e n m a r k , E n g -
l a n d a n d Russia, a m o n g o t h e r countries. Reinecke's
r e p u t a t i o n as a t e a c h e r e x t e n d e d f a r b e y o n d G e r m a n -
speaking countries. H i s pupils included I. Albeniz,
L.Janacek, E . Grieg, C h r . S i n d i n g and J Svendsen.
A d i s t i n g u i s h e d M o z a r t player, C a r i R e i n e c k e was
f a m o u s f o r his p o p u l a r cadenzas t o several o f M o z a r t ' s
p i a n o c o n c e r t i , a n d as a c o m p o s e r o f p i a n o p i e c e s
for teaching purposes. Undeservedly neglected, o u t
o f p r i n t a n d f o r g o t t e n , his i n s t r u m e n t a i w o r k s are at
last e n j o y i n g a r e v i v a l . T h e y i n c l u d e t h e sensitively
romantic Flute Sonata "Undine" op. 167 (Amadeus
B P 7 6 0 ) , n o w a m a i n s t a y o f t h e r e p e r t o i r e , five
warm-blooded, melodious a n d intricately w r o u g h t
s t r i n g quartets ( s p a n n i n g 6 7 years), a T r i o f o r oboe,
h o r n a n d p i a n o o p . 1 8 8 , 3 F a n t a s y Pieces f o r v i o l a
and piano op. 4 3 ( B P 452), a n da Trio op. 2 6 4 for
clarinet, v i o l a a n d p i a n o ( B P 4 5 3 ) . H i s large o u t p u t
as a c o m p o s e r s o m e 2 8 0 w o r k s i s p a i r e d w i t h
b o o k s a n d a r t i c l e s s u c h as " A d v i c e a n d H i n t s f o r
Y o u n g Musicians" or " T h e B e e t h o v e n P i a n o Sonatas:
Letters t o a F r i e n d " , w h i c h i n t r o d u c e d m a n y readers
t o a n u n d e r s t a n d i n g o f classical m u s i c .
C a r i Reinecke's F l u t e C o n c e r t o D - d u r , op. 2 8 3
( B P 3 1 3 ) was w r i t t e n i n 1 9 0 8 , a t t h e age o f 8 4 ! T h e
nostalgie, serene a n d elegiac C o n c e r t o is perfectly
s u i t e d t o t h e expressive possibilities o f t h e i n s t r u -
m e n t . I t i s as m u c h p a r t o f t h e r e p e r t o i r e as t h e
p r e s e n t Ballade for Flute and orchestra, op. 288,
w h i c h after a n i m m e n s e o u t p u t a n d f o l l o w i n g the
C o n c e r t o - was t h e master's s w a n - s o n g . T h e w o r k ' s
sweep is ravishingly b e a u t i f u l ! T h e sources f o r o u r
n e w e d i t i o n w e r e t h e first p r i n t o f t h e s c o r e a n d t h e
composer's o w n p i a n o reduction.
 Ballade Cari Reinecke, op. 2 8 8
Adagio . = 128
N

Flauto I 9-

Flauto ]

O b o e I/II

C l a r i n e t t o I i n Sii

C l a r i n e t t o I I i n S b

Fagotto I

Fagotto II

Solo
Corno I in Fa

Corno II in Fa

T r o m b a I/II
in U t

T i m p a n i in Re/La 1 } \ r f h - > ^ 7 7
E 7 7 1 ' f 7 7

Triangolo,
Piatti

Flauto principale

Adagio J = 128
1

Violino I
fi
espress.

Violino II

pizz.
K l arco
Viola
*-
pizz. poco marcato
Violoncello a 7

pizz.

Contrabasso
fi 7 ^ f 7 7

B P 1284
C o p y r i g h t 2003 b y A m a d e u s V e r l a g ( B e r n h a r d P a u l e r ) , W i n t e r t h u r / S c h w e i z
4
5
9
11
12
14

spi]
40 Allegro J = 112

l g -
P *
TrVl ' ! *
=^=

-, >
g /? r

Q J -> 7 p 7
p ., >
=?-*-* - 4i
j
r 7
Hf 7
m \

p
4 ) : 2 i
4 f

W l J M

mf
Allegro J = 112
- A pZZ. . -m-
# . e r -r^* ! 1 . P - k ! f - = ji
P ' |? ' F ' 7 J
f -V ftj
mf mf

T
ri' mf
i h -4

- J
= r = *
^7
r
p' ; ' s
j
mf
c
-*
h > h - i

15
pizz.
?* : r< f-i - .. s . n
7 J ' 7 j> -2 M W
fi- f J
r 7 7
)
f
** *r
1 1
0-
l
\

/ /
mf J
mf
pizz.
2 ^7 UL -_ 7 / 7
* *
-7E ** A - f
^ 4-4 ^ E 7 1 L ^ E j7 fir
7 y 7 E ' p 7 M
/
mf mf
arco
19
21
23
24
113

i
L jm mj 0j
7

f
1

ili
&1 f
1 i
r i J
J ?

* 1

s fp

Solo

li mf marcato

m m

I
pizz.

/
pizz.

m u S r r r r rbr
pizz.

E 1 v j
pizz.
 27
136
0 *
' 7
if .. >
-4 )i ^ ^ ?
f
i - *
0 ;

-
*jk ~
T%
f
- *
c r /
F ' *
ini Ir -
?
/
**

^
y
i

- I

J>
Piatti
i - * V
- * -

mf
' Z L B B :
' >
-4 4 fff
=
mf

Jf- - e ; f ? f*=F==| r a = J h
' F ' /
7 I

r ! = ^ = ^ r5HjJ-

#=1
mf
-4 ^2
Kv
-r - -
n ^=4 - h -
7
h -15 T **
7
3 P
/
L L a m

mf / P ' 7
7 j

I P i r - \f L m
^ i ' ^
la 2-
mf -2 v- 7 J 7 ' i
_2 Ij7_

*
*^ T
m
*
! P '4M

y 7

7 ^7 F
=4
i

mf
1 E / 7
31
36
39
CDADGUS
Flote solo
D'ALESSANDRO Raffaele 1 9 0 1 - 1 9 6 9
BP 505 S o n a t i n e p o u r Flte seule, o p . 1 9
BP 542 Cadences p o u r l e C o n c e r t o e n
sol m a j e u r , K V 3 1 3 , de M o z a r t
ARIA D I CAMERA
BP 376 E i n e erlesene S a m m l u n g 7 5 irischer,
schottischer u n d w a l i s i s c h e r W e i s e n
B A C H , Cari Philipp E . 1 7 1 4 - 1 7 8 8
BP 6 7 5 Sonate a-moll, W q 132, m i t k o m -
p l e t t e m F a k s i m i l e des E r s t d r u c k s
B A C H , J o h a n n Sebastian 1 6 8 5 - 1 7 5 0
BP 2 4 6 0 Partita i n a-moll ( m i t k o m p l e t t e m
F a k s i m i l e des A u t o g r a p h s )
BHM.Theobald 1794-1881
BP688 12Etdenop. 15 fr Flte s o l o BP2014
BP 7 2 4 2 4 Caprices-Etudes, op. 2 6
C A L L , Lonard v o n 1 7 6 8 - 1 8 1 5
BP 683 D r e i Fantasien, o p . 6
D I E T H E L M , Caspar 1 9 2 6 - 1 9 9 7
BP 2 0 8 3 Zodiak", 1 2 K o n s t e l l a t i o n e n m i t
Prolog u n d Epilog, op. 140
D O N J O N , F r a n c o i s et J o h a n n e s
BP 4 3 1 5 Solos o u C a p r i c e s e t 8 E t u d e s d e
S a l o n p o u r l a Flte seule
E Y C K , Jacob v a n 1 5 8 9 - 1 6 5 7
BP 7 0 4 Der F l u y t e n L u s t - h o F , erste k o m -
BP 7 0 5 m e n t i e r t e U r t e x t a u s g a b e m i t aus-
BP 7 0 6 fiihrlichem V o r w o r t u n d praktischer
Einfiihrung, 3 Bande
GARIBOLDI, Giuseppe 1 8 3 3 - 1 9 0 5
BP 7 2 5 Exercises J o u r n a l i e r s , o p . 8 9
(Tagliche Obungen)
BP 6 2 2 Grandes E t u d e s d e Style, o p . 1 3 4
HESS, Willy 1906-1997
BP 2 5 2 9 Z w e i Suiten, op. 127
H O F F M E I S T E R , Fr. A n t o n 1 7 5 4 - 1 8 1 2
BP 2 6 2 0 P r e l u d e o u Exercise, o p . 3 5
BP 2 4 7 0 Variations" sur airs e t thmes
d ' H a y d n e t M o z a r t , o u Etude"
K O H L E R , Ernesto 1 8 4 9 - 1 9 0 7
BP 8 8 4 2 5 romantische Etiiden i m moder-
nen Stil, op. 6 6
K O H L E R , Gottlieb H . 1 7 6 5 - 1 8 3 3
BP 2 6 0 3 Fantasie et V a r i a t i o n s p o u r l a Flte
K U H L A U , Friedrich 1 7 8 6 - 1 8 3 2
BP 3 9 8 Variarions et Caprices, op. 10
K U M M E R , Caspar 1 7 9 5 - 1 8 7 0
BP 7 3 9 Six C a p r i c e s o u Exercises, o p . 1 2
M I E G , Peter 1 9 0 6 - 1 9 9 0
BP 2 6 4 4 Les Dlices d e l a flte
Q U A N T Z , Johann Joachim 1 6 9 7 - 1 7 7 3
BP 6 8 6 Solfeggi P o u r L a Flte Traversire
avec l ' e n s e i g n e m e n t , Par M o n s r .
Q u a n t z " M i t ausfilhrlicher
Einleitung u n d Faksimiletafeln
der H a n d s c h r i f t
BP 2 0 5 0 Capticen, Fantasien u n d Anfangs-
stcke f u r die F l o r e a l l e i n u n d m i t
Basso c o n t i n u o
R E I T Z , Heiner *1925
BP 5 0 6 12 Capricen, o p . 4
S C H N E I D E R , Georg Abr. 1 7 7 0 - 1 8 3 9
BP 5 9 9 2 4 Divertissements, op. 4 5
T E L E M A N N , Georg Philipp 1 6 8 1 - 1 7 6 7
BP 3 7 0 1 2 F a n t a s i e n f u r Flte solo
W E I S S , Franz 1 7 7 8 - 1 8 3 0
BP621 C a p r i c e s et V a r i a t i o n s , o p . 3
4(1)
Zwei, drei u n d vier Floten
D'ALESSANDRO, Raffaele 1901-1969
BP 5 4 1 S o n a t i n e p o u r d e u x fltes, o p . 7 7
B A C H , W i l h e l m F r i e d e m a n n 1710-1784
BP 3 7 3 / 4 6 S o n a t e n ( D u e t t e ) fiir 2 Flten
BEETHOVEN, L u d w i g v a n 1770-1827
BP 2 4 6 2 A l l e g r o u n d M e n u e r t f u r 2 Flren
BLAVET, M i c h e l 1700-1768
BP 2 0 1 5 6 S o n a t e n o p . 1 f u r 2 Flten
C A L L , Lonard v o n 1768-1815
BP618 T r i o f u r 3 Flten, o p . 2
BP 8 5 2 T r i o f u r 3 Flten, o p . 2/1
BP 2 2 7 4 Serenade D - d u r fr 3 Flten, o p . 4 1
C A M B I N I , G i u s e p p e 1746-1825
BP 2 0 1 1 6 D u o s fr 2 Flten, o p . 11
D E L A V I G N E , Philibert
BP 2 0 8 5 Six Suites de Pices d e u x M u s e t t e s
D I E T H E L M , C a s p a r 1926-1997
BP 6 1 7 D u o f i i r 2 Flten, o p . 1 2 4 ( 1 9 7 4 )
DUSSEK, Fr. J o s e p h "1766
T r i o o u N o t t u r n o fr 3 Flten
F E S C H , W i l l e m de 1687-1757
BP 3 9 0 3 0 D u e t t e o p . 11
F O R S T E N A U , A n t o n B . 1792-1852
BP 4 9 6 / 7 6 D u o s faciles, o p . 137, 2 H e f t e
G E B A U E R , Joseph
BP 2 0 7 4 1 2 L a n d l e r fr 2 Flten
H A Y D N , J o s e p h 1732-1809
BP 1141 Sechs D u o s fr 2 Flten ( n a c h d e n
BP 1142 Streichquarrerren op. 17), 2 H e f t e
B P 2 3 0 7 D i v e r t i m e n t o I C - d u r fr 3 Flten
BP 2 3 0 8 D i v e r t i m e n t o I I G - d u r fr 3 Flten
BP 2 3 0 9 D i v e r t i m e n t o I I I F - d u r fr 3 Flten
H O F F M E I S T E R , Fr. A n t o n 1754-1812
BP 2 0 0 5 T e r z e t t o fr 3 Flten
BP 2 3 4 9 D r e i D u o s , op. 3 0
BP716 Sechs D u o s , o p . 4 9
K O H L E R , G o t t l i e b H . 1765-1833
BP 8 5 2 A m u s e m e n t o p . 1 1 7 fr 3 Flten
K U M M E R , C a s p a r 1795-1870
BP 475 K l e i n e leichte D u e t t e
BP 883 D r e i konzertante Duos, op. 2 5
LE CLERC, Mr.
BP2012 6 S o n a t e n fr 2 Flten, o p . 1
M O Z A R T , Wolfgang Amadeus
BP 2 0 6 0 1 2 leichte D u e t t e aus Zauberflte"
N A U D O T , M r . tl762
BP 2 0 1 3 Babioles", 6 S u i t e n fr 2 Flren
PLEYEL, I g n a z 1757-1831
BP 2 0 7 6 Sechs leichte D u e t t e
P O S S I N G E R . A l e x a n d e r 1766-1827
BP 2 5 0 5 T r i o ( 6 Stcke) fr 3 Flten
Q U A N T Z , J o h a n n J o a c h i m 1697-1773
BP 2 0 1 6 T r i o D - d u r fr 3 Flten
R E I C H A , A n t o n 1770-1836
BP 2 0 8 4 Q u a r t e t t , o p . 12, fr 4 Flten
BP 438 3 Romanzen op. 21 u n d Variationen
o p . 2 0 fr 2 Flten
R E I T Z , H e i n e r *1925
BP 2 6 5 7 7 E n t e r t a i n m e n t s fr 2 Flten
R I C H T E R , F r a n z X a v e r 1709-1789
BP 3 8 5 6 S o n a t e n fr 2 Querflten
R O M B E R G , A n d r e a s 1767-1821
BP2041 D r e i Duos, op. 62
S C H N E I D E R , G e o r g A b r . 1770-1839
BP2312 D r e i Duos, op. 7 8
BP 2 3 4 6 3. Q u a r t e t t D - d u r o p . 8 0 f. 4 Flten
T E L E M A N N , G e o r g P h i l i p p 1681-1767
BP781 6 D u o s fr 2 Flten v o n 1 7 5 2 , 1
BP 7 8 2 6 D u o s fr 2 Flten v o n 1 7 5 2 , I I
W E I D E M A N N , K a r l Fr. tl782
BP 2 0 7 7 2 S o n a t e n , o p . 3 / 3 + 6 , fr 3 Flten
Flote u n d Violine / Flote u n d Viola
BACH, C a r i P h i l i p p E . 1714-1788
BP 2 4 9 2 D u e t t fr Flte u n d V i o l i n e
C A M B I N I , G i u s e p p e 1746-1825
BP 2 3 3 3 6 D u o s o p . 4 fr Flte u n d V i o l a
D E V I E N N E , F r a n c o i s 1759-1803
BP 8 8 2 3 D u o s fr Flte u n d V i o l i n e
BP 2 4 7 8 6 D u o s o p . 5 fr Flte u n d V i o l a
E S C H E R , Peter "1915
BP 8 8 2 D i v e r t i m e n t o per d u e s t r u m e n t i
F E S C H , W i l l e m de 1687-1757
BP 3 9 0 3 0 D u e t t e fr Flte u n d V i o l i n e
G E B A U E R , E t i e n n e - F r . 1777-1823
BP 2 5 2 6 3 b r i l l a n t e D u o s fr Flte u . V i o l i n e
H E S S , Willy 1906-1997
BP 2 4 0 9 D u o o p . 8 9 fr Flte u n d V i o l a
BP 2 6 7 8 1 2 B a g a t e l l e n fr Flte u n d V i o l i n e
H O F F M E I S T E R , F r . A n t o n 1754-1812
BP 6 3 7 3 D u o s c o n c e r t a n t fr Flte u. V i o l a
K H Y M , C a r i ca.1770-1819
BP 2 2 9 1 Serenade fr Flte u n d V i o l a
M I E G , P e t e r 1906-1990
BP 2 4 0 6 D u o fr Flte u n d V i o l a ( 1 9 7 7 )
PLEYEL, I g n a z 1757-1831
BP 2 0 7 6 6 leichte D u e t t e fr Flte u . V i o l i n e
R O L L A , A l e s s a n d r o 1757-1851
BP 439 3 D u e t t e fr Flte u n d V i o l i n e
T E L E M A N N , G e o r g P h i l i p p 1681-1767
BP 2 4 7 9 D u e t t o B - d u r fr Flte u n d V i o l a
BP 2 4 3 5 D u e t t o G - d u r fr Flte u n d V i o l i n e
Flte u n d V i o l o n c e l l o ( F a g o t t )
BEETHOVEN, L u d w i g v a n 1770-1827
BP 3 6 2 3 D u o s fr Flte u n d V i o l o n c e l l o
C A L L , Lonard v o n 1768-1815
BP 2 6 9 0 3 D u o s , o p . 1 2 , fr Flte u n d
Violoncello oder Fagott
C A M B I N I , G i u s e p p e 1746-1825
BP 3 8 0 / 1 6 S o n a t e n fr Flte u n d V i o l o n c e l l o
oder Fagott, 2 H e f t e
D A N Z I , F r a n z 1763-1826
BP 527 3 D u o s o p . 6 4 f. Flte u . V i o l o n c e l l o
G E B A U E R , M i c h e l J o s e p h 1763-1812
BP 8 5 9 3 D u o s o p . 1 7 fr Flte u n d F a g o t t
G U I G N A R D , Eric
BP 545 S c h w e i z e r T a n z e fr Flte u n d C e l l o
BP 7 8 5 2 4 T a n z e aus alter Z e i t f. F I . u . C e l l o
H A N D E L , G e o r g F r i e d r i c h 1685-1759
BP 6 5 2 8 Stcke fr Flte u n d V i o l o n c e l l o
H E S S , Willy 1906-1997
BP 2 2 3 5 S o n a t e o p . 1 2 4 fr Flte u n d C e l l o
Flte u n d K l a v i e r ( B c . / O r g e l )
ABEL, C a r i F r i e d r i c h 1723-1787
BP 4 1 5 / 6 6 S o n a t e n o p . 6 fr Flte u n d B c .
D ' A L E S S A N D R O , Raffaele 1901-1969
BP 2 2 2 4 Q u a t r e pices brves, o p . 4 2
p o u r flte e t p i a n o
A N N A A M A L I A V . P r e u f i e n 1723-1787
BP 1 0 6 3 S o n a t e F - d u r fr Flte u n d B c .
B A C H , C a r i P h i l i p p E . 1714-1788
BP 7 1 7 2 S o n a t e n , E s - d u r , g - m o l l fr Flte
u n d obligates C e m b a l o
1 1 S o n a t e n (Soli) fr Flte u n d B c .
BP 2301 S o n a t e n G - d u r , e - m o l l , W q 123/124
BP 2302 S o n a t e n B - d u r , D - d u r , W q 125/126
BP 2303 S o n a t e n G - d u r , a - m o l l , W q 127/128
BP 2304 S o n a t e n D - d u r , B - d u r , W q 129/130
BP 2305 S o n a t e n D - d u r , G - d u r , W q 131/134
BP 2306 . . H a m b u r g e r S o n a t e " G - d u r , W q 133
B A C H , J o h a n n Sebasrian 1685-1750
BP 4 4 4 V i e r a u t h e n t i s c h e Fltensonaten
( B W V 1 0 3 0 , 1032, 1034, 1035)
BP 6 6 8 S o n a t e g - m o l l f. Flte u n d C e m b a l o
 BARSANTI, Francesco 1 6 9 0 - 1 7 7 2
BP 2065 Sechs S o n a t e n fiir Flte u n d Basso BP 443
BP 2 0 6 6 continuo, 2 Hefte
B E E T H O V E N , L u d w i g v a n 1770-1827
BP 584 6 leichte S t i i c k e f. Flte u n d K l a v i e r BP 2619
B L A V E T , M i c h e l 1700-1768
BP 2474 Sechs S o n a t e n o p . 2 fiir Querflte BP 2088
B P 2 4 7 5 u n d Basso c o n t i n u o , 2 H e f t e
BHM.Theobald 1794-1881
BP 399 Divertissementop.il
DIETHELM, Caspar 1926-1997
BP 2 4 7 3 . . C o n c e r t o p a s t o r a l e " fiir Flte u n d
Streichorchesrer o p . 1 5 5 , K A
BP 536 Fantasie o p . 4 9 fiir Flte u n d K l a v i e r
G A L L I A R D , J o h n E r n e s t 1680-1749
BP 5 2 8 / 9 6 S o n a t e n f u r Flte u n d B c , 2 H e f t e BP 366
G E R B E R , Ren *1908
BP 647 B a l l e t p o u r flte e t p i a n o
G L U C K , C h r . W i l l i b a l d 1714-1787
BP 2061 K o n z e r t fr Flte u n d O r c h e s t e r
i n G-dur, K A m i t Solost.
BP 2072 Reigen seliger G e i s t e r " fr Flte BP 767
u n d Orchester, Parr., St. u n d K A
G O U N O D , C h a r l e s 1818-1893
BP 570 C o n c e r t i n o fr Flte u n d O r c h e s r e r BP 2 5 5 2
K A m i t Solost.
GRAUN
BP 2 4 9 4 S o n a t e C - d u r fr Flte u n d B c .
HAYDN, M i c h a e l 1737-1806
B P 2 3 4 3 S o n a t e G - d u r fr Flte u . C e m b a l o
H O T T E T E R R E , Jacques 1 6 7 4 - 1 7 6 3
B P 7 0 1 / 2 V i e r S u i t e n , o p . 5, fr Querflte
u n d Basso c o n t i n u o , 2 H e f t e
J A D A S S O H N , S a l o m o n 1831-1902
BP 2324 N o t t u r n o op. 133, Capriccio op. 137
J E N S E N , G u s r a v 1843-1895
BP 1175 A r i o s o u n d R o n d o patetico o p . 4 0
fr Flte u n d O r g e l BP691
K E M P T E R , L o t h a r 1844-1918
BP 2278 B a l l a d e o p . 3 7 fr Flte u n d K l a v i e r
K R A F T , W a l t e r 1905-1977
BP 669 S o n a t e Franziskus-Legenden"
L A U B E R , Joseph 1864-1952
BP 6 8 7 S o n a t a i n u n a Parte, o p . 5 0
M A R C E L L O , Benedetto 1686-1739
B P 2 0 5 6 - 1 2 S o n a t e n o p . 2 f u r Flte u n d
B P 2 0 6 6 u n d Basso c o n t i n u o , 4 H e f t e
M O L T E R , J o h . M e l c h i o r 1695-1765
BP 4 0 1 S o n a t e A - d u r f. Flte u n d C e m b a l o
M O Z A R T , Wolfgang Amadeus
BP 2693 K o n z e r t G - d u r , K V 3 1 3 , fr Flte
u n d Orchester, K A m i t S o l o s t .
BP 2694 K o n z e r t D - d u r , K V 3 1 4 , fr Flte
u n d Orchester, K A m i t S o l o s t .
BP519 A n d a n t e , K V 315, K A m i t Solost.
N A C E L I , H a n s G e o r g 1773-1836
B P 402 2 D i v e r t i m e n t i f. Flte u n d K l a v i e r BP
P E P U S C H , J o h . C h r i s t o p h 1667-1752
BP 2 4 8 1 Sechs S o n a t e n ( 2 . F o l g e ) ft Flte
BP 2482 u n d Basso c o n t i n u o , 2 H e f t e
P R E B E R , Giacomo
BP 493 S i n f o n i a a F l a u t o c o l Basso, C - d u r
P U R C E L L , D a n i e l ca.1663-1717
BP 4 9 4 3 S o n a t e n fr Flte u n d B c .
R E I C H A , Joseph 1746-1795
B P 2 0 6 3 K o n z e r t fr Flte u n d O r c h e s t e r
i n B - d u r , K A m i t Solost.
R E I N E C K E , C a r i 1824-1910
BP 313 K o n z e r t D - d u r , o p . 2 8 3 fr Flre
u n d Orchester, K A m i t S o l o s t .
BP 760 Undine"-Sonate, o p . 2 6 7 BP 721
R U S T , F r i e d r i c h W i l h e l m 1739-1796
BP 751 S o n a t e A - d u r fr Flte u n d H a r f e BP 715
oder K l a v i e r
4 (2)
SAMMARTINI, G i u s e p p e 1693-1751 FURSTENAU, A n t o n B . 1792-1852
2 S o n a t e n o p . 2 / 1 + 4 fr Flte u . B c . BP 2 0 3 9 R o n d o b r i l l a n t o p . 1 0 2 fr 2 Flten
BP 420 K o n z e r t F - d u r fr Flte u . Streicher u n d Klavier
S C H N E I D E R , F r i e d r i c h 1786-1853 G R A U N , J o h a n n G o t t l i e b 1703-1771
Sonate i n G - d u r op. 3 3 BP 389 S o n a t a C - d u r fiir 2 Flten u n d B c .
S T A L D E R , Joseph 1 6 2 5 - 1 7 6 5 BP 8 0 9 T r i o s o n a t e C - d u r f. 2 Flten u n d Bc.
C o n c e r t o F - d u r fr Flre u n d H A N D E L , G e o r g F r i e d r i c h 1685-1759
Streicher ( D i e t h e l m ) K A m i t Solost. BP 2038 S o n a t e e - m o l l fr 2 Flten u n d B c
S T A M I T Z , C a r i 1745-1801 H E I N I C H E N , J o h . D a v i d 1683-1729
BP 789 K o n z e r t fr Flte u n d O r c h e s t e r BP 7 5 9 T r i o s o n a t e G - d u r fr 2 Flten u . B c .
i n G - d u r , o p . 2 9 , K A m i t Solost. J O P L I N , Scott 1868-1917
S T A M I T Z , J o h a n n A n t o n 1717-1757 BP 2 4 1 1 The E n t e r t a i n e r " , fr 3 Flren
BP 2 4 7 2 K o n z e r r i n D - d u r fr Flte u n d u n d K l a v i e r oder G i t a r r e
Streichorchester, K A m i t S o l o s t . BP 2 6 8 1 The S t r e n u o u s L i f e " fr 3 Flten
T E L E M A N N , G e o r g P h i l i p p 1681-1767 u n d K l a v i e r oder G i r a r r e
S u i t e ( O u v e r t u r e ) a - m o l l fr Flte, R O R I C H , C a r i 1869-1941
Streicher u n d B c , K A m i t Solost. BP 2338 B u r l e s k e o p . 6 4 f. 3 Flten u . K l a v i e r
BP 666 4 S o n a t e n fr Flte u n d B c . A l e s s a n d r o 1660-1725
SCARLATTI,
BP 2662 K o n z e r t G - d u r fr Flte, 2 V i o l i n e n BP713 T r i o c - m o l l fr 2 Flten u n d B c .
u n d B c , Part. ( C o n t i n u o ) u . St.
S C H W A R T Z K O P F F , T h e o d . 1659-1732
BP 794 2 S o n a t e n (Stockholmer S o n a t e n " )
BP 377 2 S o n a t e n aus Essercizii M u s i c i " BP 2 2 3 9 S o n a t e d - m o l l fiir 2 Flten u n d B c .
S u i t e g - m o l l fr Flre u n d B c . S I M O N E T T I , G i o v a n n i Paolo
BP 484 4 n e u e S o n a t i n e n fr Flte u n d B c . BP 2 0 2 1 Sechs S o n a t e n , o p . 2 , fr 2 Flten
BP442 Heldenmusik", 1 2 M a r s c h e BP 2 0 2 2 u n d Bc. (Michel), 2 Hefte
Hochzeir-Divertissement", T a n z e BP421 S o n a t a a tre g - m o l l fr Flre,
B P 2 5 5 5 C o n c e r t o F - d u r f. Flte, 2 V i o l i n e n , Bafiblockflte u n d B c , op.5/3
V i o l a u n d B c , P a r t . u . St. T E L E M A N N , G e o r g P h i l i p p 1681-1767
V A L E N T I N E , R o b e r t 1680-1735 T r i o s o n a t e n fr 2 Flten u n d B c .
B P 3 8 2 / 3 6 S o n a t e n fr Flte u n d B c , o p . 5 BP 2281 1. Triosonate i n G-dur
BP 2282 2. Triosonate i n c-moll
V I N C I , L e o n a r d o 1768-1815
BP2283 3. Triosonate in A-dur
BP 810 2 Sonaten D-dur, G-dur BP 2284 4. Triosonate i n d-moll
V I V A L D I , A n t o n i o 1678-1741 BP 2285 5. Triosonare i n e - m o l l
BP 828 4 S o n a t e n fr Flre u n d B c . BP 2 2 8 6 6. Triosonate i n D - d u r
B P 2 4 9 5 2 S o n a r e n aus I1 Pastor fido" BP 7 6 4 14. T r i o s o n a t e i n C - d u r
BP 800 C o n c e r t o C - d u r f. F l a u t i n o o p . 4 4 / 1 1 BP 2510 36. Triosonate i n a-moll
BP 858 C o n c e r t o e - m o l l fr F l a u t i n o , K A BP 2 0 0 6 55. Triosonate i n A - d u r
W E H R L I , W e r n e r 1892-1944 BP 369 9 4 . T r i o i n D - d u r (Tafelmusk I I I )
Suite op. 16 (1921) BP 919 Q u a r t e t t i n d - m o l l fr 3 Flten
BP 692 Sonate op. 5 4 (1941) u n d Bc. (Tafelmusik I I )
W I L M , Nicolai 1834-1911
BP2228 D u o o p . 1 5 6 fr Flte u n d H a r f e T r i o s m i t Flte
W l T T , F r i e d r i c h 1770-1836 AESCHBACHER, W a l t h e r 1901-1969
BP 682 K o n z e r t fr Flre u n d O r c h e s t e r BP 2 6 8 2 C o n c e r t i n o f. Flte, V i o l i n e u . C e l l o
B A C H , J o h a n n C h r i s t i a n 1735-1782
Z w e i u n d d r e i Flten u n d K l a v i e r ( B c . )
BP 2004 T r i o C - d u r fr 2 Flten u n d C e l l o
BACH, C a r i P h i l i p p E . 1714-1788 C L A U S E C K , J o h a n n Ignaz
BP 357 T r i o s o n a t e E - d u r fr 2 Flren u . B c . BP 2671 S o n a t a G - d u r fr 2 Flren u n d C e l l o
B A C H , W i l h . F r i e d e m a n n 1710-1784 D A N Z I , F r a n z 1763-1826
BP 761 1 . T r i o s o n a t e D - d u r (Falck 4 7 ) BP 1036 3 T r i o s , o p . 7 1 , fr Flte, V i o l i n e
BP 762 2. Triosonate D - d u r (Falck 48) V i o l o n c e l l o , St.
BP 763 3. Triosonate a - m o l l (Falck 49)
D E V I E N N E , Francois 1759-1803
B O I S M O R T I E R , Joseph B . 1 6 8 2 - 1 7 6 5 BP 4 3 5 / 6 6 T r i o s fr Flre, V i o l a u n d C e l l o
6 S o n a t e n o p . 3 4 fr 3 Flten u . B c . BP 2 0 0 7 / 8 6 T r i o s f. 2 Flten u n d C e l l o , o p . 1 9
BP 2571 S o n a t a I i n g - m o l l , Parr. u . St.
BP 2572 S o n a t a I I i n G - d u r , Part. u . St. F U R S T E N A U , A n t o n B . 1702-1852
BP 2573 S o n a t a I I I i n e - m o l l , Parr. u . Sr. BP 2617 Serenade f. Flte, V i o l a u n d G i t a r r e
BP 2574 S o n a t a I V i n D - d u r , P a r t . u . St. H A N S E N , E m i l R o b e r t 1860-1926
2575 S o n a t a V i n d - m o l l , P a r t . u . St. BP 1017 T r i o fr Flte, V i o l i n e u n d C e l l o
BP 2576 S o n a t a V I i n a - m o l l , Part. u . St. H A Y D N , Joseph 1732-1809
B U F F A R D I N , Pierre G a b r i e l 1690-1768 BP 2001 Die L o n d o n e r T r i o s " fiir 2 Flten
BP 2296 T r i o s o n a t e A - d u t fr 2 Flten u . B c . u n d V i o l o n c e l l o , P a r t . u . St.
BP 700 6 T r i o s o p . 1 0 0 fr Flte, V i o l i n e
C A L L , Lonard v o n 1768-1815
u n d V i o l o n c e l l o , St.
BP 489 T r i o C - d u r fr 2 Flten u n d G i t a r r e
BP 8 7 6 / 7 6 T r i o s fr Flte, V i o l a u n d C e l l o
COLOMBI, Giuseppe 1635-1694
H E S S , Willy 1906-1997
BP 708 3 S o n a t e n o p . 4 / 1 , 2 , 6 fr 2 Flten,
V i o l o n c e l l o (Fagott) u n d Bc. BP 549 D i v e r t i m e n t o fr Flte, V i o l i n e u n d
V i o l a , o p . 8 2 , P a r t . u . St.
C O R R E T T E , M i c h e l 1747-1813
K O H L E R , H e n r i 1765-1733
BP 2010 C o n c e r t o c o m i q u e Le M i r l i t o n " i n
BP 2082 3 T r i o s o p . 8 6 fr Flte, V i o l i n e
B - d u r fr 3 Flten u n d B c , o p . 8/1
(Flte) u n d V i o l o n c e l l o , St.
BP 395 C o n c e r t o c o m i q u e Margoton" i n
C - d u r fr 3 Flten u n d B c , o p . 8/3 N A R D I N I , P i e t r o 1722-1793
C o n c e t t o c o m i q u e Le Plaisir des BP 2 5 0 1 S o n a t a fr Flte u n d 2 V i o l i n e n
D a m e s " o p . 8/6 fr 3 Flren u n d B c . P S S I N G E R , Alexander 1766-1827
C o n c e r t o c o m i q u e i n C - d u r , o p . 4/3 BP 2267 T r i o o p . 7 fr Flte, V i o l i n e u . V i o l a
fiir Flte, 2 V i o l i n e n (Flten) u . B c . BP 2404 T r i o o p . 2 8 f. Flte, V i o l a u n d H o r n