The

Picture
of
Dorian Gray
Dramatis Personae

Dorian Gray Counter-Tenor or Mezzo-Soprano

Basil Hallward Tenor
Lord Henry "Harry" Wotton Baritone
Sybil Vane Soprano
James Vane Bass
Whore - Soprano
Lady Victoria Wotton Soprano
"Romeo" Bass
Valet Bass
Thornton Bass
Chorus of Hunstmen,Whores and Opium ends

Synopsis of Scenes

Prologue
-- Scenes 1 and 2 - Basil Hallward's Studio
Act 1
-- Scene 1 - Lord Henry's House in Mayfair
-- Scene 2 - Mr. Isaac's Theatre
-- Scene 3 - Sybil Vane's Dressing Room
-- Scene 4 - Dorian's House
Act 2
-- Scenes 1 - An Opium Den
-- Scene 2 - Lord Henry's House in Mayfair
-- Scene 3 - The Shooting Party
-- Scene 4 - Dorian's House
 SCENE 1
Prologue
(Stage is pitch-

{
Jamie Fox, Oliver Bowes
black. Spotlight on
bb
from the Novel by Oscar Wilde
Basil, centre stage.)
& b


Basil Hallward
Spoken: The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim.

b w nw
&b b w w

J u J u
pp pp

U
j b
Piano

U
? b b w w bw
b

{
bb
mp mf
4

& b
The critic is he who can translate into another manner
Basil
or a new material his impression of beautiful things.
b w
&b b w w
w
J u J u
U
pp

Pno.
U
? b b w j
w
b

{
b
6

& b b

Basil

b .
Those who nd ugly meanings in beautiful things are corrupt without being charming. That is a fault.

b
&b b ww
J n u J
U
pp

.
Pno.

? b w nj b
bb
J

{
bb
8

& b

Those who nd beautiful meanings in beautiful things For these there is hope.
Basil
They are the elect to whom beautiful things mean only beauty.

b
are the cultivated.

&b b w w w b w w
u
w
J bw w
w
J u

pp
U j U

Pno.

? bb w bw w
b w w

bb
12

& b

{

There is no such thing as a moral or an immoral book.
Basil
Books are well written, or badly written. That is all.

b j U
& b b
w
w #w
w # w
w
w
w
w
Pno.
w j #
? bb n U
b w w nw b w
w
 ? b p
3
Andante q = 80
.
rit.
j .
16 mp

bb
Henry .

{
3 3
It's your best work, Ba - sil. You must cer - tain - ly send it, next year, to the Grosve

Andante q = 80
j
rit.
b w
3

&b b w
3
j
3 3

w
pp p

? bb w
j
Pno. 3 3

b w w ww ww ww
pp
Largo q = 50

b b U
21 sfz

& b
J

Basil

No...
mf
?b r r j R R R R r r
Henry
b b . R R R R R J J J J J R J R J R R

{
3
- nor. The A - ca - de - my is too large and too vul - gar. When - ev - er I have gone there, there have ei - ther been so

Largo q = 50
b
&b b
3



Pno. pp
3

? b b ww ww w
b w

? b J r r r j r r
24

bb J J

{
Henry J J J R J J J J J J J R J
3
ma - ny peo - ple, that I have not been ab - le to see the pic - tures, which was dread - ful, or so

3 . 3. . 3
b
3 3
b
3

& b b





b b
. .
3 3
Pno. 3 3

? bb w w w
b w w w

b
27 Pi mosso q = 55
p
&b b j
>
Basil

No, Hen - ry...

> mf

?b j J R R J r j j
bb J J J

{
Henry J R J R J J J J R
3 3
ma - ny pic - tures, that I have notbeen ab - le to see the peo - ple, which was worse. The Grosve - nor is real - ly the

Pi mosso q = 55
b
&b b w
w .


. ppp
3 3
Pno.

3

?b w w w
bb w w w. .
ppp 3 3
 bb
Andante q = 80 rit.

<b> j
4

31
r r j j r r j j j j
f
J - -
3 3
& b

Basil

I don't think I shall send it an - y - where. No. I won't send it an - y - where.

? b - R
bb
f
-

{
Henry

on - ly place. Ba - sil! Not

..>
#n nr
Andante q = 80 rit.
b

3

& b b -
3

- -
. .
n
>
mp f pp pp
>
bw . . n
n n #
w R n
n r
Pno.

? b b w
mf
b - w
- - w w

>
? b J
-
ff mf mp mf
>
Allegretto q = 105
n n- U b . U

{

36
J J
bb J J J J J J
Henry J J J J J
3 3
an - y - where? My dear fel - low, why? Have you an - y rea - son? What odd chaps you pain - ters are! Hm You do

Allegretto q = 105
b #ww w
3 3 3

3
&b b nw
w w
mf p 3
> 3
n
Pno.

? bb





b w w w w w

? b n n
41
3 J
bb 3 J J J J J J J

{
Henry
3 3
an - y - thing in the world to gain a re - pu - ta - tion. As soon as you have one, you seem to want to

b w
3 3

& b b n
3 3

w w
w w
w w
w 3
Pno. 3

?b
pp
n
bb w w w w n

? b n

{
p
- - .
R R J J J J j j j
46

bb J

Henry
J J 3 3 3 3
3 3
throw it a - way. It is sil - ly of you, for there is on - ly one thing in theworld worse than be - ing talk'd a - bout:
3
b
3 3
n
3

b
3
& b b n b w
3

b
n
<b>
3 3

Pno.

3
w
3 3 3

? bb w
b w w
.
 ? b pp r r

5

{


r Kr j
f

51

b b >
Henry J J
3 3 3
not be - ing talk'd a - bout. A por - trait like this would set you far a - bove all

3




bb
& b ww
3 3
3
f
Pno. 3

3

? bb
b
3 3 3
f

? b
rit. Andante

55
p pp

J J
bb
- J
- R R J J R J J J J J J

{
Henry
3
the young men in Eng - land, and make all the old men quite jea - lous, if old men are e - ver ca - pa - ble of e -

- -
rit. Andante

b b b w w w w w
&
3 3 pp
3 3 3

Pno. 3

? b b -
b - w w w w

b
Allegretto q = 105
j j j j j
Adagio
j r r j
61 mp
&b b

Basil
> J J J 3
3
I know you will laugh at me, but I real - ly can't ex - hi - bit it. I have put too much of my-

?b
bb

{
Henry

mo - tion.
Adagio Allegretto q = 105
b
&b b w w
3 3 3 3

p

Pno.
? bb w
b w w w w w

bb
f mp
J J
66

& b R

Basil
J J
-
self in - to it. I knew you would!
b - -
R
mf
? bb

Henry b J J R J J J

{
3 3
Ha - ha! Too much of your - self in - to it! I did not know you were so

b
&b b
3 3 3 3 3 3 3

b- - -

Pno. p
?b n n
bb
3 3
 ? b n
6
n b b U
J J J J b J nJ J J J
Andante

71

bb
Henry J R J R J

{
3 3 3
vain; I real - ly can't see an - y re - sem - blance be - tween you two, with your rug - ged strong face and your coal - black

Andante
bbb
3 3

3

n b
& j j j
w b n mp
p 3

b w w w
Pno.

? b b nnw
b nw
w nw bw w w

? b b n
rit.
76
j
bb J J J J J J J
J

{
Henry
3 3 3
hair, and this young A - do - nis, who looks as if he were made of iv' - ry and rose - leaves.

rit.
bbb
3 3 3 3 3 3
&
3

3
b w
3 3
w n
3

? bb w
Pno.
w
3

b w
w w

Allegretto q = 105

Andante
mf mp

? b
n
80
J J J # #J
bb
Henry J J J R J J

{
Why, he is a Nar - ciss - us, and you well, of course you have an in - te-

Allegretto q = 105
j j

Andante
b

&b b #
w J

mf

ww ww
Pno.
w
w
? bb
b w
#w

Allegretto q = 105

<b>
accel.

? b #
mf
n
n
86
n J
Henry
bb R J J J J #
J

{
3
lec - tual ex - pres - sion, and all that. But beau - ty, real beau - ty, ends where an in - tel -

accel.

Allegretto q = 105
j
b
&b b
3

w
J
p

? b b <#>w n w
Pno.
ww ww
3
w
w w w
b w

? b b
7
mf mp mf

j
j j J J j
91

Henry
bb j j J J J J n

{
3
lec - tual ex - pres - sion be - gins. In - tel - lect is in it - self a mode of ex - ag - ge - ra - tion, and

J n
b j
& b b b ?
3

w
w
w J J n n
p
j
Pno.

? b b b w w w wj w
b w w w w w
w nw
p
3

? b n f b
p
-
97

b b J
Henry b J - n J J J

{
3
des - troys the har - mo - ny of an - y face. The mo - ment one sits down to think,

b b n
3

b J
3

? bb b b n
b
p 3 3 3 3 3
ppp
Pno.
n
3
? b b b w w
b w b w w
w n bw
w w
w w
w

? b b n

mf
r j j
103
b
bb
b
3
Henry
J

{
3
one be - comes all nose, or all fore - head, or some - thing hor - rid. Look at

j
? bb b
3
b
n
b
& b
Pno.

b w J
ppp
? b b bw w
w b ww ww ww
p

? b <n> b b j n b - j j
j b 43
108 mf

bb J J J J
Henry
J b J -
3

{
all the suc - ces - ful men in all of the lear - ned pro - fes - sions. How per - fect - ly hi - deous they

b <n> b
b b 3
&b b
3

- - - b b 4
n
- - -

? b <b>w
Pno.
w w w w 3
bb w w w 4
mf 3
 ? b
8

4
114 p mf
n
b b n 4

{
Henry
J
are! Ex - cept, of course, the Church... but then in the Church, they don't think. Your

b 44
tutti 3 3

&b b
b n
n b
. . . p
mf
Pno. 3

4 n
3
? b b n n
w w b
b # . . . 4 3 3 3

? b .
. J
123

bb
J J

{
Henry
3 3 3 3 3 3
young, mys - te - ri - ous friend, whose name you have ne - ver told me, but whose pic - ture real - ly fas - cin

. .
3 3 3 3

b
3

3

& b b w
w
3 3 3 3
mp 3 3
3 3

. .
Pno.
3 3

? b b w
3
w

b
3 3
3 3 3 3

? b .
Andante q = 80
.
rit.
. .
129

Henry
bb R R
J J

J

J

{
3 3
3
ates me, ne - ver thinks. I feel quite cer - tain of that. He is some brain - less beau - ti - ful

rit. Andante q = 80
3
b
3

&b b n
Pno. 3

3

? bb w w
b w w w
p

? b b b j b
134

Henry
bb J J
3
R R
3
J J
3 3 3 3

{
crea - ture who should al - ways be here in win - ter, when we have no owers to look at, and al - ways here in

b
3 3
&b b
3 3
b n b w
- -
Pno. - - p 3 pp

? b w w w w w w
bb
ppp
9

? b

140

Henry
bb J R J R J J

{
3 3 3 3
sum - mer, when we want some - thing to cool our in - tel - li - gence. Don't at- ter your - self, Ba - sil: you are

bb w
3
w
3
& b w w w
p mf 3
Pno.
? bb w w w w w w
b

b

146 mp
&b b

Basil
3 3
You don't un - der stand me, Har - ry: Of

? bb . .
b

{
Henry
3 3 3
not in the least like him.

b j
&b b w w j j j
3 3
w w
p

p pp p
j
Pno.

w
? bb w j
b w w w
w p w
3 3

bb . . j j j j j j
153

& b
course 3 I am not

{
Basil
3 3
like him. I know that per - fect - ly well. In - deed, I should be sor - ry to

b 3 j

3 3
&b b
3
. . J
p

j
Pno. 3

3

? bb
b w J J w J w

b b
n
b j
J J J J J
158 mf

& b b J


Basil
J J J J

{
3 3 3
look like him. You shrug your shoul - ders? I am tell - ing the truth. There is a

b b 3 nw
3

b
& b b nw
w
w
b w- w w
w
--
w
Pno. 3

3
w j

3
?b w J w
bb w
3
- -
 10

b - - - - -

& b b R
r j f
163

{
R R

Basil

-
fa - ta - li - ty a - bout all dis - tinc - tion, that seems to dog through his - to - ry the
- - -
-
6

b w w
w w w w
&b b w

w


f

? b b w nw b w
Pno.
j
6

w

w
b w nw bw

b
168 p mf

3
b

{
3
& b J
fal - ter - ing steps of kings
Basil
3 3
It is bet - ter to not be di' - rent from ones fel - lows. The

b w
w w
w
&b b w w

3 3 w
mp
Pno.

? bb
3 3

b w w
w w w

bb
p

174
J
& b

{
J
ug - ly and stu -
Basil

pid have the best of this world. They can sit at their ease,


b
&b b
mf pp
Pno.


? bb w
3 3 3 3

3

b w w w
3
3

bb R
180

& b

{
R J J

Basil
3
and gape at the play. If they know no - thing of vic - to - ry, they are at

w
b
&b b w
3 3 3

3
3 3 3 3
Pno.
3

3 3 3 3 3

3 3 3 3

3
?b
3 3 3

b b w w w w w
11

b
n b
j 3
185

& b b

{
w

Basil

least spared the know - ledge of de - feat. They live as we all should live: un - dis - turbed,

3
w w w w w
3
b w w w w w w
&b b w
w w

w

w w J
pp
Pno.

n w b
w
3
j
3 3
w w
3

? bb
3

w ww w w w
b w w w w w w w

bb
J J 3
193

& b
J

Basil

{
in - di' - rent, and with - out dis - qui - et. They nei - ther bring ru - in up - on o - thers,

b w w w w w w w w w w w w
& b b w w
w
w w w w w w w w
J
w
J b
Pno.

w w
L.H.
? bb w w w w w w w w w w w w w w w w
b w w w w w w

bb b
201
b
& b J

Basil

{
3
nor re - cieve it from o - thers. Your rank; my brains, such as they are,

b bw w bw w bw bw bw bw nw nw n w
w w
&b b w w w w w
<b> w J
Pno.
? b b bw b w w
w
bw bw b w nw w
b w w w w b w w w nw w w
3 3

b b # n b n w
207

& b J

Basil
3

{
3
my art, what - e - ver it may - be worth; Do - rian Gray's good looks;
3

w n 3
b w w w b

&b b w
w j ?

3 3 3 3

?b w w w w w
Pno. ppp
w w w
bb w w w w w J w
w
>
 12

bb r
213

& b
J J J R R

Basil
R

{
we shall all suf - fer for what the gods have gi - ven us. Suf - fer ter - rib - ly.

? bb &
b w w ww w
3 3 3 3

w ww
Pno. pp
? bb w w w w
b w w w w w w
3 3 3 3

bb .
accel. Prestissimo

219

& b

Basil
3 3 3
Yes, though I did - n't in - tend to tell you.

?b
bb
Henry w

{
Do - rian Gray? Is that his name? But, why

accel. Prestissimo

& bbb ?

w w


&
p

? bb w w w w w w w w
Pno.
w
w
b w
w w
w w
w w
w w
w w
w w
w w
w

b
rit. Allegro q = 120

b
227 mp
&b b
3


Basil
3
Oh, I can't ex - plain. When I like peo - ple im -

?b
bb
Henry

{
not?
Allegro q = 120

rit.

3 3 3 3
3 3 3 3

bbb 3 3 3 3
& J
w
w w
w
? bb w w w w
Pno. 3

b w
w w
w w
w w w
3 3 3 3

bb 3
233

& b
3

mense - ly,
Basil

{
I ne - ver tell a - ny - one their name; I nd the se - cre - cy...

b


&b b
3 3 3 3 3 3 3 3 3 3 3 mf 3
3 3

? bb w w w
Pno.

b
3 3 3 3 3 3 3 3 3 3 3 3 3 3
13

bb
238

& b b

Basil
3
ro - man - tic. Is that chil - dish?

mf
-
? bb -

{
Henry b
No, I ne - ver tell my wife where I

w 3
w
3 3
b
3

&b b

3 3
3 3 3 3
3 3
Pno. 3 3 3
3
3
3

? b b
3
w
b w w w w w
w w
3

bb
244 Andante q = 80 accel. Prestissimo q = 180

& b b b

Basil
3 3

Oh! I have al - rea - dy told
?b b
bb
J J b

{
Henry
3
am. But why won't you ex - hi - bit it? I want the real rea - son!

Andante q = 80 Prestissimo q = 180

b
accel.
b w
&b b w b
?
3 3
&
b b
Pno.

? bb w b <n>w
w w ww w
b w w w bw
w
mf mf

b w
rit.
250

5 4
& 4 4
you!
Basil

<n> w
f

? J J 5 4 . .
3

b
3
Henry 4 4

{
No you have not! You said it was be - cause there was too much of your - self in it.

. . . . w
3
rit.
. . 5
3

44 . .
3

& b nw
3
w
3

3 3

. .
4 w
3 3 3

? b <n>w
4
Pno. 3

w ww ww ww 5 4
4
 14

b
256 Presto
n 43
mp

3
&

Basil

Har - ry, ev - 'ry por - trait that is pain - ted with

? 3
b

3
Henry b n4

{
Now, that is chil - dish.

Presto

n 43


&b w
w

3

pp f

n 4

Pno.
?b w 3

w
w w
mf

264

&

feel

{
Basil

- ing is a por - trait of the ar - tist, not of the sit ter the sit -

&

Pno.

273

&
ter

{
Basil

is mere - ly the'o - cca - - - sion. But it is the pain - ter who,

&

Pno.

282 rit.

&


Basil

{

on the co - lour'd can - vas re - veals him - self. And I am a -



rit.

&




Pno.
?

15

292 Allegro

4
& 4
fraid that I have shown in it the se
Basil

- cret of my soul.

? 44 w

mp
Henry

{
And what is that?

Allegro
4
& 4
Pno.
? 4
4 . .

mf
J J
304

& J

{
Basil

He is all my art. The work I have done since I met Do - rian Gray is the

J J J

3

&

w

3

3

J
Pno.
?
. .

J

312

&

3
J J J J J
best work of my life.
Basil
J J

{
I see things di' - rent - ly, think of them di' - rent - ly. I can now cre - ate

j
j
3
& w
w



? w
Pno.
J

318

f
j j

& J J J J J J J

Basil

{
life in a way that was hid - den from me be - fore. "A Dream of form in days of thought" Who

3

3

&
3
J
w 3
3

Pno.
? J
mf
 16

J j j
324


mp

3 3
& J

J J

{
Basil

is it who says that? That is what Do - rian Gray is to me. The mere - ly vi - si - ble pre - sence

3
j
&
3
j
3

w


Pno.

? J

3

j j 3 j
330

& J
J
of this lad, his mere - ly vi - si - ble pre - sence...
J

{
Basil

ah! I won - der, can you re - al - ize all that this

3
&

Pno. mf mf mf

? w w w w
J

w
rit. Allargando q = 70

b b 43
337 mf
3
&

Basil
J

means? Har - ry, Do - rian
f

Henry

? J J 3
bb 4
3

{
Ba - sil, this is ex - traor - di - n'ry! I must see Do - rian Gray

Allargando q = 70

rit.
b b 43
3
&
3 3 3 3

b
w
3
p 3
f

Pno.
? 3
. J w bb 4
p
3 3 3

b 3 j j 3 j
j
344
J
& b J
is to me
Basil

{
3
simp - ly a mo - tive in art. Youmight see no - thing in him.

b
&b

? b b
3

Pno.

3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3
 bb 3
17

j 3j

350

&
3
J J
3
J J J J

Basil
J J J J

{
3
But I see ev - 'ry thing. He is a sug - ges - tion of a newman - ner. I nd him in

b
&b
3
3


? b b
Pno.

3 3

3 3 3 3 3 3
3 3 3 3 3 3
3 3 3 3

bb 3 J
356
3
&
J
J

Basil
J J J J J

{
4 4
the curves of cer - tain lines, in the love - li - ness and sub - tle - ties of cer - tain

b
&b

? b b
Pno.


3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3

b
362

&b
co - lours.
Basil

That is all! My

?b
b

{
Henry
3

Then why won't you ex - hi - bit it?

b
&b




6 6 6 6



? b b
Pno.

3 3 3 3
3 3 3 3 3

b j j
369

& b J J
J J J J J J

Basil
3
J J 3

{
3 3
heart shall ne - ver be put un - der their mic - ro - scope. There is too much of my - self in the thing, Har - ry,

b 3
&b
3 3 3
j j

? b
Pno.

b
 bb
18
375

4
& 4
too
Basil
3

{
much of my - self!

?b 4 J J J J J
Henry
b 4 J J J
3 3 3
J J
3
J
3
J
I think you are wrong, Ba - sil, but I won't ar - gue with you.

bb 4
3
& 4

Pno.

? b b 4w w w
4w w w

? b J
poco accel.

379

b J3 J J 3J J J J J
p
J J J

{
Henry

It is on - ly the in - tel - lec - tualy lost who e - ver ar - gue... Is Do - rian Gray

3 -- -

3

poco accel.
b
&b w
w
w

3
3

-- -
3

Pno. 3

?b w w
w w w w w w
b w w w
ppp

bb -
Andante q = 80

R J
386 p

&
J J J R J J R J

Basil

? b
He likes me; I know he likes me. Of course, I at - ter

Henry
b J

{
fond of you?

Andante q = 80

& bb



mp
? bb w
Pno.
w w w
w w w w

bb J J J
390

&
3

J R J J J J J J
him
Basil
J J J

{
3

dread - ful - ly. He is char - ming to me... We sit in here and talk of a thou - sand things.

b
&b

?b w
Pno.

b w w
w w
w ww
 bb
19

# J
394

& J J

Basil
J

{
3 3 3
now and then, how ev er, - - He is hor - rib - lythought - less, and seems to take a real

. .>
b
#
#
&b




. . >
Pno.
? b b ww w
w
ww ww ww
w ww
w

b b #
J J R R
j j j j
399

& J J
n

Basil
J J J

{
3 3
de - light in giv - ing me pain. Then I feel I have gi - ven a - way my soul to some-

n n
b >j
& b <#>
. .>
# # n n

<n>w
Pno. . . >
? b b ww w
w w
w w
w
w w
.

bb

j r j j
403

& J
J J

Basil
J J J J J J
3

{
one who treats it as if it were a ower to put in his coat, a

b
&b

? bb w w w
Pno.
w w w

bb j j j
406

& J J J # R R J J w
bit of de - co - ra - tion to
Basil
3

{
charm his va - ni - ty, an or - na - ment for a sum - mer's day.

b
&b
p
?b w w w w w
Pno.

b w w w w w
 {
20

b
411

& b
. . .
pppp
.
Pno.
? bb . . n.
.

? b

b
p
Henry

{
3
Days in sum - mer of - ten lin - ger... Per - haps you will

w
b b w w w
&
w
3
w w w w w n
Pno.
? bb w w
w w w w w w w w
3 3

? b
J J

419

b
J

{
Henry
3 3 3 3
tire soon - er than he. It is sad, but there is no doubt that gen - ius lasts long - er than beau - ty
w w
b
&b ?

3
b w w w w
?b w w
Pno.

b ww w w w w w

? b
425

b
f
J J R R R R J J

{
Henry

In the wild strug - gle for ex - is - tence, we

? bb w

w w
? b b w
Pno.
ww

? b R
427

b
Henry
R R R J J R R J

{
want some - thing that en - dures, so we ll our minds with rub - bish and facts

? bb


w w w
Pno. 3

?b w w w
b
 {
21

b
430

& b w #

.
ppp
Pno.
n .
? bb
. .

? b J J J J J
b J
Henry J J J J J J J J J J J J J J
3 3

{
in the vain hope of keep - ing our place. Some day you will look at your friend and he will seem a

? bb

w w w w
Pno.
? bb w w w w

? b J J
mf
R 3
434

b J J J R J J J J J J J J R R J J J J J J

{
Henry
3 3 3
lit - tle bit out of draw - ing, or you won't like his tone of co - lour. You will bit - ter - ly re - proach him in your own

? bb w
w w w w
? bb w
Pno.
w w w

? b J
R R J J
438

mp

b J J J J J J J J J J
J J J J

{
Henry
3 3

heart, and se - rious - ly think that he has be - haved ve - ry bad - ly to you. The next time he calls, you will be

? bb w

? bb w w
w w
w w
w
Pno.
w

? b J
442

b
p
J J J
Henry
3
J J J J J J J J J J J J J J

{
3 3 3 3
per - fect - ly cold and in - dif - f'rent. It will be a great pi - ty, for it will al - ter you.

? bb w w w

?b w
w ww ww
Pno.

b
 {
22
445
b
# w
& b

.
ppp pp
Pno.
? bb & b ? & ?
.
n

bb -
p
&

Basil

No. As

?b
b
Henry
3 3 3

{
What you have told me is quite a ro - mance, and ro - mance leaves one so un - ro - man - tic.

? bb w &
w w
? b b ww ww
Pno.

{
b
451

& b
Pno.
.
? bb
.

b
&b J J J
J
long 3as I live, Do - rian Gray will do - mi - nate me. You can't
Basil

feel what I feel. You change too of - ten.

?b
Henry
b
Ah,

{
b j w
ww
w
w
ww
w ww
w
&b w w

w w w

w w w
pp
? bb
Pno.

? b
458

b

Henry
J J 3 3 3
3 3

{
my dear Ba - sil, That is pre - cise - ly why I can feel it. Those who are faith - ful know on - ly

b w
w w w w w
& b ww w
w w w
w w w
w w w
w w

w w w w w
? bb

Pno.

J 3 3 3
3
 ? b 3
23

J
463

b
Henry J J
3

{
3
the tri - vi - al side of love: it is the faith - less who tru - ly know loves tra - ge - dies. I

b
&b w
w w w
w w w
w w
w w
w w w
w w
w
w w
w w w w w w
w w
w
w w

Pno.
? bb w
3 3

{
b
469

& b w # #

. .
p mf f
. . n . .
Pno.

? bb . . n. . & b ?
. .

bb
&

Basil
3 3
I don'twant you to meet him.
? bb J
Henry
J

{
must see Do - rian Gray. Well, you shall

bb w
w w
w w # #
& ww ww
w w
Pno. . . n . .
? bb w w . .
n . & b ?
.

{
476
b
w
& b
.

Pno.
? bb ?
.
n
&

bb j j j j j j j j
& J J J

Basil

? b
He has a sim - ple and beau - ti - ful na - ture. Don't spoil him. Don't try to in -

Henry
b J J J J J

{
have to in - tro - duce us now!

b w
&b
Pno. .
? bb & ? .
n
 {
24

b
481

& b
Pno.
. .
? bb
. .

bb j 3j j j j
&

Basil

{
uence him. You're in - uence would be bad. Don't take him a - way from me.

b
&b
Pno. . .
? bb
. .

{
b
485

& b
Pno.
.
? bb
.

bb
&

Basil
J J J J J J
3 3
My life as an ar - tist de - pends on him.

?b > .
Henry
b
Non - sense!

{
b
&b
.
?b
Pno.

b .
 {
25
SCENE 2
poco accel. Allargando q = 70
b
488

& b

? bb
Pno.

bb
Dorian Gray enters

r r
&
mp

Dorian
J

{
These are charm
. .- - - Allargando q = 70
~~~~~~~~~~~~~~~
poco accel.
n n n b
3

& b w
b #
w
w
nww
w nww
w b ww
w
? bb
Pno.
& #n
. # w
ppp

bb r
493 lazily

& r j
Dorian
R R J
ing! You must lend methem! Oh! I'm

bb j
mp
j
&
J J J J J

Basil
J J

{
3
That en - tire - ly de - pends on how you sit for me.

. n
b w
&b

. . n .
Pno.
b
& b <#>
?

&

.
.

bb j j r j j j r
497

& J J J r
Dorian J R
tired of sitt - ing; I don't want a life - sized por - trait of my - self!

?b
Henry
b

{
~~~~~~~~~ n n . .
.
. . .
b
b
&b

. . .
. 3
Pno. 3

b
&b ?

J

. .

. .
. . . . .
 b
26

r r r j r r r
accel.
j
502
j
& b j J R

{
Dorian
R R J R R
I beg your par - don, Ba - sil, but I did - n't know you had a - ny - one here.

accel.
b w
3 3

n n
3 3

&b w

w
p 3 3
Pno.

n
3 3
3 3

? bb w n n
w w w

bb
Allegretto q = 105

506

&

{


Basil

This is Lord Hen - ry Wot - ton, Do - rian, a friend of mine. I have just been tell - ing him

Allegretto q = 105

& b n
b w
3
w
3 3 3

b w
w w
w

3 3
Pno.

? b b

3

3
w w
w

3 3

b J
512

&b
what a ca - pi - tal
Basil

sit - ter you were, and now you've spoil'd ev - 'ry - thing.

J
f 3
? bb
3

Henry
J

{
You have not spoil'd my plea - sure in

b
&b w
3
w w
w w
w
w w w

3

Pno. 3

?b w w w w
b

3 3
 bb
27

J J
517

& J J J J

Basil

Har - ry, I want to n - ish this pic - ture to - day!

bY
Henry makes to leave.
. mp
? bb J

Henry J J J J

{
meet ing you, Mis - ter Gray. Hmph.

. . . .
bb w

& w

. w

. . . . .
Pno.

? b b j .
3

w n

. .

. .

. . . w

b j j j
522

& b j j J J J J
J

{
Dorian
J
Oh, please don't, Lord Hen - ry. Ba - sil is sulk - y, and I can't bear him when he sulks.

.
. . j
b w
b

& w

.
Pno.
w

3
? bb b nww ? j
n .J &

. . . w - .

bb
527 rit.

& J R

Basil
J J
If Do - rian wish - es it, you must stay.

? bb


Henry J J J J

{
I shan't run a - way. You don't real - ly mind. Ba - sil?

rit.
b
3

& b

3

3

? b b
Pno.
w w w w
w w w w
w w
w
3
 bb
28

j
534

&
J R
Do - rian's
J J J J

{
Basil

.
whims are laws to all ex - cept him - self. Now,

. . . . . . . . . .

&b

.

. . . . .
. . . . .
Pno.

? bb w w

bb j j j j
j J R R J J
Largo q = 50
j j
540

& J J J R R J J

Basil
R R J

{


Do - rian, stand still and pay no at - ten - tion to Lord Hen - ry. He has a ve - ry bad in - uence

Largo q = 50

bb

&
w
3 3 3

? bb
Pno.

b
accel. Andante q = 80
j j j j j j j r
543

Dorian &b
b




Do you real - ly have so bad an in u - ence, my Lord?

b b - - -j j
j
& b
o - ver all his
Basil
J J -

{
friends, save me.
accel. Andante q = 80
- - 3
3 3

b b b w
3

& bb w
w
w

w
3
w
3

Pno.
? bb b
3 3 3

? mp

549

Henry
b J J J J J J J J

{
3 3
There is no such thing as a good in - uence, Mis - ter Gray. All in - uence is im -

w w
& b w
ww w ww
w w
w
w
w

w


Pno.

?









b
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
 ?

29

J J
553 mf
J J
b
Henry

{
3 3 3 3
mo - ral. To in - uence a per - son is to give him one's soul. He does notthink his na - tu - ral

w
w
3
ww
3

&b w
w
w ww
w w
w
w

w
w
w w w w
w
Pno.

? b

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

?


558
J J
mp

b
Henry J J

{
3
thoughts, or burn with his na - t'ral pass - ions. His vir - tues are not real to him. His

&b w w
w
w
w
w
w
w w
w
w
w
w
w w w
Pno.

?b
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

?
563
3
b
Henry
J J

{
sins, if there are such things as sins, are borr - owed. He be-

&b w
w w w ?
w w
w w
w
w w w


Pno.

?b


3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

? U
J J J J J
568

b J
J J
J
J J

J

J J
J
Henry
J J J J J

{
3 3
comes an e - cho of some - one else -'s mu - sic, an ac - tor of a part that has not been writ - ten for him.

w w w w w w
?b w
w w w
w w w w w w

w
Pno.
w w
pp
? ww w w
w w
w
b w
w w
w
w w
ppp
> >
.
 ?
30
572


b J J J J J
Henry
J J J 3 3 3

{
The aim of life is self - de - ve - lop - ment. Ev - 'ry im - pulse that we strive to strang - le broods in the mind

. . . . . . .
? b
. .

&

? b
Pno.

. .

. . . . .

. .

?
577

b J J J J J J J J J
J J J J
Henry
J J J J J J
3 3
and poi - sons us. The bo - dy sins once, and has done with its sin, for ac - tion is a mode of pu - ri -

{
. . . . .

&b

?b
Pno.


. . . . .

? J J J J
582

b J
J J J J J J J J J J J J
Henry
J

{
3 3 3 3

ca - tion. No - thing re - mains then but the re - col - lec - tion of plea - sure, or the lu - xu - ry of re - gret.

. .

&b
Pno.
?b

. .

?
mp

ff

j r J
J J J J J
586 p

b
Henry
J J J

{
3 3
The on - ly way to get rid of temp - ta - tion is to yeild to it! Re -

.

3
?

&b &

Pno.
?
3

b w


3 3 3 3

.
 ?
31

J
590

b J J J J J J J J J J J J J J J J
J

{
Henry
3 3 3
sist it, and your soul grows sick with long - ing for the things it has for - bid - den to it - self,

&b w
w
w
w
w
w
w
w
w
w w w
Pno.

?b











3 3 3 3 3 3 3 3 3 3 3 3

? j
accel. Pi mosso q = 90
n >
J J
593 ff
2
b J J J
J J J J J
3
Henry J J 4 J J J J

{
3
with de - sire for what its mon - strous laws have made un - law - ful. You, Mis - ter Gray, You your

Pi mosso q = 90

b
accel.
2 #
&b w
3

w
w 4 nn
w n
>
w
Pno.

?b nb w
w w
2 n
n 4
3
3 3 3 3 3 3 3
3 3 3

?
J
597
J J J J
b J
Henry
J J J J J J J J J J J J
3 3 3 3 3 3 3 3

{
self with your rose-red cheeks and your rose - whiteboy - hood, you have had pass - ions that have made you a -

& b
3 3 3 3 3 3 3

3 3
> >
Pno.
?b

?
602

J 3
b
J J J J R J R J
3
Henry J J J J J J J J
3 3 3 3 3
fraid, thoughts that have ll'd you with ter - ror, day - dreams and sleep ing dreamswhose mere me - mo - ry

{

& b
3 3


Pno. 3 3 3 3 3 3 3 3
?
b


> > 3 3
 b
Allargando q = 70 32

nJ R
ff p
> > j j j j j j
j j
607 3

& #
Dorian
J J J J
3

Stop!
J
Stop, you be - wil - der me. I don't know what to say. Don't speak.

?b J J

Henry J J
3

{
might stain yourcheek with shame!

Allargando
3
q = 70
3

& b

3 3

? b

Pno. 3 3 3

3
J
3 3
3

b j3 j j j j j
615

&
3

3
J

{
Dorian

let me think. Or rath - er, let me try not to think. Ba - sil, I

3
n
3
&b
3 3 3

Pno.
?b
3

3 3
3 3

b j j j 3j j n 4 j j
626

Dorian & 4
must go out to the gar - den.

n 44 j j j j
&
b R R J

J J J J J J J

{
Basil

You were per - fect - ly still. You have the most won - der - ful ex - press - ion.

&b n 44
3 3

3

Pno.
?b 4
n4

j - - - j
630

&
J J R R J R R J J J J - -

Basil
J J J

{
What has Har - ry been say - ing to you? Com - pli - ments? You must - n't be - lieve a word he says!


&
3 3 3 3 3

3 3

?
3

Pno.

 r r j r r r r j j j j j j 3j j r j r r r
33

& r 4
634
3 4
Dorian 4
He has not com - pli - men - ted me. Per - haps that is why I don't be - lieve an - y - thing he says.

3 j j4
& 4 4

Basil

Don't keep

Henry begins to lead

Dorian to the windows.

-
mf
? 3 4
Henry
4 R R R R 4
You be - lieve it all!

{
. .
3
4
& w 4 4

.
Pno.
? 3 4
4 4

. .

4 j j j
rit.
r r r r j r r j Presto q = 160
637

& 4
J J J
Do - rian too long. I have ne - ver been in bet - ter form for paint - ing than I am in to - day.
R R R R R R J J

{
Basil

.
rit.
. . . . . . . Presto q = 160
4

&4

. . .
Pno.

?4 .

641

&
This

{
Basil

is go - ing to be my mas - ter - piece, my mas - - ter - piece! It

&

Pno.

?

 (Henry opens
the windows, 34
and Dorian
smells the
flowers.)

Allegro, dolcissime q = 115

650 rit.

&

is my mas - ter
Basil

- piece as it stands.

{


Allegro, dolcissime q = 115

rit.




& J


3 3

j
3 3

Pno.

{
j
j
659

&
3

ww

3
w
w w 3
w
3
3

j j
3 3
Pno.

? J
w

{

j
3

j
3

666

3

& J
J J w
w

Pno. 3

? w w
3

3

3

{
673

& w b b
3
bw w b b w w
b b w w bw
w w
Pno.
w b b b nw w
? b b b n w w 3
w
3

b b w

3 3
 ?
35
684 rit.

p

Henry
J J

{
3
You are

w ~~~~~~~~~~~~~~
rit.

& w b ww
9
?
Pno.
J
w w w w
w w
w

?
Meno mosso q = 90
j J

691

J
J

3

3 3 3 3 3
J J J J J J
Henry
J J J J J 3
J J J
3

{
quite right to do that. no - thing cures the soul but the sen - ses, just as no - thing cures the sen - ses

Meno mosso q = 90

3 3 3 3 3 3 3 3 3 3

&
3
?
Pno.

w
w

? j b J J J
694

J J J J J J J J J J J
Henry
3 3
J J
3 3 3 3
3

{
but the soul. You have the most mar - vel - lous youth, and youth is the one thing worth hav ing.

&
3 3 3 3

?
Pno.

3 3 3 3 3 3 3 3

697 p
j j j j j j j
3 3
&

Dorian

I don't feel that now, Lord Hen ry.

? J
J J
Henry
J J J J J J J
3 3 3

{
No, but some - day, when you are old and wrink - led and

3 3 3 3 3 3
&

?
Pno. pp

3 3
 ?
36

j - J
701

J J
J J J J J J
Henry
J J J J J J J J J J
3 3 3
ug - ly, when thought has seared your fore - head with its lines, and pas sion brand - ed your lips with its

{
3 3 3 3 3 3 3 3 3 3 3 3
&


?
Pno.

? b
704



3 3
Henry J J J J J
3 3 3 3

{
hi - deous res, you will feel it ter - rib - ly. Now, you charm the world. will it al - ways be

3
w
3 3 3
3 3 3 3 3 3 3 3 3 3
w
w
& w

w
w
p
w
Pno.
?
3
? w

&
w
w
w
3 w

?
708


Henry
3 3 3 3

{
so? You have a won - der - f'lly beau - ti - ful face, Mis - ter Gray. Beau - ty is a form of

3
w
3 3 3

w
3
w
3 3 3 3
w w
3 3 3

3

& w w w
3 3 3
w

w
w w
w w
w w
w

w w w

w
w w w
Pno.
w w
w
? w w
w w
w w
w
w
w
w w
w w
w w
w
w w
w w
w

? 3
3

712 mf

Henry J J J J J J
3

{
ge - ni - us; high - er, in - deed, than ge - ni - us. Youth! There is

3
w w
3 3 3 3
w
3 3 3 3
w
3 3 3 3
w
3 3 3
w
w
w w
w w
w w w

& w w w

w w w
w w
w
w
Pno.

? w
w
w w
w
w w
w w
w
w
w w

w w

&
w

w w w w
w
w
 ?
37

b
J
716 mp

J
Henry J J J

{
4
no - thing in this world but youth! To me, beau - ty

3 3 3 3

b w
3 3 3 3

&
?
&
b
3 3 3 3

b w
n b
Pno.
n
4

& w
w ? n
w
w wJ 4
ppp 3 p3 3 3 3

? J J 3
721

J J J
J J J J
3
Henry J J J J J J J J J J J J
3 3
is the won - der of won - ders. It is on - ly shal - low peo - ple who do not judge by ap - pea - ran -

{

3
w
& w
w w w
w

w
w w
w w
w
Pno.
?

3 3 3 3 3 3 3 3 3 3 3 3

?
Andante q = 80

724 rit.
J

Henry J J J J J J J J J J J J J
3 3 3

{
ces. The gods have been good to you. But what the gods give, they quick - ly take a - way.

rit. Andante q = 80

& w
w w
w w
w
w
w w
w w
w
?
Pno.

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

?
728

J
Henry J J J J J J J J J J J J J
3

{
When your youth goes, your beau - ty will slip a - way, and then you will

3 3 3 3
w w
3 3 3 3

& w
w w
w
w w
w
w
w

w w
w w
w

Pno.
? w w
w
w
w
w
w
w

w w
3 3 3 3 w w

38
731 Pi mosso q = 90
mf
Dorian &
Youth,

3 J
ff
? J J J
R
J
3

R J J J J J J J J J J
Henry
J 3
4

{
sud - den - ly dis - cov - er that there are no tri - umphs left for you. Time is jea - lous of you, and

w
3 3 3 3 Pi mosso q = 90
w
3 3 3 3
w
3
w w w
3 3 3

& ww w
w w w
w
w

w w w w

w w w
w
p
? w w
Pno. 3 3 3
w w w
3 3
w
w w
w w
w

w w w

w w w
w
3 3 3

735

4
Dorian &

there is no - thing... Oh! No...

? J J J J J J J R
J J J

Henry J J J J
3 3 3 3 3 3 3 3
wars a - gainst your lil - lies and ros - es. You wll be - come sal - low, and hol - low - cheeked, and dull -

{
w w
& w
w
w
w
w
w
Pno. 3
?
3 3 3 3 3

3 3 3 3 3 3

j
738
mp
Dorian &

My Lord! Sir...

? R R J

Henry J J J J R R J J J J
3
eyed. You will suf - fer hor - rib - ly.... Ah! Re - al - ize your youth while youhave it!

{
w w
& w
w
w w
w
w

w
w
w
w
3
Pno.
?
3 3 3 3 3 3

3 3 3 3 3 3 3 3 3
 ?
39 rit. Allargando q = 70

mf
J
742
J J J J

Henry J J J J J J J J J J
4 3 3 3 3
Youth! There is no - thing in this world but youth! Live! Live the won - der - ful life that is in you! Let

{
Allargando q = 70

j j
w j3
rit.
w
& w w
w w w
ww w
w

w w w w
Pno. w w w
w
?

4

w

748 3 3

&

Basil

? J J R R J J R
J
Henry J J R R J J J J J J J J J
3 3 3 3
no - thing be lost up - on you. Be al - ways search - ing for new sen - sa - tions. Be af - raid of no - thing...

{

j w ww
& w w w

w
? w
w
w
Pno.

J
3 3

- - - -
?
-
rit. accel.
751

ff R R R R J J J J - > #

Henry J J J
A new He - do - ni - sm! That is what our coun - try wants.

{
- - - -

- > #
rit. accel.
- w
& J w w

3 3

7
- - - - -

Pno. 3 3
? - #
J


>
#
3 3
 #
40
755 Pi mosso q = 90 p

e e e
j j j
e e e
j j j
e E E %
4

Dorian &

There is no - thing in this world but youth!

#
f

& J

Basil

It is quite n - ished!

mf
w
?# J J J J J J

Henry
4

{
Youth! There is no - thing in this world but youth!

Pi mosso q = 90
w

4
# w
&

w


4
Pno. 3 3

?#
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

3 3

# ###
760 rit.

&

Basil

?# J J
mf
J J J

R ###

Henry J J J J J R J
3

{
It is your mas - ter - piece! The n - est por - trait of mo - derntimes. Mis - ter Gray,

# ###
rit.
3 3 3 3 3 3 3 3

&
w
Pno.

3 3
?#
3 3
###
w

w

###
Adagio q = 70
764
mf
j j

j j r r j j j
3 3
&
Dorian

How sad it is! I shall grow old and hor - ri - ble and dread - ful.

? ###
Henry
R R R
3

{
look at your - self!

Adagio q = 70
# # # n

& # #

? ### j j
j j
Pno.
j j

j

 ### j j j 3j j j j j j
41

j J J J
j j j j 3 j
768

Dorian
& J J J J
3

{
3
But this pic - ture will re - main e - ver young. It will ne - ver be ol - der than this par - ti - cu - lar day in

##
& # #
? ###

Pno.

J
J
J J J J J

### j j j j j
772

& j j j r r j j 3j j
J J j j
3
Dorian J J J J J J J
3 3

{
June... If it were on - ly the o - ther way! If it were I who was to be e - ver young, and the pic - ture to grow

# # n
& #
#
? ###



Pno.

J J
J J
J J
J

### j j j >
776

&
f 3
J J
Dorian
J J J J

{

old. For that... for that... I would give ev - 'ry - thing! Yes, there is no - thing

n
9

# # n n
& #
#
? ###

J J J J
Pno.

J

J J

J
J J J

### j
782

& j j j j j
3
j j
J J J J J
Dorian

{
in the whole world I would not give! I wouldgive my whole world for that!

:;
### n
& #

? ###

J
Pno.

J J J J

J J J
J
 ###
42

787

&


Basil
J R R J R R

{
:;
I should ob - ject ve - ry strong - ly.

### n n
& # #

? ###

J
Pno.

J J J J

J J
J J J

###
accel.
j r j j
793

r j j j j
3
Dorian &
I be - lieve you would, Ba - sil. You like your art

###
& J

Basil
J R R J

{
:;
it would ru - in my work.
w
### w
accel.

& w
#

? ### w

Pno.

J J
J J J w

### r r r

798
r j 3j j j 3j j j j j j
& r j
Dorian

{
bet - ter than your friends. Lord Hen - ry is right. Youth is the on - ly thing worth hav - ing.

w
##
& #
w





? ### w w
Pno.

3

###
Pi mosso q = 90 ff
j j j r j 3j j
801

Dorian & J J J
3
When I nd I am grow - ing old, I shall kill my - self.
###

ff
&

{
Basil
J J
Do - rian!
> >
n > n #>
##
Pi mosso q = 90

& #
3

3



Pno. 5 5 5 5

? ### 3 3 3 3 3 3 3

3

J n n # n #
3 3
 ###
43

b R
j nj j j b J b n R
j
ff
b b b b b b n
804

& b n J J
Dorian
J J J R
3 3
I am jea - lous of ev - 'ry - thing whose beau - ty does not die. I am
###
& J J bbbbbb

J

{
Basil

Don't talk like that!

## bbbbbb
& # w

n b b n
Pno.

? ### n # n #
3 3 3 3

b b
b b b b n n n # n n n #
3 3 3 3
3 3 3 3

b b b b n b n nj b n
j j r
807

& b b J J J J b J J n
J

R

R J J
Dorian
J

{
3

jea - lous of the port - rait you have paint - ed for me. Why should it keep what I must lose?

div.
b
& b bbbb

3

3

? b b b b
3 3
n
Pno. 3

n
bbb b
3 3 3 3

bb b b b r r
3j
j
810
n
& b b
J R R J J
Dorian
J

{
Why should it keep what I must lose? Ev - 'ry mo - ment that

b
& b bbbb

? b b b n
Pno.

b b b b n n
n n b 3 3 3 3
3

bb b b j j j j j j j j
813
j
& b b

3
J J
J J R R J

{
Dorian
3 3

> > >

pass - es takes some - thing from me and gives some - thing to it. Oh, if it were

> b
b
& b bbbb
n n

?bbb
Pno. 5 5 5 5

bbb
3 3 3 3
 bb b b r r j
44

J
molto accel.
j j j j r j j j j
815

& b b J J J
3

Dorian J
J

J

J J

{
3 3
>
b > n b
on - ly the o - ther way! If the pic - ture could change, and I could be al - ways what I am now!
> b >
b n b molto
b

accel.
b
& b bbbb
n n 3 3 3 3
Pno. 5 5 5 5

? bb b b n
3 3 3 3

bb
(Basil produces a knife and
moves to cut the canvas.
Dorian leaps on him, and
casts the knife aside.)

b b b b b >
J b J J
818

& b b J
3
Dorian
J J J J R R J J J J J J 3
3

{
Why did you paint it? It willmock me some day, mock me hor - rib - ly!

> > > > > > > > >

b >
b
& b bbbb
3 3 3 3 3 3 3 3 > > > > >
Pno.
> > >
? bb b b 3 3 3 3 3 3 3 3

b b b
> > > > > > > > >

bbb
822 Grave Come un Recitativo
r j
p
&b b b j r j r r j

3
Dorian
b
bb b b r j rK rK r r r r j
& b b
Don't, Ba - sil. That would be mur - der. p
j j

{
Basil

At last, you ap - pre - ci - ate my work, Do - rian.

b nnw
Grave Come un Recitativo
w nw
& b bbbb w

? b b b b nnw
Pno.
w
bb nw

bb b b
825 3 3

r r r r r r j r r r r r r j
3
Dorian & bb
bbb
I am in love with it, Ba - sil. It is a part of my - self.

& b b b
j r r r r j

Basil

I thought you ne - ver would.

b b b b r j j r 3r r r 3r r r 3 r r j
827

r j r r r r r r r
3 3
Dorian & bb
bbb
I feel that. If you let a - ny - one have it but me, Ba - sil, I shall ne - ver for - give you.

& b b b j

Basil

The

b Kr Kr Kr Kr
829

& b b b b b r r r r r r j j

Basil

pic - ture has been yours since be - fore it ex - is - ted.
 Act 1 45

{
SCENE 1


Adagio q = 60
b4
&b 4


p


Piano reduction

? bb 4 w



(For rehearsals only)

4
w

{

3
b
&b w
w
w

Pno.
? bb w w ?
&

{

b w

6

& b

5


Pno.
?b w
w
b w
w
w
w

{
j
b

9

&b



Pno.
? bb w
w w

{

12

b
&b

3
Pno.

?b
b w ?
&

w 3

{
b b

b
3
b
15

& b

b
Pno.
? b b b n ?


&


46

bb
17 Allegro q = 120
j j
&
Dorian

{

You're late, Har - ry!

b
b
w
Allegro q = 120
bb w w w
& w w
ww
? bb w w w
Pno.
w w w w
w w w w
pp 3 3

bb 3 3 j j
22 Entering the room

Victoria &
I'm a - fraid it is not Har - ry, Mis - ter Gray.

b
& b
3
Dorian

Oh, you must be

{
3

3

b
&b w w
w
w
w
w
w
w
w
w


mp

?b w w
Pno.

w w w
b w
3 3

bb
27

&
3 3
Victoria
And you are Do - rian Gray. I know you quite well by your

b
Dorian
& b

{
La - dy Hen - ry!

b w
&b

w j
Pno.
? bb w
w w
w w

bb .
32

&
3

3
Victoria
pho - to - graphs. My hus - band has se - ven - teen, I think. Well, may - be

b >
Dorian
& b n
J

{
No!

b
3

&b w
3 3
w
w w
w
w

w
Pno.
w
w
? bb w
3

w bw

w
 b b n
rit. 47

38

Whispered

& J
3

3 3
Victoria J J

{
eigh - teen, then. And I saw you at the Op' - ra the o - ther night. I
rit.
w

solo

bb w w
& w
w
3 3 3 3

w w
mp mp

? bb w w
Pno.

b b 3
Moderato q = 100

43
J R R R R 3
& J J J J J J
Victoria J J J

{
like Wag - ner's mu - sic more than an - y - bo - dy's. It is so

Moderato q = 100
b
&b

>
mp mf
w
w
Pno.
? bb w
f ff fff

b J
Laughing
j
46
J J J J J J J
& J
3
b
3
Victoria J
J J J J J J J

{
loud that one can talk the whole time with - out o - ther peo - ple hear - ing what you say.

. . . . . . . .
. . . .

& bb . .
Pno.
? bb
p p
>
w
nnw
w
. fff

b b 3 J .
49

& J J J J
3
Victoria J J R R J J J

{
It is a great ad - van - tage, don't you think, Mis - ter Gray.

bb
<b>

3
&
Pno.
ppp
mp
? bb w
3

bb
mf
j 3j j -
52

& j j j j j j j

r r j j j
J
3 3
Dorian J

{

I'm a - fraid I don't think so, La - dy Hen - ry. I ne - ver talk du - ring good

j
b
&b
3 3 3 3 3 3 3 3
Pno. ppp
? bb w
w
& w
w
ppp
 bb j
48

j j

55
j
&
j
4
b r r

{

Dorian

:;
mu - sic. Al - though if one hears bad mu - sic, it is

b b










&
3 3 3 3 3 3 3 3 3 3 3 3
Pno. mf

b j3
4

& b w ?
b n
w b n

bb >
mf
J J J
58

& J J
Victoria J
Ah! That is one of Har - ry's views.

b j j j
& b
3 3

Dorian

{
ones du - ty to drown it in con - ver - sa - tion.

b
&b
w ww
w

3 3 mp
ww w
Pno. 3
?b w w w
b
mp

b
62 3

& b
3

3

3

R R J

{
Victoria

I al - ways hear Har - ry's views from his friends. That's how I get to know of them.

.
. . . .
b w w w
&b

3 3
Pno. 3
w nw
? bb w
w w
w w
w
.

bb -
66

Victoria
& J R R J J J J J R R

{
You must - n't think I don't like good mu - sic. I a - dore it,

. . .
b . . . . w
&b .

Pno.
w
? bb
mf
 b b #. j
49

b b b b b 86 <b>.
Maestoso
j j
69

&
n n
3
Victoria
J J J J J J
but, I am a - fraid of it. It makes me ve - ry ro - man - tic.

{

mf

Maestoso
b b b b b b 86
&b j
J J J J J
p

6 j j
j
j j j j j
Pno.
? bb
bbb8
b b
p

b b b

{
j n
j
74
r r
& b b
J
Victoria
J J J J
I have sim - ply wor - shipped pia - nists at times.

n n
b
& b bbb n
b

b b n n
Pno. & b bbb J J J J J J

J

J
j j j j j j j j
bb
? b b b

bb j
78
j j j j j j j
Victoria
& b b b J R R J

{
I don't know what it is a - bout them. Per - haps it is be -

b b
& b bbb J J J J J J
? b b b j j j j j j
Pno.

b b

bb b

{

81 accel.

& b b J
Victoria R R J J
Henry enters
J J
cause they are all fo - reign.... Har - ry, I

# n n # n accel.
b
& b bbb # n #
n
n n

b
mf

Pno. & b b b b n J J

J

J

J

J

J

J

? b b b j j j j
b b

J J
 bb b
50 Allegro qKqq = iiq rit.
#4
85

Victoria
& b b J J J J 4
J J

came in look - ing for you... I for - get what for...

{
Allegro qKqq = iiq rit.
3

3

b #4
& b bbb 4 w
w
n n n
3 3
Pno. mf p
? bb b #4
bb 4 w
=
mf

# 6 4
89

&
J J
3
J J
3
Victoria 4 J 4 J

{
and found Mis - ter Gray here. We have had a plea - sant chat a - bout mu - sic.

#w w
6 w 4w

w
& w
w 4 w 4
Pno. 3 3

?# 6 4
w 4 w 4w w

=
#
93
3
&
3
Victoria J R R J J J 4

{
We have the same di - 'rent i - deas.

#
& j
3
4
Pno.
?# J 3
4

=
Here it is imperative that the conductor nd
the most ungainly manner for the orchestra
to play, emphasizing and hesitating on incorrect
beats, generally becoming inelegant.

#3
97 Tempo di Valse imbranato q = 110

Victoria
& 4
R R

J

J J J

{
He has been most plea - sant.

Tempo di Valse imbranato q = 110
#3
& 4
> >
p >
> >
?#3
Pno.

4
> >
>
=
p

#
104
4
Victoria
& J J 4 J J J J J

{
I'm a - fraid I must be going, I've

# 4w
& 4w
> >
>
>
4w
Pno.
?# 4w
>
>
 #
51
108

& J

3 3 3 Victoria exits
Victoria J J J J J J J J J

{
pro - mised to drive with the Duch - ess. Good - bye, Mis - ter Gray.

#
& ww w w
w w
w
w
?# w w w w
Pno.

w w w w

{
Prestissimo h = 100

&
# ## 2
112

n w
2 > > - - w
-
- - - -
> > -
> -
ff
-
## 2 - mf
?# w
Pno.

2 w
w ff

? # 3
119 3

#
3
Henry

{
Ne - ver mar - ry a wo - man with

# w
& # w
w- w

- - - - w
w
-
Pno. ff mf fff
? ## w
w w
fff
w

? #
3
3 3
3 3 -
125

Henry
#

{
straw co -lour'd hair. They are so sen - ti - men - tal. Ne - ver mar - ry at all, Do -
brown
red
#
& #
- - - -
mf

Pno.
? ##
mp

? # - 3


131

#
3 3

3

{
Henry

rian. Men mar - ry be - cause they are tired; wo - men, be - cause they are

# 3

& #
Pno. 3 3 3

3

? ## w
w
w
3 3 3
 ##
52
136

3
Dorian &
I don't think I'll mar - ry,

? ##

3

{
Henry

cu - rious: Both are dis - ap - point - ed. You

>

3 3
#
3

& #


> > 3 3
3


Pno. 3
3

? ##
3 3 3
3

##
141 rit.

3 3
Dorian &
Har - ry. I am too much in love.

? ##

3 3
Henry

{
shan't be dis - ap - poin - ted! Who are you in love with?

rit.
##
3

3

&

ww
w
w w
w
3
> w w
3


3
Pno.
? ## w w
3

## 3
146 Meno mosso h = 70

& j j
Dorian

With an act - ress. Sy - bil Vane. No one has.

? ## 3

Henry

{
I've ne - ver heard of her.

Meno mosso h = 70

w
# w w
& #w w w w
w w
w w

Pno. w w w w w
? ## w w w w w
 ##
53
151 accel.
j
& w
3

3
Dorian

{
Peo - ple will some - day, how - ev - er. She is a ge - - - -

accel.

# w w
& #w
w w
w w
w
w mf

w
Pno.
? ## w w

##
Maestoso h = 70
###
156

Dorian &
nius!

- J
? ## ### . - .


Henry J J J J J J J J J J J

{
My dear boy, no wo - man is a gen - ius. Wo - men are a de - co - ra - tive

Maestoso h = 70
## ### -
&
subito p

###
Pno.
? ##

mp

? # #
J J
# #
161

#
Henry J J J J

{
sex. They ne - ver have a - ny - thing to say, but they say it charm - ing - ly.

##
& # # #
- - - - -
? ###
Pno.
w #w w
w

? # # J J J # n n
J n J
167
J J J J
Henry
# J J J J J

{
Wo - men re - pre - sent the tri - umph of mat - ter ov - er mind, just as men re - pre -

##
& # nbn n
n

- - - -

? ### n
Pno.

w n b nw

 ? # # n n J J
54

<n>w
rit.
n
171

# J J
Henry
J J

{
sent the tri - umph of mind ov - er mor - als.

rit.
##
3

& # ## w n
nn n

bw
w w
w
- - - pp
bw nw
Pno.
? ### w
w w w
w nw w 3

-o
? # #
178 A tempo
4 J J J 3
Henry
# 4 J J

{
3
How - ev - er, tell me a - bout your ge - nius; where did you come ac - ross

##
A tempo
4w
& # w w 4w w
w nw
w w
w

? ###<n>w
Pno.
w 4w w w w
4w w w w

###
Pi mosso q = 80
bb j j
183 3

&
Dorian J J J J
It would ne - ver have hap - pen'd if I had - n't met

? ###
Henry
bb

{
her?

Pi mosso q = 80
## bb
& # w
w nw w <n>w w
3 3
w
pp mp
w w bw w w w
Pno.
? ### w w w bb w w w &

bb j
189
j j
& j j J J

3
Dorian
J J

{
you. I re - mem - ber'd what you said a - bout beau - - ty be - ing the

n # n #
b #
n

&b nw
w

Pno.
n

3
b
3

& b ? J J
. .
 bb
55

j #j j j
192

&

3 3
Dorian - J J J J

{
real se - cret of life. The peo - ple I passed... The sor - did sin - ners and their

b
&b n
3
n #
-
b f # n
? bb J J n # -
Pno.
.
3
#
3

=
3

bb j j j j
196

#
3

3
Dorian & # n

{
splen - did sins. They fa - sci - na - ted me. They ter - ri - ed me.

b
3 3 3

##. . #n n ## #n . .
3

&b n b ##. .
. - #
# . .
n n
#. .
n # n
Pno.
? bb 3
n .
J J # #
w
w - # . .

b
nJ 4
j j r j r j
200
6
& b j j
3
Dorian

{
It was ex - qui - site poi - son. If I had - n't list - en'd, I

b . . n . .
3 3
b w 6
& n w 4
3

3
?b 6
Pno. 3 3 3

b 4
3 3

b b 6 <n> j j j j j j r r r r

204
4
& 4 J
Dorian 4

{
should have miss'd the great - est ro - mance of my life.

w
b6 w 4w
&b 4 w
w 4w
w
w
Pno.
? b6
pp
4
b 4 &4
?

mp mf f ff

? b Laughing
Meno mosso q = 70
3 # J
206

b
J J J J J J J

{
Henry

This is mere - ly the beg - in - ing.

w
b w
Meno mosso q = 70
#
&b w w
w



3 3 .
Pno.
. .
. .
mp
? bb . . . . # w
3 3
 Pi mosso

? # J
-
56


q = 80
#J J
208
n

J
3 3
Henry R R R R J R R R J

{
Not the great - est ro - mance of your life, but on - ly the rst. You will al - ways be

Pi mosso
#
& w w w
q = 80
w nw w

w
?# w w n
Pno.

w w w
w

? #
Largo q = 55

rit.
j
211

3
J
3
J J
J J J R R R R

{
Henry
3
loved, and you will al - ways be in love with love. There are ex -

Largo q = 55

rit.
#
& w
3 3

w

Pno.

3 3

?# w
3


w
=

# j 3j j j j
213

Dorian &

Am I so shal - low?
?# J R R R

R R
J

{
Henry

qui - - - site things in store for you! I

#
&



w
w
w
f pp

Pno.

?# w
w

? # - R R 3R j j
216

J J R R R R R R R J J - -
Henry
J

{
fear not. But faith - ful - ness is sim - ply'a con - fes - sion of fail - ure. Go on.

#
& w

p

Pno.
? # w #
w
w

{
w w w n
# nw
w
218

& w
w
w

Pno.
?#
w

w

 #
57

j j j j j j

j r j j j j j j j j j
224

&
p

3 3

Dorian

{
3 3
I found my - self in this hor - rid lit - tle thea - tre. It was a taw - dry a - air,

#<n>w
w w w
w
&
- - #>
? # 3
Pno.

. n
p mp f

#
Pi mosso q = 80
j j
j j 4 .
228

Dorian
&
4 . . . n
.

{
like a third - rate wed - ding cake.

Pi mosso q = 80

# 4 w
& 4
Pno. f
?# 4

3 3

# j j j j 3j
j j
232
3
& J J
j j j j j j j j j

3
Dorian
R R J 4

{
The pit was full, but the din - gy stalls were emp - ty, and there was just me in the cir - cle.

# 3
& 4
- - +
#>
Pno. mp
3
3
?#
> 4
f mp 3

#3 b b b b b 44 j j j j
235

& 4 j j j
3

j .
Dorian

{
She was Ju - li - et. Ro - meo was a stout old ass,
.
~~~~ w
b b b 4
#3 w
b 4
& 4 b b
arco

pp
?#3 4
Pno.

bbbbb 4 .
>
4
> > .

=
pp ff mf

bb b
240

& b b j j j j j j j j R R j

Dorian

{
with a - gure like a bar - rel. The sce - ne - ry

n wj .
b w w w n
& b bbb w w bb

w w

> J n
Pno.
? bb b . . . . . . - - . > . >
-
bb> w
mf f
 bb b
58

8 j j j
245
6
& b b


Dorian
J J

{
was gro - tesque. But Ju - li - et. Har - ry, i-

bb <n> 6

arco

&b b b 8
? b b b 6
mp

8
Pno.

bb
pp mp

bb b j j

j j j j j
j 85 J
250
6
Dorian
& b b J J J J J J
J 8

{
ma - gine a girl hard - ly se - ven - teen years of age, with a lit - tle ower - like face, a

b
85 86

& b b b b

?bb 5 6
Pno.

bbb 8 8

bb b j
255
j
Dorian
& b b
J J J r
j j

{

small Greek head with plait - ed coils of dark brown hair, eyes that were vio - let

b

& b bbb




? bb b
Pno.

bb

bb b r r j j
260
j j j j
& b b j r r
Dorian
J J J J

{
wells of pas - sion, lips that were like the pe - tals of a rose. she was the love - liest

& b b b b
b n



n
? bb b
Pno.

bb

bb b j j
rit.
b b b b 44
264

Dorian
& b b J J j

{
thing I had ev - er seen! You

rit.

& b b b b
b b b b b 44 w


w
Pno.
? bb b 4
bbbb 4

b b n w
 b b b j 3j j j j j 3 j
59

Allegretto q = 105
j j
269 accel.
j
& b j
j
3
Dorian
J

{
told me that pa - thos left you un - moved but that beau - ty, mere beau - ty could ll your

accel. Allegretto q = 105

b
& b b b w-
J


pp mf

Pno.

? bb b
b w
w
?
ww
&
w

bb b
272 Adagio, quasi recit.
j j j j j
& b

3
Dorian

{
heart with tears. I tell you, Har - ry,

Adagio, quasi recit.

& w bbbb w
w ww
pp
?bb w w w
Pno.
w w w
bb w
ppp

b b j 3 j j j r r
Andante
r r j j
275

Dorian
& b b - b

{
through my mist of tears I could hard - ly see her.

~~~~~~~~
Andante
w b
& bbbb w
w

ww b w w
w

? bb b w <n>w bw

Pno.

b w w bb w w

b 12 j <b>
j

280

Dorian
& 8
And her voice!

12

{

8

12 n
& b 8 b
n b
? b 12 b b
Pno.

8 J J
mp
 b j j j j
60

j
283

r r j r
& b j b
r j j
Dorian
J

{
I ne - ver have heard such a voice. At rst, it was ve - ry low, with

j
& b b

b
j
& b n
Pno.

n b
? b b


J b J

{

j
b j j j #j n
285

& b j j j
Dorian

j j
n R R J J
deep mel - low notes that pleased the ears. Then it grew a lit - tle lou - der,

b
& b b
# b
b n
& b
b


Pno.
f

? b n b
#
J
b
J

{
b <n> j
287
j
& # n # n
Dorian
J J J
and soun - ded like a ute or ob - oe.

n # n # n # n
# # # # nw # n # # n n #
& b

n# #
p f p

n b
Pno. &b
mp

# # # # n # # # n b n n
n b b
J
? b #
J
 {
b
61

j j
289

&

Dorian
b
In the gar - - den scene

b w
w

nb w
& b

b
ff

Pno. &b b
f ff

b
?b
b J
j

b

j r r r

{
291

&
J
Dorian
J J J J J J
it had all the trem - u - lous ec - sta - sy of

& b

Pno. &b

?

b j

j j r #
292

& b J
j

{
Dorian
J J
night - in - gales sing - ing be - fore dark.

b #
&
#
Pno. &b

?b j j #

# R R j
j j j j
294

& J

{
Dorian
J
Then la - ter it had the wild pas - sion of vi - o - lins.

#
&
ff

#
Pno. &

?#

j j
 #
62

{

296
6
&
Dorian 4

# 6
& 4

# 6
Pno. & 4
ff

?# 6
4
e e e e e e e e E E
ff

#6

j j 3j j
Adagio
j j j j j j j
298

J 4
& 4

3

{
Dorian J J J J - - - - 4
A voice can stir one. Yours and hers are two things that I shall ne - ver for - get.

w
w
#6 Adagio
4
& 4 4

# 6 w
ppp

& 4 w w
4
Pno. 4
ppp

ww
?#6 4
4 w w & 4
% %
ppp

#4 # j j j j j
300 Grave
2 4
Dorian
& 4 J n 4 4

{
When I close my eyes, I hear them,

#4 # n
Grave
2 4
& 4 4 4
mf
#4
Pno.
2 4
& 4




4 4

pp

#4 j j
304

& 4 j j j # j j j
j j
3
j b j
n
Dorian

{
and each of them says some - thing di' - rent. I don't know who to fol - low.

n b
#4 # w b n
nw
w

& 4
pp mf
#4 b
Pno.

& 4 w n
w bn

 # j
63

J R
j j j j j j j
307

&
3
Dorian - - J J J J
J J J J

{
Why should I not love her? Har - ry, I do love her. She is ev' - ry - thing to me in life.

w nw w
w w
# bw
w nw
w w w
w

&
pp
#
Pno.

& nw
w
w bw
w
w
w
w
w
bw
w

# <n> J j j <n>J J <n>J b j

311
j
&
3
J
Dorian
J J J J R J

{
I have seen her in ev' - ry age and cos - tume. Or - di - na - ry

b n
# # #

& #

mf
# n #
Pno.

& # n b b

# # n

# j
b b J
r 3r r r j j
bbbbb
314
j j j
&
3
b J
3
Dorian n R R R R J

{
wo - men ne - ver ap - peal to ones im - ag - in - a - - tion. They are li - mi - ted

b
# n n b b b b b nw
w
&

#
pp
bbbb
Pno.

& b b w

n nw
w

bbbbb
secco pp

b b b b 3 j
316

& b b 43 J 4

{

3 3 3
Dorian J J J J J J 4
to them - selves. No gla - mour e - ver trans - - gures them.

b 3 4
& b bbb 4 4

mf

b <n>ww 3
w w
bw 4w
Pno. & b bbb w w 4 4w
b
4
3 4
& b bbb

w 4 ww
<n> w
w
w bw
w w
64

bb b j j j j
320

& b b

3 3 3

3
Dorian J J J J J J J J J J J J
I want to make Ro - meo Jea - lous. I want the dead lo - vers of the

{
w w
bbb w w
& b w
b w
b
& b bbb w
Pno.
w
w w

bb j j j j
& b b b
322

" j j
j j

Dorian J


world to hear our laugh - ter, hear our laugh - ter and grow sad.

{
w w w w
bb w w " w w
& b w
b b w w w
b
& b bbb w "
Pno.
w w w
w w w w

bb
accel.
b b J
326

& b b b J

Dorian
J J R R J J R R J J J J J J
Har - ry, why did - n't you tell me that the on - ly thing worth lov - ing

{
w w
accel.
bbb w w
bb w
& b w
b
b b b ww
& b bbb w
Pno.

w w

b
328

Exeunt

Dorian &b J J
is an act - ress?

?b 3

b
Henry J J J
Take us to see her!

{
b w
w
w
w
w
w
&b
b
& b ww ?
Pno.
ww
w w
 The house is crowded this night, and the fat manager who
meets them at the door beams from ear to ear with an oily 65
tremulous smile. He escorts them to their box with a sort of
pompous humility, waving his fat jewelled hands and talking
SCENE 2 at the top of his voice. Dorian loaths him more than ever.
Henry, upon the other hand, rather likes him. Basil amuses
himself with watching the faces in the pit. The youths in
the gallery have taken off their coats and waistcoats and
hung them over the side. They talked to each other across the
theatre and shared their oranges with the tawdry girls who

{
sat beside them. Some women are laughing in the pit.
Their voices are horribly shrill and discordant.

.
Prestissimo e approsimativo q = 180
. . . . . .
bb
330


& .
>
.
mf f f

.

Pno.
? bb

. & ?

mf . .
mf

{
.
b . . . .
335

&b
.
sub. p

Pno.
? bb & ?
&

. .


mf

{
b
340

&b
sub. p
b ? n
Pno.

&b n n

{
b . . . . . J
. . .
346

&b
f . f
? b b


Pno.

mp
. . .

{
352
b b . . j j j j
&b b b n
. .

.
. . .
b
Pno.
? bb J J J
. . b . b .
.

{


b

358

& b


>
7

Pno.

? bb
7
 {
.
. . . J



b
66

J
363

& b


. . .


? b b
Pno.

&
?
. &

{
.

. . .
5

b
370

& b J J 24 4
4
. . .
b
Pno.
2 4
& b
?
. 4 4

376 r
pr j j
Andante
b 4
3
j j
A. & b 4 J
J

What a view! Simp - ly de - light - ful.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
? b b 4

p
4 R R J R R R R R J
B. J R R
Such ve - ry good seats and for on - ly se - ven shil - lings.

{
b 4
Andante

&b 4
p
? bb 4
Pno.

4
pp

378 b J
p
3
& b
3 3 3
S.
J J J J J J J J J J J
Ro - meo and Ju - li - et! Ro - meo and Ju - li - et!

b
A. & b ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

& r j
b b j r r r r j j
p

R R R R R R R J J
R
T.

{
That Sy - bil Vane's a look - er, ain't she! Aye, but look out for her bro - ther, Jim - my!

b
&b
n 3 >
Pno.

? b b . J J
. . b . .
mp mp 3 p
 ? b
67
380
3
b
3

b
Henry J J J J J J

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
What a place to nd one's di -
b
S. & b R R R

{
& b ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
It's my fav' - rite!
b
T.

b b

&
> > > > w
? b b ww
Pno.

bb j j r r
382

b J
3
b
3
Dorian & J b J J J
Yes! It was here that I found her, my di - vine

? b J
b
Henry J J J

vi - ni - ty in!

bb
p r r j
3
j j j
& J
A.
J

{
What a view! Simp - ly de - light - ful.

b b
?
mf
r r r r
J b J b R ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
B.
J R R
Mate! Fan - cy see - ing you here! How long's it been?

bb
-
3

& -
- w-

b b bb
Pno. &b
?b w-

b

bb
384

3
Dorian & J J
act - ress. She spi - ri - tua -

?b j j j j . j
Henry
b b
J
A - mong the com - mon rough peo - ple,

J
>
f p
b
S. & b
J J

Oi! Why sir! How
b
A. & b ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

& b
p

{
b
3

T. R R R R R R R J R R R R
May - be I'll stick with cho - rus girls. That one's not too bad!

b

& b n

. n> >

>
? b b
Pno.

b n
mf
 bb
68
386

j j
Dorian & b b
b j
liz - es them... one feels

&b b J b
J

Basil
J

Like a vi - o - lin - - -
?b j b j j j b
b J J J
Henry J J

with their coarse fa - ces and their bru - tal ges - tures...
b
S. & b ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

{
&
rude!

T. b b ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

b
b b
& b
b
b
Pno. &b

? bb
b



b
J

b j j j
bbbbb
388

& b b b J b
3

Dorian
J J J J J J
3

{
as though they are of the same esh as one's

b . bbbbb
& b J
ist!
Basil

b b3 b
b b bbbbb
& b b
3

b bbbbb
Pno. & b




? b . j j bbbbb
b & n n

bb b
389

Dorian & bb

j j
bbbb
self!

& b J J J
3

R R J J J

Basil
J

{
Don't pay a - ny at - ten - tion, Do - rian! I be -

?b j j .
b bbb
3

Henry
The same esh!

b
& b bbb
b
& b b b b

Pno.

b
& b b b b <n> ?
 b b b 3
69

391

& b b J J J

3
J J

J

{
Basil

lieve in this girl. An - y - one you love must be marv' - llous. If

b
& b bbb
> > >
Pno.
>
> w
w
? bb b w
bb
p

bb b

394
j
& b b J J
J

Basil
J

{
she can give a soul to those who have lived with - out one, she

bb
& b b b

Pno.
? bb b >
bb

bb
397

Basil & b b b

? b b

{
is wor - thy of ad - or - a - tion.

bbb
p

B. J R R J R R
Such ve - ry good seats and for

bb
& b b b

>

>
> >
Pno.

? b b b >
bb
> > > > >
=

bb
399

Dorian &b b b w
I knew that you'd

bb
bb
& b

Basil

The

& b b b b ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
pr
b r j
3

j j j
A.
J J
What a view! Simp - ly de - light - ful.

j r r r j
b r r j j
& b bbb

p


T.

That Sy - bil Vane's a look - er, ain't she!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

{
? bb b
R R R R R J
B. bb

on - ly se - ven shil - lings.

b
& b bbb

Pno.

? bb b
bb
pp
 bb b
70
401

Dorian & bb w
un - - - - der - - - stand
e
& bbbb b

Basil

gods have made Sy - bil Vane for

& b b b b J
p
b
3
3 3
3 R ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
S.
J J J J J J J J J J J R R
Ro - meo and Ju - li - et! Ro - meo and Ju - li - et! It's my fav' - rite!

& bbbbb ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

{
J J
R R R R R R R
R
T.

Aye, but look out for her bro - ther, Jim - my!

b >
& b b b b
>
>

> >
Pno.
> > >
? bb b
bb

bb
403

Dorian &b b b w

bb
me...

& b b b w

Basil

you. She com - pletes

? b b
bbb r r r r

{
mf
J J
B.
J
Mate! Fan - cy see - ing you here!

b >
& b b b b

> >
w
?bb w
Pno.
w
bbb &

bb b j
405

& bb n n
Dorian
J J J
-
Har - ry is so
bb
& b b b

Basil

bbbb
you!
r r

j j j j
p

3
& b J
A.
J

bbbbb

What a view! Simp - ly de - light - - ful.

{
? ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
B.
R R R
How long's it been?

b
& b b b b

b
Pno.

& b b b b ?
n
> > n
ppp
 bb b
71

j
406

& b b J
n
3
Dorian
J n J J J J

cy - ni - - cal he ter - ri - es me!

A. & bbbb b ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

& b b b

{
p
bb 3
T. R R R R R R R J R R R R
May - be I'll stick with cho - rus girls. That one's not too

& bbbb b

Pno.

b b <n>w
? bb b
<n> w

bb b ##
407 Maestoso

Dorian & bb

?b ##
Henry
b bbb

Hush!

{
& ##
T. bbbbb ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
bad!
Maestoso
b ##
& b b b b
Trumpets

3 3 3 3 3 3 3 3

## w
Pno. ff

b b <n>
? bb b
<n>
J J

{
Prestissimo
e approsimativo
q = 180
.
# . . .
410

& #



mf f
.
3 3 3 3 3 3 3 3

Pno.
.
ff
? ##
J J
.
mf

## > >
414

&

Basil

Good grief!

? ## J R

Henry

{
Hush! The o - ver- ture!

#
& # . . . . .
. . .
>

f

Pno.
? ##
 {
72

#

419

& # n . .


sub. p
n
sub. p

Pno.
? ##

{
.
# # . .
& #
425

.

f

Pno.
? ## #

{
# . .
431

& J
. . n
. . . .
. . f
Pno.
n n .
?# .

{

437
#
& n # j j
. . . .

7
7
j j
j j
Pno.
?# J

> 7

{
#
442

&

? #



Pno.

{
# j j
450

&

. . j
? # .
Pno.

J
.

{

# j j
456 7
3
7

& 4
7

?# . . . j 3 7
Pno.
7

J 4
.
7
 {
(Enter SYBIL as Juliet, with ROMEO) 73
Meno mosso q = 120

&
#
460 3 3

. . . . . . . . . . . .

? #
Pno.

3 3
. . . . . . . . .
. . . . .

{
- . #
#- . - - . -
468

& . .
Pno.
. . . . . . . . . . . . . . . . . . . .
?#
.

.

.

.

3
. . 3 3
.
=

{
#
475

& - n. # #
. . . . .

.
. .

.
. . . . . .
# . . .
?#
Pno.

. #. .
. J J .

=
3 3 3 3 3

{
#
480

&
1.

R
. . . . . . . . .
. . . .
?# .
Pno.

. .
. .
3

=
3 3

? #
Repeat only if necessary for Staging

# # Y
f Grottescsamente rit.
4 #
484 2.

Romeo
4 #

{
...to smooth that rough touch with a ten - der kissssssss.

rit.

&
# 2. 4 nw
R 4w #w #w w
w
w
w
w w
w
w
#

w
.
.
Pno. pp sfz pp
w w w

?# 4 w w w
. 4w

w w

# b b-
Quasi Recit.

b j j j j j j
492

goamente

& J J

{
b J
Sybil
J J J J J J
Good pil - grim, you do wrong your hand too much, Which man - ner - ly de - vo - tion

b . . . . . . . #
. . . . . . .
# n. . b . . . b #. . #. . . #
Quasi Recit.

&

#
& ww
w

# #n w
w
Pno.

?# w
w nw
# #w w

 {
# j
74
rit.
j bbbb
495

& b
Sybil

b
shows in this;

m
rit.

. . #. nm

# . nm

& bbbb b

# bbbbb n
b n

& #w
b
#w n
Pno.

n



? # #w
#w b b b b b n
7

b b b n nJ r r r
bbbbbbb

{
497
b
& b b J R n J J R R R
Sybil R R R
For saints have hands that pil - grims touch! And palm to palm is ho - ly

b n
w bbbbbbb
& b bbb
w
w
& bbbb b bbbbbbb
.
. n . . b . . . .
Pno.

nw
w
? bb b . . . . >
bb b b b b b b b . . n. n
.

=
(DORIAN is horrified, HENRY, BASIL and the audience murmur)
(Scenery changes to the Balcony Scene)

bbb r r ###

{
499 Grave Andante Aretando

Sybil
& b b b b - - -

pal - mer's kiss!

Andante Aretando

b ### b b . . . . b
& b bbbbb
Grave

m m ^
^ ^ m m ^ ^
bb ### ^ ^ ^
& b b bbb
j j j
n
j
>
Pno.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
f ^ ^ # ^ n ^ ^
? bb b b ### nj j j
^ nj j
n
j

<#>
bbb
bw

{
=

## b b . . . . b b . . . . bbbb
503

& #

##

3

& # bbbb n 3


Pno.

^ n ^
^ # ^ ^ pp 3
^ # ^ j #^ j n^ j ^ nw
? ### nj # j

^ nj j
n
j j

^ nj j
b b b n n
b j
 bb b
75

507

Sybil & b
j 45

>
ff mf ff
Ro - meo,

?bb b>. n. 5
bb
J

J

J

J J J J 4

{
Romeo

But soft! What light through yon - der win - dow breaks!

b U U
& b bb w
w w w nj 45
w w
w bnn bn
pp p
Pno.
U U
? bb b
b J 45

=
bb b 5
U U
U

4 n # #
513

& b 4
4
j

{
Sybil

Ro - meo, where - fore art thou Ro - meo!

b b5 U #
&b b 4 nj 4
4 n # bn j
bn n J bn
Pno. mp p
U 4 b nn b n b
? b b5
bb 4 J 4 n J #

{
=
#
517

&
Pno.
. j j #
?#
arco 3
n
3

w
. . . .
=
pp mp

#
<n>
n j j j j
520

Sybil
&
J
Al - though I joy in thee,

~~~~~~~~~~ ~~~~~~~~~~~
. . . . #

{
n

mf

# n bw
& J
w w
w

pp

Pno.
?# n
w w w

b >
j j
524

& J J J J J
J J
J J J J

{
Sybil
J
I have no joy of this con - tract to - night. It is too rash, too un -

~~~~~~~~~ # . . . . ~~~~~~~
~~~~~~~

. . . . #

~~~~~~~~~~
n. . . .

&

& #<n>w
w
w
bw
nw
w w
w
Pno.

?
#w nw w

76

> -
J J
J
# bJ #
527

J R R #J J J n

{
Sybil & J
J J J J
ad - vis'd, too sud - den; too like the light - ning which doth cease to be ere one can

. . . b n
w b b .
&

& b bw
w nw bbb w
w
bw nw w
Pno.

?
bw nw bw

j j > >

{
bb
530

# >
Sybil
& n #
say 'It ligh - tens' Sweet, good night!

b n w . (The audience begin to boo and whistle.

bb
Curtaindown onstage)
& j
> >
ff

& w bb w
w
w b b b
w
Pno.

> >j >j

{
f
? bw b b b b
w J J
> >

=
m
m
^ ^
m^ m ^
^ ^ b ^ ^ ^
j ^ ^ ^
3

bb
535

b
j

j

j

j

j

j
&
j j
>
.
nb nb
f

& bb

>j >j >j > >
? b b <b> b

b
Pno.

> > > >

{
# j n j n j n n ^ ^ b ^
. j # # #
b j j
b n ^ ^ b j j
^
? bb b b
j
b
j
.
ff

=
^ ^ b ^ ^
^ ^ ^ ^
bb n
539

j j j j j j
&
j j

b nb
&b
j >j
? b b <b> n
Pno.

n bn
>
^ b ^
n ^ ^ n ^ ^ n ^ ^
? bb b
j
b
j ^ b j j
b
j
b
j ^ b j j
b
j
b
j ^
j
b
j
^
 {
? b
77

b J b
542

b
Henry J J J
She is quite beau - ti - ful, Do -

b #### b nn # nn
& b n #

b w ####
&b # #
####
mp
? bb
Pno.

# >

? b b # ####
#

? b r r b b b
545

Henry
b n

{
rian, but she can't act. Let us

## #
#
& # ##
n

## n b b bn n
Pno.

& # ## n

bb j j j3 b j j 3
j j nj 3
547

j j
3 3

& b

Dorian

I will see the play through. I'm aw - ful - ly sor - ry.

##
& # ##
p Dolce
#

Basil

I should think Miss

?b
b
Henry

{
go.

# # <>
& # ## n # #

##
Pno.

& # ## n n
mp
 ####
78

# b
b n b
b n b
549

& # b
b n
b n b n
Sybil

Sybil vocalises precisely as she dies onstage.

## w
& # ##

Basil

Vane were ill.

~ ~~~~~~~~~~~~ ~~ ~~~~~~~~~~~~~~

{
? #### ~~~~~ ~~~~

~~ ~~~~~~ ~~~ ~~
Romeo # ~~~~~~~ ~~~~~~~
"Romeo" vocalises wildly as he dies onstage.

## w
& # ##

##
Pno. & # ## n n n
? #### n n
# n n

#### n b n b b n
552

& # n b b n n b

n
Sybil

b j j
&b
3
Dorian
# # n
# # n
I wish. But she

& # ## R R

Basil
J
We will come some o - ther night.

?# # ~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~
# ##~ ~~~~ ~~~ ~~
Romeo
~~~~~~~

{
# # n
& # ## n n
Pno.
? #### n
# n w

#### bbbb
554 Sybil as "Juliet" dies onstage.

& #
bY nY
Sybil

#j j j
b j 3 j j j bbbb
Dorian &b # r
# #

#
j #
j
seems cal - lous and cold to me; en - tire - ly al - ter'd.

?# #
# ##~
"Romeo" dies onstage.
bbbb

{
Romeo

## bbbb
& # ## n n
#
? #### bbbb
Pno.
# w w
 bb b 5 j b
556 79
j 7
& b j j 4 J J 8
J J
Don't
Basil
J J

{
talk like that a - bout an - y - one you love, Do - rian.

b 5 7
& b b b 4 8
<n>
? bb b 5 7
Pno.

b w 4 8

bb b 7 4 3
558
5
& b 8
4 4 4

Basil

{
Love is a more won - - der - ful

b 7 4 3 5
& b b b 8 4 4 4


? bb b 7
4
4 3 5
Pno.

b 8 4 4

bb b 5
561
7 4
& b 4 8 4

Basil

thing than art.

? b b5 7 J 4
bb 4
Henry 8 J J J J J J 4

{
They're both mere - ly i - mi - ta -

b b5 7 4
& b b 4 8 4

?bb 5 7 4
Pno.

b b 4 8 4

? b b 4 n
563
7
bb 4
n
3
n J
3 3 3
Henry
J J J J J 8

{
- tions. But do let us go. And Do - rian,

b 4 n n n n 7
& b b b 4 n n n n 8
? b b4 n n 7
Pno.

bb 4 8

? b 7 3 4 3
565

b bb 8 J
J bb 4 J nJ
3
J J
3
Henry J J J

{
you must come too, you must come too. It will do you

b 7
& b b b 8 b b b b b 44 n
b
? bb b 7 b 4
Pno.

b 8 bb 4
 ? b
80

j
567
R
b

3

J J J J
Henry
J R

{
ill to stay. Be - sides, I don't sup - pose you will

b n
b
& n
Pno.
? bb

? b

b
569
R R
3

b J
Henry J J J J

{
want her al - ways to act. Good Heav'ns! My dear

b
& b bb bb nn n bb bb nn n
Pno.
?b b n b n
b

bb
571

Dorian &
Go a - way, Har - ry.

?b
b
Henry J J J J

{
boy, don't look so tra - gic!

b n
& b n
Pno.
? bb w

b
574

Dorian
& b

{
go a - way! I want to be a - lone.

b n w w
&b w w
niente

? bb # n w
Pno.
#w
 {
Darkness.
SCENE 3 DORIAN goes to SYBILs rooms backstage.
She seems strangely happy. 81
578 Grave q = 50
b
&b




n



n

b






# #
? bb w j j
Pno.

j j j j

J J J

{
#### w


Allegretto
b
584

& b n n b n #

n#
#
#

? b b j
j j J j
j ####
Pno.

#### j j J

<#>
590 3

3 3
Sybil & J J J J
Do - rian! How bad - ly I act - ed to - night, Do - rian! Do - rian!

#### j 3

j j J j j
3
&

Dorian

{
b >
Hor - rib - ly, hor - rib - ly.

## nb
& # # #
Pno.

? #### & bnnw
w
w

#### 3j j j j
594

&

J j # n n
Dorian
#

{
It was dread - ful. Are you ill? You have no i - de - a what I suf - fer'd

## n #
& ##
n n n n w
## n n n n n n
Pno.

& # # n #w w
w
?
n n n n
#ww w

{
n
# # #nw n
. . . .
# . . .
.
3 . . . 4
599

& ## J
. . . 4 J J 4
. . . . . n . j .
ppp
. 3 # # 4

Pno.
? #### .
4 . J 4
. .
 #### 4
82
604 3

Sybil & 4 #
You un - der - stand, don't you?

#### 4
Dorian
& 4 j j
b

{
Un - der - stand?

# #
##4 n # #
& # # 4 w
w
n#w
ww w
ppp

? #### 4 w
w w #
Pno.

nw w bnw
4 w w

{
# #
# # . #. . . .
. .
. # . # . . . # . . .
## # nnnn

608

& ## J # # # J J J

.
Pno.
## # . . . . # . . . # . . # .
? ## # #
# # # nnnn w
#
. #J J #J
.

j
612
j j
Sybil
& J J J
J

{
Why I was so bad? Why I shall al - ways be bad?

&
. .
j j . .



-

Pno. p
? w w
w

bw j

j j
>
616

Sybil & J J J J
Why I shall ne - ver act a - gain!

j j j
&

b
>

{
Dorian

You were ill?

j
& n b n
b b b
J nn
. . >

Pno.

? b n
w w w w

83

j

620

&
Sybil b b

{
Do - rian, Do - ri - an! Be - fore I knew you,

j b
& n
bb
n

. . J
. .


Pno.

? n
w

w

b J
p

b j b j j j
624

Sybil
& J J J J J b J J J J J J

{
act - ing was my re - al - i - ty. It was on - ly in the thea - tre that I lived.

b w b


b b

b n- - b w
b

&
b
mf
w
wb w
Pno.
? J w w
w

628
b
&
Sybil J J J J J J J J J J
I was Ro - sa - lind. I was Por - tia. Be - a - trice, Cor - de - li - a.

. . b b . . . .

w
w w
w
p
bw
w w
w

bw w

w w

& w w
w w
pp

? w w
Pno.

w w w w

{

633

&
Sybil
J J J J J R J J
I be - liev'd it all. Those act - ing with me: God like!

w w

&
w w w
w w
w w
w b
J
w

Pno. & w
w
w

f
w bw w

? w bw w

84

j j j j
639
j 3j j
&
3

Sybil
J R J J J

{
The paint - ed sce - ne - ry: my world! I knew noth - ing but sha - dows, and I

w
&
p

Pno.

& b b

{
####
643 Andante
12
& 8
Sybil

thought them real!

w
Andante
~~~~~~~~~~~~~~~ n
#### w 12
& 8
w
f. ma dolce

#### w w 12
Pno. & w
w
w w w 8

mp
? #### nw nw 12
& 8
w mp

{
#### 12

j
j
649

Sybil
& 8
Then you

# # 12

& ## 8
j

# # 12 j
& # # 8 #
p

n
#
# # 12
& # # 8 # n n
Pno.

#

legato

? #### 12
8 J
j J
mp

{
####
J J J
652

Sybil
& J J R J J
came - - - - oh, my beau - ti - ful love - and you freed my soul from

##
& ##

& # #
##

##
& ##
Pno.

? ####
J J
 {
####
85

654

&
Sybil J
pri - son!

.
##
& ## n J

# #
& # #
5

##
& ##

Pno.

? #### .
j j
j

J J . . .

{
#### J
656
# j # j j
&
Sybil
J J J J J
You show'd me what re - al - it - y real - ly, real - ly is.

##
& ##

#### # #
&
##
Pno.

& # # #

#

? ####
J J

{
#### #

nnnn

#
658 accel.

Sybil
& J J J J J
To night, for the rst time, I

#### n nnnn - # -
accel.

& n

## nn
Pno. & # # n n n

. j
? #### j j

nnnn


J . . .
 {

86

nJ
b #
661

& J
Sybil J J J J J

b
saw through the hol - low - ness, the sham. To -

&

b
Pno. & b

? b b

{
=

#
Pi mosso q. = 65
b b b 86 J J J J 128 nj #j nj #
663

Sybil
& J J J
J
night, for the rst time, I saw Ro - meo as hi - deous and old.

b b
b b b 86 12
Pi mosso q. = 65
& 8

n - n
mp pp

& n
b
bb8 6 12
8


n b b b 8 128
b

Pno.

6
&

b
? 6 12
n
bbb 8
8

b b

{

666

& b
Sybil
n J J J

-
To - night, for the rst time,

b
&b b

b n

Pno. &b b

? bb
b



n

{
b b n n ## w
668

Sybil
& b J J J R R J J J

the moon - light in the gar - den was false,

b nw
## w
&b b

b b b n n ##
Pno. &
n

n



? bb ##
b





 ## ,
87
,

rit.

{
J J J J J J
670

Sybil
& J
the sce - ne - ry: vul - gar, the words: un - real!

rit.
w w

## w w
&
w
w
# w
& # w
w ?

Pno.

? ##

##
pp

673
4
&
4
J J

{
Sybil

w

You have brought me some - thing high - er!

w

#
& # 44
pp
pp f ppp

? ##
Pno.

w
4
4

##
rit.
677 -
f
- - -
&

{
Sybil

My Love! My Love!
rit.

#
& #

ff

Pno.

? ##

## # #
Pi mosso ancora rit.

679

& J J J J
J

{
Sybil

Prince Charm - ing! Prince of my life!

Pi mosso ancora rit.
# #
& # n
#w

w #w # w #w
w

Pno. p pp ppp
#
? ## w # # w w
# nw # w w
 ##
88
accel.
j 3j j j j j j j j
685
# 3
&
3 3
#
3 3 3
Sybil # J J J

{
I am grown sick of sha - dows. You are more to me than art. I can no

#
accel.

& # #w w #w
Pno.
? ## #w w w
w w #w

## # #
Pi mosso q = 80
#
# bb
688

Sybil & J J R
lon - ger act - and it is won - der - ful to me!

# p
bb
& #
Dorian n

{
You have killed my

> mosso
>
. .
q = 80

Pi

# > w #
& #w # #w bb
fp fff
#>. >.
#
Pno.
> w
? ## w
w


w
w bb

bb

ff
j
693

&
3 3 3 3

{
Dorian

love. You were mar - vel - lous, ge - ni - us, beau - ti - ful. You

b
&b

3 3 3 3 5 5 5 7
p f 3
Pno.

3

? b b 3
3
3 3 3 3

3 3 3 3

bb
696

& J

3 3 3

3 3
Dorian
R J J J

{
stirr'd my i - ma - gi - na - tion. Now you don't

b
&b


5 5 5 5 5 5 5
5
Pno.
? bb
3 3 3 3 3

3 3

3
 bb
89

j j j j j j
698
R R
&
3 3 3 3

J
J

{
Dorian

ev - en stir my cu - ri - ou - si - ty. You are shal - low and

b b


&
5 5 5 5 5 5
5
Pno. 5

3 3
? bb
3 3

3 3

3 3

bb j j j j
700

&
3 3

3
Dorian J

{
stup - id. My God! How mad I was to love

b
& b
5 5 5 5 5 5 5
5
Pno.
? bb
3 3 3 3

3 3 3 3

b b > bbb
702

&
Dorian

{
you! You are no - thing to


b bbb

&b
5 5 5 5 5 5 5 5

Pno. 3 3
? bb bbb
3 3 3 3 3

=
3

bb j j j
704

& b
3

J
Dorian
J J R

{
me now. I will ne - ver see you a - gain,

b
&b b
5 5 5 5 5 5 5

5

Pno. 3 3
?b
bb
3 3 3 3 3 3

bb
J J
j j r r
j j j j nnn
706

& b
3 3

3 3
Dorian

{
ne - ver think of you, ne - ver men - tion your name.

b
nnn
& b b
5 5 5 5 5 5 5 5
Pno.

3 3 3
? bb
3

b nnn
3 3 3 3

90

j j j j 3
708

&
3
J
3
J
Dorian
J J

{
You don't know what you were to me once.

&
5 5 5 5 5 5 5 5

?
Pno. 3

3 3

3 3 3 3

=
3

j j j 3j j
710

&
3
J
3
J
Dorian
J J

{
I wish I had ne - ver laid eyes on you! With -

&


5 5 5 5 5 5 5

Pno. 5
?
3 3

3 3 3 3 3 3

712
7
&

3
Dorian J 8

{
out your art you are no - thing.

7
& 8
5 5 5 5 5 5 5
5
Pno.
? 7
3 3 3 3

3

8
3 3 3

7
714
4
& 8
p
4 j j j j

Dorian

{
> I would have made you fa - mous,

7 4 # #. .
nnn
& 8 #J
J 4 #
J J

#

p

4 #j .
Pno. 3
?7
8 # 4 # J
3
.
=

717

&
j

j
3 3
j j j j j r r r r

Dorian

{
splen - did, mag - ni - - cent. The world would have wor - shipp'd you, and you would have

.
. j
& J b
J
n
. n .
? . j
Pno.

J
J .

91
720

& j
j j j j
3
j j j j j j j j

Dorian

{
borne my name. What are you now? A third rate act - ress with a pret ty face.

j .
& J
.
j .
Pno.
?
. J

Maestoso

J J
723 3 3 3
Sybil & J J J







You are not se - rious, Do - rian. You are act - ing.

j
3

&
Dorian

{
Act - ing? I

,w
Maestoso

3

3

b
& w
3 3
pp
Pno.
w w
?

3 3

-
accel.
> > -
He leaves.

J
727 She reaches out to him.

Sybil & J
Kiss me! Do - rian!

j 3 j j #> > >

3

j j j j j
Furioso ff

&


3
Dorian
J J

{
leave that to you. You once did it so well. Don't touch me!

>
w
>


accel.

& r . ##
- . J
>
p ff
>
. .
Pno.

? # J
. .
 {
92 Dorian staggers through
the city, among drunks
SCENE 4 and whores, to return home.
Meno mosso q=70
# b n b
730

& b
n
f n
Pno.
f

? # w w w # n w
w w
w
w

{
b nw 50 2
Vivace e
# nn
736 rit.
Agitato, q = 140
&

nw
50 2
Pno. Refer to full score

? # w
w w

{
Adagio q=60
#

792

&

p
Pno.
?#
w

=
Coming in, he looks at his painting,
and finds something different.

{
He checks himself in a small looking-glass,
to see if he has changed at all.
Realisation dawns.

#

795

& b
>
p f
Pno.
?#
J

{
> >
j j
b J b J
> >

=
m^ m^ ^
m^ ^
# n ^ n ^ ^ ^
#
799 ^ ^
& J J
j

j

j

j

j

j

j j
3

#
ff

& #b #b
.
#n # #
# n # n ^ n ^ n^ n ^ ^
? #
Pno.

J J n
j

j
j
^ n
j

j
n b b
j
.

>

>j >j >j >
? # <b>
b

b
> > > >
 {
93
^ ^ ^ n ^ ^ ^
803
# ^ ^
&
j

j

j

j

j

j # #

j j
p

# #b nw
&
^ n ^
^
? # bj n
^ n^ ^ n^ ^
Pno.

j
^ n
j

j
j
^ n
j

j ^ ^ #
b b b b b b
j j j j j

b
j >j
<b>
?# n b n
b b
?
&
b
> > n b

{
=
He sits. He is furious at Sybil, at Harry;
eventually, at himself. Anger turns to regret.

#
807 He thinks only of Sybil, and falls asleep in his chair.

&

# 3 3
b
& #w nw w n nb
3 3
w w w w n b
Pno.
bw bw
w bnw
w bb bw
pp pp
? # nw w n
w bnw
3 3
w b w bw b w
3
w 3

{
b
& <b>b w b b
# j j b b
b b b n
816 Black out.
b b b b
b n b w
w w b n b
? #<b><n>w
Pno.

w w
w w
w

#
821 Sun through the windows.

&
A VALET enters.
Dorian

n n n b b n b
#b J J # J J n #
{&
J
Pno.

=
Chime

# b b
r >
828 Andante ff

&
R R
Dorian

What time is it!?

3
mf
?#
J J J J J J J

{
Valet

Mon - sieur has slept well this morn - ing.

# bb
Andante

3
&
- -
Pno. mf fp
w
b
?#
w w
94

? # 3 3 >
DORIAN rises hurriedly and
831

prepares himself to entertain.

Valet
J J J J J
A quar - ter to one, Mon - sieur.

. . . .
.
# # n # . . . <#>
{& w #
Pno.
w
w
# # # n ## # ##
w
pp . . . .
p f

#
833 pp

& .
-
Dorian

Ah... Yes...

?#

VALET exits.

3
Valet
J J J J J J J J J J J J

{
Mon - sieur Hall - ward will be al - ong pre - sent - ly, I'm sure.

# <#>w
& # nww
b

n bb
Pno.
?# - -

3 3
?
&

pp mp p mf p

# bb
837

&
Dorian covers the portrait. BASIL enters hurriedly.

{

Basil

b b
>
&
# bb
b n b bb
# n 3 3

mp p f

? # b n b
Pno.

##w
w

w
bb
3

3
& n n

bb
J J J J J J
842 rit.

& J J J

Basil

{
I'm so sor - ry for it all, Do - rian, but you

3

rit.

-
b -
&b b
3 3 3 3 3 3 3

- -
Pno.
b
3 3
&b ?

3 3 3
&

 bb
95
Adagio
bbbbb
847

j j j j j
3
Dorian &
Do you mean Sy - bil Vane?

b # bbbbb
& b J
J J
must
Basil
J

{
- n't think a - bout it.

Adagio

&b
b bw
w bbbbb
# J
Pno.
3 . . >
b bbbbb
3 pp fp
& b
# w

b b b >R n- b J n- r j j
850

& b b R J
J J J n

Basil
J

{
Yes, of course, of course! It is dread - ful. Did you

b b n b
& b b b b n n b n b
p
b b b
Pno.

& b bbb n n b b n n n n b b n n

b b b b b
852
n
& b b J J J J J R R J b

Basil
J J

{
go and see her af - ter the play was o - ver?

b n b b n b b n b
& b bbb n n b

b b
Pno.

& b b b b b n n n b b n n
n b

b b b simplice
854

& bb
.
Dorian

Yes.

bb .
& b b b

Basil

{
And?

b b n b n
n b
b

&b b b n b

b b b
Pno.

& b bbb n n b b n n n n b b n n
 bb b ^
96
856
^ ^ ^
& b b n b b

{
Dorian
I was bru - - - tal.

b b b b n b n bb n
& b nn bb n

b b
Pno.

& b b b b b
n
n nn bb b n n

{
b b n n bb n
857

& b bbb n nn bb b n

b n n
Pno.

& b bbb n
n
n b nn bb b n n

b b p
858

& b b b
3

{
Dorian

But it is al - right, now.

b b b n n n b b n bb n b n b
&b b b n b n
b b b
& b b b b b n nn bb b n n b n n b n b
Pno.

bb b
860

& b b
3 3

3 3
J J

{
Dorian

I am not sor - ry for a - ny - thing that has hap - pen'd.

b b b b n b b n b n n b b n b
& b n b n b
b n b n b b n b b n b
& b b b b b n n
Pno.

b b n n n b
3

3 3
&
ppp

bb b bb
863
3

3
Dorian & bb
There is a lu - xu - ry

{
bb b b
& b b b
pp, sotto voce


Basil

Ah, Do -

n n n bb n b
b
& b bbb nn bb b n bb n n #
bb n b
& b b b b n nn bb b n n b b # # n

Pno.

b bb w
& b bbb
3

 bb
97

n
865

& #
Dorian

in self - re - proach!

b ,
& b
mf

J
rian,
Basil
J J J

{
Do - rian, I'm so glad you

n b #
b n
b b
&b
b n n n # #
Pno.
b # n b
n # b
& b # n

bb
867

mf
& J J J
Dorian
J J J J R R

When we blame our - selves, no - one else has the

b r
& b R R R
took it in that way!
Basil

{
b n n n n b n # b
&b n n n b
b b n
Pno.

&b # n # n
# n
b n n b

n

b j
869

Dorian &b
J

right to do so.

b
& b R R J J J R R

Basil
J J J

{
I was a - fraid I'd nd you plunged in re - morse,

b b b n n b b
3
b
3

& n b
3 3
n n
Pno.
b
& b # n b n n b n ?

bb
J 44 J J #
871 subito sotto voce
3
& J J 4

Basil

{
tear - ing your hair, your per - fect hair.

b 3 #
4
4
&b 4
-

3

. . .
fp mf
? b b .
Pno.
4w
4 4w #
&
. .
f
 #
98

j j j j j 3j j

875
j
Dorian
&
J - J

{
I have got through all that now. I am per - fect - ly

#
& #
n

# # ? -
j
Pno.

& &
- J

# ^
878

&

{
Dorian

hap - py. I know, now, what con - science is. It

# w ^
n
&

#
7

Pno. f
^
&

# ^ ^ ^ # j
883

&
3
j
Dorian
J J J
is di - vine! I want to be good! I love her, and I must make

# j n ^
& J J

{
Basil

^ ^
It is di - vine! Be good! You

^ ^ ^
# #
^ n^ n^ #
^




&
J
^ ^ ^ ^ ^
# ^
f
^ ^ ^
# #
Pno.

& n j n n # #
# #
n

# j bb j
887

& j 3
Dorian
n - J J J J J J

#
her love me! I am sor - ry for what I

#
& J bb J

{
Basil

are all my art! Yes! All my art!

#
^ #
-
#
# bb
#
& w
n

mf 3 3 3 3

j ? #
Pno.

& n
# bb j

n

&

#
 99

bb
890 rit.

& n
Dorian
J J
said. I love her! I can't

3
b n3
bb n
&
J

Basil

Oh, Do - - rian! Do - ri - an!

{
rit.
n
3
j 3

b
n b n b
& b n n n


3
3 3
Pno. f
b
3 3 3 3

&b n
n

3

- -

bb
Adagio
nn
892

&
J J
e
Dorian

bear my soul be - ing ug - ly!

pp
mf
j
bb nn
& n j #
3


Basil
J

{
Do - ri - an! Ah! An art -

b
b b n nn b
Adagio

nn
3 3

& b n b #
n nb w
w
n

p 3
3

p
b
Pno.

&b ?
w nn
b n b n
3 3 3 3
pp

j j j j j
895

& J J J J J
3
J J J
is
J

{
Basil

- tic ba - sis for e - thics! I con - gra - tu - late you, Do - rian.

b
# J n
&
3 3 3 3
f
3

Pno.

?


3 3 3 3 3 3 3 3
3
100

accel.
j 3 j 3
j j
898

3
&
Dorian
J
By mar - ry - ing Sy - bil Vane!

J
&
J J

{
J J

Basil

But how will you be - gin?

accel.

&
n
J
>
3 3

?
Pno.

R R J

Adagio
bb
902
J
&

{

Basil
J

> > > >
Mar - ry - ing her! Do - rian! But my

b > - >

Adagio

J b
b

& b
R J b n
3 3

ff p
> - > >
j > >
Pno.
b
? R b b

J
w
w
w

bb
906 accel. Pi mosso q = 70

& j j r nj
Dorian
n
I know, Ba - sil. But I

b 3
& b

J

Basil

{
Darl - ing Do - ri - an!

accel. Pi mosso q = 70

b
&b b n b n n
J n b n
3
b
? b b b w
3
Pno.

b b w &

3 3 3 3

bb j j j j
909

Dorian
&

J

{
can - not break her heart. She is to be my wife.

b n n w
&b



Pno. p f
b
&b w ?
 bb
101
Pi mosso ancora q = 80
### 3 4 J J
912

&
ff

3
4 J 4 J J

Basil

{
Your wife! Do - rian! Do you not know?

mosso ancora q = 80
## 3
#
Pi w
w
b ## # 4 w w
&b 4 4
^ ^ ^ >
### 3
> >
ff

4 ^
Pno.
? bb
4 4

### f j 3j j
917

Dorian &
Know what? What do you mean?

### 3
3

& J J J J J J

Basil

{
No - thing at all? Do - rian, don't be a -

w w
w w w
w w
### ww w w w ww w w w ww w
&
Pno.
? ###
>

>
>

>

>
^ ^ ^ ^ >

>
>

>

### E
922 rit.

Dorian & j #
Ah! Sy - bil dead?

###
&
ppp

fraid...
Basil

{
but... Sy - bil Vane is dead.

w
### w w w ww
w
rit.
w # n # #
& # n # n
> > > > p
? ###
Pno.
n #
>
&
# # n n # # # # n n #
p

### E
Agitato q = 150
927
7
& 4 #
p f

>
Dorian

{
Dead? No! No, no, no, no, no!
Agitato q = 150
> > > > >
## 7
& # n # w w 4
##
f
7
Pno.

& # n # j ?
4
3

n
# . . .
 ###
102

j
j n b
931

& n b n

Dorian
n #

{
It's not true! No, no, no, no, no! No, no, no, no,

> > > > > b > > > >

### #n # n> > > > >
n
&
f f
? ###
Pno.

n

n .
b
.

. . . . .

### j
934
n J
& nJ #

Dorian
J

{
no! It's not true! It's not true!

>
>
### b n
> > >
# #n
> >
n> n > n nb
&

? ###
Pno.
n
nb . . . . .

### # n n j E
nJ
j
936

Dorian &
No, no, no, no! It is a lie!

###
&
mp


Basil

{
She...

> > > > > > > > > > >
### n #
&
f > > > > >
? ###
Pno.
n
. . .

###
939
4
ff

& 4

Basil
J
Oh, my dear... Oh what hor - rors

{
4
4
## 4
& # w 4 ww
w
> ppp ff
Pno.
> > > > > > > > > 4 J
? ###
4
 ###
103

>
942 rit. Grave

&
Dorian
J
Stop! Ba - sil! I won't hear it.

### J j j

{
& w

Basil
J
are in store for her lil - ly white corpse!

b
rit.
## n b
& # w
Grave
J
# # ww w w w w
& # w
j w
w w
w w
w w
w
w w w w

Pno.

. > ^ ^
? ### .
?
& . n #>

ff

### j r r j r j j bb
948
r r R
Dorian
& J J J

J
You must not tell me a - bout it. What is done is done. The past is the past.

### w w w w
bb
{&
Pno.
w
w w
w w
w w
w
pp

SYBIL, distraught, enters stage right,

bb
her pale skin now ghostly rather than beautiful.
p
# #
952

Sybil &
Do - rian... Do - rian... Do - rian... Do - rian...

J <n>J # <n>J
p
b R R R R
& b J J J J J

Basil

You call yes - ter - day the past? You call yes - ter - day the past?

w nw
bb w w nw ##w nw
nw ##w
{
Pno. & w #w w
w w w #w w
w
 bb
104 accel. Un poco meno mosso q = 85
956 f

Sybil &
I'm so

ff

bb j 3 j 3 3 3 3
Dorian & J J J J J J J J J
What has the ac - tu - al lapse of time to do with it?
>
ff
>
& bb

{

Basil

Do - rian!

n> Un poco meno mosso q = 85

accel.

bb
3

nJ
3 3 3 3
&

3 3 3
3
Pno. f pp f

? b
3
3 3 3 3 3 3 3

3 3 3 3
b

> f

b
3
#
959 3

Sybil &b
sor - ry I did - n't act well. All

b j j
& b
3 3 3

3
#

{
Dorian

#
It is on - ly shal - low peo - ple who take years to get

b b

&
3 3 3 3 3 3 3 3 3 3

? bb
Pno.

n
3 3 3

3 3 3 3 3 3 3

bb
962
,
Sybil & J J
my thoughts were of you, my love, for you.

b J
&b
3 3
Dorian
J
rid of an e - mo - tion.

b
& b

Basil
J J J J

{
All my thoughts are of you, my


bb # n w
&
3 3 3 3 3 3 3

? bb
Pno. 3 3 3 3
3

3 3 3 3 3 3

3

 n>
bb

105
n>
bbbbb
965

Sybil &
My love for you. Kiss me!

b j j j j j b b b b b nJ
3 3

&b
3 3
Dorian
J J J
I don'twant to be at the mer - cy of my e - mo - tionsl.

b , b b b b b n

& b
love,
Basil

{
>
for you. My love for you,

nn n> b
b bbbbb
& b

3 3 3 3 3 3 3

n n b
Pno. 3

? b b 3
3 3 3 3
b b n
3 3 3

# b b b n
3 3 3 3

bb w
968

Sybil &b b b
Do not leave!

bb
Dorian &b b b n J
>
but to - use them, en joy them,
>
n b
bb b
& b b


Basil

{

Do - - rian! Do - -
b b
b b n n
&b b b

3 3 3 3 3 3 3 3 3 3 3 3
b
b
Pno.
? bb b
3 3
b
3

bb
3 3 3 3 3 3
3

bb 3 ##
971

&b b b J J J J J n
Sybil J J J
I could not bear it! For - give me for to - night.

bb ##
Dorian &b b b J J J J
do - mi - nate them!

bb n ##
& b b b n

Basil

{
rian! Do - rian!

b b n
n

##
b
&b b b
3 3 3 3 3 3 3 3

##
Pno.
? b b b n
3 3 3

3 3
bb n &
3 > 3 3
 rit.

##
106
f


974

&
Sybil

Ah...

## R
&
J R R R J

Basil

{
Do - rian! This is hor - ri - ble!

<n> -
## <n>
- > > ^ ^ > > > > w
rit.
w
w
w
w
&
> >
# <#>-
ff
- w
& # <n>
w
Pno.

? w

## w
Adagio
p
j
bbbbb J
977

Sybil &
Do - ri - an... Do - ri - an...

##
R R R R b b b b b #
&


Basil

{
You are chang'd! You are chang'd...

w #> >
## w b b b b b n
Adagio
w
& w w



<n>
w >> . .
p p

? ## w b b b b b <b>
Pno.

w n J J

bb b
980

Sybil & bb J J
All my thoughts were of you, my

bb b
p

& b b


Basil
J J J J

{
You were sim - ple, na - tu - ral, and per - fect.

bb
& b b b
. .

.

.

. .

Pno.
? bb b J J
bb J J J J
 bb b ,
107

983

Sybil & bb
love, for you. My love for you.

bb b

o
& b b J J J J

Basil
J

{
A dream of form in days of thought... Per - fect...

b
& b b b b b


. . . . . .

Pno.
? bb b J J J J
bb J J

bb > 3
mf
>
986
3 J J
3
Sybil &b b b J J J
Kiss me! I will work so hard to im - prove.

bb
& b b b
J J

Basil
J J J J J J
Un - spoilt. Now you talk as if you have no

{


3 3 3
p
b
& b bbb n

. . . .
? b b b
Pno.

bb J
J

bb
rit.
- - - > >
3 J 3J
988

Sybil &b b b J J J J J J J

{
Do not be cruel to me, be - cause I love you. Don't

bb
f
- - b J

& b b b J J J

Basil

heart! No pi - ty! It is Har - ry's in - uence

b
rit.

& b bbb

> b > b >

3 3 3

> >
b
f

bbbb
n

Pno. & b n

n n

n

b
f

? b b b n
b >
b

b b n n>
> #> #>
 bb b
Pi mosso q = 80
108

f

bbbb
991

Sybil & bb J J
leave me! Oh, don't leave me! Ah...

bb j
& b b b bbbb j
f
J
j j j
3
Dorian
J

{
I owe Har - ry more than I owe

>
w
b w Pi mosso q = 80
b w bbbb
3

& b b b <n>w
p

? b b b <b>w
Pno.
w
3

3 3 3

bb w bbbb

w
> 3 3 3 3
p

bb b w
rit.
994

Sybil & b

b > 3 j
& b bb j 3j j
3
J J J

Dorian

you. You on - ly taught me to be vain.

bb
& b b
f


J J J J

{
Basil

Well, I am to be

rit.

b
& b bb
3

3

3 3 3
3
Pno.

? bb b
3 3 3 3 3

b n n

3 3 3 3 3 3
3
f

U
bb b
Adagio
997

3

Sybil & b
ah...

b U
Dorian & b bb

j

j

j j

U
I don't know what you mean.

bb b
& b

3
J J J J J J

Basil

{
pu - nish'd for that. Where is the boy I used to

U Adagio

& bbbb ? w w

? bb b U
3 mp
Pno.

b w w
w w
mp
 bb b
109
1000 w
Sybil & b J
ah... Ah -(ah) -

bb j
Dorian & b b j j
J

J

You are too late. I have mur - der'd him. Sy - bil! I have

bb J j j
& b b
J J J
paint?
Basil
J

{
Where is the boy I used to paint? Do - rian, let me see the

? bb b w w ww w
b
? b b b w
Pno.

b w w
w w

bb
rit.
w
1004

Sybil &b b
-ah... Ah - (ah) Ah,

bb j j j j j
Dorian &b b J
mur - der'd her, as well. I have mur - der'd her, as well. No!

bb
& b b
J J J J J J
paint
Basil
J

{
- ing. Let me see the paint - ing. Please, Do - rian! Let me
rit.
? bb b w w w w
b
Pno.
? bb b w w
b w w w w

bb b U
1008

Sybil & b
Do - ri - an! Do not be cruel to me,
U
b
& b bb j j
j j
Dorian J J
I am chang'd! I have new ap - pe - tites. New Pas - sions.

bb U
& b b

{
Basil

see it. Please Do - rian!

U w
?bb w
w w w
w
bb & w
p mf pp
U
Pno.
? bb b w w
w w
w w
w
b w w
 bb b 6
110

Adagio

1013

Sybil & b 8
be -cause I love you! I love you.

bb b 6 j r
& b
8
Dorian
R
But you re-

8
Adagio
b w 6
& b b b
w
w w
Pno. mp ppp p

8
? b b b w w 6
b w w

bb b
1019

Sybil & b J
I love you.

b b
j J j
Dorian
& b b
J J J J

{
main my friend. I am fond of Har - ry, but you are

b
& b bb
J

b
& b bb

Pno.

bb b J J J
1024

Sybil & b
Do - rian! How hap - py we

& b b
bb

{
Dorian J J J
bet - ter, my friend. How hap - py we were,

b
& b bb

bb
&b b

Pno.

? bb b

b
 J J J 4
molto accel.

b b b n>
ff
> >

1029 111

Sybil & b 4 J J
were, How hap - py we were, Don't leave me!

bb j 4 >
ff
> >
& b b
Furioso
Dorian
J J 4 J J

{
how hap - py we were... Don't leave me!

>.

molto accel. >.
b 4 nn
& b bb 4 J
>

p ff
>
.

n. b

Pno.

? bb b
4 J
b 4 . .

bb b nnnn w
1033 p
Sybil & b
Ah - - -

b j nnnn
& b bb
p
Dorian
No, Ba - sil.

& bbbb nnnn j

p
j j j j j




Basil

{

Let me see the paint - ing, Do - rian. Please, Do - rian.

b b bb w nnnn
&b b w w w
ppp
w w
Pno.
? bb b w nnnn w
b

b
f
1037

Sybil & J J J

- (ah) You were made to be wor - shipp'd.

Dorian & b
No!

f

& J J J J

Basil

{
You were made to be wor - shipp'd

> > > > b> > b

j >>>
j
b>

&

b

J > >

mf mp
ww
Pno.

? ww w
w

w


112
1040

&
f
j
>
Dorian

{
Ne - ver!

bw
n b bw
& n b
b
mp

n b
Pno.
?
b
j

j
bJ J

(DORIAN unveils the Painting, and as BASIL looks on, stunned,

DORIAN embraces him. But BASIL reels backwards and we see that
DORIAN has in fact stabbed him. SYBIL succumbs to her wounds.)
>
b > >
ff

1042 n w
5
Sybil & 4 J
Do - rian! Ah!

> >
ff
5
Dorian & J 4
See me!
>
<n>> > b
ff
# 5
& 4 J

Basil

{
Do - rian! Ah!

bw > > > > >

nb w #> > # w
5 #w >
&
w 4 ww b> b>
3
ff
> > > > > >
5 > b>
Pno.
? b
n b bJ 4 b
> >
bJ
> 3
ff

{
> b > b > n> >
b n b > U >
n> b bb b # n b 4 b n bnb n b >
> b
b
1046
>
w
& n b
b 4 b bw
w
w
> 3> > > > > >

fff sfz ffff
U U
Pno.

b 4 <n> bb
? J 4


b > <n>> > > > w
w
> > > > > >
 113
Act 2

{
> > >
SCENE 1

# w
Grave
? bb 4 w w w w

w
w ww w
4 & w
w w
ww w
w

pp mp
w w
Piano
? bb 4 w w w
4 . . w w w

w w

. . w

{
w
8
b w w w
&b ww
w
w
w
w
w
? w w w
w

fp
Pno.
w w
?b w w w
b ww
w
w
w
w w bw bw
w w w

{
1 Vivace e Agitato, q = 140 48
Vivace to be completed at a later date. rit.
w
13
? bb w
w w &
sfppp 48
? bb
Pno.

nw w
w
w

{
2
. .
b n . - b b

Grave

65

&
3

.
f
p mf

? b b n . .
Pno.

- &

{
:;

bb

68

&
p mf p

Pno.
b
&b

{
:;
b ^ ^ ^
71

&b ^

- - -
mf
^
p

^ n- n- - -
Pno.
b

& b ^ ^ b n ?
b n b n

 76
114
Uj
3 pp mp pp

& bb w # n b r 3 3 n n b
S.
b
Sur une gamme chro - ma - ti - que, Le sein de pe - ries ru - is - se - lant, La Ve - nus

Uj
pp mp pp

bb b r b b
3 3
& n b n b b
b
A.

Sur une gamme chro - ma - - ti - que, Le sein de pe - ries ru - is - se - lant, La Ve - nus

U
#
pp mp pp
3 3
& bb
J R b b

T.

Sur une gamme chro - ma - ti - que, Le sein de pe - ries ru - is - se - lant, La Ve - nus

U .
bb
pp mp pp
? b 3 b 3 b
n
B. J R b

{
n w
Sur une gamme chro - ma - ti - que, Le sein de pe - ries ru - is - se - lant, La Ve - nus

n w
n w
3 w w

b w
w ## b w bw

&b w n w

w #

?b w
pp
w n# b n w bw
Pno.

b ww n n w
w w

n w

w # w

83 b ,
f

n
U b b ### 4
& b b b b b b bw 4
S.
J R
de l'Ad - ri - a - ti - que Sort de l'eau son corps rose et blanc.

Uj f
, ### 4
n <n>
b r b
A. & b b b b # n n b b 4
de l'Ad - ri - a - ti - que Sort de leau son corps, son corps rose et blanc.

,
U
f
b b b w ### 4
& b b J R b n b 4

T.

de l'Ad - ri - a - ti - que Sort de l'eau son corps rose et blanc.

bU b ,
f
b bw
bb
b j
? J R ### 4
B.
J J J J 4
de l'Ad - ri - a - ti - que Sort Sort de l'eau son corps rose et blanc.

88 ## 4
Un poco pi mosso
4
fp mf
J
pp
S. & # 4 4
J

Les domes, sur l'a - zur des on - des Sui - vant,

## 4 4 j j j
pp mf f
A. & # 4 4 - -
J
Les domes, sur l'a - zur des on - des Sui - vant, sui - vant la

## 4
fp mf f
pp
4 # J
& # 4 4 J


T.

Les domes, sur l'a - zur des on - des Sui -

? ### 4
J J
pp
4
fp

mf

4 4

{
B.

Les domes, sur l'a - zur des on - des

# # 4 n w
Un poco pi mosso
# 4
& # 4 #w
#w 4

w
w
n # w
? ### 4 #w
Pno.

4 #w
w 4
4
w

115
accel.

## n
f p mf f p

J J j
j # n3 b n
94
n3 b
S. & # J J
J # n
J
sui - vant la phrase au pur con- tour, S'en - ent, s'en - ent s'en - ent com - me des gor - ges ron - des Que

p mf f p
## j j j
& # j n n #
3 3
# n # j
A.
#
phrase au pur con- tour, S'en - ent, s'en - ent, s'en - ent s'en - ent com - me des gor - ges ron - des Que

# #
p mf f p
n n3 # n n3 #
& #
J J j j
# # b
#
j

T.
J #
vant la phrase au pur con - tour, S'en - ent, s'en - ent, s'en - ent s'en - ent com - me des gor - ges ron - des Que

n #3
f p mf f p

#
n n #3

? ## j n j
J J n
B.
J J
Sui - vant la phrase au pur con- tour, S'en - ent, s'en - ent s'en - ent com - me des gor - ges ron - des Que

{
accel. n
w bn

## w
w
& #

w
? ### nn
mf
w
Pno.
w
w n

w n

rit. Grave

& # #
fp p
## n #
bbbb
100

S.
J J
sou - - leve un sou - pir d'a - mour. L'es - quife a - bor - de'et

fp p
## n n 3 #
& # n n
# # bbbb
n #
A.

sou - leve un sou - pir, un sou - pir, un sou - pir d'a - mour. L'es - quife a - bor - de'et

## o fp p
#
# bbbb
& # n w # J J

T.

sou - leve un sou - pir, un sou - pir d'a - mour. L'es - quife a - bor - - de'et
fp p


n #
? ###
bbbb
3
# #
3
B. n # n #

{
sou - leve un sou - pir, un sou - pir d'a - mour. L'es - quife a - bor - de'et

# n w
rit. Grave
## nn b w

& # b bb w

w
p
? ###
Pno.
bbbb w

106
mf mp f
b j
& b bb J


3 3

3 3 3
S.

me de - po - se, Je - tant son a - mar -re'au pil - ier, De - vant une fa - cad - e ro - se, Sur le marbre d'un e - sca - li -

mf mp f
b
& b b b j j
3

3 3 3 3


A.

me de - po - se, Je - tant son a - mar -re'au pil - ier, De - vant une fa - cad - e ro - se, Sur le marbre d'un e - sca - li -

mf mp f
b J
& b bb
3 3 33 3

T.
J
me de - po - se, Je - tant son a - mar -re'au pil - ier, De - vant une fa - cad - e ro - se, Sur le marbre d'un e - sca - li -

bbbb J J

mf mp f

?
3 3

3 3 3
B.

me de - po - se, Je - tant son a - mar -re'au pil - ier, De - vant une fa - cad - e ro - se, Sur le marbre d'un e - sca - li -
 sognante

b b b b
116 pp
113 mp

& b
3 3

3 3
w w
Dorian

E - sca - li - er... d'un e - sca - li - er... De -vant une fa - cad - e

b
& b b b b
ppp
n
3
S. w
er. d'un e - sca - li - er.

b
& b bb
ppp 3

A.
w
er. d'un e - sca - li - er.

b
& b bb
ppp
w
3


T.

er. d'un e - sca - li - er.

ppp
n
? b b b b
3
w
B. b

{
er. d'un e - sca - li - er.

b w w
3

& b bb w
w w
w w
w

w w
ppp

w w w
Pno.
? bb b w
b bw bw

w
w w
w
3

bb b
p

& b
120 f ppp 3

3 3

Dorian

ro - se, Sur le marbre d'un e - sca - li - er. Une fa - ca - de

b
mf mp

f

& b bb
3 3

3 3
S.
Je - tant son a - mar - re'au pil - ier, De - vant une fa - cad - e ro - se,

mf mp f
b
& b bb
3 3 3 3

A.

Je - tant son a - mar - re'au pil - ier, De - vant une fa - cad - e ro - se,

mf mp f
b
& b bb
3 3

3 3


T.

Je - tant son a - mar - re'au pil - ier, De - vant une fa - cad - e ro - se,

bbbb

mf mp f
?

3

3 3 3
B.

{
Je - tant son a - mar - re'au pil - ier, De - vant une fa - cad - e ro - se,

bb w
w
&b b w

w
?bb w
w
Pno.
bb w
w
 bb b
117
126 Dorian rises to leave. 4 mp. semplice

& b
Dorian b

ro - se... Home - time...

b n #
#
ppp p
n
& b bb
3
b n
S.
J
Sur le marbre d'un e - sca - li - er. Que sou - - leve un

ppp p
bb # n # n n
n n n #
3
A. & bb w
j
# n # # # n
Sur le marbre d'un e - sca - li - er. Que sou - leve un sou - pir, un sou -

#o
ppp p
b
& b bb #j # n n n n # # n n
3


T.

Sur le marbre d'un e - sca - li - er. Que sou - leve un sou - pir, un sou -

? bb b
ppp p
n n
nj n # # #
3 3

b b
B.
#

{
Sur le marbre d'un e - sca - li - er. Que sou - leve un sou -

4 # # #
b w
& b bb w
w

w
Pno.
?bb w
bb w
bw
w

bb b
n
132

Whore
& b b

Fare - well, Prince
n#
fp p fp pp
b # # b n
S. & b bb
sou - pir d'a - mour. Sou - pir d'a - mour.

fp p fp pp
b n #
n n
& b bb
#
3

3
A. #
- pir, un sou - pir d'a - mour. un sou - pir d'a - mour.

b #
fp p fp pp

& b bb nw # n nJ w n

T.
J
- pir d'a - mour. Un sou - pir d'a - mour.

bbbb
fp
# p fp pp
? n #
3
# # n
3

n

{
B.

pir, un sou - pir d'a - mour. Un sou - pir d'a - mour.

nnnn
bbbb n nw w

& n
fp
Pno.
?bb w
bb w

bb b
As Dorian leaves, The body at the table rises. It is James Vane.
138 5 Andante
6
Dorian exits.

& b
Aretando

{
Whore 8
Charm - ing!

6
5 Andante Aretando
b nw w
& b bb w
bw nw 8
. 3 . >
> >
3
Pno. p f

? bb b w bw 6
b w w 8
 {
118
b
b
142

& b bb
> > > > > >

Pno.
?bb
bb

{
145
b >
& b bb
> >
Pno.
? bb b
p f

b

{
b b n b n b

148

b
& b
> > > > > >

Pno.

? b b b






b

{
b b b bb b

151

b b 6
& b 4

p

#

Pno. ff

? b b b #
b b
j j j 6
b b 4
> > >
=

? b b 6
6
4 j n j n U
156 mp
6
bb 4
4 n b b b b b n 8

{
Vane

Prince Charm - ing... Prince Charm - ing...

6
b b 6 4 bbbbb 6
&b b 4 4 n n b
8

n
> >
p pp p pp
>
Pno.

? bb b 6 >
j
b 4 b nn 44 w
w nn# b b b b b bnw
w 6
8
n n bb

> > > > >

=

? b b 6 np >
rit.

n>

mf
161

b b b8 J J J J J J
J

{
Vane

Is it him? Can it be him? Prince Charm -ing!

rit.
b 6
& b bbb 8
b b
- - - -

Pno. p mf p mf p mf p mf p

? b b b 6 b
b b 8 - - - -


 n b
Vivace
> > 119
? b b
f p sub. ff

n b
7

170
J J
bbb
J J J

{
Vane

The one... The one... Prince Charm - ing! Prince Charm -

>
7 Vivace
>

& bbbb b
J
p p ff
Pno.

? bb b
bb > >

=
>
? b b J - - - - > j
176
J J J
bbb J J J J J J
2
J J J J

{
Vane J

> > > >

ing! Is this the one? The one who wreck'd my sis - ter's life? The one who

b

& b bbb

>. - -
Pno.
> -
? bb b
bb > >

=
2 2

U
2
>
? b
j
180 2
J J J J J J J J
b bbb J
J
2
J J J

{
Vane

> >
>
held her heart in his hand, and cast it a - side? Who brought her up so high,

nnn b b >
b
& bb
b b ~~~~~~~~~~~~~~~~~~~~~~~~~~
b b
~~~~~~
J
- > b - - n>
ff

? b b b - n n> > b - -
Pno.

bb
nn>
nn nbbb
nn
J
=
2 fp 2 2 2 fp

Presto

? b b J J J J J


185 2 8
Vane
bbb J

{
<>~~~~~~~~~~
Mere -ly to throw her down!

<>
8 Presto
b b <b> b n
& b bbb
> > > >
f ff f

Pno.
? bb b
bb J J J J
J J J J
=

? b b

190

bbb J

{
Vane

b b b b
b n
And

b b
&b b b
> >
ff f ff
> >
bn bn
Pno.
? bb b
bb J J J J J J
J J
 ? b b

120

J
196
J J J J J J J J J
bbb
Vane
J J J J J

{
- - - - - - - - -
down she went, for she took her own life, my sis - ter, my Sy - bil, and down she went for she

b
j j
& b bbb J
> >
- - - - - - > > > >
- - - - - - -
> >
mf
? b b b >
Pno.

bb J
J J > > > J

? b b b b

201
J J
bbb J J J J J J J J J J J J J

{
Vane

took her own life, my sis - ter, my Sy - bil. Prince Charm - ing! For years I have sought you!

b b bb
n
bbbb
& b
j b J b
J
> > > > > sub. ff

j > > > b nb

Pno.

? bb b

j
j b
j

b b > > > b >
=

? b b J J


rit.

205
2
2

J J J
bbb J
J J J J J J
J

{
Vane

For years I have want -ed to make you pay! Prince Charm - ing! And yet- And

rit.
b
& b b b b J J

>
? b b > > > >
sub. ff mf sub. ff
> >

Pno.

bbb
j

? b b J J 2 2

A tempo

J J J J J J J
211 2

bbb J J J J J J J J

{
Vane

yet she ne - ver e - ven told me your name. Prince? Prince of what? To -night you shall pay! To-

. - >



A tempo
b b >
&b b b J

7 >
ff mf mf

Pno. sub.ff sub.ff

? bb b
bb . - > >
=

? b b J J J J J
217 Vane gives chase.

bbb J J J

{
Vane
J
- - - - - - - <>
night I shall make you pay! To - night I shall make you pay!

b

b <b>
& b bbb
mf ff f

- - - - - - - > >

Pno.

? bb b
bb
J J J J
 {


121

& b b b n
b b b
223
b
ff
Pno. ff
>
f
> > > >
? bb b
bb J J J J J
J J J J J
=

{
b b b b

> >

> >
& b b b b n
b
228

J J
> >
f
>
ff

bn bn n n> > > n n n

j j
Pno.
? bb b
bb J
J > > >
=

bb b
Dorian and Vane enter. Vane catches Dorian Adagio
235 and threatens him with a revolver. 9 sotto voce, p
4
b 4 r r r j
& bb j .

Dorian

What do you want? You're mad!

>
?bb 4 <n>j b b r r bJ J
bbb
sotto voce, p
b4

{
Vane

Keep quiet, or I'll shoot you.

j j .
9 Adagio
b 4
& b b b b b 4
.
b
b .
b
J
p

? b b b
Pno.

b b
4 j j . . .

b4 j .
. b . p

b r r r r r
240 3

& j

Dorian

What have I done to you?

?
b <n> .

{
Vane
Sy - bil Vane. Sy - bil Vane. You

j
& b bw
. b w w
Pno.
w bw
w
pp mp pp
?b j

w w
.
mp mf

?
f
b .
245

b

{
Vane


have wreck'd the life of Sy - bil Vane, And Sy - bil Vane was my sis - ter... My

&b

b j
-
J j J
-
. p

- -
Pno.
?b b b
. b n J J J J
p
 ?
122

- - -

251

b
p

{
Vane

sis - ter, my Sy - bil! She kill'd her - self, kill'd her - self... I know it.

j
& b j J J j
- -




. n
? b -
-
Pno. f p

J J J J b

=
f sfz

? 3


258

b

{
Vane

Her death is at your door! I swore I would kill you in re - turn. For years I have sought you!

& b
w
w
p f p

?
Pno. mp


b
w w

=
3

? 3 b
, U b b 3 n n b
265 3

{
Vane

I had no clue, no trace. Those who e - ver could name you are dead.

bb
3

& b bw
w
n
?
-
-
Pno. f mp f pp
- - b n
? b
3 3
bw n bb b bb n nn n bb w b
bw n
p

=
3

? b b n
10
U n
271
3
b J J J

{
Vane

I knew no -thing of you but the pet -name she used to call you: "Prince Charm -

10
?b b w - b b w
-

? b <b>w
p mf sub. f pp
w w w n w
Pno.

w w b w w w
b w
-
=

? . n
278

b
J
3
J

{
Vane

- ing" By chance I heard it to - night: Prince Charm - ing! Make your piece with

? b # n

b
& #n

3 mp
p
Pno.

-
3

? b w ww ww n w
n w w n
- - -
 ?
123
n

284
3
b
w
3

{
3
Vane J J 4
God, for to - night you are go - ing to die.

- - w w
w 3
&b # #
n w
w
?
& 4
n nn w
w
>

f
- -
nn
Pno.

3
?b w w 3
3

n w 4

w w #w
=

b3 3
289 11 f frenetico
3 4 j -
4 R r r r r
3

Dorian & 4 R r r j 4
.
I ne -ver knew her! I've ne -ver heard of her. You are mad!

? 3 3 4 j
b4
4 4

{
Vane
J
> >
You had
11 >
3 3 4 w
& b4 J
4 J 4 w
sfp
? b 3 nb > 3 > 4 b>
Pno.

4 J 4 b J 4 n n
J
=
3 3 3 3

? 3j
292

b J
3 3

J
J J J

{
Vane

b
bet - ter con - fess your sin, for as


b
&b b
>
Pno.
? b
f

3

3
>
b > >
n

b

=
3 3 3 3 3 3 3 3

? b
293

b
3
Vane J J J

{

sure as I am James Vane,
b

b
b
&b
3 b > b > > n b >
3

? b n
Pno.

3 3 3 3 3 3

=
3 3

? ^ ^ j ^ ^ U
J J
294

b
J bbbb

{
Vane J
>
n >
You are going to die.

^j ^ U

n n bbbb
&b j
3 3 3 3 3 3 >
>
n
Pno.

^j j
?b >j >j ^ fff
U

bbbb
n
 ? b b
12
- n 6
124
R R R J R R 46 R R
297 3

Vane
bb R R R J R J R J R R J 8

{
Down on your knees! I'll give you one mi -nute to make your peace. No more. One min - ute.

> > >

nj
12
b b 6 b 6
&b b J 4 J bn
J
8
ff
>
> > j >
b
Pno.
? bb b 6 n 6
b J 4 J n> J 8
=
? b b 6
R R J
299 Subito Vivace

bb 8
Vane

{
That is all.
> Vivace b > > > b
b b b 6 nn n>
b
Subito

b
& 8 n b
J
j >
? b b 6 nn bb b
Pno. 2 2
b b 8 n
> > b >
> - - -
=

{
~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~ >
303
b b

n n> b b b >
4
& b b n -
2 2

b 4
- b- - -
>
n> bb
b
2

> - - b- -

Pno.
j b-
n
?bb 2
n
b 4
b b b n > n
> b b 4
b -
- n> 2 2 2 fp

b b b 4 b>Y
Adagio, quasi recit.
13 ff mf
r 3 r r r 3r r j r
309

Dorian & b 4 b j b . j -j -j

b R R
Stop! How long a - go did she die? Quick! How long? Tell me.
?b 4
b bb 4

{
Vane

Eigh -teen years.

13 Adagio, quasi recit.
b b 4 b n n b
& b b 4 j

. 3 3
Pno. ff p mp mf 3 sub.p

? bb b 4 j
b 4

.
=
bb b j r r
312

& b r r

Dorian

Eigh -teen years? Look at me!

? b b
3

b bb R

{
Vane R R R R
.

What does it mat- ter?
b
& b bb J
w

w

ppp
j
Pno.
?bb n n b
3

bb w
. 3 3
mf sub.p
 ? b b j
125
14
r r r j j r r r j j U
315

bb b
bb
Maestoso h = 70

{
Vane

My God! I could have kill'd you... I would have mur -der'd you... Maestoso h = 70
U - .
.
14 -
b .
& b b b J b

bb
p
U
3

3

? b b b b j

Pno.

b bb
. p

bbb

{
319

& b b
3 3

3 3 3 3
Dorian w
- .
You have been on the brink of com - mitt-ing a ter - ri - ble crime, my man.

- . - .

b
- . - .
&b b


3 3

3 3

? b b

Pno. b
? bb w
b

{
bb
324

& b

3 3 3
Dorian
Let this be a warn -ing to you not to take ven -geance in - to your hands.
- .
b - . n - . n - . - . - . bb
& b b n
nb b b n
3
3
b b
? b b n n n n

Pno. b
b b
? bb w nw w w
b

? b J
- 3
330 Un poco meno mosso

{
Vane
bb
For give me, Sir. I was mis -tak - en.
- .
b b n - . - . - meno .mosso
n - . - .
bb
Un poco

& b b bbnn

? b b b n b >
ww

Pno. b
? bb bw w
b bw
 ? b
126

{

336

bb

3
Vane
A chance word that I heard in that damn den... Set me up -
-
b b . -
. - . - . n - . n - .
& b

n n

Pno.
? bb
b n n

? bb w nw w
b w

bb
342
3

3 3 3 3
& b b n
b
Dorian

{
You had bet-ter go home, and put that pis -tol a - way, or you

?b
bb
3
Vane
on the wrong track.

b - . - . bb -
. bbb
-
. n - . -
bb .
& b b n
? b b b
b b n b
Pno. b

? bb w b b bw w
b bw

bb

{
Largo
nnn
348 Dorian exits.

Dorian
& b

U

may get in - to trou - ble.

- .
freely
U
b
w w
Largo
w w
w nnn

& b b b

w
p
U
U
? bb w
w nnn

w
Pno.

? b b <b>w
b

356
15 Allegro The Whore enters. >
f

& J r r r
3

{
Whore

Why did -n't you

> n> >

> > n
15 Allegro
# b b . b w

& w . b > n
> b b n b b
fp
. > f
3
. 3
3
> >
Pno.
ww
3

? nw nw nw w

w
 j
127

j j j - #
#j J J J J J
360

&
3
j j
3 3

3

J J J

{
Whore

kill him? I knew you were fol - low - ing him when you rush'd out the door. You

# # >
w >
& j #
3

3

3 3
Pno. p fp

? .
& J ?

j 3 j b 3
J b J b J J J J b
363

&
3
b b J nj j
3

{
Whore
-
fool! You should have kill'd him when you had the chance. He has

b . > b n>
b n b bn bw b bb b
3

& b w bb
. n b b
Pno.
3
3 >
b b .
3
p fp
? b
& J

366

& j j r j j j j j j j
3 3
Whore
#

{
lots of mo - ney, and he's as bad as bad gets.

b b .

3 3 3
>
j # b # n. b
& 3 3 3
p fp p
> .
Pno.
b
b
3
j # # b
3 3 3
& .
# 3 3

?
16
j j
370

nj j j
p 3 3

bbb
3
b n b
Vane
n

{
He is - n't the man I am look -ing for, And I want no man's mo - ney, just

b > 16
& bbb
b - n n b n

b>
fp pp mf pp mf

Pno.

bb- nn nn bb bbb b
?
&
 ? b
128

{
375

b b b
n b
3 3 3 3
Vane

one man's life. But he must be for - ty by now. This one is lit - tle more than a

b

&b b
n

b w n - n
pp pp mf pp
-
Pno.

? bb
b n w nn
bb
b
w
-
=

bb
ff Derisivo

381 17 3

R R r r r
3
Whore & b

{
? b #
Lit -tle more than a

bb

3 3 3
Vane
# #
boy. Thank God I have not got his blood on my hands.
17 b > b#>
b # n

&b b
<n> b n n w
mf pp f
>
Pno.

? bb w nww
w
b # b

#w w
=
b j
b r r j j nj b j j j j j j j j
385

& b b
3

{
Whore

~~~~~~b .
boy! It's been nigh on eigh -teen years since Prince Charm -ing made me

<n>n
b
&b b J
ff

b ~~~~~~ .
n
J b
Pno.
?b
bb w
=
bb j j
388 3

j j j j j j j j j j r r r r
3 3
Whore & b n b
>
what I am. Be - fore God I am tell - ing the truth. Strike me dumb if it ain't
ff
?b
bb b J
3

J J

{
Vane

-
You lie! Be - fore God?

b j j #n
3

&b b ?
3
&
- > - p

p
Pno. fp ff
? bb w w
b n
=
b b 3j
391

& b b j j n b j j
3
j
3

{
Whore
J J J n

n# n nn>
so. He is one of the worst who comes here. They
.
. n #n n bn b n. nn
3
b
& b b b b
.
3 3 3
3 p 3 fp fp
. >
b <n>w
Pno.
? bb
fp

b . n n b b nw
3

3
 b b j 3j j 3 j j 3j j j
129
394

nj nj
3

3 3
Whore & b b b
say he has sold his soul to the De -vil for a pret - ty face.

{
? bb b

p
b
Vane b
>
"Prince Charm -

>
b
&b b n> b
f
> b > > > >
3 3 3

b
Pno.

? b b bw
b
p 6 3 3 3 3 3

bb r r j j j j j j j j j j j j j j
397
3 3 3
Whore & b n

? b b
It's been nigh on eigh-teen years since I met him. He has -n't chang'd much since then.

bb

{
Vane
ing"...

b > n > >

& b b n n

> > >

3 3 3

b
Pno.

? bb
b
3 3 3

bb j j j j j j j j j j
400
3 3
Whore & b
I swear it. But don't give me a - way to him,
mf
?b
bb J

{
Vane J J
You swear this?

b > > > >

nn n
> >
& b b n # n
> > > > > >
3 3 3 3 3 3
Pno.
? bb
b
3 3 3 3 3 3

b b 3 n b .
403

& b J J J J J

{
Whore

I am a -fraid of him.
# n n ## n # n # n
b
& b b # # n # n##
n n
# n #
mf mf
n
Pno.
? bb
3 3 3

b
> > >
 bb
130

j3 j
407

& b
j j n
33 3 3 3
j

Whore

{
Let me have some mo -ney for my night's lodg - ing?

.
. n n b n n bb nb . nn
3

& b nbb # n n
3 3 >. b 3
>
f

. n n b n
Pno. ppp p p fp
? bb . >
6 3 3

b
> > 3

=
3

{
f

> # n
86
(James pays her. She exits.) 18 Andante Aretando
b > >
# n # n ##n
410 3 3 3

&b b > >

>
# # >
> > > > > >
f

3 3 3

Pno.
? bb 6
b 8 n
=
n>
3 3 3 3 3 3 3

{
b
414 b
&b b
> > > > > >


? b b b
b
Pno.

b b

=
? b b
417 ff

bb
Vane J

{
Prince Charm - ing!

b
&b b
> >
p
? b b b
Pno.

b
=

{
>
b bn b
>
420

b
& b
> > > > >
f
b
? b b b b
Pno.

{
=

b b bn b
bb b b


423

& b b b b

> > b
ff ff

b b
? b b b
Pno.
# # #
b

{ {
SCENE 2

b
bbb bbb
U
NOT YET WRITTEN...

b 3
bb
19 20 21 22
b bbbb b b b b 43
427

&b b b & b bb
b U
? b b # b b b
Pno.
3
b b b
? bb b 3
b bbbb b bbb 4
 {
We find Dorian alone, dressed for shooting,
SCENE 3 upon a grassy tussock. 131
Crisp frost lies like salt upon the grass.

j
n
A thin film of ice borders a flat, reed-grown lake.
23 Adagio


b J
438
3
& b b4

n nJ


pp mf pp


Pno.

? bb 3
b4
mp

{
j
n
b
443

&b b # n J

n n n nJ
mf pp pp mf pp


Pno.

? bb


b

{
b U
r j r b b 44
449

&b b # n
n n
mf pp f pp
Pno.

?b
b &b ? 4
bb 4

.

=
Pi mosso, quasi recit.

b4
454 24
j j j j j ,
& b 4 j j j r r
b
Dorian

{
It's been a week. A whole week. And now a week -end - in the
Pi mosso, quasi recit.
24
n

b 4
&b 4

# n
# #
Pno. 7
pp f pp p f pp
? bb 4
4

b j j j
458

Dorian
& b j r r nj j j

count - ry! And yet still he dogs my tracks. Al - ways

{
n w

bn> > >
b
&b
>

?b
Pno. pp mf pp
b ?
>
& n
fp
 bb
132

r 3r r r r r r r j
461 3

&

J J R R R R

{
Dorian

there, just out of sight. Through frost - ed win - dows, in the sha - dow of the trees.

b
&b n


pp f pp


Pno.
? bb
gliss.

bb r r r r r j j j j j j r
463

&
Dorian
R J R

{
He can - not let me be. I e - ven left the ci - ty to be

b
& bb

>
? b
Pno.

b &

b r j j j j j j j j r r j j
465 3

& b R
3

3

3 3 3
Dorian J J J J

{
rid of him; The Duch - ess of Mon - mouth took me in for a week-end in the count - ry -

b w
& bb
3

b
Pno.

&b J
#
j j j j
mp 3 3
=

b
467
r r
& b
3 3
j j j j j j j j j
3 3 3
Dorian

{
the old irt! And Har - ry came, too - - de - spite all that happ - en'd -

b ## #n >
nnw
3

&b j n w
3 3

n ## n
3

bb
Pno. p fp

&

bb - #
Allegro
j r
469
j r r r
&
j
3 3
j
3 3

{
Dorian

and tried to raise my spi - rits with his with and charm. Last

b j #
& b
3

Pno.
b #
&b ?
 (Off to one side we see Henry sitting with members of the chorus, bantering.

#
Dorian looks on, wistfully, longing for the time when he was able to enjoy 133
471 25 Allegro society without fearing for his life.)

Dorian & j
-
night...


?# J J
f
Henry

Not I!

# j
f
S. & R R
Prince Pa - ra - dox

# f
j
&
A.
R R
Prince Pa - ra - dox

#
f
j
& R R

T.

Prince Pa - ra - dox

f
?#
R R J

{
B.

Prince Pa - ra - dox

25 Allegro
# j
& . >


f
> b
?<b>
b
Pno.


?#

J & b b
>. b

? #
474
J J J J
Henry

La - bels al -ways stick!

#
ff

S. & J J J
De - fend your

#
ff

A. & J J J
De - fend your

# j ff
& j R R J J J r

T.
J J J
And Roy - al - ties may not ab - di - cate! De - fend your

?# R R J J
ff

{
J J J J J
B.
J R
And Roy - al - ties may not ab - di - cate! De - fend your

#
& J



ff
f
Pno.
j
? # n



.J J
 ? #
134

477
J R R J R R J J J R J

Henry J

I give the truths of to -mor - row! You dis -arm me!

# J
f
& R R R R R R R
S.
R
throne! We pre - fer mis -takes of to - day! Of your

# r r r r
r J r
f
& R
A.
R
throne! We pre - fer mis -takes of to - day! Of your

# J
& R R R R R R

T.

throne! We pre - fer mis -takes of to - day!

{
B.
?# R R R R J R R
throne! We pre - fer mis -takes of to - day!

#
&

Pno.
p
?#

? #
480
J R R J R R J J
Henry

I ne -ver tilt a -gainst beau - ty!

#
S. & J R R
shield, not your spear!

&

{
#
A. J R R
shield, not your spear!

# j
&

J

Pno.
. j
f
?# J

? #
rit.

483

Henry
J J J J J J J J J J
J

It is bet - ter to be beau - ti - ful than good! But

#
S. & J R R R R R R
You val - ue beau - ty far too much!

&
# r

{
A.
J R R R R R

You val - ue beau - ty far too much!

#
rit.

&


Pno. f
?#
 ? # J R R R R J
135
486
U
R R R R J

R R R R J J R R J
Henry
J

{
no one is rea - di - er than I to ac - know - ledge that it is bet - ter to be good than ug -

# U
& #
Pno. p f
?#

? #
488 A tempo

Henry

ly.

#
S. & J R R R R J J
J

R

R

R

R J
J

Is ug - li - ness a sin, then? Is ug - li - ness a sin, then?

# j r r r r j
A. & J R R R R J J J
Is ug - li - ness a sin, then? Is ug - li - ness a sin, then?

#
& J R R R R J J J

T.
J R R R R J
Is ug - li - ness a sin, then? Is ug - li - ness a sin, then?

?# J R R R R J J J
J R R R R J

{
B.

Is ug - li - ness a sin, then? Is ug - li - ness a sin, then?

#
A tempo
n
&
.
.
?#
Pno.

? #
R J
490
J R J

{
Henry J J J
Ug - li -ness is too great a vir - tue!
# J

&
J
j
? #

Pno.


.J J

? #

{
J J J J J J J J
493

Henry

J

J J J J J

J
One of the se-ven dead -ly vir - tues! Do not un -der -rate them.
# j
& J

f >

j
Pno.
. .
?#

j
>
.J J
 ? #
136

j j j
497
J

J J J J J J J J J J J J
J

{
Henry
J



Beer, the Bi - ble and the se - ven dead - ly vir - tues have made our Eng - land what she is!
#
j
?
& J J &
>
? # >
ff 3

Pno.

? #
500
J J

Henry J J

I pre - fer de - cay.

#
S. & R R
What of Art?

# r r
A. &
What of Art?

#
& J

T.
R R J J
What a - bout Pro - gress?

?# J
B. R R J J

{
What a - bout Pro - gress?

. .
# b n # n
&
J
n # . . <n>

?# # # # #
Pno. f f

J #

? # n
#

503
J J J J J J

Henry J J J J b

It is a ma - la - dy! An il - lu - sion! The

#
b b
S. & J J
Love? Re - li - gion?

#
b
A. & b J J
Love? Re - li - gion?

#

n
b
& J J

T.

Love? Re - li - gion?

b b

B.
?# J J

{
Love? Re - li - gion?

#
7
b b bb
& bb n b n
j b b
? # n b b n
Pno.
n
. J 7
#b> &
 <n>

? # J J J J J J n
n 3 3
137
3

506
J

Henry R R

fash'-nab -le sub -sti-tute for be - lief. Ne - ver! To de-

#
& J J b
S.
J J J
Scep - tic! What are you, then?

# j j
& J J b
A.
J
Scep - tic! What are you, then?

# b
& J J

T.
J J J
Scep - tic! What are you, then?

?# J J b
B. J J J

{
Scep - tic! What are you, then?

# n n #

& #
b b
3
3 3
#
Pno. 3
3
& n
?
& b b
3

(Dorian screams, reliving the events

of the evening prior.)

# Y~~~~~~
ff
509

& ~~~~~~
Dorian ~~ ~
J
Argh!
b
3

?# J
R R J J
3
Henry J J J

ne is to lim - it. I would be - wil - der you!
fff
# #
3
#
j j j
3
S. &
Give us a clue! What of Prince Charm - ing?

fff
# 3
j j j
3
A. & # #
Give us a clue! What of Prince Charm - ing?

fff
# #
3
#
j j j
3
&

T.

Give us a clue! What of Prince Charm - ing?

fff
# #

3

?#
3

J J J

{
B.

Give us a clue! What of Prince Charm - ing?

# #
#
# #
& n n b n n n # #
3 3 3

3
3 fff
Pno.
#
& n n b n n ? # #
n # #
3 3
3
 #
138
513 26 Meno mosso, q = 100

&
p
b j j j j j j j j #
Dorian
.

{
~ It was there! Press'd a -gainst the win - dow... James Vane!

26 Meno mosso, q = 100

# b #w bb#ww
w
w
& # #w

w w
# w #w

#w w
Pno.
p bw
?# bw

b w

b n-

{
b> > > b> >
518 ff

&
Dorian

> >
James Vane! I DO NOT WANT TO DIE!

bnbn n n n n b b nn# n
b b b b b n J
b
&b

nR n n. . # J
R . .
R-
>. >. >

p ff p ff
>
. b . bb bb
Pno.
b . . n n
? nb n # J
b . . b J

b n
. .

= Grave misterioso, q = 40

27
U j
521

& b
p
r r n J J j
3
j n
Dorian
J J J

{
But was it him? Was it an il - lu - sion? A phan - tom?
27

U Grave misterioso, q = 40

& b n b n b n # b
b b bn n b
<b><b>

pp
U n # n #
Pno.
?b #

b
r r j j r r r r r r r j
525

& j r r r r r j
3

{

Dorian

If a phan - tom, will it still fol -low me for - ev - er? Whis -per -ing in my ear?

n
&b n bbb nnn
bbb nnn n b
nn b

mf
?b w w
pp

Pno.
nw w #

b j r r r r r
528

&
r j r r r r j
3
Dorian
J

{
Wak - ing me with i - cy n -gers in the night? Ba - sil? Is this your re - venge? Sy -

& b n b # nb
bn# n b n
n b bn

? b # # #
Pno.

 b j r r
139
531

&
j j j j j j j j j j j j j j
3 3 3 3 3
Dorian J

{
bil? Is it yours? I can -not bear it... I can - not bear it... I can -not bear it,

bb nnn bb nn
&b b b n
n

nn

mf # #
?b w w # #
Pno.
nw w

b j
535

& j j j j j j j
3 3
Dorian

I can - not bear it, I can - not

{
&b
#
? #

Pno.
b

accel.
28
##
536

& b j j j j j j j j j j j
3 3 3
Dorian

{
bear it, I can -not bear it, can - not bear it...

accel.
U

28
##
5

&b
Pno. #
? b # ##

{
(The Chorus, with Henry begin to assemble for a shoot.
They are in fine spirits, for it is Christmastide!)
Vivo q = 150

##
538

&
Pno. ff ff

? ## w
& w
w
w

{

##
542

&
Pno.
#
& #w w
w
?
w
 ? #

140
546


#
Henry

Peace up - on Earth, Good - will to men, so greet we Christ -mas

#
S. & #
J

Peace up - on Earth, Good - will to men, so greet we Christ - mas

A.
#
& # # j
# n #
Peace up - on Earth, Good - will to men, so greet we Christ - mas

# #
& # J J

T.

Peace up - on Earth, Good - will to men, so greet we Christ - mas

#

?#

{
B.

Peace up - on Earth, Good - will to men, so greet we Christ - mas

j
## n #
& # #
J
Pno.
? ##
18

j # j

&

? # #

550

#
Henry

Day! Oh, Chris - tian load your

#
S. & #
Day! Oh, Chris - tian load your

#
#
A. & #
J
Day! Oh, Chris - tian load your

#
& #

T.

Day! Oh, Chris - tian load your

? ##

#

{
B.

Day! Oh, Chris - tian load your

# # # # w
# # #
#
& # J


#
Pno.
# #
& #
?
& #
?

12
 ? #

141

w
554

#
Henry
gun and then, oh, Chris - tian out and slay!

# # w
S. & #
gun and then, oh, Chris - tian out and slay!

#
& #

j
#
A.
w
gun and then, oh, Chris - tian out and slay!

# #
& # J nw

T.

gun and then, oh, Chris - tian out and slay!

#
?# w

{
B.

gun and then, oh, Chris - tian out and slay!

# # n n n n n
& #
J #

# j
Pno.

? ## n ?n n

n
&
n &
n
12

{
n# #
# #
558

& #
ff
#
Pno.

& # # w
w
w
w
w
w
w w

Y
(The men line up to take their shot [into the audience?].
As the cheerful climax builds and the guns go off,

? #
there is a scream from offstage.)
U
563

#
Vane

{
James Vane screams,
offstage, as he is shot.

## U
& #ww #w
w
# ? #w #w
w U
& #
Pno.
w

 ##
142
569 29

j j j j j j j b
f
Dorian &
sotto voce, ma f Stop shoot - ing, there, a man is hurt!

? ## #J n J J J #J J

Henry

Good Heav'ns! I've hit a beat er!

# j j j j j j
#j j
sotto voce, p f
S. & #
A beat - er! Stop shoot- ing, there, a

# sotto voce, p f
A. & # j
#j j
j j
# j
j j j j j

A beat - er! A beat - er! Stop shoot- ing, there, a

# sotto voce, p
j j f
& # #

T.
J J J J J J J J J
A beat - er? A beat - er? Stop shoot- ing, there, a

#
#J #J nJ #J #J nJ nJ

sotto voce, p f
?# J J J J
B. J J

{
He's hit a beat - er! a beat - er! Stop shoot- ing, there, a

29
## j
& j #
# #
# # n n
p f
# # n
J # # n
Pno.
? ## n

? #
573 Meno mosso, quasi recit.

# R R J J J J J J J
3
3
Henry J J J J 4

#
O - ver there. Why on earth did -n't he stay back be - hind the guns?

? ## # 3
J R J 4
Thornton
(The Head Beater)
Where, Sir? Where is he?

# j j 3
S. & # n 4
man is hurt!

# 3
A. & # j j b 4
man is hurt!

# b 3
& # J J 4

T.

man is hurt!

? ## J J n 3
B. 4

{
man is hurt!

#
Meno mosso, quasi recit.
3
& # bn #
J # # n n n 4
# # n n
b
? ## n J # n n #
nw
p
3
Pno.
4
 (Thornton runs off with several more men.
The rest of the chorus slowly file off.)

## 3
143
30 Adagio
###
577 rit.
j
p

3
Dorian & 4 j j j
I wish it were

? ## 3 ###
Henry
4J J J J J J J J J J

{

We had bet - ter stop the shoot -ing for the day.
30 Adagio
# 3 ###
rit.

& #4 J
. .
### &
pp
? ## 3
Pno.
&
?
4

###
j j j j r j j j j j j nj nj
581

&
3 3

{
n # n
Dorian

###

#
j
stopp'd for - e - ver, Har - ry. The whole thing is hi -deous and cruel.

& n b n
# # n # J n
3

.
Pno. 3 3

##
mf pp mf

& # . . . ? &
?

###
585

& # r r

Dorian

Is the man..? p

? ###
3
j

3

{
J J
Henry
J J J J

I'm a - fraid so... He must have

##
3 #
& # b # # J
#

. mf pp
.
Pno.

mf pp

? ### & ? & .


pp ~~~~~~~~~~
=

? # # j j 3 r r j j
588 3

# J n
3 3

{
Henry
J J J J J J J J
ta - ken the whole shot to his chest. He would have died in - stan - tan - eous - ly.

#
j
& #
##

# #

.
Pno. pp
##
mf

& # . . ?
& ?


 ? # # r r
144
591 (Henry tries to leave. Dorian remains, transfixed.)

# - - -

{
Henry

Let us go.

##
& # #
#

. . . . .
f

? ### &
Pno.

?
& & ?
?
& ? & ?

###
596 31 3

j j j j j j j j j r r r r
3
&

{
Dorian

It is a ve - ry bad o- men, Har - ry. Ve -ry bad, ve -ry bad.

? ### -

#
3
Henry J J J J J J J
My dear boy, it can't be help'd. It was his own
31
### - -j - . -j - -j

j
3 3 3
j
- -
&
- - J -
pp -3 -J - 3
-J -
j
. - - j
?
J - #
Pno. J
# J
- - 3

- - - - - - -j -
3

j
.
? ### j j #
3 3

J
-J - -J - -J -
3

### j j
601 3

j j j j j
3 3 3
Dorian & # j j j j j
n j j j j j j j
n
j

{
I am sure some -thing aw - ful is going to hap -pen to us. It is a ve - ry bad o - men,

? ###
-
3

#J J J
3

Henry
J J J J J J J
fault. It was his own fault. Why did he e - ver get in

## - -j - -j - -j - -j
& # -
3 3
j j
# - -
-J - 3
-J - 3
-J -
n - -
# # # n #
? ### #
Pno. J
- - -j - -j - -j - - -j
3 3
3

? ### j
3

J # J
3
- - . -J - 3
- - -J -
 ###
145
605

3
& j j j j j

Dorian

{
Har - ry, A ve - ry bad o - men.

?# #
(Henry laughs.)

# J

3
Henry
J J
front of the guns?

## - -j - -j -
& #
3

-J - -J -
-
3
-
? ### #j - -
Pno. J - . J
- 3 -j - -
? ###
-

-J
3
- -J - -J
=
3

###
608 32 frenetico

& Kr Kr Kr Kr r Kr 3Kr Kr Kr Kr r
Dorian

{
32
Don't you see a man mov - ing be - hind the trees?

### n
& b

<#> # #n
sub. f
? ###
Pno.

###
33
Kr Kr Kr Kr Kr Kr Kr r
609
4
Dorian & 4
Watch -ing for me? Wait -ing for me?

? ### 4 -j - j j
J J J J J
3

{
Henry 4 -

The Gard' ner! How ab-surd -ly ner -vous you
33
### bnn ~~~~~~~~
4
& # 4 .
j
R R w
b
pp

~~~~~~~~

Pno.

? ### n 4 #w
w
R R 4

? # # j r j j j 3 j j
613
J J
# -

{
3 3
R R
R R
3
Henry - J J J
are, my dear boy. We shall re -turn to town to - night, and you must come and see my doc - tor.

##
& # j j j j j j j j w
-
p
. - .
-

.

-

.
w
w


Pno.

? ###

 (There is a commotion as Thornton and the
other beaters return with a body held between them.

###
146 Its face is covered, for dignity.) (They put the body down.)
616 34 Vivace

r j
Pesante
& j

Dorian

Yes, Har - ry.

? ### j 3j j j 3 j

f
Thornton
(The Head Beater)
J J
Sirs! He is not one of my men,

###
mf f

j
Well, then, how?

j >
& J J #J

J J n
T.

>
Not like that! Give him 'ere! Ugh!
mp f

j
j
Take his weight!

#
Pass him 'ere.

? ## j j n >

J J J J J #J J
n

{
B.

>
Bring him 'ere. Put him there! For God's sake! Ugh!

34. Vivace
## . . . .
& # # n n n .j #j .
. . # n #
# . nb
. . . . .J
. . .
Pno. f p mp mf f
. . . b j n
? ### n #n
w .J . n
. . . . . . .J n -

###
620

j j j j j . j 3j j
.
3 3
Dorian &
Don't you know who he is? What do you mean?

? ###

Thornton
(The Head Beater)

{
sirs. Ne - ver

# #
& #
3 3 3 3 3
?
3
J


3 3 3 mp p
mp
? ###
Pno.

3

? # # j 3j j j j
624

#
3
Thornton
(The Head Beater)

{
seen him be fore. Seems like... Seems like a sail - or, sir.

? ###
3

3
. &

3

? ###
Pno.
3

w

 ###
147
628

n #
Dorian & R J J R R R R J J
A sail - or? Did you say a sail - or?

? ### j j j 3j j j j j

3
# #

{
Thornton
(The Head Beater)

>

Yes, sir. From the tat -toos on his

n
### bnn>
n
n
n

3 3 3 3
& b
b n b n b
> > >
> f
Pno.

? ### n
3 3 3 3
b n b n b n b
> > >
=

###
35 Andante Aretando
b
631

j j j j

r r r r r n b b 86
3 (Thornton does so.)
Dorian &
Take that thing o, I wish to see his face.

? ### 6
bbb 8

{
Thornton
(The Head Beater)

>

arms.
#
### ##n
35 Andante Aretando

n b b b 86

& w
ww
nbmp
w
Pno.
> f

? ### #> 6
bbb 8
>

{
b
b
634

&b b
> > > > > >
b
? b b b
b
Pno.

bb b
637
ff
Dorian & b
James Vane!

b n
ff

? bb

{
Henry b
James Vane!

b b b
&
> > ## n bn
p

? b b b
Pno.
J
b
ff
 {
> bn
148

b b
b
>
640

& b
> > > > >
f
b
? b b b b
Pno.

{
=

b b bn b bb b


643

& b b b

> >
ff

b b
Pno.

? bb b # #
b

{
=
bb bb bb
U
b b
b
b b b b b 43
646

& b b b b

b U
ff

# b b b
b
Pno.

? b b # b b b b b 43
b b b b &
 {
SCENE 4

. . .
Andante
36
. . .
149

b
652
b 3 J
& b b b4
p

b 3 ?
Pno.

& b bbb 4
.
&
.

{
n # n n # n n b . . b .
655
b # b .
& b bbb
J
n # n
Pno.
b n # n
& b bbb n # n

{


b b . .
657

&b b b

?b
Pno.
b
& b bbb n. b
n b
.

{
. .

. . .
bbbb .
659

& b

. .
?
Pno.
?bb
bbb

{




b
666
b
&b b b

Pno.
?bb
bbb

{


669
b
& b bbb

Pno.
? bb b
bb

{

671
b
& b bbb

?bb
Pno.

bbb
 {



150

b
673
b
&b b b


Pno.
?bb
bbb

{


bbbb
675

& b
? bb b
Pno.

bb

{


bbbb
677

& b
Pno.
? bb b

bb

{

679
b
& b bbb




?bb
Pno.

bbb

{

681
b
& b bbb




? bb b
Pno.

bb

{

683
b
& b bbb



? bb b
Pno.

bb

{

b
685

& b bbb

?bb
Pno.

bbb
 {


151
687
b
& b bbb

?bb
Pno.

bbb

{
n b b n b b
b b n b n
689

& b bbb n n
b
b n n
b
n
n n b n

Pno.


b n
-
b -

? b b b J
b b >
bb
mp f

{
b
b
b b b
691

& b bbb b b b

b


b b b
? b b b b b
Pno.

bb

{

b
693

& b bbb



-
#n

n# n#- b >
Pno.
? bb b J n # nn
bb

{
mp f

b
695

& b bbb

b
& b bbb



Pno.

b

? b b b
mf

bb
ppp

{
=

. .
. . 37.
b 4 . b n &
697

& b bbb
4 ?
p

b 4 ?
& b bbb
4 .

? b b b
Pno.
.
4 b
bb 4 b



 {
152
699
b b b b
& b b b b b b b b b b b
b b n b b

? bb b
Pno.

bb
w w

w w

{
(We are now back inside Dorians house in London, some days later.

b b Henry is paying a visit to monitor him.)
b
702

& b bbb
b
3

3 3 3

b n b n b
n
pp mp
>w >
Pno.
w w w w
?bb w w w w w
bbb w w w w w
-

bb b
709 38
j j
3
Dorian & bb
No, Har - ry, I have done too ma - ny

?b 3
b bbb J J
Henry
J J

{
There is no use in you tell - ing me that you are go -ing to be good.

j
38
w
b
& b bbb w

w
w w ww
w
mp

? bb b j w
Pno.

w w
bb w w w w w
p

bb b
714

3 3 3
& bb

Dorian

dread - ful things in my life. I am not going to do a - ny more.

3
?b
b bbb J
3
Henry

{
You are quite per - fect al - rea - dy. Pray

bb 3
&b b b
3 3

3 3

?bb w
Pno.

bbb w w w
w w
w
w w
 bb b
153
719

j j
3
j j j
3 3
Dorian & bb
I be - gan my good ac - tions yes - ter - day. In the coun - try, Har -

3
?b w
b bbb
3
Henry

{

don't change. Where were you yes - ter - day?

b
& b bbb
3


3 3
j
Pno.
? bb b w w
bb w w

fp

=
Meno mosso

bb b
723 39
r r
Dorian & bb r r r r r r j

ry. I was stay - ing at a lit - tle inn.

?b j
b bbb
J

{
Henry
Meno mosso
My Dear boy,
39
.

bb
3

&b b b J b

j
3 3
?bb n
Pno.

bbb
p

? b b - -
3

J J 3
725

bbb R

3
J J J J J J
3
Henry
R R R J J J

{

a - ny - bo - dy can be good in the coun - try. There are no temp - ta - tions

n n
b n n
& b bbb n

n b
j

> >
n
> b > > >
b>
Pno. fp
? bb b J
bb J
p

bb b b .
,-
b - nj
727

& bb n n
Dorian
J J J J - J J J J
Yes! Yes... Cul ture and cor - rup - tion. I have known them both.

?b
b bbb

{
Henry

~~
b n n
there.

b n
& b bbb 3

b n b
3
n . nn .
b
n j
Pno. mp mf
? bb b nj n j b
?
bb &
j
n
 bb b
154
730 rit.
b
& b b J
b
3 3
Dorian J J J J J J J J J J J J J J J

{
b
It seems ter - ri - ble to me now that they can be found to - ge - ther.

n b b
b n
rit.
nb b
& bbbb b b b j


3 3 3 3

n
Pno.
? bb b
3

bb & ?
b
= Maestoso q = 70

bb b
40

732

{
J J
& b b
f
Dorian
For I have a new i - deal! I am going to al - ter!
Maestoso q = 70
w
b n 40 b bb w
w
w
bb
b

&b b b

3 3 3 3 f f
w

3 3

Pno. &


nb


nb

? bb b

bb

=

bb b
738

& bb j j
Dorian

3J
I think I have al - ter'd.

{
3
f
?b
b bbb J J J J
Henry
J J R
w
w
And what was your good ac -tion yes - ter -

b w
w j

b j

b
3
& b b
b

b
& b bbb
p p
Pno.

>
sub. p

? bb b
l.v.

bb &
3
p mf pp

bb b j j
742

& bb j
Dorian

.
I spar'd some - one. She was

?b J
b bbb

{
Henry

day? Oh?

b b j

&b b b
n
Pno.

f p
b
& b bbb
3 3

n
pp mp
 bb b
155
744

& b b J
R

{
Dorian

quite beau - - - ti - ful...

bb b n
&b b b b n n n
b n n
Pno.
b
& b bbb b
3 3


=

bb b
745
j
& b b

3 3
Dorian J J J R R J

{

and won - der - ful - ly like Sy - bil Vane. (How

n
b b b
& bbbb b
n n
n n n b b b b J

pp

n
Pno.
b
& b bbb n
3


=
3 3 3 3 3

bb b j
41
j j
Pi mosso

j
747
j j j
Dorian
& b b

{
long a - go that seems.) Well, Het - ty was not one of us,

j

j
41 Pi mosso

b b b n ~~~~ .
b
& b j gliss

Pno. f
bb
3

&b b b n ?
b
J
=
bb

{
####
750

& b b b j j j j j j
3
Dorian
#
of course; just a vil - lage girl,
nn
b b b #### <n> n ##
#
<#><n>
b
& b
> 3
ff
n
#

#### #
?
Pno. &
# & #

#### <n>
>
3

? bb b
<#>
3

bb
=
3
p

#### r r r

752
j
&
R n

{
Dorian

# # nw
but I real - ly loved her.
w
w
& ##

# # #
Pno.
# #
& # # #

?
#
# &
f
 ####
156
3
j j j j j bbb
753

&
n

{
Dorian

j
j
I am quite sure of that.

nn b
# # n

# n #
& # # bbb


nn

n ## nb
Pno.

? ## #
# n
bbb
3

bb j
r r j j j j
j j
755
3 3

{
Dorian & b - -
But sud -den -ly I de -cid - ed to leave her.

?b
Henry
bb J J J J
n j
3
b

3 I should think the
b b b b
b
&b b w
w
w
b b

3

# n
? bb n
n ?
b &
Pno.

j
? b n
6

bb nw
pp

{
? b 3 J 3 3
3 3

757 3

bb J
3
J
3
Henry
J J J J R R J J J J J
no - vel - ty of the e - mo -tion must have gi - ven you a thrill of real plea - sure,

j
3 3
#

3
b n nnn bb n
&b b
3

J J

n
3 3 3

? bb

?
b &

Pno.

? b
3
j J J b
bb J
3 3 3 3 3 3

? b

{
42
J J J J J J J

759

bb

3 3 3 marcato
Henry
J J
Do - - rian. But I can -nish the id -yll my - self: You gave her good ad - vice,

42
& b b b nnw
w #
n n
j j j

mf n
? bb n n
b n & n

Pno.

? bb n n # nJ n n
b b
3 3 3 f
 bb
157

j j j j j
763
3
Dorian & b

Har - ry, you are hor - ri - ble.
semplice
>
? b b J J J J b
b

3
Henry
J J J J J J J

{
and broke her heart. That was the be -ginn -ing of your re - for - ma - tion.

b 3
3

b b
& b b n
3 3

b
p

? bb
Pno. 3

w
b

b j
767
j j
& b b
3

{
Dorian

You must - n't say such things. Het - ty's

b
b b n
&b b
3

3 3
b b b
3
Pno.
b
?b b b
bb b n

{
bb j
770 43
j j j j
& b b

3
Dorian

b
heart was not brok - - en.

b b j
b
43 b n
b b b b b b b J
& b b b b b b
3
p f
b b
Pno. & bb bb b
p

? bb b b bb b b
b b b
3

bb

{
j j , - -
bbbbb
771

& b b

3

3 3
Dorian J J J n
Of course she cried, but there is no dis -grace in that.
b n
b b n n b n
n
b
b
& bb bbbbb
3 3
p mf

& b b <b><b>
b bbbbb
Pno. n

? b b bb bb n
mf

n n b b bn
b J n bbbbb
3 3 3 3
 bb b b 3
158
44
###
774

& bb
3

R J J J
Dorian
J J
She will live for - ev -er in her gar - den of mint and ma - ri - gold.

b
3
?bb ###
bbb

{
Henry

b b b w
And weep ov - er you, her
44

b w

>
w
w ###
& b w w
w
sfz
pp

Pno.

? b b b b b
n n
nw ###
bb
3
3
mp

? # #
779 n n -

#
p

{
Henry J J
dear

faith - less lo - ver My Do - rian,
> >
### n # # n
& # w
R #
f p

? ### nbb w
# n #
Pno.

# b w
w
n
j

f p

? # #
3

J J J J J

783 3

Henry
# J J J J #R R J

{
You have the most cu - riousmoods. Do you think - Het - ty? will ev - er be con - tent

# # . #

& # j #
.

>
Pno.
? ### w w w
w w

? # #
787
n
J J
#

{
Henry

#
with a - ny - one of her own

## n # n n # #

& #

n ##

w #
Pno.

? ### w #w

n
n
#
 ? # # 3
159

J J J
790
##
#
f
Henry R J R

{

rank? Who ev - er she mar -ries can -not com-

n
## #

b ##
& # # n
.

. 3 R

3

. . n
mf f

. . # # n
Pno.

? ### #

R # ##

# . .
3 3
p

? #

45



792 3
2
#
p

3
2 J

{
Henry

pare to you. Be - sides, How do you know she

w

45
## w 2
3

& w
l.v.

p
w
Pno.

? ## 2
2 -
p 3 3

? # 3
796

#
3

3 3

3
Henry

{

is - n't oat - ing at pre - sent in some

b
# b
3
b b
3

& #

b b

n
3
Pno.

? ## b n n
3
# b
3 3
b
3

? #
799

Henry
#

{
star - - - - - - - - lit

b
##
&
3 3

Pno.

? ##
 ? #
160
800
4
Henry
# 4
Mill - - - - - - - - - - -

{

# 4
& #
n 4
? ## # 4

Pno.

# 4

? # 4
801

#4
Henry
pond, as O - - -

{

#4 # n
& # 4 # n
? ## 4
6


Pno.
4

? #

803

#
w
3

{
Henry

phe - - lia in her wa - - - ter -

#
& #

Pno.
? ##

##
806 46
r j nj j #j
3

j j
3
&
> >
Dorian

Har - ry! I'm sor - ry I told you now. I was cer -tain I was right...

? ##

w
3
Henry

{
li - lies?

. > . > #
46
## .
3 3
n>
n
J
& > .> # # nn
b
# -
Pno. p p mf
3

? ##
w
w w
w w #

pp
 ##
161

{
811 3

& j j j j j j j j j


3 3 3
j

Dorian

nU
5

## T ~~~~~~~~~~~~~~~~~~~~~~~~~
Poor Het - ty... But don't let us talk a -bout it a - ny - more.

5

&
f 3 3 3 3
Pno.

6 5
j
pp

<#>w
? ## w
w

{
=

## #w nw #w nw w w
47
w w w w w w
b b 46
814

& #
# n # n
3 3 3 3 3 3 3 3 3 3
mf 3 3 3
Pno.

? ## w 6
bb 4
w #w w #w w <n> w w
=
? b 6
48 . .
3 4 b n U 3
3
3 U
821

b 4
3
Henry 4

{

What - ev - er be -came of that pic ture? Ba - sil's last works had

b w b - n -
48

b 6 bw U

b 4 b n w w
w
& 4
4
f p
U
Pno.
? bb 6 4
4 4

= 49
? b b
3
- 3 3
3

825 f

b J J

{
Henry

quite gone o, save for it. His work was that cu - rious mix -ture

49 3
. n
b w
& b bw



n
J
9 3 3
3
f

3
Pno. 3
w
? bb .



J 3 3 3

=
9

? b 3 3 # 3
829

b J J
3
Henry

{
of ve - ry bad paint -ing and good in - ten - tions that al - ways en - ti - tles one to be im-

b n
3 3

b
3 3
w
& b w b n
3 3 3 3 3
3
p
Pno.

? b b b n w #
w
3
 ? b
162
50

{
b
3

834

b

3
Henry
J J
mor - tal - ized. Did you ad - ver - tise for it? You
50
b
b
3

&b

3 3 3


? bb
&

Pno.

? b b
3

bb
#r r r r nr r r
839

r rK Kr
Dorian &

I for - get... I sup - pose I must have... But I

?b
b -.

{
Henry

should.

b # # n
&b w # # #
. 3
. 3
#
pp f

#
Pno.

? bb # & #
pp

b r r r r r r
51
3j
b j j j j
842

& b # n bb

{
3

Dorian
J
ne - ver real - ly liked it. I am sor - ry I sat for it.
3
b b b 51
#n b
-
& bb b
b b n b n n bb
3 3
J
n
n
3 3 3
3
Pno. p

sub.p

bb #
& # ?
bbb
3 3
mp 3

bb j j j r r j
844

& b #j j 3j j j
3

{
3
n #
3 3
Dorian n
The mem' - ry of the thing is hate - ful to me. "Like a

b b n# n n n
3

b b j
nb
3
b n b #n
3
& b b
3 3 3
b
3
Pno. p

# n n b
3 3

? bb # n # #
b J # nn
n
3 3 3
 b b n3 3
163

b b j j
846
3 3

3
Dorian & b J J J J J
Paint -ing of sor - row, a face with - out a heart."
3
? bb 3J J J J

3

{
Henry b J
If we are quot - ing, Do - rian:

b bb b
3 3

& b b n n bb n n n b b nn
3 3 3

3 3

b
b b
3

p

? b b n
Pno.


3

b
3 3 3 3 3 3 3 3 3 3

? b J
3
ff
849 52 3
b
J J J J J
bb
3 3

J J R J R J

{
Henry

"What does it pro - t a man if he gain the whole world, but

n

52 3 3

3

6
b b n n b
&b b
3

b
3
Pno. ff

3
b
3 3 3
? bb
b

? b J J
851 n rit.

bb nnn

{
Henry

bn b
b n n### nn ### n n n b b n b b n
lose his soul?"

b n
6 rit.
b b n n n n
b b n b n n
6
& b b n nn n
3 3 3 3 3

b
6

? b b b #nn n b n n n b n # n b n b b b b
Pno. 3
6 3 n b b
3 6 3
3

nnn
b
b n b n n b
3 3
3 3 6
3

53 Adagio

rit.
j j j j
853

&
3 3

3
Dorian J J J
Why do you ask me that, Har ry?

{
53 Adagio rit.
b b
&

J J J J
? b
Pno. p

J J J J
 {
?
164
855 Non piu lento, q = 55
f


b
Henry
J

My dear boy,

b
Non piu lento, q =55

&

n
b n
? b n
b & b n ? n
b
Pno.

? b
p

&

{
? >
r J
856

n
3 3
Henry
J J J J J J J J J R
I ask'd you be - cause you might help me nd an an - swer;

n
& J J J J J J J
p


?
& ?
j
&

j j
Pno.

& n
j

j

j

j ?
3 3 3 3

? # 3 J 3 n
858

J J J R R J R R

{
Henry

I heard it from a prea - cher way on the
here.

&


mp

Pno.
?

3 3 3

? 3b J 3 3

860
J

R R J J J J
3 3

3
J J J

{
Henry

I thought of tell - ing him that art has a soul but man does

&
b n b # n # nn

3 3 3 3 3
Pno. mf
?
b J
3
?
7 3 3
# n n

&
3
 {
? #
165
862 3



3
Henry
J J J J J J J
not. But he would - n't have un - der -

&
pp


? # # #
# & #
?

Pno.
3

? #

54
####

{
863

& j j #
#
Dorian

Don't, Har -

? ####


Henry J J #
stood us.

54
b # n b n # n b n # n b n # n b ####
& #

n . B ####
pp

& J
J #
p
Pno.

#
? # ? ####
# & #

?
#
#

? j j ####
b #

{
####
864

& # j j r r
j
3 3 3
j j j

Dorian

ry. The soul is a ter - ri - ble re -

# # <#> n n # # n # n # n
& # ##
# # n . j n
& # ## J n

Pno.



? #### ?
# &
? ####
# n.
 {
#### r 3
U3
166
865

& # r
j j j j j j #J
3 3 3
j

Dorian

al - i - ty. It can be bought, sold and bar -ter'd a - way. Poi

# # <#> n n # # n n n n
& # ## # n
U
# # #. n # n #
3 3

& # ## J # # n #

3
J
3 3

Pno.

? ####
# &

? #### j n #n n
# n n
# 3 3 3

=
3

{
####
55
& #<#>
# j j j j j j
867
3 3

J J

Dorian

- son'd and made per - fect. Each of us has a

#### ## #
#
55
# # #
& #
3

3
3 3 3 3 3 3
f p

#
# ##
Pno. & # # # n # # # # #
6
?
6

# n
# & #
#
# # #
nj #
n n n
6

? #### j #
6

# #

3

# # n n n J n
# 3 3
3 3 3

#### bbbbb
869

& # n

{
Dorian
J n
soul, I know it.

? # ## n j
# # bbbbb

3
Henry J
Ah, then it

#### 3 # n ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

# n n w bbbbb
3

& # n
3

3
mf ppp

# ## n n
Pno. & # # ? ? bbbbb
n & n n &

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
? #### n # n n w
# n
# bbbbb
3 3 3 3

? b b <n> 3
871

Henry
bbb J J J J J
must be an il - lu - sion.
7 7
?
{& bbbb b ? & &
?

Pno.
6 6
 {
? b b J
167

n 3
872 3
J
bbb
J J J J
3
Henry J J J J J
Cer - tain - ties can ne - ver be true. It is the fa -

b
& b bbb
3 3 3
j
n

pp
? bb b

n & n
?
Pno. bb
n

n

&

? bb b n b n n
bb J
3 3 3

{
? b b J
874
3

3
b 3
J J b
bbb
J
Henry J J J J J
b ~~~~~~~~~~~~~~~~~~~~~~~~~~~
ta - li - ty of faith! Don't be so ser - ious,

bb b b
w
&b b b
3

mp

b
bbbb b ? b
& b b
w
Pno.

b n
5

? bb b n b
bb
p

{
? b b
876

bbb

Henry
J J J
Do - rian. Play me

b b
& b bbb

? bb b ?
Pno. bb &

n
? bb b
bb
ppp

? b b
.
877

bbb J
J
3
J

{
Henry J
some - thing - - - - a Noc - - - turne!

b
3 3 3 3

& b bbb

pp
Pno.

? bb b ?
bb &

 ? b b
168

{
878
3
3

bbb
J
3
Henry J J J J J
And tell me, in a low voice

b
& b b b b
3 3 3 3 3 3 3 3

Pno.

? bb b ?

bb &

? b b

{
879

Henry
bbb

b
3 3 3 3 3 3 3 3

& b b b b b b b
Pno. 5 5 5 5 5 5 5 5

b
? bb b b b ?
bb &

{
? b b
b b b <n>
n
880

Henry
J
how you keep

n
3 3 3 3 3
b
3 3 3

& b b b n n n
b n

mf
n n
? bb b n n n
bb & n

Pno.

? b b <n> n
bbb J

{
? b b <n> n
881
6
Henry
bbb J 8
your youth.

n b n 6
3 3 3 3 3 3 3 3

b
& b b b b nn nn n b b b b n n b 8
5 5 5 5

n
n
n ? n n
& bbbb b
n n
n n 6
8
Pno. n

? b b b <n>J n
6
bb 8
 {

56 Andante e = 54
bbb 6 j j 169
882

b b

& b 8 n b

p
n
Pno.

? bb b 6
(Scriabin)

bb 8

? b b 6 -
, ,
J
b b b8

{
Henry J J J J J J J J J
I shall be Mar - syas, and you, young Ap - ol - lo.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Andante e = 54

56
b
bbb 6 b n b
b nb bb

& b8

pp
b
? 6 b b
bbbbb 8

Pno. & b

? bb b 6 j
b b8 & n b n

{
b n

j

b b n b
885

& b bbb
n n b

n > r >r
b j n j
j
Pno.

(Scriabin)
? bb b
bb
>
? b b
>

bbb
J J J J J

{
J
<>~~~~~
Henry

<>
b
I am on - ly ten years old - er than you,

b b
b n bb j n -
-
&b b b b
J J b-

mf p mf p

n j j

Pno.

? b
& b b b b
bb

>

{

& b b b b n
j

b r r j

889

b b

n
b

n

Pno.
n
n n
(Scriabin)
? bb b
3

bb

{
? b b n b-J
bbb J
b J J

J
J
Henry
J

Do - rian, ten. Yet I am wrink - led and worn.

j
b n b n nn
nn b n b n
b j
& b b b b n b
> >


p p p
>
p f


Pno. & bbbb b

3 3

~~~~~~~~~~~~~~~~~~~~~~~~~~~~
3

n
f

n b
? bb b
bb
 {
U b n
b
j
b b b n n b
893

& b bbb n n
170

r >r J
n > j


b n j j

Pno.

? bb b
(Scriabin)

bb

>
>
R J
-
? b b

J J J J J
Henry
bbb J R J

{
You real - ly are won - der - ful, Do - rian. What an ex -qui-site

~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~
~~~~~~~~~

~~~~~~~~~~~~~~~~~~~

J J
U
& J

b
f, ma dolce e legato
j
& b bbb
b
J
p
- U
bbbb b
n

& b
>
Pno.

n

?bb n
b

bbb b

{
& b b b b n
rit.
b
b
897 3

r r
J nn ## n## bnn

n
b

Pno. mf sfz
n
(Scriabin)

? bb b b n
b

bb

{

<b> J

b
? b b n
J # n
bbb J
J n n J J J
Henry
J J
life you have led. You have drunk deep - ly of
~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~

b
& b bbb
p

b

rit.

bbbb b n
bb
b
Pno. & b n
nn n nn # n

# n
mf

? b b b n b b n
bb b
pp

{
r
A tempo rit.
b
& b b b b b
900

nn nn # n# bn
n # # n
Pno. mf sfz
b
(Scriabin)
n

? bb b b n

bb

n e
b

? b b
bbb
b n
J J

{
Henry

ev' - ry - thing

~~~~~~~~~~~~~ n n
A tempo rit.

b n
& b bbb bb
j
nn


n

mf
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Pno.

? bb b
b b n
 {
r
171
A tempo rit.

& b b b b bb
b
902

nn n nn b b
n n n b
Pno. mf sfz

(Scriabin)
b
? bb b b b

?

bb b &

? b b
b
b n n
J

J b
bbb b R J
4

J R R R R

{
Henry

You have crush'd the grapes a - gainst your pa - late.

b
A tempo rit.
n nn b
b b nn
b n
& b bbb
n
b b
n b

n nn
Pno. p f p

n
? bb b b b b b n

b b b b & n b
b >

{
bb b b n
n

b n n
A tempo
b
904

& b bbb b
nn n
J
f
Pno.
b b b n n nn nn
(Scriabin)
? bb b b b b r n n J
bb b

{
b

? b <b> b
J b n
b bbb
J J J J
Henry
J J
.
No - - thing has been hid - den

b bb . . b .
bb bb n b n nb nn.
A tempo
b
& b bbb n
j
n bn
7
f

# n n # # n

n #
? bb b n # # n # # n #
n # # n n
Pno. bb & #
. n .
b
& b b b b b ?
J

{
b

b b b
906

& b bbb b
R
R

p


n n
Pno.
(Scriabin) b
? bb b

b
bb J

? b
b bbb J
p

{
Henry
J J J J J J J J J J
from you, and it has all been no more than the

bb
& b b b
Pno. p
? b b b
bb
 {

172
n
b
b
n b n b n b n b n b
b n n b b
bbbb b n b n b n n b n b 86
n n
908

& b n b b n
Pno. p


(Scriabin)
? bb b b 6
bb 8

? b b w senza misura, ma longa w W

w 86
Henry
bbb
sound of mu - - - sic

{

& b bbb 8
b j
909
6
n
p

Pno.

? bb b 6
(Scriabin)

bb 8

? b b 6 nR R R J
b b b8 J

{
Henry

It has not marr'd you.

##n
b 6 j
& b bbb 8 #
> > > > #
# # #
f

Pno.

? bb b 6 # # #
b b8 # n

{
b j

### 4
911

& b bbb b

b 4

Pno.

(Scriabin)
? bb b n ### 4
bb 4

bb b ### 4
(Dorian slams the

R
lid of the piano.)
Dorian & bb 4

?b R ### 4
b bbb
4
R R 4
Henry
R

{
You are still the same.

.
b b b b ###
& b J n##
### 4
4

> > > >

f

Pno.

? bb b # n # ### 4
bb J J 4
ff
 Andante, ma agitato q = 90

### 4
173
57
>3 . j
#j
913
j j
& 4 J
r j
3 3

J r

{
Dorian

am not the same! Yes, life has been ex - quis - ite,

nb
57 Andante, ma agitato3q = 90
### 4
3

& 4 n#> # # #
3

Pno. ff

? ### 4
3
# #

3
4
> 3

### ## j j
915 3 rit. Largo

&
3 3
j j j j j j j j j
n #
Dorian

{
but I am not going to have the same life, and you must - n't

. . .
& # n n nn
## ## . . . . . . . . . . 6
rit. Largo 6

3

n# #
3

. . . . . . . . .
. .
#
3 6


3 6

p

n # n ##
Pno.

? ### n #n ## &

3 3
?
n
3
3
3 3

## j
918

&

3

3 3
#

{
Dorian
J J J
say ex - tra - va - gant things a - -

. . . . .
.
.
. # . . . . . .
# .
& # . . . . . . . . .

6 6
6 6

Pno.
#
#
? ## # & #
?

##
919 3

& n

{
Dorian

bout me.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~ b
~~~~~~~~~~~~~~~~~~~~~~~~~~~
## n
?
&

n
Pno.

? ## n & n b n
n
n b ? b n
n n b n
 ##
174
920

& n j
3 3 3 3
j j j j j j j

Dorian

{
You do not know ev' - ry - thing a - bout me.

n n b b n n n
? ## n b & n b b b n ? b n
b b n &
nb
n n
n b b b
b
6

b
Pno.
? ## n
6 6
n n
6

##
921
j
& j j j
3 3
Dorian n

{

I think, if you did,
n n # # #
## n n # #
& n n #
n # #
n n #
# #
Pno.
? ## n n #
n n
n n # #
n

## U
922 accel.
j
& b
j j
3 3 3
Dorian
# #

:;

{
e - - ven you would turn from me - - -

#
accel.
b
## n n b n # #
& n b # #
Pno.
? ## n
b n
n

## n.
58 Adagio
b
923

b bb
Dorian & J n j
.
don't laugh.

?# n 3 #
#
J J J # bbbb n

{
n
3 3
Henry
J J J
Why have you stopp'd play - ing? Adagio You must
58
# b> n
& # n J n nb b b b b n nn
>
>
sub. f p mp
>
b b n #
Pno.

? ## n# n
bbbb
 ? b b
175

n n
n J J
925

bb
3

bb bbbb
3 3 3

{
3 3
Henry J J J J J J
come with me to the club. It will do you ill to stay to - night.

b b n n n b n n bb
& b b n b b b
Pno.

? bb b n
b bb bbbb

bb b
928

& b

{
Dorian n n n b
I am tired to - night. I

n n nn b n b nn
5 5

& b b b b b b b n b b n n
p 5 5
Pno.

n n # n n b n
5 5
? b b b b n b n b b n b n b
b
p 5
5

bb b j j j j j nJ
930
3

{
& b
3 3

3
j n J J J

Dorian

shan't go to the club. It is near - ly e - le - ven.

b
n n n n b nn
5 5
n b b b n b n n
& b bb
5

? b b b n # n b n n b
Pno.
5 5
n b n b n n n b n
b
5 5

bb b j j j >
932

& b J n b n b
3
j
Dorian
J J # J n
I shall have an ear - ly night. No! I am

-
?b
b bb J
3

{
Henry
J
You must come. You

n b n >
& b b b <n> b b nn n
6 3
b n b b
b b n b n b n b
7
f
> > > mp
? b b b b<n> n b n bb n b b
Pno.
6

b n
b n

5 > 3
 b b b j 3
176

j 3j
<n> n
j j 3
934

J
3 3
Dorian & b J J J J b J
chang - ing my ways, I am chang - ing my ways. I am chang - ing my

n
3
j n
3
?b j b J J

{
b bb J
3
Henry
J J J b J J J
must come. You can - not change to me. You and I will al - ways be

n

b b b n
& b b b


n #n b
3 3 3
f3 3 3
Pno.

? b b b
3
j
3 3 3 3

b
& n #
3 3 3
=

b b bU , j j 3j #
b j
936

Dorian & b b J J
J n

U
ways, and you set me on my old path.
-
?bb #
bb
n J
J

{
Henry

friends. My dear boy

U> > b
> > 3 b
5

b b n
n n # n # n
3

&b b

b n
n bb bn b #
> nJ
u > > 3 b
p 3
U
Pno.

b b b b j j #
n
3
& b b b n b n n
> > > > n
= > 3
> > > > > > >

? # 3

{
r
938 3

J J J R
3 3
Henry J J J J J J J
>b
# <n>
You are real - ly be - ginn - ing to mo - ra - lize. You are

& n
b
f p

Pno.
#
& nnnnn ? # nb n
n
>
=
3 3

# j j j j
940 3
b
3
Dorian & J J
b b b n
Ve - ry well. I shall be there

b J J J J J
3
? # n J
3

3 3

{
Henry J J J J J J
much to de -light - ful for that. Come at least to the park - You must.

n b
3 3 3 3
# b #b n# n bb
3 3 3

& nb w
w
w
w n
mf p mf

b n b b
n
Pno.

?# n & n b ? # b J
n b 3 3
3 3
 # j j j j
177

j
943

{
&
3
j
(Henry leaves.)

3 G.P.
Dorian
at e - lev - en. Good night, Har - ry.

#
3


G.P.
& n ?
&
3 3 3 3
3 3
n
Pno.

? # w w w w
w w w w

=
59 Andante
# j 3j j j j
948 p
j
& n #
j

{
b n
#
Dorian

Can I not change? Ne - ver? Ne - ver?

59 Andante
#
& ww # w
w
w
pp
b

~~~~~~~~~~~~~~~~~~~~
Pno.

n b # nn # b n ## # # n #
7

?# n # n # n
#
7 5 7

# j 3 j j b

{
j j j j j j
950

& n R R J
3 3
Dorian

Where is my pu -ri - ty? Where is my rose - white boy - hood?

n
n
# w
w
w n
3

& w w
bw
w w
w 3
mp

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
n
&
n
Pno.
nw n b ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 > >
? # n
n b w w > #>
7 7
3

{
# j3 j j j j n> >
954 f

#
j
3
& j J J j
Dorian

# > >
I have been ll'd with cor -rup - tion. Gi - ven
> > n> > n
& #
3 3 3 3

# # # # # n
3

f p

#


# # #

& ?
# &
?
&


Pno.
j
n > > >
?# #>
>

3

# n> #>
> # > >
3
 {
# j j E
178
956 rit.

& #
#
3
Dorian
J J J J
hor - ror to my fan - cy, and joy'd in it all.

# > > > n> #> > >

rit.
n
& J J
3

#
& ?
&



Pno.

?# j
n
>
# n> #>
> # > > 3

{
=
Meno mosso

# #
# # ###

958

& ? &

?# j # # ###
Pno.

# J

=
###
959

&
3 3
Dorian

:;

{
Why did I pray for e - -

###
& ? & ?

? ### j
Pno.
J

=
###
960

&

{
Dorian

ter - - - nal youth?

? ### & ?


? ### #
Pno.
j J

=
###
Maestoso

bbb
961

&
3
Dorian
#

{

It has been my

Maestoso
? ### # & #
# ? & bbb

#
? ###
Pno.

J bbb
 bb
179

J 43
96260 ff
4
& b #
3

3 3
Dorian
4

{

fail - ure. If each sin had broughtwith it swift Pun - ish - ment, I could have been good.

60
n
^
^ ^
b b n b
7
3 4
&b b 4 b


4
^ . ^ n^ ^
f sub. ff mf

n n j
Pno.
? bb 3
4 b
4

b 4
. . b
> .

bb 4 >
967

& b 4

3 3
b b n b
3
# n

{
Dorian

^ ^
Good! There is a pu - ri - - ca - tion in pun - ish - ment,
^ ^ ^ ^ ^
b b 4 bn^
^ n b bb bn bnn n b
b n # b b b n n b n
& 4 # n n n
ff
^
3 3

^ . n^ #^
3
^ ^ . ^
3

? b b 4 ^ b .
Pno.
^
^ j b b b . bb b . n^ n b n
7

& n nn n
?
b4 . b n
b n

bb 3 3 >
4
971

& b
mf
n
3
J 4 4

{
Dorian

in swift pun - ish - ment. For - give us our sins? No! Smite us for our in -

4 bn^

^
^ ^ ^
b
bb n 3 b n
& 4 b 4
3 3 3 3

^ ^ ^ ^ #
sub. ff mf ff mf
^ . #
nn n^
Pno.

? bb j 3 b 4 ^ ^
b . . 4 b 4
. 3 3 3
3

bb
976

& b
(Dorian takes up a mirror, and, after examining himself, hurls it offstage.)

Dorian b

i - qui - ties.

J

{
&

b b
b b b n n n
b
& n b b
3 3 p
b
? b nn
Pno.

n n b
bb n n b
3 3
 {
180

bbb nnn
978

&

n n
b
&b b n nnn
Pno.
n n
n
? bb n n #
b n > nnn
> >
ff

=
61

{
- - - - - 3 j j j
J J -J J -J -j
accel.
j
980
3
&
Dorian
J J J J 4
A new life! That is what I real-ly need. That is what I am wait -ing for.
61 - - - - - - - -

accel.
- - 3
& J
>
4
3 mf
7
mf ff

Pno. 3

43
- -
- - - - - . . - -
? - . .
3

J
-
>

3
984 62

Presto q = 140

& 4

{
Dorian

I have spar'd an in - no - cent; I will

& 4
62 Presto q = 140
3









?3


Pno.

4

{
j j
991 Maestoso
4 3
&
ff
4 4
Dorian


^
ne - ver a - gain tempt in - no - cence. I will be good!
^
&
^
Maestoso

# 44
7
# 3
n 4
ff
^
^ ^
Pno.

^
b n b #
? 4 j 3
4
4
 3
181

j j j
996
4 j
& 4
4 b b b b b
Dorian
J

{

But the Port - rait... Will it change?

b b
3 4 b b b n b b
& 4 b n 4b b b n b
pp
b b b b n
? 3 b
Pno.

4 b b b b
4 4 b b
b b

=
j
3
j
999

& n

3
b
3

J J J J
Dorian
J

{

If I an pure, will it be - come pure?

n n n n b b
n n b
& n

b
Pno.
? b

=

1000

Dorian
&

{
b
b b b b
b b b
&
b b
Pno.
b b
?
b b
b b

{
=
b
b b b b b
63

1001

& b b b b

b
Pno.
? b b
b

{
=
b b > >
b b b n b n b n b b n b n
1002

b b
& b b b 7 n
ff
7

b b b
Pno.
?
b b b nn bn
b
3
 {
> >
# b > n b n n n >
182
b
7 7

1003 b n b n n #
7 7
n b b n b n
b b n
& b b
> >
?
Pno.

n> >

{
=
> >
>
7
> n b n
7
b b n b n
7
b n b n b b n b n
7
b n n b n
1004

& bbb n # n
n n
> >>
> >
Pno.

? b b
b n &

b r j
1005
r
& J
b j

Dorian

{
wb ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
b
No! Hy - po - crite! Is

&
b n
nb bn bb nn bn nb bn b n bbbb j
Pno.
& b n b n
b n b b n b b
nn
b ?
ff

j j j
b r j
1006
r r r
& b J

{
Dorian
e - - - - ven good - - - - ness va - ni - ty? A de -

b n. j b n b n. j
6 6

& b n b n b n b n > b n b n b n >

6 6
n b n b n n b n b
Pno.
?
bb

j j j j j j b j
U j j j j

1007

&
3

J b n n

{
Dorian

U
w
^ ^ ^ ^
sire for new sen - sa - tions? Was Har - ry right? (Look at all the blood!)

& n bn ^ w
w
b
ff ^ ^ pp

? nb ^ n nb ^ n n bn b nn U
Pno.
w
3
b
b n n nw
w

mf ff nw

183

b
j j j j U
1010 rit. A tempo rit.

&
# n b

3 3
j r j
3

n b n J J #
Dorian

{
These blood -y hands, which wa -ters can - not cleanse. Poi - son'd and made per - fect.
w b w
rit.

b b b n b
b

A tempo rit.

b#

& w


w

n

#
3 3 3 3
n
p
? w w
Pno. 3 3

bw bw n # & #

J J #
w w 3 3 3
3

64 Andante sostenuto q = 56
####
#
j
1013

&
p
r n

{
Dorian

This poi - - son does not kill, but

64 Andante
# n b# n # n
#### b
#w sostenuto q = 56

& # . # . . .
. . . .
3
p
#
Pno.
## # bn ? j J j J j j
J J
3

& # b
. . . .

####
1017
n
&
3

3
n

{
Dorian

holds me, And al - ways, through my clos'd

## . w n . #
& # # w. . . n . # .
. . . . . .
nn . .
## .
j j
? #### J J j J j J nJ J #J J
Pno.

. . . .

####
1020

& n

{

Dorian

lids, in my ve - ry dreams that

# # n . #
& # # . n . # . w . w
.
. # . . .
nn . . ## . . . .
j j
Pno.
# n #
? ## # J J J J J J J J j j
. . . .
 ####
184

1023
j n
& n n #- n b

{
Dorian

face - - - those fa - ces - the poi - son that does not

# # n . # n . # w n .
& # # . n . # . . n . # . n
. . .
nn . . ## . . nn . . ## . . n
? #### nJ J #J J nJ J #J J nj J j J
Pno.

. .

#### n
1026
n
&

{
# n n
Dorian

kill. E - - ven in my ve - ry

## w . n. b n n . . n b . n. b n n . . n b .
& # # n
. .j .j .j .j .j .j .j .j .j .j
.
.

# nb

b n nb
bnn
n n bn b
Pno.

? #### nj j
n b

####
1029

&

{
Dorian
-
dreams, that face - - - - - - those fa - ces - - -

# ## ## . # n #
n . . ##
# n nw n n .
& # #. # . . . n .
. . .j .j . . . .j b .
. .
Pno. # j j #n # # j j n# j j n j
? #### # # ##w n J J
n . .

####

1032

&
n

{
Dorian
n
. . . . . .
Sy - - bil, Ba - - sil?

#### w. n n n# n n n n
& n n n b n b n

. . .. .
.
n . . .j

.j
n j .j .j .j .
n j
.
j
b n nn n #
Pno.

? #### nj J j J # # n
n . . 3 3
 ####
185

1035

&
j j

{
Dorian
J n
Het - ty? Cu - ri - ou - si - ty?
. . . . . . . .
#### nw n nw n . n n n n
& n n J n n J n n

.
Pno.
.j .j n
? #### nw j j

n
n . .J
J
. . n J
. .J

####
1038

&
n
J

{
Dorian

Va - ni - ty? Hy - po - cri - sy?

. . . . . .
.
#### bn # n n n b n n n n
& n nnw n
. . J
. . .
.j . .j . . . .j
Pno.
j b j n nnn # j j n j . .j
? #### # n # n jw
n

3 3

####
1041

&
n 3 n
3

3

J J J J J J J J # # n

{
b
Dorian

. . .
I see them all in that hi - deous mask. There is death in these

#### nw n b n . . n . b n . n
n .
& n n J
. . . . .


.

. n

. . n . .
j j
Pno.
? #### n n #
J J J J J J
n
J J
. .

#### j j j j j j j
<#>
1044
n #
& J J
J n

{
Dorian

curv'd lips and sal - low cheeks. Death has set his mark on me.
. . . . . .
#### nw n n nw n
& n n n J n n n J n
. . . .
n n
j j j j
Pno.

? #### n J J n J J nw w
. . . . w
 ####
186
65 Pi mosso, quasi recit.
& <n>
bb j j j j j j j j j
1047

Dorian
I see no - thing else. I think of no - thing else.

{
65 Pi mosso, quasi recit.
n
.
##
& # # n bb w J
? #### w
bb w
Pno.
w w
w

b
1050 accel.

& b
3
Dorian

{
What is
accel.

b
&b
? bb
Pno.

bb
1051 Andante
5
&

3
Dorian 4

{
:;
youth with - out in - - no - cence? With - out peace?

Andante

b b
w
w
w
w 5
& 4

fp
? bb 5
Pno.

3

&
4

bb 5
1054 66

& 4 b
dolcissimo

{
Dorian
I wan - ted on - ly beau - ty. I have search'd the
66 sempre legato
b 5 b b b n
& b 4 b n b


pp
Pno.
n
b5
&b 4 ?
 bb
187

j
rit. accel. A tempo
b b3
1059

&
n j

{
Dorian

world for art, and what do I see? That face! That face...

#
J

rit. accel. A tempo
b
& b b


b n

b
f p
Pno.
b n
? bb J

=
bb
p
j
1063

j j j j j 46 j j 4
3
j
& j j j
3 3

n b 4

{
Dorian

It is al - ways be - fore me. How can I change? How could

bb 6
4
4
b
& w
w 4
b n w ~~~~~~~~~~~~~~~~~~~~
? bb 6 n b b n bn n b n 4
Pno.
4

4
7 5

=
b4 j n b
f
j j
1065
j
& b 4 n j
3

R J b b
n
Dorian

{
n
I be good with that de -vil's eye on me?

n b
b4 # n
& b 4 nw bn w
w

nw
b n w
? b 4 nnn# # b n nw n b n n bw
7

bb w
Pno.

# n n b n#
b 4 n b w
7 7 7
b ~~~~~~~~~~~~~~~~~
=
bb
67 Adagio, quasi recit.
b b b b b b r r r j r r r j r r r r j j r r r r r j
1068

&
3

3 3 3 3
Dorian

{
I am a - lone. E -ven the worst of those I ru -in'd has com -pa - ny in de - spair...

67 Adagio, quasi recit.

b b b
b b bb w
&b

w
? bb ww
Pno.

w bbbbbb w n
<>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b ~~~~~~~~
=
bb b b 3
r r r r r r r r r b
r j r
1071 3

& b b r r r j r r r r r b
3 3

{
Dorian
n n b n
b b b b b I am a- lone. This se -cret lls my thoughts. It drains the co -lour from ev 'ry sen - sa - tion. The
& b n
Pno.
n n
? bb b b
b b <n> b
<>~ n
b ~~~~~~~~~~~~~~~~~~~ n
b ~~~~~~~~~~~~~~ b ~~~~~~~~~~~
 b b b b 3 r r 3r r
188
1074 Andante accel.

& b b R R

3 3
Dorian
b n

sa -vour from ev -'ry ex - cess. I have known all plea -sures but peace.

b
& b bbbb
ppp, sotto voce
w
S.

Thou art in the ba - lan - ces, and art found want - ing.

bb ppp, sotto voce

& b b bb w


A.

Thou art in the ba - lan - ces, and art found want - ing.

bb ppp, sotto voce

& b b bb w

T.
n
Thou art in the ba - lan - ces, and art found want - ing.

ppp, sotto voce
? bb b b w
B. bb

{
Thou art in the ba - lan - ces, and art found want - ing.

Andante accel.
bb
& b b bb b

w nnnw
<n> b ww
o

f
? bb b b
Pno.

nw
<n>
bb
<>~~~~~~~~~~~~~~~~~~~~~~

bb b b j j
Allegro agitato
bb
1079

& b b

Dorian
J J J J

Is there no es- cape? With -out

b bb w
& b bbbb
pp
w
<>
S.
Thou art

b bb w
& b bbbb
pp
w
A.


Thou art

b bb w
pp
& b bbbb w

T.

Thou art

bbbbbb
pp
? w w
B.

bb

{
Thou art

n n j j n
b n
Allegro agitato
b bb
& b bbbb J

J J

n

j
Pno.

f f
? bb b b bb ?
bb w &

 bb j
189
rit. A tempo
j j j j n
1083

& j j j J J
3
j
3
J

Dorian

mov - ing, it hunts me. I am pur -su'd to ev - 'ry cor -ner of the Earth!
b
S. & b w
in the ba - - - lan - - ces, and

b
& b w


A.

in the ba - - - lan - - ces, and

b
& b w

T.

in the ba - - - lan - - ces, and

? bb w

{
B.

in the ba - - - lan - - ces, and

b
rit. A tempo

j
b b n

&
J n bw
w
w
w w
w
Pno. ff

? b b w

w nw nw
b w w

bb
1087

& j
3
Dorian n

Is there no peace? My

b
& b b w

S.

art found want - - - ing.

b
& b
w
A.

art found want - - - ing.

b
& b w

T.
n
art found want - - - ing.

? bb
w

{
B.

b bb b n b b
art found want - - - ing.

j j n j n j
b b b
b b
b b b b b
&b b b b

b j b b
Pno.

? bb b
& b b
b
 bb j j j j j j j j
190

bbbb
1089

&

Dorian


soul is hang -ing there up - on the wall.
mf
w
bb bbbb
<b>w
&
S.

Thou art

b bbbb
mf
& b w
w
A.

Thou art

mf
b bbbb w
& b w

T.

Thou art

mf
w

? b
B. b w bbbb

{
Thou art

w
bb
b bb bnn b b b b ww
bw
b
& J b bbnw
w
w bw
w
w
bb b

3
Pno.
b b b b
mf

b ? b b b bbbb w
&
b
b bw b & w n
3

bb b
1095

& b
3
Dorian

I can have no joy while this thing lasts. It is my
b
S. & b bb w w
in the ba - lan - ces, and art found want - ing.

b
& b bb w

b bw
A.

in the ba - lan - ces, and art found want - ing.

b
& b bb w w

T.

in the ba - lan - ces, and art found want - ing.

? bb b w
n w
b

{
B.

in the ba - lan - ces, and art found want - ing.

w
b b b b
ww


n w
& ww
b
& b b b
Pno.

n n nw
w n w
w
 bb b
191
1102
n n 3 n
& b

3 3
Dorian

con - science. This is my con - science, and it will give me no
mf
w
b
& b bb
S. w n n n nw
Thou art in the ba - lan - ces,

b
& b b b <b> w
mf

A. w w
Thou art in the ba - lan - ces,

mf
bb w n n n nw
& bb w

T.

Thou art in the ba - lan - ces,

mf
nw n

? bb b w n n n nw

{
B. b

nn

n
b

Thou art in the ba - lan - ces,

nw
ww n n n

b w
& b b b ww
mf
Pno.
bb

nw nn
&b b w w nn n n nn nnw
w
w

bb b w bb
1109

& b
p 3
Dorian

rest. This is the knife that kill'd the
o
S.
b
& b bb n w w bb
and art found want - ing.

o
b bb
& b bb w w


A.

and art found want - ing.

o
b
& b bb n w w bb

T.

and art found want - ing.

{

o
bbbb
? n w w
B. bb

and art found want - ing.

b n w w
& b bb ww ww bb
o
Pno.

b bb w
& b bb n n nn w
w w
w w
 bb
192
rit. 68 Adagio
j j
1117

# #
&
Dorian #

{
pain - ter. Let it kill the pain-ter's work. So bright! So clean! So per - fect!

68 Adagio

rit.
nw w w
b n w
w w
w w
w j
b b J
&b
pp fp f

b n
Pno. 3 3

b J
&b w w w ?

p

{
=

b
1123

& b b
> > >
# n j
& bb n b bn bn b n nb
Pno.
b b
j
3

bn b j
3
nb b bnw b
? bb b n b
nJ
ff

1125 b b
>
f

###
S. &
Sir!

b > ###
f
A. & b
Sir!

>
f
b ###
& b

T.

{
Sir!

>
f

bb
B.
? ###
Sir!

> > > > > > > >

> > n b n n
b b
b n n b
nn n b n
###
& b n b b b n

fff

b ## n ## n## #n# b j ###

Pno. &b J n nb nb #
n n j #
n n# # #
? bb # ###
# # # #
J
j
# n #

193

##
1127 > > > >
3 4
S. & # J J 4 4
Mis - ter Gray! Sir!

## > > > 3 > 4

A. & # J J 4 4
Mis - ter Gray! Sir!

## > > > >

3 4
& # J J 4 4

{
T.

Mis - ter Gray! Sir!

> > > >

#
? ## J J 3 4
B. 4 4
Mis - ter Gray! Sir!

n #w
### n #w
3 #> > 4
& 4 b#n n# 4
> 3 b
### > 4
ff

b 3
& b n 4 n # 4
n# #n
Pno.

ff . . > > >

fff ff

b b
? ### 3 4
b 4 # # 4
#>e #>e
ff

>
ff
>
? # # 4

{
nnn 4
1130
6
#4
Henry 4 4


Do - rian!

### 4 b # w> > nnn 4 J
& 4 n n ww
w
w
6
4 J bnn#ww
w
w
w 4

# #4 6 nnn 4
& # 4 nw 4 4
n# w w n#n w
ww
Pno.

w
> w
>
? ### 4 6 nnn 4
4 #w 4 #w 4
# >% # >%

{
#w w U
w
#

w #
1133

& #w w
ww w
ww w
ww w w
w w
ww w
ww w
ww w w

Pno.
# w w w w U
w
? # ww
w ww
w ww
w

w w w w w

w w w w w