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THE
GREAT
UNKNOWN
UNKNOWN
Photograph by Andrew Myers September 2016, ScientificAmerican.com 81
I was on stage in 2012 with a great writer, the late Iain Banks,
when he made this reply to a question from an audience at the
British Library about what might be coming. It got a big laugh.
We are all interested in the future. In our personal lives, when
thinking about the future of humanity and even Earth itself, we
keep trying to make predictions. But it never seems to work. We
tend to hope there is a form of thought that can forecast success-
fully, and science fiction is often where we place that hope. But
those of us who write science fiction have the firsthand experi-
ence to know that when it comes to foretelling, nothing is cer-
tain. Practice does not make perfect, although it does perhaps
outline the parameters of the problem.
In the project of constructing our own lives, pre- being; in this case, the dimension is time. Its history,
diction is a matter of modeling possible outcomes made more visible than usual by way of science fic-
IN BRIEF
based on potential courses of action we can pursue in tions exercise of imaginative vision.
the present. Thats precisely the kind of prediction
Science-ction science fiction does for society at large. It needs to be With the structure of the genre made clear, we can
writers are no better understood as a kind of modeling exercise, trying on return to the idea of prediction. To get anything use-
than anyone else at
various scenarios to see how they feel, and how delib- ful out of the exercise, you need not just one predic-
predicting what is to
come. The future, af- erately pursuing one of them would suggest certain tion but the whole spread of them, because there is
ter all, is unknowable. actions in the present. Its a very fundamental human not a single future already baked into our current
Often people try activity, a part of decision making, which is crucial to moment. Given where we are now, everything from a
to extrapolate a re- our ability to act. horrible mass extinction event to a stable utopian civ-
cent trend straight Yet all these possible futures that science fiction ilization could come to pass. In such an open situa-
into the future, but presents are not just forecasts but metaphorical state- tion, describing the range of possibilities itself is use-
society and technol-
ments about the feel of the present: It feels like time ful, even striking. But given how wide this range is,
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