Beruflich Dokumente
Kultur Dokumente
Gravement
Treble 1
Treble 2
4
9
14
19
24
doux
28
doux
Gai
32
Les croches gales
36
39
42
45
48
3
54
57
doux
60
fort
63
66
69
Allemande
Jacques Hotteterre dit le Romain
Treble 1
Treble 2
4
3
1.
6
2.
9
14
17
1.
2.
20
5
Gracieusement
Treble 1
Treble 2
4
8
12
16
6
20
24
28
32
36
7
Treble 1
Treble 2
5
10
16
21
26
8
31
36
41
46
51
86
Treble 1
Treble 2 86
9
5
11
17
23
29
35
Doux
Doux
10
6
12
18
23
29
35
11
41
47
53
59
65
73
12
83
88
94
100
3
3
106
3
3
13
112
118 Mineur
124
130
136
142
3 3
148
3
3
14
Treble 1 3
4
7
14
21
29
38
46
55
62
67
71
76
15
81
87
93
99
105
3 3
111
Mineur
117
123
130
136
142
3 3
148
3 3
16
Treble 1 3
4
7
13
20
27
34
41
48
55
62
68
74
81
17
87
93
100
107
3
113
119
125
132
139
147
Trs
tendrement
Tr 1
Tr 2
3
6
9
12
p
p
15
f 3
f
non-commercial copy Welcome. Transcription Marc Lanoisele d'aprs dition 1717
2
18 Gay et croches gales
21
24
27
30
33
35
38
40
42
45
47
50
doux
doux
4
Trs lentement
52
Majestueusement et piqu
Tr 1
Tr 2
3
5
7
doux
doux
1.
2.
9
5
12
14
16
18
1.
20
2.
23
doux
doux
6
Tr 1
Tr 2
5
Fine
11
16
22
D.C. al Fine
27
7
3
Tr 1
4
Tr 2 3
4
5
10
15
|
20
On reprend la Musette
8
6
Tr 1
8
6
Tr 2
8
4
7
1.
10
2.
13
16
9
20
24
28
1.
2.
32
Lentement
Tr 1 3
4
3
Tr 2
4
7
10
14
20
25
31
41
11
Tr 1
Tr 2
1.
2.
5
9
17
12
21
25
29
33
38
13
Tr 1
Tr 2
1. 2.
5
Fine
11
16
22
27
D.S al Fine
On reprend le Rondeau 1
15
86
Tr 1
Tr 2 6
8
5
9
13
18
16
23
28
doux
doux
33
1.
2.
37
doux
doux
42
17
43
Tr 1
Tr 2 43
5
+
10
16 |
+
|
Gay |
6
22
8
6
8
28
|
18
34
40
46
52
!
57
3
4
+ et gruppetto
3
Rondeau 2 Un peu moins lger. (tonalit plus jouable) Jacques Hotteterre dit le Romain
Tr 1
Tr 2
1. 2.
5
Fine
11
16
22
27
D.S al Fine
Deuxime suite de pices deux dessus
Extraits pour fltes bec alto et Tenor
Majestueusement et piqu
Treble
Tenor
3
5
7
doux
doux
1. 2.
9
12
14
16
18
20
1.
2.
22
doux
doux
24
5
Fine
10
15
21
D.C. al Fine
27
43
Treble
Tenor 43
5
10
15
|
20
On reprend la Musette
5
Lentement
3
Treble
4
Tenor 3
4
6
13
19
24
31
6
37
41
6
Treble
8
Tenor 6
8
6
11
17
7
23
29
doux
doux
1. 2.
35
doux
doux
41
3
4
+ et gruppetto
3
Andante
opus 1 Sonate 4 original in G
treble 1
treble 2
4
7
p
f
p f
10
13
p
f
p f
16
19
22
25
28
30
p
p
33
p
f
f p
3
37
f
f
2
treble 1
4
2
treble 2
4
5
10
15
20
4
25
30
35
40
44
49
54
5
6
treble 1
8
6
treble 2
8
Fine
7
19
26
3
treble 1
4
treble 2 3
4
5
9
14
20
25
7
treble 1
6
treble 2
8
10
15
20
25
8
30
35
40
45
50
1 2
55
59
Treble 1
Treble 2
3
5
8
10
12
14
16
18
3
3
3
4
Treble 1
Treble 2 3
4
6
3 3 3 3 3 3 3
3
3 3
11
3 3
3 3
16
3
22
27
32
37
42
3 3 3 3 3
3 3 3 3 3 3
46
3 3 3 3
3
3
51
3 3
3
3 3
3
4
Fine
43
Treble 1
43
Fine
Treble 2
11
23
D.S. al Fine
36
43
Treble 1
43
Treble 2
10
5
Treble 1
Treble 2
4
8
12
p f
p f
16
20
6
24
28
32
36
p
40
f
f
44
7
48
52
p
f
p f
57
62
66
70
p f
p f
7
13
19
p
p
25
f
f
31
non-commercial copy Welcome. Transcription Marc Lanoisele d'aprs dition 1728
2
37
43
48
54
p
60
f
66
72
3
78
86
Treble 1
Treble 2 86
4
7
10
13
p
p
4
42
Treble 1
Treble 2 42
6
12
3
18
3 3
3 3 3 3 3
3
23
3 3 3
3
3 3 3 3 3
3
28
3 3
3
3
5
43
Treble 1
Treble 2 43
7
15
22
29
6
36
44
51
59
66
74
7
43
Treble 1
Treble 2 43
3
6
10
13
16
3
8
19
3
3
22
3
3
3
3
25
3
Arr. P.J.A. Kieviet
83
3
8
6
12
18
24
30
36
2
42
48
54
b b b b 3 K K
K
K
alto recorder 4
=====================
l& l =l
l _ l _ l
bass recorder l
b b b 43 l
l
l? b
===================== l =l
_ _
_
_ _ _
bb b b K K K K n _ K K
_ _ _ _
= l
3
l========================
& l l
l l
_ _ l l
_
l b b b b l l l
l========================
? l l =l
bb b b n _ K K _ K K _ K K
l l = l
6
l========================
&
l l
_ l l
l b b b b l
l
l
l
l========================
? l =l
bb b b _ K K _ K K n _ K K
l l = l
9
l========================
&
l l l l
l b b b b
l
l n
l
========================
l? l l =l
bb b n _ K K n K K n K K
& b l l = l
12
l========================
l n
l l l
l b b b b n l l l
l========================
? l l =l
1
__ __ _ _ n
bb b b K K n K K n _ K K
_
l l = l
15
========================
l&
l _ l l l
l b b b b l n l n l
l========================
? l
l =l
n_
__
n_ n__ _ _ K K
b b b b n K K K K
l l
18
l========================
& =l
l l l l
l b b b b n l l
l
l========================
?
l
l =l
_
___ __ __ n
___ _ _ _
___ __ __
_
bb b b K K _
K K _
# K K
l
l = l
21
l========================
&
l _ l n_ n l _ l
l b b b b l l =ll
l========================
? l l
_
n__ _ _ n _
__ _ _ __
b
K
K
b b b K K n K K
l = l
24
l========================
& l
l n
l l l
l b b b b l n
# l
l
l========================
?
l
l =l
n
bb b b n _ K K n_ K K n n _ K K
l l = l
27
========================
l&
l l l l
l b b b b n l # l n l
l========================
?
l l =l
2
bb b b K K n K K n n K K
l l = l
30
========================
l&
l l l l
l b b b b l
l n l
l========================
? l l =l
bb b n n K K
n_
b n K K n K K
l
33
l========================
& l =l
l l l l
l b b b b
l n l
l
l
l========================
? l =l
n
_ n_
b__ __
_ __ __
K
K
b b b n K K n K K
b l = l
36
l========================
& l
l l _
l
_
l
l b b b b
l
l l
l========================
? l l =l
bb b b _ K K
_
l K =
n
K l
39
========================
l&
l l l
l b b b b
l
l
========================
l? l =l
U
_
_
b b b n K K
_
n
_
g _
b
n n gg n
l l =
41
l========================
&
l l l
l b b b b
l l
l========================
? l l =
Begin the arpeggio on the final chord at the bottom note and play the two lowest notes as a double appogiatura.
3
Duo No. 1 for Clarinet and Bassoon WoO 27
(Arranged for Treble and Bass Recorders by Martin Grayson)
Ludwig van Beethoven
No. 1 Allegro commodo
Allegro commodo
Treble Recorder
Bass Recorder
4
Tr. Rec.
B. Rec.
7
Tr. Rec.
dolce
B. Rec.
dolce
11
Tr. Rec.
p
B. Rec.
p
15
Tr. Rec.
B. Rec.
20
Tr. Rec.
dolce
B. Rec.
dolce
24
Tr. Rec.
p
B. Rec.
p
2
28
Tr. Rec.
mf
B. Rec.
mf
32
Tr. Rec.
B. Rec.
36
Tr. Rec.
dolce
B. Rec.
dolce
40
Tr. Rec.
cresc. f
B. Rec.
f
43
Tr. Rec.
p
B. Rec.
p
47
Tr. Rec.
p
B. Rec.
p
51
Tr. Rec.
f
B. Rec.
f
3
54
Tr. Rec.
B. Rec.
58
Tr. Rec.
p
B. Rec.
p
62
Tr. Rec.
cresc.
B. Rec.
cresc.
66
Tr. Rec.
B. Rec.
71
Tr. Rec.
dolce f
B. Rec.
f
75
Tr. Rec.
B. Rec.
79
Tr. Rec.
B. Rec.
4
82
Tr. Rec.
p cresc.
B. Rec.
p
85
Tr. Rec.
B. Rec.
88
Tr. Rec.
p
B. Rec.
p
91
Tr. Rec.
cresc.
B. Rec.
cresc.
95
Tr. Rec.
dolce
B. Rec.
dolce
99
Tr. Rec.
sf
cresc.
B. Rec.
103
Tr. Rec.
B. Rec.
5
106
Tr. Rec.
dolce cresc.
B. Rec.
dolce cresc.
110
Tr. Rec.
f
dolce cresc.
B. Rec.
dolce cresc. f
q = 76
2 - Larghetto sostenuto
Larghetto sostenuto
114 1
Tr. Rec.
B. Rec.
6
Tr. Rec.
B. Rec.
p
11
Tr. Rec.
B. Rec.
16
Tr. Rec.
B. Rec.
21
Tr. Rec.
B. Rec.
6
26
Tr. Rec.
B. Rec.
30
Tr. Rec.
p
cresc. attacca Rondo
B. Rec.
p
Allegretto q = 152
3 - Rondo
1
Tr. Rec.
dolce
B. Rec.
6
Tr. Rec.
mf
B. Rec.
mf
10
Tr. Rec.
B. Rec.
14
Tr. Rec.
dolce
B. Rec.
staccato
18 Fine
Tr. Rec.
f
B. Rec.
f
7
23
Tr. Rec.
3
3 3 3 3
B. Rec.
3 3
3
27
Tr. Rec.
3 3
B. Rec.
3 3 3
3
31
3
Tr. Rec.
3 3
3 3 3
B. Rec.
3 3
35
3 3
Tr. Rec.
3 3 3
3 3 3
B. Rec.
3
39
Tr. Rec.
3
f 3 3 3 3
B. Rec.
3 3
f 3
43
Tr. Rec.
3 3 3 3
3 3 3 3
3 3 3
3 3
B. Rec.
3 3 3
46
Tr. Rec.
3 3 3 3 3 3
3
3 3
3 3
3 3
B. Rec.
3 3 3
8
50
Tr. Rec.
3
dolce
3
B. Rec.
dolce
55
Tr. Rec.
B. Rec.
60
Tr. Rec.
B. Rec.
65
Tr. Rec.
f
cresc.
B. Rec.
cresc. f
70
Tr. Rec.
B. Rec.
dolce
75
Tr. Rec.
B. Rec.
80
Tr. Rec.
B. Rec.
9
85
Tr. Rec.
ff
B. Rec.
ff
90
Tr. Rec.
dolce
p
B. Rec.
p
D.S. alFine
96
Tr. Rec.
cresc.
B. Rec.
cresc.
Drei Duos for Clarinet and Bassoon WoO 27 (No. 2)
(Arranged for Treble and Bass Recorders by Martin Grayson)
I - Allegro affettuoso
Allegro affettuoso
Ludwig van Beethoven
1
Treble Recorder
p
Bass Recorder
p
Tr. Rec.
B. Rec.
Tr. Rec.
B. Rec.
13
Tr. Rec.
B. Rec.
17
Tr. Rec.
p
B. Rec.
20
Tr. Rec.
B. Rec.
24
Tr. Rec.
cresc.
B. Rec.
cresc.
2
28
Tr. Rec.
dolce
B. Rec.
dolce
33
Tr. Rec.
B. Rec.
36
Tr. Rec.
B. Rec.
40
Tr. Rec.
cresc. dolce
B. Rec.
cresc. dolce
44
Tr. Rec.
B. Rec.
49
Tr. Rec.
f
p
B. Rec.
mf p
53
Tr. Rec.
mf p f p
B. Rec.
mf p p
3
58
Tr. Rec.
B. Rec.
63
Tr. Rec.
p
B. Rec.
p
67
Tr. Rec.
mf
B. Rec.
71
Tr. Rec.
B. Rec.
74
Tr. Rec.
dolce
B. Rec.
dolce
79
Tr. Rec.
p
B. Rec.
83
Tr. Rec.
B. Rec.
4
88
Tr. Rec.
B. Rec.
93
Tr. Rec.
B. Rec.
96
Tr. Rec.
B. Rec.
100
Tr. Rec.
B. Rec.
104
Tr. Rec.
dolce
B. Rec.
109
Tr. Rec.
mf p
B. Rec.
mf p
114
Tr. Rec.
mf p f
B. Rec.
mf p f
5
118
Tr. Rec.
B. Rec.
II - Aria
Larghetto
121 1
Tr. Rec.
B. Rec.
Tr. Rec.
B. Rec.
13
Tr. Rec.
p
B. Rec.
p
20
Tr. Rec.
cresc.
B. Rec.
$1
25
Tr. Rec.
B. Rec.
8
Tr. Rec.
B. Rec.
6
16
Tr. Rec.
f
B. Rec.
f
Fine
22
Tr. Rec.
B. Rec.
29
Tr. Rec.
B. Rec.
36
Tr. Rec.
B. Rec.
43
Tr. Rec.
B. Rec.
49
Tr. Rec.
B. Rec.
55
Tr. Rec.
B. Rec.
7
3
61
Tr. Rec.
3 3 3
3 dolce
B. Rec.
67
Tr. Rec.
B. Rec.
dolce
73
Tr. Rec.
B. Rec.
80
Tr. Rec.
cresc,
B. Rec.
87
Tr. Rec.
f p
B. Rec.
p f
94
Tr. Rec.
p mf
B. Rec.
p mf
100
Tr. Rec.
dolce
B. Rec.
mf
8
107
Tr. Rec.
sf
sf p
B. Rec.
115
Tr. Rec.
B. Rec.
122
Tr. Rec.
B. Rec.
129
Tr. Rec.
B. Rec.
135 D.S. al Fine
Tr. Rec.
B. Rec.
Drei Duos for Clarinet and Bassoon WoO 27 (No. 3)
(Adapted for treble and bass recorders by Martin Grayson)
q = 126 Ludwig van Beethoven
Allegro sostenuto.
1
Treble Recorder
p
Bass Recorder
p
7
Tr. Rec.
B. Rec.
11
Tr. Rec.
B. Rec.
14
Tr. Rec.
dolce
B. Rec.
dolce
19
Tr. Rec.
f
cresc.
B. Rec.
cresc. f
24
Tr. Rec.
p
B. Rec.
p
29
Tr. Rec.
B. Rec.
2
33
Tr. Rec.
B. Rec.
38
Tr. Rec.
B. Rec.
41
Tr. Rec.
B. Rec.
44
Tr. Rec.
p
B. Rec.
p
49
Tr. Rec.
p
B. Rec.
54
Tr. Rec.
f
B. Rec.
f
58
Tr. Rec.
f
B. Rec.
f
3
62
Tr. Rec.
B. Rec.
67
Tr. Rec.
p
B. Rec.
p
72
Tr. Rec.
f
B. Rec.
f
77
Tr. Rec.
p
B. Rec.
84
Tr. Rec.
B. Rec.
89
Tr. Rec.
f
B. Rec.
f
93
Tr. Rec.
B. Rec.
4
97
Tr. Rec.
p
B. Rec.
p
102
Tr. Rec.
B. Rec.
107
Tr. Rec.
mf
B. Rec.
f
111
Tr. Rec.
B. Rec.
114
Tr. Rec.
B. Rec.
117
Tr. Rec.
B. Rec.
121
Tr. Rec.
B. Rec.
5
126
Tr. Rec.
f
B. Rec.
f
130
Tr. Rec.
B. Rec.
Tr. Rec.
dolce
B. Rec.
Tr. Rec.
B. Rec.
13 Var.I
Tr. Rec.
Var.I
B. Rec.
19
Tr. Rec.
B. Rec.
24
Tr. Rec.
B. Rec.
6
30 Var.II
Tr. Rec.
3 3 3 3
3 3 3 3
Var.II
B. Rec.
p
35 3
Tr. Rec.
3 3 3 3
3
3 3
3
B. Rec.
39 3
Tr. Rec.
3 3 3 3 3 3 3 3 3 3
3
3 3
B. Rec.
44 3
Tr. Rec.
3 3 3 3 3 3 3 3 3
3 3 3
3 3
B. Rec.
49 3 Var.III
Tr. Rec.
3
Var.III
B. Rec.
54
Tr. Rec.
B. Rec.
59
Tr. Rec.
B. Rec.
f
7
64 Var.IV
Tr. Rec.
Var.IV
B. Rec.
67
Tr. Rec.
B. Rec.
70
Tr. Rec.
B. Rec.
73
Tr. Rec.
mf
B. Rec.
mf
76
Tr. Rec.
B. Rec.
dolce
79
Tr. Rec.
p
B. Rec.
81
Tr. Rec.
f
p
B. Rec.
f p
8
Allegro assai
87
Tr. Rec.
f
B. Rec.
f
94
Tr. Rec.
B. Rec.
100
Tr. Rec.
B. Rec.
106
Tr. Rec.
B. Rec.
112
Tr. Rec.
B. Rec.
115
Tr. Rec.
B. Rec.
Sonatina in D (now G)
Ji Antonn Benda (1722-1795)
Treble Recorder
Tenor Recorder
1.
13
2.
20
27
34
41
48
1.
53 2.
Sonatina in F Major
Ji Antonn Benda (1722-1795)
Andantino
Treble Recorder
Tenor Recorder
11
14
17
21
25
27
Duetto I (London 1779)
Christian Cannabich (1731-1798)
I - Allegro
Treble Recorder
Tenor Recorder
13
18
22
2
28
32
36
42
46
50
3
54
59
65
71
76
81
85
90
94
99
104
108
5
113
119
123
128
134
138
6
143
II - Rondo
Andantino 7
Treble Recorder
Tenor Recorder
151
157
3
3
162
3 3
165
171
176
181
186
191
197
3 3 3 3
202
208
3 3 3
3 3
3
Adagio (rit.)
213
Andantino
219
223
Deck the Hall with Boughs of Holly Welsh traditional
Descant Recorder
Treble Recorder
10
Descant Recorder
Treble Recorder
13
2
Good King Wenceslas Looked Out
14th century, arrangement based on Stainer (1840-1901)
Descant Recorder
Treble Recorder
26
Descant Recorder
Treble Recorder
12
Joy to the World! 3
(Traditional)
Descant Recorder
Treble Recorder
23
30
37
41
4
O Come, All Ye Faithful
Trad. based on Thomas Greatorex, (1757-1831)
Descant Recorder
Treble Recorder
15
Descant Recorder
Treble Recorder
27
32
The Holly and the Ivy 5
traditional
Verse
Descant Recorder
Treble Recorder
7 Refrain
12
Descant Recorder
Treble Recorder
6
Unto Us a Boy is Born (Piae Cantiones, 1582)
Descant Recorder
Treble Recorder
14
Descant Recorder
Treble Recorder
25
32
Suite for Treble Recorder and Violin
1 - Prelude Martin Grayson Op.34 No. 1
Treble Recorder
f 3 3
Violin
dim. p 3 3 3
pizz. pizz.
arco
dim. p
7
3
3 f 3 dim. 3 3 3
3
p
3 3
3
f dim. p3
10 3
f 3
pizz. arco
12
2 - Allemande 3
1
mf
f
mf
f
p
p
9
mf
f
mf
f
12
f
14
mp
mp
4
3 - Courante
1
mp mf
mp
f
mf
11
p
16
cresc. f
cresc. f
21
mp 7
mp
23
5
h = 84
4 - Sarabande 5
26
29
mp
mp
32
cresc. f p
cresc. f p
35
5 - Gigue
6
38
f
40
mp
mp
42
mf
mf
44
46
mp
mp
7
48
50
mf
mf
1.
52
2.
54
Invention
Martin Grayson Op. 34 No. 2
Treble Recorder
mf
Violin
mf
6
f
f
11
p
p
16
21
2 26
f p
f p
31
f mp
f
36
p
mp
42
p
Reminicences of a Piano Piece Op. 25
Martin Grayson Op. 34 No. 3
Treble Recorder
p f
Violin
p
f
9
p f
p
f
17
p 3
25
34
3 3 3
p mp
p
mp mp
41
46
mf
mf
mf
mf
55
f f
f f
2
67
p
pizz.
73
f 6 6 6 mp
arco
mp
f
79
3
3
mf
84
mf f
f 3
88
mp
3 3
3 3
92
3 3
mp 3 3 3 3
3
3
3 3 3 3
mp
96
3
p
3 3
Fantasia for Two Treble Viols
q = 200 1st fantasia in the Cambridge manuscript, originally down a 5th
Orlando Gibbons
Treble 1
Treble 2
4
Tr. Rec.
Tr. Rec.
Tr. Rec.
Tr. Rec.
10
Tr. Rec.
Tr. Rec.
13
Tr. Rec.
Tr. Rec.
16
Tr. Rec.
Tr. Rec.
2
19
Tr. Rec.
Tr. Rec.
22
Tr. Rec.
Tr. Rec.
24
Tr. Rec.
Tr. Rec.
26
Tr. Rec.
Tr. Rec.
29
Tr. Rec.
Tr. Rec.
31
Tr. Rec.
Tr. Rec.
3
33
Tr. Rec.
Tr. Rec.
35
Tr. Rec.
Tr. Rec.
37
Tr. Rec.
Tr. Rec.
39
Tr. Rec.
Tr. Rec.
41
Tr. Rec.
Tr. Rec.
Fantasia for Two Trebles
q = 132
Orlando Gibbons
3rd fantasia in the Cambridge manuscript, up a fourth, original note values
Treble 1
Treble 2
7
Tr. Rec.
Tr. Rec.
13
Tr. Rec.
Tr. Rec.
19
Tr. Rec.
Tr. Rec.
25
Tr. Rec.
Tr. Rec.
30
Tr. Rec.
Tr. Rec.
35
Tr. Rec.
Tr. Rec.
2
40
Tr. Rec.
Tr. Rec.
45
Tr. Rec.
Tr. Rec.
49
Tr. Rec.
Tr. Rec.
52
Tr. Rec.
Tr. Rec.
55
Tr. Rec.
Tr. Rec.
59
Tr. Rec.
Tr. Rec.
64
Tr. Rec.
Tr. Rec.
3
68
Tr. Rec.
Tr. Rec.
73
Tr. Rec.
Tr. Rec.
78
Tr. Rec.
Tr. Rec.
83
Tr. Rec.
Tr. Rec.
87
Tr. Rec.
Tr. Rec.
91
Tr. Rec.
Tr. Rec.
95
Tr. Rec.
Tr. Rec.
Fantasia for Two Treble Viols
5th fantasia in the Cambridge manuscript, originally down a 4th
q = 138
Orlando Gibbons (1583-1625)
Treble 1
Treble 2
Tr. Rec.
Tr. Rec.
7
Tr. Rec.
Tr. Rec.
10
Tr. Rec.
Tr. Rec.
13
Tr. Rec.
Tr. Rec.
16
Tr. Rec.
Tr. Rec.
19
Tr. Rec.
Tr. Rec.
2
22
Tr. Rec.
Tr. Rec.
25
Tr. Rec.
Tr. Rec.
28
Tr. Rec.
Tr. Rec.
30
Tr. Rec.
Tr. Rec.
32
Tr. Rec.
Tr. Rec.
35
Tr. Rec.
Tr. Rec.
38
Tr. Rec.
Tr. Rec.
3
41
Tr. Rec.
Tr. Rec.
43
Tr. Rec.
Tr. Rec.
45
Tr. Rec.
Tr. Rec.
47
Tr. Rec.
Tr. Rec.
50
Tr. Rec.
Tr. Rec.
53
Tr. Rec.
Tr. Rec.
Sonata Prima
Michel Blavet 1700-1768
Treble 1
3
3
Treble 2
3
3
3
7
9
11
non-commercial copy Welcome. Transcription Marc Lanoisele d'aprs dition 1728
2
13
15
17
19
42
Treble 1
2
4
Treble 2
5
10
14
19
24
29
34
4
38
43
48
52
56
61
65
5
43
Treble 1
Treble 2 43
6
11
17
22
27
6
32
37
42
47
52
57
7
83
Treble 1
3
Treble 2 8
11
17
23
28
34
40
flte 1
flte 2
7
3 3 3 3
3 3 3 3
9
non-commercial copy Welcome. Transcription Marc Lanoisele d'aprs dition 1728
2
11
13
16
flte 1
flte 2
3
5
3
7
11
13
15
17
4
20
22
25
28
30
32
5
34
36
p
p
38
Andante
flte 1 3
4
flte 2 3
4
8
17
6
Allegro
flte 1 3
4
flte 2 3
4
5
10
15
20
25
7
30
36
42
47
52
57
8
Presto
86
flte 1
flte 2 6
8
4
8
12
21
25
30
35
39
44
Adagio opus 1
Treble 1
Treble 2
3
5
7
9
11
14
17
3 3 3 3
3 3
19
21
23
3
Allegro opus 1
Treble 1
Treble 2
4
8
11
14
17
20
23
26
29
32
35
38
41
Larghetto opus 1
43
Treble 1
Treble 2 43
8
17
25
6
Allegro opus 1
43
Treble 1
Treble 2 43
5
3
10
15
20
3
3
3
25
3
7
30
35
40
3
45
50
55
8
60
3
3
3
65
3
70
3
75
80
9
Gavotta opus 1
Presto
48
Treble 1
Treble 2 48
6
12
18
23
Larghetto
Tenor Recorder
Bass Recorder
12
16
20
2
23
25
Allegro
11
14
18
21
25
29
32
35
39
4
Andante
1
18
26
30
Allegro
Tenor Recorder
Bass Recorder
12
16
20
25
29
33
6
37
40
Sonata in E Flat for 'Cello & Continuo, (RV 39)
Antonio Vivaldi (1678-1741)
Larghetto
Treble Recorder
Tenor Recorder
11
14
18
2
22
25
Allegro
11
14
18
21
24
28
31
34
37
40
1 Andante
17
25
30
Allegro
Treble Recorder
Tenor Recorder
5
4
12
*originally an E
16
20
24
28
32
36
39
41
Largo
Tenor Recorder
Bass Recorder
10
13
2
16
19
22
Allegro poco
1
3 3
3 3 3 3 3
3 3 3 3 3
3 3 3
3 3
3 3
3 3
3 3 3
3
11
3
3
3
14
17
20
3
3
23
3
3
3 3
3
26
3
3
3
28
3 3
3 3
Largo
1
Tenor Recorder
Bass Recorder
17
25
30
Allegro
1
Tenor Recorder
Bass Recorder
12
15
18
21
24
27
30
33
36
39 *
originally a B
Largo
Treble Recorder
Tenor Recorder
4
10
13
16
2
19
22
1 Allegro poco
3 3 3 3 3 3 3 3 3 3 3
3 3 3 3
3 3
3 3 3 3 3 3
11 3
3 3 3
14
17
20
3 3
23
3
3 3 3 3 3
26
3 3 3
28
3 3 3 3
Largo
1
Treble Recorder
Tenor Recorder
17
24
29
1 Allegro
Treble Recorder
Tenor Recorder
12
15
18
21
24
27
30
33
36
39
I - Menuett
Wilhelm Friedemann Bach (1710-1784)
Treble Recorder
Tenor Recorder
1.
5 2.
10
15
21
1.
2
26
II - Allegro
2
1.
7 2
13
19
23
III - Menuett 3
14
20
3
3 3 3 3
3
26
3 3 3 3 3 3 3
3 3
29
IV - Allegro
4
33 1
13
19
24
29
V - Bouree
5
35 1
10
15
21
26
6
31
36
42
45