The Godfather Part III

The Godfather Part IIIis a 1990 American crime film written by Mario Puzo and
The Godfather Part III
Francis Ford Coppola, and directed by Coppola. A sequel toThe Godfather (1972)
and The Godfather Part II (1974), it completes the story of Michael Corleone, a
Mafia kingpin who attempts to legitimize his criminal empire. The film also
includes fictionalized accounts of two real-life events: the 1978 death of Pope
John Paul I and the Papal banking scandal of 198182, both linked to Michael
Corleone's business affairs. The film stars Al Pacino, Diane Keaton, Talia Shire,
and Andy Garca, and features Eli Wallach, Joe Mantegna, George Hamilton,
Bridget Fonda, and Sofia Coppola.

Coppola and Puzo preferred the title, The Death of Michael Corleone, but
Paramount Pictures found that unacceptable. Coppola stated that The Godfather
series is two films and that The Godfather Part III is an epilogue. It received
mixed reviews compared with the critical acclaim that the first two films received.
It grossed $136,766,062 and was nominated for seven Academy Awards including
the Academy Award for Best Picture.

Theatrical release poster

Contents Directed by Francis Ford
1 Plot
Coppola

2 Cast Produced by Francis Ford

Coppola
3 Pre-production
Written by Mario Puzo
4 Reception
4.1 Critical response Francis Ford
Coppola
4.2 Accolades
5 Historical background Starring Al Pacino

6 Soundtrack Diane Keaton

Talia Shire
7 Planned sequel
Andy Garca
8 References
Eli Wallach
9 Sources
Joe Mantegna
10 External links
Bridget Fonda
George Hamilton
Sofia Coppola
Plot
Music by Carmine Coppola
In 1979, as Michael Corleone is approaching 60, he is racked with guilt over his
Cinematography Gordon Willis
ruthless rise to power; he feels especially guilty over having ordered his brother
Fredo killed. Michael donates part of his tremendous wealth in charitable acts. Edited by Barry Malkin

Michael and Kay are divorced; their children, Anthony and Mary, live with Kay. Lisa Fruchtman
At the reception following a ceremony in St. Patrick's Old Cathedral in Michael's Walter Murch
honour, Anthony tells his father that he is leaving law school to become an opera Production Zoetrope Studios
singer. Kay supports his decision, but Michael wants Anthony to either complete company
his law degree or join the "family business". Michael and Kay have an uneasy Distributed by Paramount
reunion when Kay reveals that she and Anthony know the truth about Fredo's Pictures
death. Vincent arrives at the reception. He is embroiled in a feud with Joey Zasa. Release date December 20, 1990
When Connie arranges for Vincent to meet Zasa, who calls Vincent a bastard, (Beverly Hills)
Vincent bites Zasa's ear. Michael is both troubled by Vincent's fiery temper and December 25, 1990
impressed by his loyalty. He agrees to include him as his lieutenant in the (United States)
business.
Running time 162 minutes[1]
Knowing that Archbishop Gilday, head of the Vatican Bank, has accumulated a Country United States
massive deficit, Michael offers the Bank $600 million in exchange for shares in
Language English
Internazionale Immobiliare, an international real estate company, which would
make him its largest single shareholder with six seats on the company's 13- Budget $54 million[2]
member board. He makes a tender offer to buy the Vatican's 25% share in the Box office $136.8 million[2]
company, which will give him controlling interest. Immobiliare's board quickly
approve the offer, pending ratification by the Pope.

Don Altobello, an elderly New York Mafia boss and Connie's godfather tells Michael that his partners on the Commission want in on
the Immobiliare deal. Michael wants the deal untainted by Mafia involvement and pays off the mob bosses from the sale of his Las
Vegas holdings. Zasa receives nothing and, declaring Michael his enemy, storms out. Altobello follows Zasa, saying he will reason
with him. Minutes later, a helicopter hovers outside the conference room and opens fire. Most of the bosses are killed, but Michael,
Vincent, and Michael's bodyguard, Al Neri, escape. Neri tells Michael that the surviving mob bosses made deals with Zasa. Michael
thinks Zasa isn't smart enough to mastermind the massacre, and realizes that Altobello is the traitor, suffers a diabetic stroke, and is
hospitalized. As Michael recuperates, Vincent and Mary begin a romantic relationship, while Neri and Connie give Vincent
permission to retaliate against Zasa. During a street festival hosted by Zasa's Italian American civil rights group, Vincent kills Zasa.
Michael berates Vincent for his actions and insists that Vincent end his relationship with Mary, explaining Vincent's involvement in
the family's criminal enterprises endangers her life.

The family go to Sicily for Anthony's operatic debut in Palermo at the Teatro Massimo and stay with Don Tommasino. Michael tells
Vincent to pretend to defect from the Corleone family in order to spy on Altobello. Altobello introduces Vincent to Don Licio
Lucchesi, a powerful Italian political figure and Immobiliare's chairman. Michael discovers that the Immobiliare deal is an elaborate
swindle, conspired by Lucchesi, Gilday, and Vatican accountant Frederick Keinszig. Michael visits Cardinal Lamberto, favored to
become the next Pope, to discuss the deal. Lamberto persuades Michael to make his first confession in 30 years. Michael tearfully
confesses that he ordered Fredo's murder, and Lamberto says that Michael deserves to suf
fer but can be redeemed.

Altobello hires Mosca, a veteran hitman, to assassinate Michael. Mosca and his son, disguised as priests, kill Don Tommasino as he
returns to his villa. While Michael and Kay tour Sicily, Michael asks for Kay's forgiveness, and they admit they still love each other.
Michael receives word of Tommasino's death, and at the funeral vows never to sin again. After the Pope dies, Cardinal Lamberto is
elected as Pope John Paul I, and the Immobiliare deal is to be ratified. The plotters against the ratification attempt to cover their
tracks. Vincent tells Michael that Altobello is plotting to have Mosca assassinate Michael. Michael sees that his nephew is a changed
man and names him the new Don of the Corleone family, telling him to adopt the Corleone name. Vincent ends his romance with
Mary.

The family see Anthony's performance inCavalleria rusticana in Palermo while Vincent exacts his revenge:

Keinszig is abducted by Vincent's men, who smother and then hang him from a bridge, making his death look like
suicide.
Don Altobello, at the opera, is given poisoned cannoli by Connie, who watches him die from her opera box.
Cal, Tommasino's former bodyguard, meetswith Don Lucchesi at his office, claiming to bear a message from
Michael. As he whispers the message, Cal stabs Lucchesi in the neck with his own spectacles.
The Pope is served poisoned tea by Archbishop Gilday and dies after he approves the Immobiliare deal.
Al Neri travels to the Vatican, where he shoots Archbishop Gilday.
Armed with a sniper rifle at the opera house during Anthony's performance, Mosca kills three of Vincent's men, but is unable to aim
at Michael. In attempting to shoot Michael outside the opera house, he kills Mary. Vincent kills Mosca. Michael cradles Mary and
screams in agony.

Years later, an elderly Michael sits alone in the garden of Don Tommasino's villa and suddenly slumps over in his chair, falling to the
ground.

Cast
Al Pacino as Michael Corleone Raf Vallone as Cardinal Lamberto
Andy Garca as Vincent Corleone Franc D'Ambrosio as Anthony Corleone
Diane Keaton as Kay Adams-Corleone Donal Donnelly as Archbishop Gilday
Talia Shire as Connie Corleone Helmut Berger as Frederick Keinszig
Sofia Coppola as Mary Corleone Don Novello as Dominic Abbandando
Eli Wallach as Don Altobello John Savage as Father Andrew Hagen
George Hamilton as B. J. Harrison Mario Donatone as Mosca
Joe Mantegna as Joey Zasa Vittorio Duse as Don Tommasino
Richard Bright as Al Neri Enzo Robutti as Don Licio Lucchesi
Bridget Fonda as Grace Hamilton Al Martino as Johnny Fontane

Pre-production
Coppola felt that the first two films had told the complete Corleone saga. In his audio commentary for Part II, he stated that only a
dire financial situation caused by the failure of One from the Heart (1982) compelled him to take up Paramount's long-standing offer
to make a third installment.[3]

Al Pacino, Diane Keaton, and Talia Shire reprised their roles from the first two films. According to Coppola's audio commentary on
the film in The Godfather DVD Collection, Robert Duvall refused to take part unless he was paid a salary comparable to Pacino's. On
an episode of Inside the Actors Studio, Duvall said he understood that Pacino was the star but felt insulted by the difference in their
salaries, saying: "if they paid Pacino twice what they paid me, that's fine, but not three or four times, which is what they did."[4]
When Duvall dropped out, Coppola rewrote the screenplay to portray Tom Hagen as having died before the story begins and created
the character B.J. Harrison, played by George Hamilton, to replace the Hagen character in the story. Coppola stated that, to him, the
movie feels incomplete "without [Robert] Duvall's participation". According to Coppola, had Duvall agreed to take part in the film,
the Hagen character would have been heavily involved in running the Corleone charities. Duvall confirmed in a 2010 interview that
[5]
he never regretted the decision of turning down his role.

The first draft of a script had been written by Dean Riesner in 1979, based on a story by Mario Puzo. This script centered around
Michael Corleone's son, Anthony, a naval officer working for the CIA, and the Corleone family's involvement with a plot to
assassinate a Central American dictator.[6] Almost none of the elements of this early script carried over to the final film, but one
scene from the film in which two men break into V [7]
incent's house exists in the Riesner draft and is nearly unchanged.

Coppola says that he felt The Godfather saga was essentially Michael's story, one about how "a good man becomes evil", that
Michael had not really "paid for his sins" committed in the second film, and he wanted this final chapter to demonstrate that. In
keeping with this theme, Coppola completely re-wrote the script.

Julia Roberts was originally cast as Mary but dropped out due to scheduling conflicts.[8] Madonna wanted to play the role, but
Coppola felt she was too old for the part.[9] Rebecca Schaeffer was set to audition[10] but was murdered. Winona Ryder dropped out
of the film at the last minute.[8] Ultimately Sofia Coppola, the director's daughter, was given the role of Michael Corleone's daughter.
Her much-criticized performance resulted in her father's being accused of nepotism, a charge Coppola denies in the commentary
track, asserting that, in his opinion, critics, "beginning with an article in Vanity Fair," were "using [my] daughter to attack me,"
something he finds ironic in light of the film's denouement when the Mary character pays the ultimate price for her father's sins.
As an infant, Sofia Coppola had played Michael Corleone's infant nephew in The Godfather, during the climactic baptism/murder
montage at the end of that film. (Sofia Coppola also appeared inThe Godfather Part II, as a small immigrant child in the scene where
the nine-year-old Vito Corleone arrives by steamer at Ellis Island.) The character of Michael's sister Connie is played by Francis Ford
Coppola's sister, Talia Shire (making her both Mary's aunt in the movie and Sofia's aunt in real life). Other Coppola relatives with
cameos in the film included the director's mother, father (who wrote and conducted much of the music in the film), uncle, and
granddaughter Gia.[11] In addition, Coppola castCatherine Scorsese, mother of Martin Scorsese, in a small part.

Reception

Critical response
[12] At Metacritic, which assigns a normalized rating
At Rotten Tomatoes, the film has a 67% rating, based on reviews from 57 critics.
out of 100 to reviews from mainstream critics, the film received an average score of 60, based on 19 reviews, which indicates "mixed
or average reviews".[13] Common criticisms have focused on Sofia Coppola's acting, the plot's convoluted nature, and its inadequacy
as a "stand-alone" story.[14][15]

In his review, Roger Ebert stated that it is "not even possible to understand this film without knowing the first two." Nonetheless,
Ebert wrote an enthusiastic review, awarding the film three-and-a-half stars, a better rating than he gave The Godfather Part II in an
earlier review.[16] In his 2008 re-rating, he gave 4 stars for The Godfather Part II[17] and included it in his list of Great Movies from
which he excluded The Godfather Part III. He also defended the casting of Sofia Coppola, who he felt was not miscast, stating,
"There is no way to predict what kind of performance Francis Ford Coppola might have obtained from Winona Ryder, the
experienced and talented young actress, who was originally set to play this role. But I think Sofia Coppola brings a quality of her own
to Mary Corleone. A certain up-front vulnerability and simplicity that I think are appropriate and right for the role."

Ebert's colleague, Gene Siskel, also highly praised the film and placed it on his list of the ten best films of 1990 (#10). Siskel
admitted that the ending was the film's weakest part, citing Al Pacino's makeup as very poor. He also said, [Another] problem is the
casting of Sofia Coppola, who is out of her acting league here. Shes supposed to be Andy Garcias love interest but no sparks fly.
Hes more like her babysitter. In response to Eberts defense of Coppola, Siskel said: I know what youre saying about her being
sort of natural and not the polished bombshell, and that wouldve been wrong. There is one, a photographer in the picture, who takes
care of that role, but at the same time, I dont think its explained why [Vincent] really comes onto her, unless this guy is the most
venal, craven guy, but look who [sic] hes playing around with. Hes playing around with the Godfathers daughter.[18]

Leonard Maltin, giving the film three out of four stars, stated that the film is "masterfully told", but that casting Sofia Coppola was an
"almost-fatal flaw."[19]

Accolades

Although reception to the film was mixed, the film was nominated for seven Academy Awards including Best Picture, Best Director,
Best Actor in a Supporting Role (Andy Garca), Best Cinematography, Best Film Editing, Best Art Direction-Set Decoration (Dean
Tavoularis, Gary Fettis), Best Music, Song (for Carmine Coppola and John Bettis for "Promise Me You'll Remember").[20][21] It is
the only film in the series not to have Al Pacino nominated for an Academy Award (he was nominated for Best Supporting Actor for
The Godfather and for Best Actor for The Godfather Part II). It is the only film in the trilogy not to win for Best Picture or any other
Academy Award for that matter, as well as the only film in the trilogy not selected for preservation by the U.S. National Film
Registry. Along with The Lord of the Rings, The Godfather Trilogy shares the distinction that all of its installments were nominated
for Best Picture.

The film was also nominated for seven Golden Globes Awards, but did not win.[22] Sofia Coppola won two Golden Raspberry
Awards for both Worst Supporting Actress and Worst New Star.
 Award Category Nominee Result
Best Picture Nominated
Francis Ford Coppola
Best Director Nominated
Best Actor in a Supporting Role Andy Garca Nominated
"Promise Me You'll Remember" (Music by
63rd Academy Best Music, Original Song Nominated
Carmine Coppola; Lyrics by John Bettis)
Awards
Best Art Direction-Set Decoration Dean Tavoularis and Gary Fettis Nominated
Best Cinematography Gordon Willis Nominated
Barry Malkin, Lisa Fruchtman, and Walter
Best Film Editing Nominated
Murch
43rd Directors
Outstanding Directorial
Guild of America Francis Ford Coppola Nominated
Achievement in Motion Pictures
Awards
Best Motion Picture - Drama Nominated
Best Director - Motion Picture Francis Ford Coppola Nominated
Best Performance by an Actor in a
Al Pacino Nominated
Motion Picture - Drama
48th Golden Globe Best Performance by an Actor in a
Andy Garca Nominated
Awards Supporting Role in a Motion Picture
Best Screenplay - Motion Picture Francis Ford Coppola andMario Puzo Nominated
Best Original Score - Motion Picture Carmine Coppola Nominated
"Promise Me You'll Remember" (Music by
Best Original Song - Motion Picture Nominated
Carmine Coppola; Lyrics by John Bettis)

11th Golden Worst Supporting Actress Won

Sofia Coppola
Raspberry Awards Worst New Star Won

The film is recognized byAmerican Film Institutein these lists:

2005: AFI's 100 Years...100 Movie Quotes:

[23]
Michael Corleone: "Just when I thought I was out, they pull me back in." Nominated

Historical background
Parts of the film are very loosely based on real historical events concerning the ending of the papacy of Pope Paul VI, the very short
tenure of John Paul I in 1978, and the collapse of the Banco Ambrosiano in 1982. Like the character Cardinal Lamberto, who
becomes John Paul I, the historical John Paul I, Albino Luciani, reigned for only a very short time before being found dead in his bed.

Journalist David Yallop argues that Luciani was planning a reform of Vatican finances and that he died by poisoning; these claims are
reflected in the film.[24] Yallop also names as a suspect Archbishop Paul Marcinkus, who was the head of the Vatican bank, like the
character Archbishop Gilday in the film. However, while Marcinkus was noted for his muscular physique and Chicago origins,
Gilday is a mild Irishman. The character has also drawn comparisons to Cardinal Giuseppe Caprio, as he was in charge of the Vatican
[25]
finances during the approximate period in which the movie was based.

The character of Frederick Keinszig, the Swiss banker who is murdered and left hanging under a bridge, mirrors the fate (and
physical appearance) of Roberto Calvi, the Italian head of the Banco Ambrosiano who was found hanging under Blackfriars Bridge
in London in 1982. (It was unclear whether it was suicide or murder. Courts in Italy have recently ruled the latter.)[26] The name
"Keinszig" is taken from Manuela Kleinszig, the girlfriend of Flavio Carbone who was indicted as one of Roberto Calvi's murderers
in 2005.[27]
Soundtrack
The film's soundtrack received a Golden Globe Award nomination for Best Score.[28] Also, the film's love theme, "Promise Me You'll
Remember" (subtitled "Love Theme from The Godfather Part III") sung by Harry Connick, Jr., received Academy Award and
Golden Globe Award nominations for Best Song.

Al Martino, who portrayed Johnny Fontane inThe Godfather and The Godfather Part III, sings "To Each His Own".

Planned sequel
Following the reaction to the third installment, Coppola stated that the idea of a fourth film was discussed but never went into
production; Mario Puzo died before they were able to write the film. Puzo and Coppola had discussed a potential script, told in a
similar narrative to Part II, which would have featured: De Niro reprising his role as a younger Vito Corleone in the 1930s; a young
Santino Corleone gaining the Corleone family's political power; Andy Garcia reprising his role as Vincent Corleone, during the
1980s, haunted by the death of his cousin Mary, running the family business through a ten-year destructive war, and eventually losing
the family's respect and power; and one final scene with Michael Corleone before his death.[29] Andy Garcia has since claimed the
film's script was nearly produced.[29] Leonardo DiCaprio was slated to portray a youngSonny Corleone.[30]

Puzo's portion of the potential sequel, dealing with the Corleone family in the early 1930s, was eventually expanded into a novel by
Edward Falco and published in 2012 as The Family Corleone.[31][32] Paramount sued the Puzo estate to prevent publication of the
novel, prompting a counter-suit on the part of the estate claiming breach of contract. The studio and the estate subsequently settled
[33]
the suits, allowing publication of the book, but with the studio retaining rights to future films.

References
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Classification. Retrieved December 20, 2014.
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Retrieved August 16, 2013.
3. "DVD commentary featuring Francis Ford Coppola".The Godfather Part II DVD. 2005.
4. "Robert Duvall Biography"(http://www.imdb.com/name/nm0000380/bio). IMDb.
5. Galloway, Stephen; Belloni, Matthew (20 December 2010). "Nearing 80, Robert Duvall hits awards-season trail"(http
s://www.reuters.com/article/2010/12/20/us-robertduvall-idUSTRE6BJ0PS20101220#wpu9vMHYC6EhopXC.97) .
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6. "The Godfather Part III (1979 script)"(http://www.awesomefilm.com/script/Godfather_PartIII(3-12-79).pdf)(PDF).
AwesomeFilm.com. Retrieved 2010-03-04.
7. "The Godfather Part III (1979 script), pp 53-57"(http://www.awesomefilm.com/script/Godfather_PartIII(3-12-79).pdf)
(PDF). AwesomeFilm.com. Retrieved 2010-03-04.
8. "Death in the family" (https://www.theguardian.com/film/2000/apr/15/features.weekend). The Guardian. April 15,
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9. Nick Browne, ed. (2000).Francis Ford Coppola's The Godfather T
rilogy. Cambridge University Press. p. 48.
ISBN 9780521559508.
10. Ojumu, Akin (February 16, 2003)."Brad Silbering: The family that grieves together
.." (https://www.theguardian.com/fil
m/2003/feb/16/features.review)The Observer. Retrieved August 22, 2013.
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13. "The Godfather: Part III Reviews"(http://www.metacritic.com/video/titles/godfatherpart3). Metacritic. Retrieved
2011-08-10.
14. New York Times (https://movies.nytimes.com/movie/20079/The-Godfather-Part-III/overview)
Retrieved March 2009;
The Godfather Part III (1990)
15. Kakutani, Michiko (November 12, 2004)."You Think You're Out, but They Try to Pull You Back In" (https://www.nytim
es.com/2004/11/12/books/12book.html). The New York Times. Retrieved August 22, 2013.
16. Ebert, Roger (December 25, 1990)."The Godfather, Part III Movie Review (1990)" (http://www.rogerebert.com/revie
ws/the-godfather-part-iii-1990). Retrieved August 22, 2013.
17. Roger Ebert: Review of The Godfather, Part II (1974) (http://www.rogerebert.com/reviews/great-movie-the-godfather-
part-ii-1974), October 2, 2008.
18. "YouTube" (https://www.youtube.com/watch?v=-uqZegZtTNU). YouTube. Retrieved 2015-02-18.
19. Leonard Maltin's 2009 Movie Guide(https://books.google.com/books?id=6EgPDierNGUC&pg=P
A530&dq=casting+S
ofia+Coppola+was+an+%22almost-fatal+flaw .%22&hl=en&sa=X&ved=0ahUKEwjAkN_G3vDV AhUQ0IMKHU39DRM
Q6AEIKDAA#v=onepage&q=casting%20Sofia%20Coppola%20was%20an%20%22almost-fatal%20flaw .%22&f=fals
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oscars.org. Retrieved 2011-08-02.
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23. "AFI's 100 Years...100 Movie Quotes Nominees" (http://www.afi.com/Docs/100Years/quotes400.pdf) (PDF).
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24. Vankin, Jonathan & Whalen, John (2004).The 80 Greatest Conspiracies of All Time: History's Biggest Mysteries,
Coverups, and Cabals. Citadel Press. pp. 172174.ISBN 0-8065-2531-2.
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National, Committee of Comparative Law Held in Norwich, September , 1994, By Efstathios K. Banakas, United
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28. "The Godfather: Part III (1990) Soundtrack" (http://www.imdb.com/title/tt0099674/). IMDb. 1990.
29. Morris, Andy (March 16, 2011)."The Godfather Part IV"(http://www.gq-magazine.co.uk/entertainment/articles/2011-
03/15/gq-film-godfather-part-four). GQ. Retrieved August 27, 2015.
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31. Wilson, Craig (6 May 2012)."Prequel lays out life before 'The Godfather'" (http://usatoday30.usatoday.com/life/book
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32. Schulder, Michael (4 September 2012)."CNN Profiles: Ed Falco's prequel to 'The Godfather
' " (http://cnnradio.cnn.co
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. CNN Radio. Retrieved 2 October 2012.
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paramount-puzo-estate-settle-godfather-suit/). Deadline. Retrieved 2016-11-08.

Sources
Coppola, Francis Ford Coppola. "Director's Commentary track".The Godfather Part III DVD. Included in The
Godfather DVD Collection.
Cornwell, Rupert (1984).God's Banker: The Life and Death of Roberto Calvi
. Victor Gollancz Ltd.
Yallop, David (1987). In God's Name: An Investigation into the Murder of Pope John Paul. ICorgi.

External links
The Godfather Part III on IMDb
The Godfather Part III at the TCM Movie Database
 The Godfather Part III at Box Office Mojo
The Godfather Part III at AllMovie
The Godfather Part III at Rotten Tomatoes

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