ESPECTRACIONES

para

DOS BANDONEONES

opus 130

Pág.
I - Contemplación en la montaña 1
II - Pequeño vestigio 5
III - Aria desolada 8
IV - Niñerías abstraídas 10
V - “Le sacre du rustique” (la sacralidad de lo rústico) 13

Rodolfo Daluisio
(1974) 2004
2 "Espectraciones"
para dos bandoneones
opus 130
Rodolfo Daluisio
2004

I
Contemplación en la montaña

h: 45 Lento legatiss. e disteso

2
soave
     
           
  
   
p
 
  
Bandoneón I
    
 
h: 45 Lento
  
    
      

   
  

p
   
  
Bandoneón II
   
       

3 4 5

   
   
 

  

   
 
 


   
 
mp
     
Band.I
  

       
       
     

       
     
Band.II
 

Espectraciones, p/ dos bandoneones -opus 130
 6 7 8 3

 
 

    
      
  
mf
  
     
Band.I
   

   
              
     
 
mp p
  
mf

           
Band.II
    
 

9 10 11 12


dim...
     
 
 
 
   


   
 
Band.I
 
p
   
    

dim...
   
   
   
    
 


   
mf
Band.II
  p
 
  


Andante sereno
13 14 15
 16

        
sonoro e splendente
   
            
  
f
   
       
Band.I
        
Andante sereno
  soaviss.  
   
pp assai legato
      
 
Band.II
 
3 3

Espectraciones, p/ dos bandoneones -opus 130

4 17 18 19 20

    

pp
      
          
Band.I
     

in rilievo


(sotto voce)

                         
ppp 3 3 3 3 3 3 3 3
Band.II    


)
21 22 23 24

   

      
(
       
   
mf
  
Band.I p

   


)
 (
 
        
3 3
 
Band.II p
    
 
  

Lento
legatiss. e disteso 25 26 27

   
       
 
   
     

 


  
Band.I p
           
 
       
 
Lento
   

           
   
  

Band.II p
     
   
         
  

Espectraciones, p/ dos bandoneones -opus 130
 28 29 30 5
   
 
 







 


  
 mp
 
     
Band.I
      
  

         
              
      
 
mp
   
    
Band.II
       


31 32 33


 
 
       
 

mf
    
  
Band.I

   


 
     
         


mf p mf
Band.II
            
     

34 35

36
 
dim...
    
   
  
  
f mf

Band.I
 
   

dim...
 
                
3
   
f 3
 mf 3
Band.II     p
     
 

Espectraciones, p/ dos bandoneones -opus 130
6
"Espectraciones"
para dos bandoneones
opus 130

Rodolfo Daluisio
2004
II
Pequeño vestigio

Andantino
q: 74

preciso, e notorio il contrasto mf

2 3
       
 
          
  
   
p mf p pp

 
Band.I
          

 
q: 74
    
Andantino
  
 
 3 
 
pp
Band.II pp f
 
         


Larghetto
)
4 5 7

6
  (
         
p 
 
pp
   
Band.I
   
      
     

Larghetto )
 
(
     
  

 pp
    
Band.II
             
    
Espectraciones, p/ dos bandoneones -opus 130
 8 9 10
 7
       
           
Band.I
p
  ff
sùb. 
        
 

 
  
                
 
p ff
Band.II sùb. pp
 
   
  

 
 5   
11 Andantino 13 14
legatiss.  
12

       
     
ff 5 mf 5
Band.I pp
    

Andantino

      

ppp
 
 
sfz f

Band.II
         
 

   
15 16 17 a Tpo. 18
   
poco percutido
 
allarg.
                

     
p pp

f

     
Band.I
        

 allarg. a Tpo.
    
         
   
mf p p
 f dim...
Band.II

    
         
         

Espectraciones, p/ dos bandoneones -opus 130

 19 20
 
8
  
          
sfz 

ff

    
Band.I
    
 

    
   
 

      

sfz 

p pp

f

  
Band.II
          
   

sonoro e sostenuto
22
 23
  
21

      
Band.I  pp
        
  

cresc...
        
    
Band.II
    pp
    
     
 
1974

Espectraciones, p/ dos bandoneones -opus 130

 "Espectraciones" 9
para dos bandoneones - opus 130 III Rodolfo Daluisio
2004
Aria desolada
Andante serenissimo
q: 50 
2 3 4 5

 
    
soavissimo

      

p

Bandoneón I
    
     
Andante serenissimo
q: 50 soavissimo
        
     

    
Bandoneón II p  
     
6 7 8 9 10

     

       
  
    
  
Band.I
   

         

Band.II            
   

11 12 13 14 15
calmo e legatiss.
  
 


  

    
    
pp
  
Band.I


     
   
  
pp
Band.II
     

Espectraciones, p/ dos bandoneones -opus 130
 
10 16 17 18 19 20
 
a Tpo.

  
più quieto
      

mp 
  p
  
mf
    

Band.I


     
      
       
mp 
 
p
 
mf

Band.II
      
 


21 22 23 24 25

     
        
 p

 
p

     
Band.I
  
     
   
        
         pp

p
   
   
Band.II
      


26 27 28 29 30
   
     

  
Band.I
p p
  pp

      

     
       
  
pp
Band.II
    
 

Espectraciones, p/ dos bandoneones -opus 130

 "Espectraciones" 11
para dos bandoneones - opus 130 IV Rodolfo Daluisio
Niñerías abstraídas 2004

Veloz, no tanto como continuo y equilibrado

A ligado y no interrumpido

      
Bandoneón I mf p mf p
  


 
 
- disperso y no siempre regular
   
 
Bandoneón II f 
 
    


  
mf p

Band.I


 

 
Band.II
 
    
 



  
mf

Band.I p


 

   
Band.II
 
 
Espectraciones, p/ dos bandoneones -opus 130
 
12
    

 
Band.I
   
p

       
p

Band.II



B
( ) trémolo






pp
Band.I mf

 

)
 
Palma sobre filas anteriores

(
    
pp p sfz
 
   
Band.II

    

iterar iterar

 
Palma sobre filas anteriores

       
  
     
p sfz

   
Band.I

 
  

        
trémolo

  
Band.II mf
     
   
Espectraciones, p/ dos bandoneones -opus 130
 C     13
  
Band.I mf
   
  


  
Band.II mf
    
  

 
breve

       

    secco

Band.I
 
  


  
 
breve

   
    secco
  

Band.II

círculo central de ambos teclados

 secco
   

  
sfz 
Band.I f




 secco
   


  
f sfz
Band.II


Espectraciones, p/ dos bandoneones -opus 130
14 "Espectraciones"
para dos bandoneones - opus 130 V
"Le sacre du rustique" Rodolfo Daluisio
(La sacralidad de lo rústico) 2004
Moderato mosso 2 3 4

               
           
      
 
 
f p mf

Bandoneón I
         
       

                       
Moderato mosso
       
           
Bandoneón II f    
             
           
           
5 6 7 8


             
              
         
f
 
    
f

Band.I


  
     
    
     
         
   
  

           
Band.II
      
 
9 10 11 12

          3 3 3
tratt.


3 3
       
3
  
 

   
mf 3 3 3
     
f
  
mf
   
Band.I
    
   
     
   tratt.

        
 
    
     
mf f
Band.II
          
      
Espectraciones, p/ dos bandoneones -opus 130
 Allegretto vivo 15 

16 15
     
14 cresc... 

13

     
  
    
    
f 
   
ff
Band.I
        



Allegretto vivo
 
cresc...
     
          
Band.II
   f
  
         


17 18 19 20
dim... rall... 
                  
      
f
Band.I
    
      
 
dim... 

rall...
 
             
       
       
p

     
Band.II
          

Larghetto
non ritardare 23 24 25


21 22
   
        
p

          
Band.I

       

 
Larghetto
           
 
Band.II
p
     
       

Espectraciones, p/ dos bandoneones -opus 130
16 26 27 28 29 30
            
assai ritenuto
  
   
 
Band.I
         
      



assai ritenuto
     

  

       
Band.II
    

Allegro non tanto 33 34

             
31 32

   
     
 
f p
Band.I
          
     
Allegro non tanto
                    
    
  

  

    

   
f
Band.II
            
           

35 36 37 38
 
           
     
   
     
 
  
f

Band.I
 

       
     
  
                
   
Band.II

          
 
  
 
Espectraciones, p/ dos bandoneones -opus 130
 39 40 41 42 17
    
     
           
 
    
    
Band.I
   

    
                 
    
    
Band.II

  

43 44 45 46

          
  
      
   
      
     
Band.I f

       

        
  
         

     
           
Band.II

    

sonoro 47 48 49 50

   3   
  
3
     
3


        
f
      
     
sfz
   
Band.I

  
sonoro
                             

 
3 3 3 3 3 3 3 3 3

  
f
     
     
Band.II sfz

          
        
 

Espectraciones, p/ dos bandoneones -opus 130