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12/22/2017 NOTES FROM THE VOMITORIUM: -G-a-p-s-1-0-1- : Creative Chasms of Bi-Pedal Spinal-Catastrophism

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NOTES FROM THE


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T H E P S Y C H O PA T H FA C T O R Y : -G-a-p-s-1-0-1- : Creative Chasms of Bi-Pedal Spinal-


H O W C A P I TA L I S M O R G A N I S E S
E M PA T H Y Catastrophism

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-G-a-p-s-1-0-1- Anthropoid communication systems have, for millennia, been
tortured and mutilated under the remit of galactic forces. Such cataclysmic
Email address... Submit gravities have operated along political, evolutionary, phylogenic, biological,
psychological and psycho-social vectors. Every utterance we make is an impeded
stutter, a malfunction, a glitch. Every time we shriek or howl, every time we
S U B S C R I B E TO express reason, interject or propose, every time we vocalize an order, an
instruction, or snap back a refusal, a counter argument, a resistance we are doing
Posts
so via a system so blackened by history, so scarred by politix and evolution it is
Comments not even natural. We are the croaking possessed; emitting tics, clicks, glitches,
whirrs and morbidly rattling breaths of affect. We were mutilated till we spoke:

“Sick apes spitting blood bubbling throats torn with the talk sickness. Human
FOLLOWERS
faces tentative flicking in an out of focus. We waded into the warm mud-water,
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Followers (16) hair and ape flesh off in screaming strips. Stood naked human bodies covered
with phosphorescent green jelly. Soft tentative flesh cut with ape wounds. Fingers
and tongues rubbing off the jelly-cover. Body melting pleasure-sounds in the
warm mud. Till the sun went and a blue wind of silence touched human faces and
hair. When we came out we had names”[1]

But even despite this sublime tragedy of progress, hidden forces still haunt the
territories between our languishing origin and mechanized destination; deformed
GOOGLE+ FOLLOWERS spectres of pure potentiality stalk the arena of tortured cries. For despite our
physical perversions and twisted contortions into the realm of logos and language
we cannot shake off the past. We bent our spines, cracked our thorax, smothered
our howls and gagged our screams- but we still cannot transform all the phlegm,
TA G O S P H E R E
bile, blood, saliva and vapor into zeros and ones, order and disorder, positive and
0 Books 1950 1960's 1970's 1974
negatives. In our coded parlance, of chittering teeth, lisping protocols and
1980's 1990's 2000's 2010 70's Britain
phoneme disciplines we may still vomit through our accepted apparatus of
a-linguistic sounds of transformation
inter-‘human’ communication; after formatting there is a strange ancestral
Acceleration accelerationism
remnant. We may find a rogue sonic, a grain at odds with the strata of logos.
Acousmatic Voice Acousmetre Adam
Curtis Addiction Adorno Aesthetics
Rising up from the order of digitalized phonix we find an ethereal qubit.
Affect Agamben Akira Kurosawa Accelerate to re-discover your soul. The more we bind ourselves to the rotting
Alarmist Alcibiades Alice Amanda cadaver of logos, the more we breath in digits, and voice ourselves through our
Beech America Americana analemma fingers, the more we blacken ourselves and become one, a la nupta cadavera the
Analysis Androids Anthony Cartwright more we may find potentialities and possibilities of ourselves. The possibilities (as
Anxiety Apollo apophenia Aristotle well as the long history behind our current dilemma) to come from accelerating
Aronofsky Art Art Theory ASAP towards such a (albeit counterintuitive and unhuman) mode of being and
Rocky ascension Atomic Atomization communication are outlined by Professor Barker:
Auto-affection Avant Garde Avon
Barksdale Banter Barthes Bataille “Due to erect posture the head
Battlestar Galactica Beef Benjamin has been twisted around,
Phelan Berardi Bergman Bergmetal shattering the vertebra-
Bibliophilia Bifo Bio-chemistry
perceptual linearity and setting
Biophilia Bios Black Country Black
the phylogenetic preconditions for
Metal black metal theory
the face. This right-angled
Bladerunner Bladerunner2049 BMW
pneumatic-oral arrangement
body horror Book Review Bracket
produces the vocal-apparatus as a
Press Braking Breath Bret Easton
crash site, in which the thoracic
Ellis Buchi Buffering burgers Burial
impulses collide with the roof of
Burroughs Business C.I.A. Call
Centers Call of Cthulhu Cameron
the mouth. The pipedal head
Canals Cannibal Ox Canonization becomes a virtual speech
impediment, a sub-cranial pneumatic pile-up, discharged as linguo-gestural
Capitalism Capitalist
development and cephalization take-off. Burroughs suggests the protohuman ape
Realism Cars Cavarero Celestial
was dragged through its body to expire on its tongue. It’s a twin-axial system,
Mechanics China Chion choir chronos
Cider With Rosie cinema Clams howls and clicks, reciprocally articulated as a vowel-consonant phonetic palette,
Casino Class Clones Close-up
rigidly intersegmented to repress staccato-hiss continuous variation and its
Coffee Conspiracies Consumerism attendant becomings animal. That’s why stammerings, stutterings, vocal tics,
Contemporary Art
Contemporary extralingual phonetics, and electrodigital voice synthesis are so laden with
Contemporary Philosophy biopolitical intensity – they threaten to bypass the anthropostructural head-smash
Continental Philosophy control that establishes our identity with logos, escaping in the direction of numbers” [2]
Corduroy Magazine corpaural
Corporeality Cory Arcangel Barker’s understanding of the potential to numerically re-discover our pre-logos
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Cosmicism Coulson Cries Cronenberg essence within the possibilities in the gaps, cracks, ruptures and the hemorrhages
cuisine Cultural Capital Cultural of formatting is a form of accelerationist nihilist- positivism. But there is a history
Critique Cultural Regurgitation of repression, mutilation and encoding that is so entangled with our, to put it
Cupcakes Cut Cvlvndxrs Cyber art generally, ‘current’ psyche - our auto-elect(ro) socio-politcal format forces; that
Cyber Theory Cyberpunk to contemplate any emancipatory automalum we must first examine the socio-
Cyberspace Cybertime Cybism politcal scars of our voco-political encoding. In the process of formulaic flaying,
Cyclonopedia Danielewski dark matter
amidst the carnage of screaming strips of code, in this ordeal of acquiring names
David Lynch David Peace decay
so much happened. There are fruitful chasms between the events, there is a
Decline Deconstruction Deleuze
ghostly shadow of telling history between any 0 and 1. The violence of verbal
Delusion Denial Derrida Desire
automalumizing coding itself is as much an effect and affect of ourselves as any
Desperate Housewives development
lost romantic ancestral kernel or possibly post cyborgization digital epiphany.
diagrams Dialectics Dialogues
Between the humid clamors of swamp atrocities, biopolitcal cranial-crushings and
Diamond Jubilee DIckensian Dina Rae
accelerationist-numerico potentiality there lurks a linguo-politcal history, a
Dionysian Dionysus discipline
Dislocated Voices DJ Screw
history that is not about being and unbeing, thought and unthough, zero and one,
Documentary Dolar Doom presence and unpresence – animal and language. This linguo-political evolution
dopplegangers Doppler Effect and our understanding of it must lie in the very trauma of how to be one is also to
Dostoevskian Dostoevsky Dr Dre be zero: to create is to destroy. An alchemical concoction of cannibalistic
Drag Drawings Drone Dudley Dustism metaphysical culinarism is more attuned with how one needs to think languages
dyadic extimacies dystopian E.M. political and philosophical dynamics:
Forster Echo Education Eerie
Eminem Emotional Capitalism “Cut to pieces, slashed through the limbs, hacked into still unharmed members,
Empathy Endologics England Eno amputated, scratched, furrowed by nails, incised with teeth, jagged with sharp
ergodic eros escher Esoterica Euro edges of broken bones, cut unevenly along the lips, carving out the cheeks,
Trance Evil Evolution Excused shaving off all elevations of the body, trimming the feet and the hands by
exhumations Existentialism Exologics chopping off the toes and fingers, trisecting the nose to hair, bridge and the void,
extimacy extreme sports F.B.I. Face
chunking out the face, clearing the face of idolatrous redundancies, pinking out
facebook Fanged Noumena Fantasy
the entire body, subtracting eyelids from the face, then nose, lips and the face
Fashion Fashion Insider fast food Fast
from the head, provoking the head to be a body cavity, opening slits randomly or
Talk Fear Feynmans Echo Fiction
calculatingly, grooming by mauling, scooping out the chin, seizing the skin with
fictions filler words Film Film Theory
remaining fingernails, turning the chest into a stash for flies, removing the
First Great Western First Group Fitch
abdomen, truncating the ears into bizarre shapes, perforating the gums with the
flat ontology Florian Hecker Food
teeth, rending the armpits, thinning out the neck, minimizing the flesh, reducing
footwork Fordism Forums Francis
the body’s substance to its gist, rounding the limbs up to the nearest outline,
Wheen Fructose future gambling Gaps
gastronomy Gender Genre geophilia
increasing the daily chop sounds, today ten thousand cuts, tomorrow more or
Geotrauma ghosts Gibson Gilmore less; Angra-Maynu (Ahriman) continues to butcher his body as every day new meat
Girls Gimp Desires Glee Goldsmiths and tissues flow into the wounds abnormally, as they shut the wounds closed and
Good google Gove Goya Grain Gucci form scars – excessive scarring”[3]
guttural Gwen Stefani GZA H.B.O.
Hailsham Hakuchi Hamid Parsani Reza Negarestani’s vividly visceral account of the trauma of becoming, of making,
Hashimoto Haunch of Venison of leper creativity can be grafted onto the trauma of creating/acquiring
Hauntology Head Smash Her hetero- language, to speak as an act and also for the swamp apes painful ordeal of making
affection History Hitchcock a meal out of speaking. For each time one speaks there is a void between intent
Holograms Horror House House of and logos, there is a cavernous ontological difference between hope and word.
Leaves Hubert Dreyfus Hyperbole Every time I utter a word through the spinal catastrophy that is my anthopoid
Hyperstition Hyperstitions Hypnogogic speech impediment I am, on top of producing such expressions through a
Pop HypoMeta Illouz Illusion mechanism comprised of myriad bio-evolutionary contortions and mutilations,
Imagination Imperial Bedrooms
also saying words that correspond via lack, via void, to my thoughts and intents.
inanthropocentricism inconsistency
As I scream insults, whisper tender truths or exclaim emphatically- myself, my
infantile voice infinity infosphere
intent is maimed in the process, in making my vocal mark I leave a part of myself
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Interviews Ishiguro Islamist Jake out on the track. To vocalize is to conduct a process of audible poly-furcational
and Dinos Chapman Jameson Jamie automalum, an ontological disintegration. Upon a singular word, we can
Shovlin Japanese Art Japanese contemplate how this tragedy of voice operates: as Nicola Masciandaro once
Cinema Joseph Nechvatal jungle commented – “The vocal image of death? – Saying ones name aloud”.
Justin Barton K Punk Karpf Kazuo
Ishiguro Koblin kurt cobain Labour The sublime implicitness of automalum, scarring and mutilation are not just the
Lacan Landian Language Laruelle
preserve of the ontological implications of vocalization; self-destruction
laryngeal descent Larynx leper
permeates the very physical act of speaking. When giving a speech, presenting a
creativity liberalism Libido linguistics
paper or participating in a public discussion, our throats, tongues and mouths
listening Lit Reviews literature
become dry despite experience, confidence or familiarity. Any speaker can
Logocentricist logos Lolitism Loops
succumb to dehydration via the gruel of vocal labor. Whilst presenting a paper at
Lovecraft Lustig Lynch Lynchean
Goldsmiths University, Graham Harman asked for water and told of how one of his
Lynsey Hanley M.R. James machinic
colleagues had been advised by her doctor to stop lecturing because the work was
Mad Max magazines Mallarme Mao
so dehydrating. Even as we speak, as we pour our life (our Adamic Breath imbued
Mark Fisher Mark Z Danielewski
with sonority and wisdom) and soul out into the ether we are losing a part of
Marsyas Mask Matriarch maurice
stendak McCarthyism Meat media
ourselves, hurting ourselves. Derrida in particular as written extensively about
Meillassoux melancology Memory the negative in writing, the mark as absence, writing as network of hieroglyphic
Metaphysical Horror metaphysics voids, a parade of a-presence, shadows. But vocality has not attracted such
mêtis Michael Jackson Miliband Mimic morbid directions of enquiry; this is for two reasons. Firstly, the voice is entwined
Minimal Miu Miu Mladen Dolar and bound in an irreducible composite of forces; breath and physical presence is
mobius Monarchy Mr. Stevens a tired mascot for life – as such, voice will always become lifelike upon audition.
Murdoch Mutilation Mycelium Inter-anthropoid communiqué operations have no other options that can marry
Mythopoiesis Narcissus Nate Dog sentiments of the soul to both language and corporeality. Skin, sensation, smell
Navigationalism Negarestanian Neo and taste are the poles of utter corporeality but their difference to voice is that
Conservatives Nepotism Netherton only the latter can become simultaneously a purely corporeal mode of interaction
Neural Mirroring Never Let Me Go New and a Socratean mode of wisdom conveyance. Secondly there is a paradoxical
Labour Nick Land Nicola topology at work- for in order for the listener to hear the speaker’s vaporous,
Masciandaro Nietzsche Nihilism sonorous and ontological[4] loss they do at least need to stand in the shadow of
Nixon Noise Normativity Novels the speaker. The speaker will be present with an innate ‘thereness’ that appeals
Nuclear numerology nupta cadavera
to our occularcentric paradigm. It is not our first impulse to ponder the teachers
Nupta Contagioso Nutrition Obesity
deathly croak of lethargy as a glimmer of loss when, standing before me, bathed
Object Voice Occularcentricism
in light that delights my retinae, my occularcentric understanding of ‘thereness’
Occultism ODB Only Connect
is bombarded with ‘phenomena’ to the contrary. To take both of these reasons, to
Ontological Ontologies Ontology
perhaps understand the voice outside of these trappings we must firstly re-think
Open File organisation Orwellian Ovid
the entrenched sanctity of: 1) Breath in voice as an avatar for life and presence-
paleonymics paleonymy Pan Pandora's
instead hearing this as a loss, we must contemplate the corporeal trauma of
Box paradigms Paranoia Parasitism
Pareidolia Parsani Paste phantoms
emitting (sonically) Adamic vapor. 2) We must deconstruct the occularcentric
Philosophy Phone phonocentrism paradigm that clouds our audition of voice, but not strictly through technological
phonology PHXLLVPSCRXW mediums as these harbor their own host of ontological ramifications for
Phylogenetics Pi Plato Plutonomic considering voice.
Police Polis Politicians Politico
Politics Pop Popular Music In thinking the voice, even if we relinquish ourselves from the aforementioned
Porocryptics porocryptix Possession iron maidens of occularcentricism, we will still be left with a void. This void is
Post 9/11 Post Cinematic Affect post- one of uncertainty, possibility and potentiality. We may pursue the Barkerian,
Fordism Post-industrial Post-Post Post- accelarationist vocal enquiry of discovering greater and more aur-some data
Production Praxis Privatisation Prof protocols, ghostly qubits squatting in the gaps between gaps, glitches, tics, croaks
Barker Proles Psychoanalysis and stammers- the potential to create, to hear anew, to re-think can be pursued
Psychopathy psychosphere through data and how we talk, squawk and yelp between the words we utter,
publications punk rock 101 voice sifting through language. We may think through the sheer, hoarse trauma of
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Putrefactions Quasimoto Qubits Raime voice, remove the language and scrutinize the painful mechanisms of its
Ralph Lauren Rap Ray Brassier re- conveyance. We may re-investigate the evolutionary bio-politics of the voice an
contexturalization re-mix re- attempt to plot the descent into the hell of the speaking. But these exercises,
presentation Realism Religion Remix whilst necessary for any nuanced appreciation of the voice, must not be seen a
Repeater Books Requiem for a Dream routes to solutions, the task is infinite. For there, becomes, at each turn, another
resonance Retro Retro Retro Retro dimension of possibility, if we identify the gaps center we are left with further
Retrospection Reynolds Reza gaps stretching out to the horizon. In the voice there are endless gaps, and what
Negarestani Rick Owens Robb is at stake is the question of how we negotiate, graph and live through these
Bank$ Robert Aickman Robots
gaps. We may call the sublime voice a melancholy voice, in that it is imbued with
Robust Measures Russia Russian Dolls
a paradoxical and irreducible extimacy of the greatest of realms. Voice is both
RZA Salecl sampling Sanity Assassin
deathly and living, logos and corporeality, presence and absence – but none, both,
schizocryptology Sci-Fi Screwed and
neither and either. It is a creative expression of potentiality and possibility, a
Chopped Sculpture Sellars
“lifelessly living beauty”[5]
semiocapital Sensationalism Sex
Shaviro Signifier Sirens Sitcoms Sky
Bibliography
Ferreira Snoop Dog Snorricam
Snowflakes social media Socialites
Socio Socrates sonic warfare Theodor Adorno, 2006. Minima Moralia: Reflections from Damaged Life (Radical
Sopranos sound Soylent Spectacle Thinkers). Edition. Verso
Spectral Acousmatic Voice
spectres Speculative Aesthetics Professor Barker, 1992. Plutonics, Vol. 10, No 12.
Speculative Realism Speech
spike jonze Split subject voice William Burroughs, 1974. Soft Machine. Edition. BANTAM DOUBLEDAY @ DELL.
Spooky sport Spring Stereoscopic
Image Steve Goodman Subconscious Reza Negarestani, 2008. Cyclonopedia: Complicity with Anonymous Materials
subjectivity sublime Sugar Super (Anomaly). Edition. re.press.
Rich Syllabic speed symphorophilia
Symposium Synthetic Culture Nick Land, 2011. Fanged Noumena: Collected Writings 1987-2007. 1st Edition.
taediōsus-chronos Tariq Goddard
Urbanomic / Sequence Press.
Tate Technology Teleoplexy Tellurian
Temporality Terminator thanatophilic
Notes
thanatos Thatcher The Idiot The Idler
The North The One Show The
[1] Burroughs, ‘Cross the Wounded Galaxies’
Remains of The Day The Wire
[2] Professor Barker, ‘Palate Tectonics’, Plutonics, Vol 10, No 12, Fall 1992
themes Theory Tic-Talk Time TM
[3] Reza Negarestani, Cyclonopedia, 2008, pp. 189
Wolf Tomatis topics Trains
transformation Trauma Trill Tropes
[4] Contemporary technological implications of the voice will be addressed in
truths TV Twin Peaks twitter UBI Ugly other essays, for now I shall concern myself with the real act of speaking, not
Betty UK Election 2015 records, telephones or phonographs
Unemployment Universal Basic [5] Adorno, 2006, pp. 121
Income universities Urbanomic
POSTED BY TRISTAM VIVIAN ADAMS
vagitus uterinus Vampires Veil
Ventriloquism Video Violence LABELS: ACCELERATIONISM, ADORNO, BURROUGHS, DERRIDA, GAPS, HAMID PARSANI,
HYPERSTITIONS, LEPER CREATIVITY, MUTILATION, NICK LAND, NUPTA CADAVERA, PROF
Viractualism Virulent Nihilism BARKER, QUBITS, REZA NEGARESTANI, SOCRATES, TIC-TALK, VOCORPAURAL, VOICE
vocalisation Vocorpaural
vocorpaural horror Voice
Vol-au-vents W G Sebald W-Tang 4 COMMENTS:
Clan Westminster Westworld What is
to be done? Witch House Work WW2
X-Games Xenopoetix xenopoiesis
Jon Lindblom October 28, 2012 at 3:22 PM

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Yorkshire Yuppies Zero Books Zizek Good stuff, like the writing style in particular (even if the university may
Zoe
not). Looking forward to another year of spinal catastrophes and self-
modelling systems.
Reply

///////POSTPRODUCED
3 Communiques Tristam Vivian Adams October 29, 2012 at 5:51 PM
57 Octaves Below MIddle C Hi Jon - cheers. But I guess you have read every book I reference, and get
Accursed Share an earful of my ideas every now and then too! I think it is important for
me to learn how to write for strangers.
Amerkaji Meme
Aries the Dreamer Have you read Slime Dynamics yet by Ben Woodard yet??? Some serious
Cyclonopedia theory at the back (very late in the book, but you need to
Atmospheres of Uncertainty read it all to get the best from it). Certainly needs reading with Thackers
Aural and Visual Cultures Horror of Philosophy vol 1. Most fascinating aspect for me was his
formulations around corporeality/materiality vs meaningful presence....
Bibliodyssey
meaning gets battered actually.....
Black Metal Theory
Reply
Buy Me Out
Casual Moths
Jon Lindblom October 29, 2012 at 6:15 PM
Citta Violenta
Cold Me Well, I guess that's a common issue, i.e. the amount of clarity you can
infuse without loosing too much of your own personal style. It's good if
Culture Machine not just Ccru-people can read it, of course, but at the same time there's
DDDREAMLAND something really absorbing with that writing style precisely because it is
esoteric.
diagram workshop
Documents Haven't read it yet, but will probably pick it up soon along with one of
the major Lovecraft-collections lol.
Doin' the Lambeth Warp
Reply
Dylan Forsberg
Eliminative Culinarism
Fashion Insider Magazine UK Tristam Vivian Adams October 29, 2012 at 6:52 PM
FI Magazine There a few more books - I'd like to look at after Thacker's Horror of
Philosophy vol 1 and Woodard's Slime Dynamics - namely Harman's Weird
Florian Hecker Realism: Lovecraft and Philosophy and MIchel Houellebecq's H.P.
Go Forth and Thrash Lovecraft: Against the World, Against Life......
History of our World
The freudian Lamella is also intriguing (in regards to voice, sheer vitalist,
House of Mirth & Movies vapourous, bodily remnant etc etc) - I'll definitely be revisiting Slime
Dynamics and scooping out things to use in relation to sub/ob ectivities
http://www.eleusinianpress.c
concerning the vocorporeal. Demons and slime (in Thacker and Woodard
o.uk/ respectively) are, to put things way to simply, manifestations of our
i palimpsest i trouble in dealing with a unknowable materialist other object, the
cultural history of, say things like the repulsion of slime/virus anxiety or
immeasurable excess the evil in small devils, possession or dark clouds etc - are all permeated
inanimatexistence with voice from start to finish.... the terror of an ambiguous line....
Jonathan Novak Reply
Joseph Nechvatal's blog
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1.0 and the Return of La...
2 months ago

Bergmetal
Gaetir The Mountainkeeper
- Ór Ymis Holdi by Gaetir
The Mountainkeeper
3 months ago

DOIN' THE LAMBETH


WARP
http://notesfromthevomitorium.blogspot.com/2012/10/g-p-s-1-0-1-creative-chasms-of-bi-pedal.html 9/18
12/22/2017 NOTES FROM THE VOMITORIUM: -G-a-p-s-1-0-1- : Creative Chasms of Bi-Pedal Spinal-Catastrophism

Shiva, Vishnu,
Oppenheimer and Black
Sabbath’s ‘Supernaut’ -
‘Supernaut’, the last track
on the first side of Black
Sabbath’s Volume 4 LP, has
long occupied a particular
place in my heart, first and
foremost because ...
6 months ago

The Voice Imitator


- These days, I am over
here.
6 months ago

Synthetic Edifice

Platform Capitalism -
Interviews Novara Reviews
Dan Hassler-Forest Mark
Carrigan
11 months ago

Mostly Harmless
How to Raise Money - “A
great man is coming to eat
at my house. I do not wish
to please him; I wish that
he should wish to please
me.” -Emerson Rejected
for a vital business lo...
1 year ago

http://notesfromthevomitorium.blogspot.com/2012/10/g-p-s-1-0-1-creative-chasms-of-bi-pedal.html 10/18
12/22/2017 NOTES FROM THE VOMITORIUM: -G-a-p-s-1-0-1- : Creative Chasms of Bi-Pedal Spinal-Catastrophism

the nerve of it
It was good while it lasted
- Monday 4th February
2013 had been a long for
Mike. He’d been in St.
Louis till late meeting
clients. His home, in Eldon,
seemed like an eternity
away. The ...
1 year ago

Good Grey Day


Corps
Etranger - In
order to
enter Mona
Hatoum’s
retrospective
at Tate Modern you have to
navigate the pit of the
stomach and the flesh of
the throat. There’s no way
around...
1 year ago

Intensive Thinking
Manfaat Semut Jepang
Untuk Kesehatan - Semut
JepangManfaat Semut
Jepang Bagi Kesehatan -
Disehat.com disehat.com ›
Manfaat Semut merupakan
serangga yang sering kita
temui di berbagai tempat.
Ada...
1 year ago

Sonicwarfare
On Ballard, Alienation and
Abstraction - I recently was
interviewed about J G
Ballard by Tim Noakes for
Rough Trade’s new
magazine, and the result
got heavily edited. Here is
the full unedited tra...
1 year ago

Vocalities
PIN (1988) -
One of the
best
ventriloquism
films I've
seen. The
wonderful thing about it is
how PIN's voice is only
validated as being a
ventriloquised voice of
ano...
1 year ago

http://notesfromthevomitorium.blogspot.com/2012/10/g-p-s-1-0-1-creative-chasms-of-bi-pedal.html 11/18
12/22/2017 NOTES FROM THE VOMITORIUM: -G-a-p-s-1-0-1- : Creative Chasms of Bi-Pedal Spinal-Catastrophism

ludic despair
Violent Jeff
Foxworthy
Breakfast
Snipes -

1 year ago

Eliminative Culinarism
What Is Philosophy, part
two - The second part is
now online: http://www.e-
flux.com/journal/what-is-
philosophy-part-two-
programs-and-
realizabilities/...
1 year ago

Deracinating Effect
What Is Philosophy, part
two - The second part is
now online: http://www.e-
flux.com/journal/what-is-
philosophy-part-two-
programs-and-
realizabilities/
1 year ago

Disembodied Voice
Maia Conran
at Kingsgate
Project Space
- Developing
from her
research into
the disembodied voice,
Maia Conran recently
completed a residency at
Kingsgate Project Space in
London, which resulted ...
2 years ago

Aesthetics After Finitude


AAF Reads Zalamea - *'The
case studies of the second
part should have made it
clear that contemporary
mathematics is incessantly
occupied with processes of
transit in exact th...
2 years ago

dark ecologies
H.P. Lovecraft: Quote of
the Day! - “Now all my
tales are based on the
fundamental premise that
common human laws and
interests are emotions
have no validity or
significance in the vast
cosmo...

http://notesfromthevomitorium.blogspot.com/2012/10/g-p-s-1-0-1-creative-chasms-of-bi-pedal.html 12/18
12/22/2017 NOTES FROM THE VOMITORIUM: -G-a-p-s-1-0-1- : Creative Chasms of Bi-Pedal Spinal-Catastrophism

2 years ago

k-punk
Track listing for “Look
what fear’s done to my
body” - Track listing for
“Look what fear’s done to
my body”: “King of Sorrow
(Cottonbelly Remix” – Sade
“Too Much On My Mind” –
The Kinks “Sittin’ Here” –
Dizzee ...
2 years ago

Malcolm Lowry @ The


19th Hole
The Lowry
Lounge
Saturday
25th October
2014 - This
year's Lowry
Lounge promises to be very
special! *The Lowry Lounge
with special guest Iain
Sinclair* *The Bluecoat,
School Lane, Liverpool*
*Saturday...
3 years ago

DIALECTICAL
INSURGENCY
Futurism or the Future:
Review of the Manifesto for
an Accelerationist Politics -
Futurism or the Future:
Review of the Manifesto for
an Accelerationist Politics:
This article was written for
the forthcoming edition of
the Irish Anarchi...
3 years ago

Eiree Indiana
Eireeindiana's Top 5 Albums
of 2013 - In a blaze of
complete critical yuletide
indulgence, a debased
spectacle of unadulterated
personal taste, hence
accordingly follows a
shameless top 5 rundo...
4 years ago

The Vox Lab | James


Wilkes's poetry
residency at the
Institute of Cognitive
Neuroscience
Poems on EVP website -
The first two sets of poems
from the residency have
appeared on Electronic
http://notesfromthevomitorium.blogspot.com/2012/10/g-p-s-1-0-1-creative-chasms-of-bi-pedal.html 13/18
12/22/2017 NOTES FROM THE VOMITORIUM: -G-a-p-s-1-0-1- : Creative Chasms of Bi-Pedal Spinal-Catastrophism

Voice Phenomena. This is


the website for a fantastic
touring project exploring
n...
4 years ago

Neurophilosophy
Neurophilosophy blog
archive - Neurophilosophy
is a blog about molecules,
mind, and everything in
between, written by Mo
Costandi. The latest
entries can be found at the
Guardian. POPULA...
4 years ago

Mark Fisher ReBlog


“You won’t be able to stop
yourself, you might as well
enjoy it”: eXistenZ and
noncognitive labour -
(Originally published in
Film Quarterly) [image:
image] “Can what is
playing you make it to
level 2?” asked Nick Land
in his landmark 1994 on
cyber-theo...
4 years ago

♰♰♰ϝξλɴლ▲ɴ's
ξ☾Ӊ●♰♰♰
Corrupted -
"Gekkou No
Daichi" -

5 years ago

Aural and Visual Cultures


Honey -
Merleau-
Ponty -

5 years ago

Thinking the Sensuous


Numerogram
- The
infamous
numerogram
from CCRU -
recently
resurrected from cthulhian
cyber-mortis!
5 years ago

splintering bone ashes


Functional Brokenness:
Post-metal, grime, and
naming the unnameable. -
http://notesfromthevomitorium.blogspot.com/2012/10/g-p-s-1-0-1-creative-chasms-of-bi-pedal.html 14/18
12/22/2017 NOTES FROM THE VOMITORIUM: -G-a-p-s-1-0-1- : Creative Chasms of Bi-Pedal Spinal-Catastrophism

Kicking off this blog I


would like to talk about
the debut album by the
Denton, Texas post-metal
quartet Pyramids. This
album certainly appears to
have a...
9 years ago

Vocoder
Good Hypotenuse - I'm
back. Now that I'm in
college and have work to
avoid doing I might as well
start this thing up again.
College!!! Wooo!!! [I'll save
the obligatory "Col...
10 years ago

BBC - Blogs - Adam


Curtis
-

Pyrrhic Victories Against


Urban Oncostrophy
-

Ectoplasmic Aether
-

violentflux
-

Accelerationism
-

continent.continent.
-

Wounds of Class ›
-

RO/AD
-

T O T A L PA G E V I E W S

284,259

S C H I A PA R E L L I ' S M A P O F M A R S

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12/22/2017 NOTES FROM THE VOMITORIUM: -G-a-p-s-1-0-1- : Creative Chasms of Bi-Pedal Spinal-Catastrophism

V O M I T O R I U M . D E F.

A V O M ITORI U M ( P LURAL : V O M I TOR I A ) I S A PA S S AGE SITUATED BELOW OR BEHIND A


T I E R OF S E AT S I N A N A M P H I T H E AT RE, THROUGH WHICH CROWDS CAN "SPEW OUT" AT
T H E END O F A P ER F O R M A N C E .

- - TA G S - -

0 BOOKS (1) 1950 (1) 1960'S (1) 1 9 7 0'S ( 4 ) 1 9 7 4 ( 1 ) 1 9 8 0 ' S ( 1 ) 1 9 9 0 ' S ( 1 ) 2 0 0 0 ' S ( 2 ) 2 0 1 0 ( 1 ) 7 0 ' S B R I TA I N
( 2 ) A - L I N G U I S T I C S O U N D S O F T R A N S F O R M AT I O N ( 1 ) A C C E L E R AT I O N ( 2 ) A C C ELERAT I O N I S M ( 4 ) A C O U S M AT I C
V O I C E ( 1 ) A C O U S M E T R E ( 1 ) A D A M C U RT I S ( 2 ) A D D I C T I O N ( 1 ) A D O R N O ( 2 ) A E S T H E T I C S ( 2 ) A F F E C T ( 2 )
A G A M B E N ( 1 ) A K I R A K U R O S AWA ( 1 ) A L A R M I S T ( 1 ) A L C I B I A D E S ( 2 ) A L I C E ( 1 ) A M A N D A B E E C H ( 1 ) A M E R I C A ( 1 )
A M E R I C A N A ( 2 ) A N A L E M M A ( 1 ) A N A LY S I S ( 2 ) A N D R O I D S ( 1 ) A N T H O N Y C A RT W R I G H T ( 1 ) A N X I E T Y ( 1 ) A P O L L O ( 1 )
A P O P H E N I A ( 1 ) A R I S TO T L E ( 2 ) A R O N O F S K Y ( 1 ) A RT ( 5 ) A RT T H E O RY ( 1 ) A S A P ROC K Y ( 3 ) ASCENSION (1)
ATO M I C ( 1 ) ATO M I Z AT I O N ( 1 ) A U TO - A F F E C T I O N ( 1 ) AVA N T G A R D E ( 1 ) AV O N B A R K S D A L E ( 1 ) B A N T E R ( 2 ) B A RT H E S
( 1 ) B ATA I L L E ( 1 ) B AT T L E S TA R G A L A C T I C A ( 1 ) B E E F ( 1 ) B E N J A M I N P H E L A N ( 1 ) B E R A R D I ( 2 ) B E R G M A N (1)
B E R G M E TA L ( 1 ) B I B L I O P H I L I A ( 1 ) B I F O ( 1 ) B I O - C H E M I S T RY ( 1 ) B I O P H I L I A ( 1 ) B I O S ( 2 ) B L A C K C O U N T RY ( 2 )
B L A C K M E TA L ( 2 ) B L A C K M E TA L T H E O RY ( 1 ) B L A D E R U N N E R ( 1 ) B L A D E R U N N E R 2 0 4 9 ( 1 ) B M W ( 1 ) B O D Y H O R R O R ( 1 )
B O O K R E V I E W ( 1 ) B R A C K E T P R E S S ( 1 ) B R A K I N G ( 1 ) B R E AT H ( 1 ) B R E T E A S TO N E L L I S ( 2 ) B U C H I ( 1 ) B U F F E R I N G
(1) BURGERS (1) BURIAL (1) B U R ROUGH S ( 3 ) BUSINESS (1) C.I.A. (1) CALL CENTERS (1) CALL OF CTHULHU (1)

C A M E R O N ( 2 ) C A N A L S ( 1 ) C A N N I B A L O X ( 1 ) C A N O N I Z AT I O N ( 1 ) CAPITALISM (13) C A P ITALIST


R E A LISM ( 3 ) C A R S ( 1 ) C AVA R E R O ( 2 ) C E L E S T I A L M E C H A N I C S ( 1 ) C H I N A ( 1 ) C H I O N ( 1 ) C H O I R ( 1 ) C H R O N O S ( 1 )

CIDER WITH ROSIE (1) C I N EMA ( 5 ) C L A M S C A S I N O ( 2 ) CLASS (8) CLONES (1) CLOSE-UP (1) COFFEE (1)
CONSPIRACIES (1) CONSUMERISM (1) C O N T E M P O R A RY (1) C O N TEMPO R A RY ART ( 4 ) C O N TEMPO R A RY
P H I LOSOP H Y ( 3 ) C O N T I N E N TA L P H I L O S O P H Y ( 1 ) C O N T R O L ( 1 ) C O R D U R O Y M A G A Z I N E (1) C O R PA U R A L (1)
C O R P O R E A L I T Y ( 2 ) C O RY A R C A N G E L ( 2 ) C O S M I C I S M ( 1 ) C O U L S O N ( 1 ) C R I E S ( 1 ) C R O N E N B E R G ( 1 ) C U I S I N E ( 1 )
C U LT U R A L C A P I TA L (1) C U LT U R A L C R I T I Q U E ( 2 ) C U LT U R A L R E G U R G I TAT I O N ( 1 ) C U P C A K E S ( 1 ) CUT (1)
C V LV N D X R S ( 1 ) C Y B E R A RT ( 1 ) C Y B E R T H E O RY ( 1 ) C Y B ERPUN K ( 3 ) C Y B E R S PA C E ( 1 ) C Y B E RT I M E ( 1 ) C Y B I S M ( 1 )
C Y C L O N O P E D I A ( 1 ) D A N I E L E W S K I ( 1 ) D A R K M AT T E R ( 1 ) D AV I D LY N C H ( 1 ) D AV I D P E A C E ( 1 ) D E C AY ( 1 ) D E C L I N E ( 1 )
DECONSTRUCTION (1) DELEUZE (2) DELUSION (1) DENIAL (1) D E R RIDA ( 5 ) D E S I R E ( 1 ) D E S P E R AT E H O U S E W I V E S
(1) DEVELOPMENT (1) DIAGRAMS (1) DIALECTICS (1) DIALOGUES (1) DIAMOND JUBILEE (1) DICKENSIAN (1) DINA

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12/22/2017 NOTES FROM THE VOMITORIUM: -G-a-p-s-1-0-1- : Creative Chasms of Bi-Pedal Spinal-Catastrophism

R A E ( 1 ) D I O N Y S I A N ( 1 ) D I O N Y S U S ( 1 ) D I S C I P L I N E ( 1 ) D I S L O C AT E D V O I C E S ( 2 ) D J S C R E W ( 2 ) D O C U M E N TA RY ( 1 )
D O L AR ( 5 ) D O O M ( 1 ) D O P P L E G A N G E R S ( 1 ) D O P P L E R E F F E C T ( 1 ) D O S TO E V S K I A N ( 2 ) D O S TO E V S K Y ( 1 ) D R DRE
(4) D R A G ( 1 ) D R AW I N G S ( 1 ) D R O N E ( 1 ) D U D L E Y ( 1 ) D U S T I S M ( 2 ) D YA D I C E X T I M A C I E S ( 1 ) D Y S TO P I A N ( 1 ) E . M .
F O R S T E R ( 1 ) E C H O ( 1 ) E D U C AT I O N ( 1 ) E E R IE ( 3 ) EMINEM (1) EMOTIONAL C A P I TA L I S M (1) E M PAT H Y (1)
ENDOLOGICS (1) ENGLAND (1) ENO (1) ERGODIC (2) EROS (1) ESCHER (1) ESOTERICA (1) EURO TRANCE (1) EVIL
( 1 ) E V O L U T I O N ( 1 ) E X C U S E D ( 1 ) E X H U M AT I O N S ( 1 ) E X I S T E N T I A L I S M ( 1 ) E X O L O G I C S ( 1 ) E X T I M A C Y ( 1 ) E X T R E M E
S P O RT S ( 1 ) F. B . I . ( 1 ) FA C E ( 1 ) FA C E B O O K ( 1 ) FA N G E D N O U M E N A ( 2 ) FA N TA S Y ( 2 ) FA S H I O N ( 2 ) FA S H I O N

I N S I D E R ( 1 ) FA S T F O O D ( 1 ) FA S T TA L K ( 1 ) F E A R ( 1 ) F E Y N M A N S E C H O ( 1 ) FICTION (6) FICTIONS (1) FILLER


W O R D S ( 1 ) F I L M ( 2 ) F I L M T H E O RY ( 1 ) F I R S T G R E AT W E S T E R N ( 1 ) F I R S T G R O U P ( 1 ) F I T C H ( 1 ) F L AT O N TO L O G Y ( 1 )
FLORIAN HECKER (1) FOOD (3) F O O T W O R K ( 1 ) F O R D I S M ( 1 ) F O R U M S ( 1 ) F R A N C I S W H E E N ( 1 ) F R U C TO S E ( 1 )
FUTURE (1) GAMBLING (1) GAPS (1) GASTRONOMY (1) GENDER (2) GENRE (1) GEOPHILIA (1) GEOTRAUMA (2)
GHOSTS (2) GIBSON (1) GILMORE GIRLS (1) GIMP DESIRES (1) GLEE (1) GOLDSMITHS (1) GOOD (1) GOOGLE (1)
G O V E ( 1 ) G O YA ( 2 ) G R A I N ( 1 ) G U C C I ( 1 ) G U T T U R A L ( 1 ) G W E N S T E FA N I ( 1 ) G Z A ( 1 ) H . B . O . ( 1 ) H A I L S H A M ( 1 )
H A K U C H I ( 1 ) H A M I D PA R S A N I ( 1 ) H A S H I M O TO ( 1 ) H A U N C H O F V E N I S O N ( 1 ) H A U N TO L O G Y ( 2 ) H E A D S M A S H ( 1 )

H E R ( 2 ) H E T E R O - A F F E C T I O N ( 1 ) H I S TO RY ( 2 ) H I T C H C O C K ( 1 ) H O L O G R A M S ( 1 ) HORROR (9) HOUSE (1)


HOUSE OF L E AV E S (1) H U B E RT DREYFUS (1) H Y P ERBOL E (3) HYPERSTITION (1) HYPERSTITIONS (1)
H Y P N O G O G I C P O P ( 1 ) H Y P O M E TA ( 1 ) I L L O U Z ( 2 ) I L L U S I O N ( 1 ) I M A G I N AT I O N ( 1 ) IMPERIAL BEDROOMS (1)
I N A N T H R O P O C E N T R I C I S M ( 1 ) I N C O N S I S T E N C Y ( 1 ) I N FA N T I L E V O I C E ( 1 ) I N F I N I T Y ( 1 ) I N F O S P H E R E ( 2 ) I N T E RV I E W S
( 1 ) I S H I G U R O ( 2 ) I S L A M I S T ( 1 ) J A K E A N D D I N O S C H A P M A N ( 2 ) J A M E S O N ( 1 ) J A M I E S H O V L I N ( 1 ) J A PA N E S E A RT
( 1 ) J A PA N E S E C I N E M A ( 1 ) J O S E P H N E C H VATA L ( 2 ) J U N G L E ( 2 ) J U S T I N B A RTO N ( 1 ) K P U N K ( 1 ) K A R P F ( 2 )
K A Z U O I S H I G U R O ( 1 ) K O B L I N ( 1 ) K U RT C O B A I N ( 1 ) L A B O U R ( 1 ) L A C AN ( 4 ) LANDIAN (1) LANGUAGE (1) LARUELLE
( 1 ) L A RY N G E A L D E S C E N T ( 1 ) L A RY N X ( 2 ) L E P E R C R E AT I V I T Y ( 1 ) L I B E R A L I S M ( 1 ) L I B I D O ( 1 ) L I N G U I S T I C S ( 1 )

LISTENING (1) LIT REVIEWS (1) LITERATURE (7) LOGOCENTRICIST (1) LOGOS (1) LOLITISM (1) LOOPS (1)
L O V E C R A F T ( 2 ) L U S T I G ( 1 ) LY N C H ( 1 ) LY N C H E A N ( 1 ) LY N S E Y H A N L E Y ( 1 ) M . R . J A M E S ( 1 ) M A C H I N I C ( 2 ) M A D
MAX (1) MAGAZINES (1) MALLARME (1) MAO (1) MARK FISHER (6) MARK Z DANIELEWSKI (1) M A R SYAS ( 4 )
M A S K ( 1 ) M AT R I A R C H ( 1 ) M A U R I C E S T E N D A K ( 1 ) M C C A RT H Y I S M (1) M E AT (1) MEDIA (1) MEILLASSOUX (1)
MELANCOLOGY (1) M E M ORY ( 3 ) M E TA P H Y S I C A L H O R R O R ( 2 ) M E TA P H Y S I C S ( 1 ) M Ê T I S ( 1 ) M I C H A E L J A C K S O N
(1) MILIBAND (1) MIMIC (2) MINIMAL (1) MIU MIU (1) M L A DEN D O L A R ( 5 ) M O B I U S ( 2 ) MONARCHY (1) MR.
S T E V E N S ( 1 ) M U R D O C H ( 1 ) M U T I L AT I O N ( 1 ) M Y C E L I U M ( 1 ) M Y T H O P O I E S I S ( 1 ) N A R C I S S U S ( 1 ) N AT E D O G ( 1 )
N AV I G AT I O N A L I S M ( 1 ) N E G A R E S TA N I A N ( 1 ) NEO C O N S E RVAT I V E S (1) NEPOTISM (1) N E T H E RTO N (1) NEURAL

MIRRORING (1) NEVER LET ME GO (1) NEW LABOUR (1) NICK LAND (7) NICOLA MASCIANDARO (1) NIETZSCHE

(1) NIHILISM (6) N I X O N ( 1 ) N O I S E ( 1 ) N O R M AT I V I T Y ( 1 ) N O V E L S ( 1 ) N U C L E A R ( 1 ) N U M E R O L O G Y ( 1 ) N U P TA


C A D AV E R A ( 1 ) N U P TA C O N TA G I O S O ( 1 ) N U T R I T I O N ( 1 ) O B E S I T Y ( 1 ) O B J ECT V O I C E ( 4 ) OCCULARCENTRICISM (1)
O C C U LT I S M ( 2 ) O D B ( 1 ) O N LY C O N N E C T ( 2 ) O N TO L O G I C A L ( 2 ) O N TO L O G I E S ( 1 ) O N TO L O G Y ( 1 ) O P E N F I L E ( 1 )
O R G A N I S AT I O N ( 1 ) O RW E L L I A N ( 1 ) O V I D ( 1 ) PA L E O N Y M I C S ( 1 ) PA L E O N Y M Y ( 1 ) PA N ( 1 ) PA N D O R A ' S B O X ( 1 )
PA R A D I G M S (1) PA R A N O I A ( 2 ) PA R A S I T I S M (1) PA R E I D O L I A (1) PA R S A N I (1) PA S T E (1) P H A N TO M S (2)
P H I L O S O P H Y ( 1 ) P H O N E ( 1 ) P H O N O C E N T R I S M ( 1 ) P H O N O L O G Y ( 2 ) P H X L LV P S C R X W ( 1 ) P H Y L O G E N E T I C S ( 1 ) P I ( 1 )

P L ATO ( 5 ) P L U TO N O M I C ( 1 ) P O L I C E ( 1 ) P O L I S ( 1 ) P O L I T I C I A N S ( 1 ) P O L I T I C O ( 1 ) POLITICS (7) P O P ( 3 )


P O P U L A R M U S I C ( 1 ) P O R O C RY P T I C S ( 1 ) P O R O C RY P T I X ( 1 ) P O S S E S S I O N ( 1 ) P O S T 9 / 1 1 ( 1 ) P O S T C I N E M AT I C A F F E C T
( 1 ) P O S T- F O R D I S M ( 1 ) P O S T- I N D U S T R I A L ( 1 ) P O S T- P O S T ( 1 ) P O S T- P R O D U C T I O N ( 1 ) P R A X I S ( 2 ) P R I VAT I S AT I O N ( 1 )
P R O F B A R K E R ( 2 ) P R O L E S ( 2 ) P S Y C H O A N A LY S I S ( 2 ) P S Y C H O PAT H Y ( 2 ) P S Y C H O S P H E R E ( 2 ) P U B L I C AT I O N S
( 1 ) P U N K R O C K 1 0 1 ( 1 ) P U T R E FA C T I O N S ( 1 ) Q U A S I M O TO ( 1 ) Q U B I T S ( 1 ) R A I M E ( 1 ) R A L P H L A U R E N ( 1 ) R A P ( 1 ) R AY
B R A S S I E R ( 1 ) R E - C O N T E X T U R A L I Z AT I O N ( 1 ) R E - M I X ( 1 ) R E - P R E S E N TAT I O N ( 1 ) R E A L I S M ( 1 ) R E L I G I O N ( 1 ) R E M I X ( 1 )
R E P E AT E R BOOKS (1) REQUIEM FOR A DREAM (1) RESONANCE (1) RETRO (1) RETRO RETRO RETRO (1)

RETROSPECTION (1) REYNOLDS (1) REZA NEGARESTANI (7) RICK OWENS (1) R O B B BAN K $ ( 3 ) R O B E RT
AICKMAN (1) ROBOTS (1) ROBUST MEASURES (1) RUSSIA (2) RUSSIAN DOLLS (1) RZA (2) SALECL (2) SAMPLING
( 2 ) S A N I T Y A S S A S S I N ( 1 ) S C H I Z O C RY P TO L O G Y ( 1 ) S C I - F I ( 1 ) S C R E W E D A N D C H O P P E D ( 1 ) S C U L P T U R E ( 1 ) S E L L A R S
(1) S E M IOCAP I TA L ( 3 ) S E N S AT I O N A L I S M ( 1 ) S E X ( 1 ) S H AV I R O ( 2 ) S I G N I F I E R ( 1 ) S I R E N S ( 2 ) S I T C O M S ( 2 ) S K Y

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12/22/2017 NOTES FROM THE VOMITORIUM: -G-a-p-s-1-0-1- : Creative Chasms of Bi-Pedal Spinal-Catastrophism

FERREIRA (1) SNOOP DOG (1) SNORRICAM (1) SNOWFLAKES (1) SOCIAL MEDIA (1) SOCIALITES (1) SOCIO (1)
S O C R AT E S ( 2 ) SONIC WA R FA R E (1) SOPRANOS (1) SOUND (1) SOYLENT (1) S P E C TA C L E (1) SPECTRAL
A C O U S M AT I C V O I C E ( 2 ) S P E C T R E S ( 2 ) S P E C U L AT I V E A E S T H E T I C S ( 1 ) S P E CULAT I V E R E A LI S M ( 3 ) S P E E C H ( 1 )
S P I KE JONZ E ( 3 ) S P L I T S U B J E C T V O I C E ( 2 ) S P O O K Y ( 1 ) S P O RT ( 1 ) S P R I N G ( 1 ) S T E R E O S C O P I C I M A G E ( 1 )
STEVE GOODMAN (1) SUBCONSCIOUS (1) SUBJECTIVITY (2) SUBLIME (1) SUGAR (1) SUPER RICH (1) SYLLABIC
S P E E D ( 2 ) S Y M P H O R O P H I L I A ( 1 ) S Y M P O S I U M ( 1 ) S Y N T H E T I C C U LT U R E ( 1 ) TA E D I Ō S U S - C H R O N O S ( 1 ) TA R I Q
G O D D A R D ( 2 ) TAT E ( 1 ) T E C H N O L O G Y ( 1 ) T E L E O P L E X Y ( 1 ) T E L L U R I A N ( 1 ) T E M P O R A L I T Y ( 1 ) T E R M I N ATO R ( 1 )
T H A N ATO P H I L I C ( 1 ) T H A N ATO S ( 1 ) T H AT C H E R ( 1 ) T H E I D I O T ( 1 ) T H E I D L E R ( 1 ) T H E N O RT H ( 1 ) T H E O N E S H O W ( 1 )
T H E R E M A I N S O F T H E D AY ( 2 ) T H E W I R E ( 1 ) T H E M E S ( 1 ) T H E ORY ( 3 ) T I C - TA L K ( 2 ) T I M E ( 5 ) T M W O L F ( 1 )
TO M AT I S ( 1 ) TO P I C S ( 1 ) T R A I N S ( 1 ) T R A N S F O R M AT I O N ( 1 ) T R A U M A ( 1 ) T R I L L ( 2 ) T R O P E S ( 1 ) T R U T H S ( 1 ) T V ( 1 )
T W I N P E A K S ( 1 ) T W I T T E R ( 1 ) U B I ( 1 ) U G LY B E T T Y ( 1 ) U K E L E C T I O N 2 0 1 5 ( 1 ) U N E M P L O Y M E N T ( 1 ) U N I V E R S A L
BASIC INCOME (1) UNIVERSITIES (1) U R B ANOMI C ( 5 ) VA G I T U S UTERINUS (1) VA M P I R E S (1) VEIL (1)
V E N T R I L O Q U I S M ( 2 ) V I D EO ( 4 ) V I O LENCE ( 3 ) V I R A C T U A L I S M ( 1 ) V I R U L E N T N I H I L I S M ( 2 ) V O C A L I S AT I O N

(1) V O C ORPAU R A L ( 3 ) V O C ORPAU R A L H O RR O R ( 3 ) VOICE (15) VOL-AU-VENTS (1) W G SEBALD


( 2 ) W- TA N G C L A N ( 1 ) W E S T M I N S T E R ( 1 ) W E S T W O R L D ( 1 ) W H AT I S TO B E D O N E ? ( 1 ) W I T C H H O U S E ( 1 ) W O R K ( 2 )
WW2 (1) X-GAMES (1) XENOPOETIX (2) XENOPOIESIS (1) YORKSHIRE (1) YUPPIES (1) ZERO BOOKS (2) ZIZEK
(2) ZOE (2)

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