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Santana

Vocals BLACK MAGIC WOMAN arr. Mark Bovine/Shaun Evans

q = 120
4 16 12 
A

              
Got ablack mag - ic wo - man
beh
beh

36
    
                
Got a black mag - ic wom - an Got a black mag - ic wom - an
Turn your back on me ba - beh Yes, don't turn your back on me ba - beh
Got your spell on me ba - beh Yes, you got your spell on me ba - beh

40
          
3 3
 
       
Got me so blind I can't see That she's a black mag - ic wom - an
Mess - in' a - round with your tricks Don't turn your back on me ba - beh You
Turn - ing my heart in - to stone I need you so bad mag - ic

44 To Coda  1.
              
  
tryin' to make a dev - il out of me Turn your back on me ba -
just might pick up my mag - ic sticks
wom - an I can't leave you a -

11
Guitar Solo
1. 2.
47 2.
        
  
Got your spell on me ba -
D.S. al Coda

Coda 
61 7
 
lone
Bass guitar Santana
BLACK MAGIC WOMAN arr. Mark Bovine/Shaun Evans

q = 120 A
 
            

7   
               

14
     
     
       
     
 
 

18
       
Dm7
 
          
 
  
23
     A7        
Dm7
 
  
      

27
     Gm7  
Dm7
 
            
 
   
31

A7
   
Dm7
         
        
  
35 Dm7    A7

          
    
  
 

39
  
Dm7      Gm7
         
    
To Coda  Dm7 1.
43

Dm7
   A7
   
         
    
  
2
Bass guitar
47 2. Dm7
          A7    
          
  

51

Dm7
         Gm7
           
   

    
55 Dm7 A7

              
 

1. 2.
    
58 Dm7
            
 
D.S. al Coda

Coda 
     
61
  
       

65    
      

BLACK MAGIC WOMAN
Santana

3
Guitar
q = 120 A arr. Mark Bovine/Shaun Evans
     
            

9


 
              

15
        
                      

20

(Play 8va)
               
 

25
            3  
          
     

29
      
          
 

34

Dm7
                
(End 8va) A7
     
39 Dm7 Gm7 Dm7

                    

1. 2.

44 A7
To Coda Dm7 D.S. only Blow!!

                    
Dm7

49 A7 Dm7

                    
2
Guitar
54 Dm7 A7

                
Gm7

58 Dm7 1. 2.

       
(End Solo)
     
D.S. al Coda
Coda 
61 Dm7
  
         

65
   

     
Drums Santana
BLACK MAGIC WOMAN arr. Mark Bovine/Shaun Evans
q = 120 
2  
    
 
 

6

           
(4)
 
sim...
10

                    
(6) (8) (10)

15

                    
(12) (14)

20
          
    
(16)
   

23

           
(4)
 
sim...
27

                
(6) (8)


31
   
        
(10)
      
     
35

        
       
               
(4)
         
   
sim...
39

                    
(6) (8)
2
To Coda  Drums
1. 2.
44
       
        
(10)
 
            

48
                     
        
(4)
 
     
          
sim...

52

                    
(6) (8)

1. 2.
57
 
                       
(10)

       
D.S. al Coda

Coda 
61
 
      
sim...


64
 
                
(4) (6)
 

Santana
Trombone BLACK MAGIC WOMAN arr. Mark Bovine/Shaun Evans

4
q = 120
               
A
 
mp

9                     


15 13
         

 (Tacet 1st X)  


35         2
           



ff mf

 To Coda 
41
       
       
       
      

f f

1. 2.

11
1. 2.
46
        

D.S. al Coda
Coda 
61 2        
 
mp

         

      
66


f ff
Trumpet in Bb Santana
BLACK MAGIC WOMAN arr. Mark Bovine/Shaun Evans
q = 120
4
A

                 
mp

9

                     

15
 13
         

 (Tacet 1st X)
35    
       2
           


ff mf

41  To Coda 

       
     

 
  
f

12
1. 2. 1. 2.
45
    
          
f D.S. al Coda
Coda 
61
 2
         
mp

66 

   
             
f ff
Tenor Saxophone Santana
BLACK MAGIC WOMAN arr. Mark Bovine/Shaun Evans
q = 120
4
A
                     
 
mp

8
                       
  

12
             

 (Tacet 1st X)  


19
 12    
              
ff


36


   2     
 

    

     



mf f
To Coda   
43
         1.
   
f
2.
47  11
1. 2.
      

D.S. al Coda
Coda 
61 4         

           

mp f ff
Keys Santana
BLACK MAGIC WOMAN arr. Mark Bovine/Shaun Evans
q = 120
Church/Stop Organ
                            
               
 

5
A

                           
               


                      
           

12
    
        
       


14 (To Rhodes)
   
 
 
 
 
 
 
 
       
Rhodes
22 Dm7 A7 Dm7

                    

27 Gm7 Dm7 A7

                    

2
Keys
32 Dm7  Dm7
         
           

37 Gm7

                    
A7

To Coda (ORGAN) 
42 Dm7 A7 Dm7

                   
1.
 

47 2.
A7

 
                
Dm7
  

52 Gm7 Dm7

                    

57 A7 Dm7

             
1. 2.
  
D.S. al Coda

61
Coda
Dm7

                  
Church/Stop Organ
       
           
 

65 A7 Dm7

                    
           
 