Asean Aesthethic Art & Context (FET 638) 2017

FACULTY ART AND DESIGN

ASEAN AESTHETIC ART & CONTEXT ( FET 638 )

SOCIO ECONOMY IN KG. NELAYAN, TELOK

GONG, PELABUHAN KLANG

MUHAMMAD FAIZ BIN MOHD ISMADI

2015110829

AD228/5A

PREPARED FOR :

DR. RAFEAH BINTI LEGINO

DATE SUBMITTED :

14 JUN 2017
Asean Aesthethic Art & Context (FET 638) 2017

CONTENT

1. INTRODUCTION

1.1 PROBLEM STATEMENT

1.2 OBJECTIVE RESEARCH

2. STATEMENT OF SIGNIFICANT

3. METHOD OF RESEARCH

3.1 INTERNET

3.2 INTERVIEW

3.3 SITE VISIT

4. LITERATURE REVIEW

5. PROCESS OF MAKING ARTWORK

5.1 SKETCHES

6. APPENDIX

6.1 RELATED STUDIES ( TEXT ANALYSIS )

6.2 RELATED VISUAL ARTWORK

6.3 FIELD TRIP VISIT

8.REFERENCE
Asean Aesthethic Art & Context (FET 638) 2017

1. INTRODUCTION

Telok Gong is a fishermen's village. Telok Gong near Klang River and the Straits of
Malacca. Therefore, the fishing pier was built in Telok Gong to facilitate the stopping of fishing
boats, anchored and reduce fishing. Most of them were captured using nets or trawls in the
middle of the sea.

Teluk Gong was once famous in 1967, when villagers demonstration demanding land
venture they remain the property of their. Among those to be fighters of the people at that time
was the Association of Students of the University, Sanusi Osman and Hamid Tuah. In the
1960s, action Hamid Tuah and 500 residents of Malay poor explore forest land in Teluk Gong is
said to be non-compliance to the laws of the land of the Selangor State Government. He has
imposed a limited detention in Kuala Kubu Bharu, Selangor. The Government does not allow
them to explore the land owned by the Government and had sent security forces to hold farmers
and destroying their crops. Next hold Hamid and four of his followers on 4 January 1969, they
were detained in the detention camp of Muar and Batu Gajah for two years.

1.1 PROBLEM STATEMENT

Telok gong is a fishing village, in 2010, telok gong developed into an industrial center.
This has resulted in employment opportunities and would recommend increasing the
transforming socio-economic projects in the area, which previously was a major village
fishermen. In addition, job opportunities has attracted the interest of young people to work in the
industrial sector due to attractive salary as well as a more stable future. by because it currently
only most fishermen old only surviving fishermen as a source of sustenance fixed them.
Asean Aesthethic Art & Context (FET 638) 2017

1.2 OBJECTIVE RESEARCH

The objective of this research is :-

 To study the socio-economic in Telok gong

 To Analyze the socio-economic in Telok gong
 To documentation the research

2. STATEMENT OF SIGNIFICANT

This study is very important due to socio-economic of a society represent a way of life,
where today's public life at telok gong changed through industrial development in the area. in
order to maintain heritage telok gong as a fishing village, the Government should take the
initiative through the development of the fishing industry. in addition, telok gong can also be
expanded to become a tourism centre which attracts hardcore anglers. In general social impact
is the changes in living conditions or human life as a result of a new policy or programs or
projects undertaken by the Government, semi government or non-Government involving
changes either directly or indirectly (Moha Asri Abdullah et al., 2003)

3. METHOD OF RESEARCH

3.1 INTERNET

 Most of the articles and the journal was found from the internet. the Internet is one
method which is used to find the information and the purposes of socio-economic
change itself
Asean Aesthethic Art & Context (FET 638) 2017

3.2 INTERVIEW

 Besides the internet, I interviewed one of my uncle, named Rahim bin Samiun where he
had been fishing in Kampung Telok Gong, but he works part-time as a fisherman does
not produce lucrative at this time.

3.3 SITE VISIT

 I do the site visit in that area to facilitate the process of the making of the review, on top
of that I got to see direct the development of industries and would recommend itself

4. LITERATURE REVIEW

The process of social change does not necessarily occur at the rate and speed of the
ama or also with the same energy and force. It is a process that generates both positive and
negative. However, it is a process that cannot be avoided, sometimes done intentionally but
often it happens in unexpected (Rahimah Abd Aziz and Mohamed Yusoff Ismail 2002). The
cultural patterns that become the framework of thought or behavior Community fishermen in
reference undergo everyday life (Kusnadi, 2002:4) The group saw the marine / fishing resources
are limited, but for a certain kind of resources can be cultivated, and feature planning. Whereas,
in the dimension of education, there is already a completed higher education (Elfindri, 2002;
Jimbo, 2001).

At present half the world's population live in the area of the airport (Buringh & Dudal,
1987) where most of the cities are in the region The farm is very fertile (Pacione, 1990). In
general social impact is the changes in living conditions or human life as a result of a new policy
or program or project new made good by the Government, semi government or non-government
organization involving change either directly or indirectly (Moha Asri Abdullah et al., 2003)up to
form new social features either better or less better than original condition(Abdullah Mohd Said,
2003). The changes may be positive and perhaps even negative. Effects of the positive is the
most needed and a negative should be prevented and converted intopositive effects (Hassan
Khalid & Morshidi Sirat Naziri, 2003).
Asean Aesthethic Art & Context (FET 638) 2017

5. PROCESS OF MAKING ARTWORK

5.1 SKETCHES

Here a some sketches for making artwork :-

Figured 5.1.1

Figured 5.1.2
Asean Aesthethic Art & Context (FET 638) 2017

Figured 5.1.3

Figured 5.1.4
Asean Aesthethic Art & Context (FET 638) 2017

Figured 5.1.5

Figured 5.1.6
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6. APPENDIX

6.1 RELATED STUDIES ( TEXT ANALYSIS )

Topics Problem Objective Outcome

Ratnawati Yuri (2008) Identifying the socio Analyze the socio- The results show that
Socio-economic economic uplift economic overall, for both
performance of the Residents of Tangerang, Banten, categories of
original community Tangerang, Banten, Indonesia permanent indigenous
land use agriculture to Indonesia people and who
Marang peace migrated, socio-
Exchange SK Bandar economic aspects of
Baru Bumi Serpong, performance
Tangerang, Banten, increased and regular
Indonesia well is more
low (42.6%) in
comparison with the
performance of the
socio-economic
aspects of fixed low
and depressed
(57.4%) respectively.
Lucky Zamzami This is study of how To study the socio- Socio-economic
(2004) socio-economic economic community fishing families
Socio-economic change fishermen on the economic nature
changes and impact understandings are Padang beach, and the use of
Practice of regional expressed and indonesia traditional tools
among fishermen juxtaposed in the fishing is still simple
capitalist economic
tourism of the fishing
community
Asean Aesthethic Art & Context (FET 638) 2017

Asan Ali Golam A socio-economic The general objective Overall impression of

Hassan, Abu Sufian evaluation impact of of this study was to the town of Nat Wang
Abu Bakar & Tuan change to the determine the impact Kelian to residents
Marina Tuan tourism town on the socio- is limited. Although
Ibrahima (2009) development, perlis economic most of the population
socio-economic development travel believes the existence
evaluation impact town residents to of TNP
study on wang kelian, Wang Kelian and increase employment
the tourism town recommend travel opportunities and
development, perlis programs/activities development of the
that are appropriate to tourism sector in
enhance the role of Pekan Nat
Wang Kelian as
tourism town.
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6.2 RELATED VISUAL ARTWORK

Artist / Artwork Content Context

1. Zaim Durulaman Inspired by the famous poem
 Pisang Emas Di Bawa of Sheikh Hamzah Fansuri,
Belayar Syair Perahu, I aim to
 2010 manifest the space in the four
 167.5 x 167.5 cm corners of the white canvas
 Mix media on canvas with my seasoned and weary
sampan.
Paintings do not contain
words, but a composition can
be vivid with just a stroke of a
brush on canvas. Each artist
has his/her own visual
vocabulary and grammar.
Perahu(boat) for me is a
metaphor for journey, life. It
may be just means of
transportation for others, God
only knows

2. Juhari Said tells about the Malay in terms of the context of this
 Tiga Cawan Kopi community that often hang out work tells about Malay culture
 1991 at the coffee shop itself where some Malays who
 59 x 42 cm likes wasting time at the
 Wood Cut & Lino coffee shop
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3. Faizal Suhif Tells about the sustenance In terms of context, this work
 Rezeki Hari ini Esok provided by God tells us that the things which
akan datang come from God will never be
 2009 broken as long as we believe
 2 x 4 ft in God
 Cementcut on paper

4. Ghaffar Bahari Looking True’ the art work
 Title : Looking True. story about a people waiting
someone in the coffe shop.in
 Medium : Watercolour
this artwork Ghafar more
 Size : 28cm x 39cm storied about muslim and
 Year : 2009 malay sosio culture.
This art more emphasis about
culture of malay
people.Ghafar interested
to show Malay culture which
a old man wearing a Baju
Melayu , Baju Melayu is a
clothing for man, they will use
only for Aidilfitri celebration or
prayers. Ghafar also want to
show at audience that a malay
people like to waste their time
only hanging out at coffe shop
and talking nonsence.
Asean Aesthethic Art & Context (FET 638) 2017

5. Syed Mohd Fakarudin This work tells about the In terms of the context of this
 Punca dominance at the time of the work reveal mastery where
 2010 day today more and more corrupt
 59 x 42 cm and unfair in the rule.
 Print on paper
Asean Aesthethic Art & Context (FET 638) 2017

6.3 FIELD TRIP VISIT

Here a some image after field visit in 4 June 2017, Kg Nelayan, Telok Gong,
Pelabuhan Klang

Figured 6.3.1

Figured 6.3.2
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Figured 6.3.3

Figured 6.3.4

Figured 6.3.5
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Figured 6.3.6

Figured 6.3.7

Figured 6.3.8
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8. REFERENCE

 Alexia Tala, Installation and Experimental in Printmaking, (2009), New York, Shawn
Publishing

 Henry ,Pop Art : A Critical History New York, N.Y. ( 2007) John Publishing

 Ruthie Knapp, Janice Lehmberg, Art : Innovative Technique (2008), London, Paw
Prints

 Terry shire, Art of Print, (2006), London, KI Publishing

 Nazri Muslim dan Nasruddin Yunos. (2006). Hubungan Etnik. Bangi: Pusat
Pengajian Umum, Universiti Kebangsaan Malaysia.