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Analyzing Classical Form: An Approach for the Classroom, William E.

Caplin, OUP USA, 2013,


0199987297, 9780199987290, 480 pages. Analyzing Classical Form builds upon the foundations of
the author's critically acclaimed Classical Form by offering an approach to the analysis of musical
form that is especially suited for classroom use. Providing ample material for study in both
undergraduate and graduate courses, Analyzing Classical Form presents the most up-to-date
version of the author's "theory of formal functions." Students will learn how to make complete
harmonic and formal analyses of music drawn from the instrumental works of Haydn, Mozart, and
Beethoven. Part 1 introduces the principal theme-types of classical instrumental music; part 2
provides a methodology for analyzing sonata form, the most important formal type in this style
period; and part 3 considers other full-movement forms found in this repertory (such as minuet,
rondo, and concerto). The chapters are organized in a way that presents the most basic materials
upfront and then leads the student through more details and finer points of theory. Every topic is
illustrated with annotated musical examples; as well, the book contains many unannotated examples
that can be used for in-class discussion and for out-of-class analytical exercises. A complete
glossary of terms and questions for reviewing the theory will help students assimilate the many
theoretical concepts employed in the book. A companion website provides audio and musical scores
for all of the examples in the book as well as additional examples for the analysis of the simple
theme-types presented in part 1..

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Essays in Musical Analysis: Concertos , Donald Francis Tovey, 1948, Musical analysis, . .

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Beethoven's Tempest Sonata (First Movement) Five Annotated Analyses for Performers and
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