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DAllenPickups Announces the Johnny Hiland Signature line

Legendary Nashville guitarist, Johnny Hiland ,

has been searching for years for a pickup maker
who could capture “his tone” in a way that
excited him enough to put his name on them.

Well the search is over and we are happy to

announce the first two sets of Johnny Hiland
first ever Signature pickups, produced by
DAllenPickups.com

JohnnyBuckers
The Johnny Buckers are a matched
Humbucker set that Johnny wanted to play
Blues, Jazz and rock on. Then he threw in
Chicken Pick’in so we had our work cut out
for us but Johnny said we did it!

This set plays clean, clear and bright but

JohnnyBlades holds a tight bass response and plays dirty
just as well. If you play a wide range of
The JohnnyBlades were months in the
music and want a Humbucker set that plays
design and making and have custom
clean this is the set for you.
made magnets and blades to achieve the
tonal profile that Johnny was looking for.
For information on the Johnny Hiland Signature line go to
This set is made on Fiber Flat work like a
www.DAllenPickups.com
vintage single coil. They have plenty of
chime, sparkling clean highs and power. or contact David Allen
when you need it. They are very Email: david@dallenpickups.com Phone 650-576-5478
responsive to your pick attack and able to
play a wide range of music without the
single coils hum.
The
Morpheus
Bomber
gives your
guitar Instant The MORPHEUS Bomber
ALL of your strings with stunning
pedal – do deep dive bombs and
polyphonic full chordal whammy bar string accuracy -- replicating all of

bending with the Bomber the stunning effects produced by

pitch shifting pedal– and your guitar never mechanical tremolos as well as

full chordal goes out of tune! some new and exciting

guitar tricks.
This is the hottest
whammy bar pitch-shifting The Bomber pedal’s

string bending technology in innovative design strikes

years to hit the a perfect balance between

as well as stompbox market. control and ease of use.

The Bomber pedal utilizes No more bending over to change

3 octave propriety polyphonic pitch pedal settings. Select a range

Dive Bombs! shifting algorithms to bend from two octaves up, to three
octaves Down by simply using
your foot.

Extreme Processors • morpheusEFX.com

 The
Bomber
pedal
• Proprietary polyphonic pitch
Shifter
• Pitch up a 2nd, 5th 1 octave or
2 full octaves
• Pitch down a 2nd, 4th, 5th
1 octave or 2 full octaves
• Features a 3 octave foot
controlled Dive Bomb!
• Bright backlit indicators
• IN, OUT and power supply jacks
(power supply included)
llows for
USB plug a • Rugged cast-metal chassis
pdates
software u
• Two-year limited warranty

Dynamic foot controlled tremolo

allows for smooth pitch shifting
striking a perfect balance between
control and ease of use

Foot controlled bypass allows

instant effect toggle on/off

Foot controlled select button

controls the increment and decre-
ment of the pitch.

©2010 XP Audio Inc. All Rights Reserved Morpheus CAPO DropTune and BomberPedal are
trademarks of XP Audio Inc. Specifications are subject to change.
Extreme Processors • morpheusEFX.com
Salt Lake City, USA • A division of XP Audio Inc. • ph. 801.265.0917
For Immediate Release

Grid1 launches the “Pedal Jeanie Jr™.” – Another rechargeable

battery-powered pedalboard with a smaller form factor

-- The Pedal Jeanie™ line of rechargeable pedalboards are quickly becoming the
first choice for musicians looking to unplug from the Grid--

VALLEJO, CA, 7/06/2011 – Earlier this year, Grid 1 launched a battery-powered

pedalboard called the Pedal Jeanie™ at the 2011 winter NAMM show. Since
then the company has been busy keeping up with demand. “We did not expect
our sales to ramp up so quickly”, commented Grid 1’s President Kevin Frazier.
“We make all our battery-powered audio products here in northern California so it
does not take long to produce more units. We decided to fast track the
production of the half size Pedal Jeanie Jr™, as many dealers were asking for a
smaller board size, said Frazier. The Pedal Jeanie™ and the Pedal Jeanie Jr™
are in stock and shipping to dealers across the US and Mexico”.

The Pedal Jeanie Jr™ is ultra quiet

and not susceptible to AC line noise.
It comes equipped with a battery
level LED located on top of the
chassis. The LED glows green to
show full battery status, then glows
orange to show low battery, and
finally will glow red to alert the users
to charge the pedalboard. It can be
charged while it is in use, and offers universal power so the Pedal Jeanie Jr™
can be charged anywhere in the world! There is also an optional car charger
available.
The “Pedal Jeanie Jr™” supports
six to eight effect pedals. It has the
same power and DC connectivity
as the standard Pedal Jeanie™.
The unique “patent-pending” matrix
design offers a multitude of layout
and configuration options.

The Pedal Jeanie Jr™ pedalboard measures 23” x 11” x 4”, and is constructed of
heavy duty 16 gauge steel.

Under the chassis there are a total of 10 built-in

DC barrel connections that make it easy to add
pedals and keep the top of the pedalboard clutter-
free. Next to every pedal connection there is an
LED fault indicator light to make it a snap to find a
shorted pedal or trace a potential hook-up
problem. The wedge shaped design and open
bottom keep the weight to a minimum and offer
many set-up possibilities. A stainless steel handle
is provided for easy transport. All DC power
cables, tie wraps, batteries, and battery charger
are included in the box! Suggested retail is $299.

About Grid 1 Audio

Grid 1 Audio is a premier battery-powered audio manufacturer in the USA. Its
battery-powered products enable bands to play off the grid with ultra-quiet
operation. Grid 1 is based in Vallejo, California and plans to unplug the band with
an entire line of professional battery-powered audio products. For more
information about Grid 1 please visit http://www.grid1.com or call 800-928-7144.

Media Contact
Peter Dykstra – press@grid1.com
Public Relations – 800-928-7144
 Valentino's Victory Lap
introduction
 = 220
Gretchen Menn
     
     
A(“4)
   
  
 
 
  

 
 

17 12 12 16 12 17 12 17 12 12
15 15 15 15 15
14 14 14 14
16

     
     
B(“4)
     
    


3

 19 
 

14 14 18 14 19 14 19 14 14
17 17 17 17 17
16 16 16 16
18

     
     
A(“4)
   
  
 

  
5

 17 
 

12 12 16 12 17 12 17 12 12
15 15 15 15 15
14 14 14 14
16
2


      
DŒ„Š7(b5) E
7
           
  


9 12
12 9 9 9 9 12 9 9 9
11 11 11 11 9
12 12 9
11


  
DŒ„Š7(b5)
   
A
     
        
9


9 12
12 9 9 9 9 12 9 9 10
11 11 11 11 9
12 12 11
12

  
DŒ„Š7
3 4   
- 1 (first time)

  
 1 1       
1



4


1


2 (on repeat)


4 1 -
11

 14 
 

10 17 19 14 10 9 10
14 10 14 15 15 15 14 10 14 15
12 14

             
E

        

  
13



 12 
 

7 7 11 7 12 7 12 7 7
10 10 10 10 10
9 9 9 9 9
11
0
Skipping Strings
by Stephen Ross
Skipping strings can add some pizazz to ordinary licks and patterns. Scales and arpeggios are normally
taught with forms that ascend and descend using notes on adjacent strings. I too started with this
approach which was fine for learning forms. The string skipping light bulb went off in my head when I
started to explore intervals. The wider the intervals got, the more it appeared I needed to skip some
strings. It was the 6th interval that introduced me to the world of string skipping. From there, I made a
concerted effort to add string skipping to my arsenal of licks.

The three-note-per-string pentatonic scales were very popular choices for string skipping. The first
person I heard use string skipping with the three-note-per-string pentatonics was Paul Gilbert, but I
learned later that Holdsworth was doing this much earlier. Here are several examples that illustrate
string skipping:
Intro to “Blue” from the album No Vocals
Allowed

This month I wanted to share the intro to my tune “Blue” from the new album “No
Vocals Allowed”.

I start off with a standard blues riff out of an E min Pentatonic, then end the opening
run with a combination of picking and hammer on/pull offs in a chromatic sequenced
run of the E minor pentatonic.

Make sure to practice it slowly with a metronome to gain clarity then speed up little by
little until you are at full speed.

Keep rockin and above all, have fun!

Rikk Beatty

Rikk Beatty is a multi-award winning instrumental guitar player from the Pacific
Northwest with 8 albums out ranging in various styles. He is a full time Clinician for
Ampeg and does over 180 guitar clinics a year plus tours with his 3 piece instrumental
band. He is endorsed by companies such as DBZ Guitars, Ampeg guitar amplifiers,
DigiTech, Dimarzio, Dean Markley, Pedal Train, Audix, and Brace Audio wireless,
among others.

Visit his site at: www.rikkbeatty.com

 "Blue" opening riff

ZZZZZ B B B B B B B B DB
A
A B BB B B B B B B B BBB B B B BQ B B DB B D B
: 44 L
1

ZZZZZ ? ?
let ring

@
full full

"# "%
"# "& "# "% "& "% "# "% "&
c "# "# "% "# "% "% "# "% "# "% "# "# "# "# "% "&
"% "# "%

B DB B B B B DB B B B B B B ZZZZZZZ
DB B F B B B DB F B B B B B B
DB F B DB B F B B B B DB F B DB B B F B
BA
5

ZZZZZZZ
"& "% "# "#
"& "& "% "# "% "& "% "# "#
"& "& "% "# "% "& "% "# "#
"% "% "$ "# "$ "% "$ "# "#
"% "% "$ "# "$ "% "$ "#
"& "#

ZZZZ
A
8

ZZZZ

Page 1/1
 Slow "Symmetrical" Chord Riff
h = 75
ZZZZZZZZZZZZZZ
Slowly and Freely
Fmaj7 Cmaj7 w/bar Fmaj7 Cmaj7 w/bar Ebmaj7 Bbmaj7 w/bar

B B B ZZZZZZZZZZZZZZZZZZZZZZ
B = A B B B ZZZZZZZZZZZZZZZZZZZZZ
B = A DBB DBB B F B =
4 B B
P P B B B B = B B
A B B BB B = A
:4 B B = A B = A DB B DF BB DBB =
1

=
ZZZZZZZZZZZZZZZZZZZZZZ ZZZZZZZZZZZZZZZZZZZZZ ZZZZZZZZZZZZZZ
"# ) "# ) "! '
) "# ) "# ' "!
c "! "! "! "! ) )
"! "! "! "! ) )
) "# ) "# ' "!
"# ) "# ) "! '

ZZZZZZZ Ebmaj7 Bbmaj7

ZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZ
w/bar F#madd9/A Cadd6add11 Gadd6add11 Amaj13 w/bar

B DB B F B B B B B DZZZZZZZZZZZZZZZZZZZZZZZ
A
A DB B B B
=
=
A
A DA B BB B B DDAAAA ==
==
DB B F B B DA B B B A
7

A = A FA =
ZZZZZZZ ZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZ ZZZZZZZZZZZZZZZZZZZZZZZ
"! ' "! ) (
' "! ( ) "! (
) ) * * '
) ) ' * * '
' "! ) "! !
"! ' & "! )

Page 1/1
"Symmetrical" String-Skipping Sevenths Sweep Scales
Jason Spell
Music by Jason Spell

h = 140

BB B B
Moderate

B B B B B B B B
Cmaj7 Dm7

: 44 BB BB BB B B B B B B B BB B B
BB B
1

$ ( $ $ ( $ & ) & & ) &

c % & & % % & & & ( ( & & ( (
$ ( ( & ) )

Em7
B B B B B B B B B B B
Fmaj7
B B B B B B
B B B B B B B B B B B
B B B B
3

( "! ( ( "! ( ) "# ) ) "# )

( * * ( ( * * * "! "! * * "! "!
( "! "! ) "# "#

G7
B B B B B B Am7
B B B B B B
B B B B B B B B B B B B B B B B B
5

B B B
"! "$ "! "! "$ "! "# "& "# "# "& "#
"! "# "# "! "! "# "# "# "% "% "# "# "% "%
"! "% "% "# "& "&

Bm7-5
B B B B B B Cmaj7
B B B B B B
B B B B B B B B B B B B B B B B B
7
B B B
"$ "( "$ "$ "( "$ "& "* "& "& "* "&
"% "' "' "% "% "' "' "' "( "( "' "' "( "(
"% "( "( "& "* "*

Copyright 2011
All Rights Reserved - International Copyright Secured Page 1/2
 BBBBBB
Cadenza Gmaj7

BBBB B BBB
/

BB = D B BB B BB
BB BBBBB B
9

B B
T

"& "* ## "* "&

"( $ ( $ $ ( $
"' "' "( "* "'
"( % & & % % & &
"* "* "&
"* "& $ ( (

Am7

B B B B B B
Bm7
B B B B B B
B B B B B B B B B B B B B B B B B
B
12

B B
& ) & & ) & ( "! ( ( "! (
& ( ( & & ( ( ( * * ( ( * *
& ) ) ( "! "!

Cmaj7

B B B B B B
D7
B B B B B B
B B B B B B B B B B B B B B B B B
B B B
14

) "# ) ) "# ) "! "$ "! "! "$ "!

* "! "! * * "! "! "! "# "# "! "! "# "#
) "# "# "! "% "%

Em7
B B B B B B F#m7-5
B B B B B B
B B B B B B B B B B B B B B B B B
B B B
16

"# "& "# "# "& "# "$ "( "$ "$ "( "$
"# "% "% "# "# "% "% "% "' "' "% "% "' "'
"# "& "& "% "( "(

BB BB B B/ B B B B
Gmaj7 Cadenza

B B B B BBB B B B BBBB B BBB

18

B B BB =
T

"& "* "& "& "* "& "& "* ## "* "&
"' "%
"' "( "( "' "' "( "( "' "' "( "'
"( "% "!
"& "* "* "* "% "!

Page 2/2
 BLUE - Jason Becker Page 2 of 12

A A
^ ^
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VV V V V V VV V l 3
V V V V V V l V V gV V V
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M
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1/2

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A 4 6 2 2 4 2 2 2 2 4 4
2 4 2 4 2 4
B 4 4 2 4 2 0
sl. H H H P P

Fmb Fm b A
^ ^ ^
V fV V V V V fV V V gV V V
8
ggg V
I V V V V V V V V V k
c k V V V v k
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T 7 8 8 8 8 8 8 8 10 9
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11
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sl. H

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 BLUE - Jason Becker Page 3 of 12

Fmb Fm b
^ ^
VVVV VV V V VV VVV
g g V VVV VV VVV 6
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16
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A 14 14 16 18 16 14 14
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B 14 14 16 16 14 16 14 16 14 12
17 17 14 sl. H sl. sl. H 14 H H P sl.
P

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 BLUE - Jason Becker Page 4 of 12

A A
^ ^
V VV VV V V V V
ggg k V fV gV V
V V V VV V l V
V V
V V V V V V V V V
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A 7 6 6 4 4 2 2 2 4 4
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 BLUE - Jason Becker Page 5 of 12

A A
^ ^
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30
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A 4
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B
T T T T T T T T T

A A
^ ^
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I V V V V V V V V V V V V V V V
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B 7(19)7(14)7(12)7(11)7(12)7(14) 7(19)7(14)7(12)7(11)7(10)7(11)7(12)7(14)7(19)
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Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 BLUE - Jason Becker Page 6 of 12

A A
^ ^
g g V V V V V V V V PP VV VV 3 l VV VV P V V
38
Ig z z V VV V V VVV V V V V V gV V V V V V PR
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0 2 0 0 0 0
T 5 5 2 2 5 0 2 0 0 0 0 2 3 4 5 O
A 4 (4) 4 6 4 2 4 4 6 4 2 4 4 4 (4)(4) 2
4 4
B

Fbm Fbm
P H H H P sl. sl. P

^ ^
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V V V V V V V
ggg V P V V V V V V V V V V V V V V V V fV V V V V V
40
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 BLUE - Jason Becker Page 8 of 12

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 BLUE - Jason Becker Page 9 of 12

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 BLUE - Jason Becker Page 10 of 12

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 BLUE - Jason Becker Page 11 of 12

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BLUE - Jason Becker Page 12 of 12

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 Song Title - Artist Page 2 of 3

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 Lenny Blue
(In Tribute to Lenny Breau) Bill Piburn

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12 10 8 6
11 9 7 5
4
3 8 7 5 12 10 8 6
7 6 4 1 2 11 9 7 5
0 0 0 0 0 0 0 0 0 0

#### b œœ ∑ n œœ b œœ nœ n œœ b œœ ∑
n œœ n œœ ∑ n œœ ∑ n œœ
bœ
V n œœ n œœ n œœ œ œ œ n œœ
œ œ œ œ bœ œ œ œ œ œ œ œ œ œ œ
49
J J J J J J J J
6 4 4 2 12 10 8 6
5 3 3 1 11 9 7 5
6 4 4 2 12 10 8 6
5 3 3 1 11 9 7 5
0 0 0 0 0 0 0 0 0 0 0 0

#### b œœ ∑n œœ flœ
V n œœ nœœ ∑ ∑ ∑ ∑ nœ
n œœ n œœ n œœ œ œ
œ œ œ œ b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ b œœ
53
J J J J J J J J J J
6 4 4 2 2
5 3 3 1 1
6 4 4 2 2
5 3 3 1 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0