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Jan Antonín Losy, Count of Losinthal (German: Johann Anton Losy von Losinthal); also

known as Comte d'Logy (Losi or Lozi), (c. 1650 [1] – 22 August 1721 [2]) was
a Bohemian aristocrat, Baroque lute player and composer from Prague. His lute works
combine the French style brisé with a more Italian cantabile style. He was probably the
most significant lutenist-composer in Bohemia at the height of the lute's popularity there.

Contents
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 1Life
 2Works
 3Notes
 4References

Life[edit]
Count Losy's family were of Swiss origin (Poschiavo in the canton of Graubünden). His
father, Johann Anton Losy senior (c. 1600–1682), was perhaps born in Purz in the Swiss
canton of Grisons. By 1627 he had moved to Bohemia and purchased a house in Prague.
Losy senior had a number of business interests and was appointed a Councillor of the
Exchequer and Deputy of the Salt, Beer and Wine Council by the Bohemian Court
Chamber. As a result of helping to defend Prague against the assault of Swedish troops in
1648, Losy senior was ennobled, becoming a baronet in 1648 and Count von Losinthal in
1655. He also acquired the estate and castle at Steken (Strakonitz District, southern
Bohemia) in 1638.

Johann Anton Losy was born at Steken around 1650. He had a younger twin brother
(Johann Baptist) and also had four sisters. Losy's interest in music was fostered by his lute
teacher and valet Achazius Kazimir Huelse who seems to have remained a lifelong friend.

Losy attended the Charles-Ferdinand University in Prague, gaining his baccalaureate in


1667 and graduating as a Doctor of Philosophy on 15 August 1668. He then seems to have
travelled to a number of European countries including Italy. His intimate knowledge of
French lute style indicates he may have been in Paris and met lutenists such
as Mouton and Dufault.

Following the death of his father on 22 July 1682 he inherited his title, becoming the second
Count Losy. He also inherited part of the family estates and an Imperial appointment as a
Councillor of the Kingdom of Bohemia. His official position meant that, while living in
Prague, he frequently had to travel to the Imperial court inVienna. In the following year, his
twin brother died.

As an aristocrat, Count Losy's musical activities would have been expected to remain on
an amateur basis. Nevertheless, he seems to have gained the admiration of a number of
professional musicians for his lute-playing and compositions. In 1697 he took part in a
musical contest with Leipzig cantor Johann Kuhnau. While working in Prague in
1715, Gottfried Heinrich Stölzel met Count Losy who "played the lute as well as one who
makes a profession of it" and also played the violin.[3] There is no evidence he played other
instruments, although there is a rather rich source of transcriptions of his lute compositions
for other instruments available (baroque guitar, keyboard, angélique, mandora, and violin).

In spite of Losy's outstanding reputation as a player and improviser on the lute, only one of
his works was published in his own lifetime. This was the Courante Extra-ordinaire, which
was part of the collection Cabinet der Lauten, published in 1695 by Philippe Franz Lasage
de Richée.

After Losy's death in Prague in 1721, the great German lutenist Silvius Leopold Weiss paid
tribute to his colleague by dedicating to his memory the work Tombeau sur la mort de
Monseigneur Comte de Logi.

Works[edit]
Losy composed mostly dance suites, as was typical of his time, but sometimes attempted
larger works such as those in the three-part overture style popularized byJean-Baptiste
Lully. Inspired by French and Italian composers, Losy mastered French lute style and his
extant works demonstrate his intelligence, noblesse, bright spirit and love for the lute.

His extensive and highly creative works are scattered through various archives in the
Czech Republic, France, Germany and Austria. One of his manuscripts, a collection of
pieces written for the 5-string guitar, is housed in Prague's National and University Library.
However, the identification and verification of Losy's works is anything but straightforward.
Prague lute player Emil Vogl created a list that has been extended by further discoveries
and concordances by Tim Crawford. There are no critical complete editions of Losy's works
in CNRS style, so it is possible that additional works will be discovered and cataloged.