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The Study of Myth: Two Approaches
ROBERT LUYSTER
PHENOMENOLOGY:MIRCEA ELIADE
Myth for Eliade is that form of thought based upon symbols. His account
of the symbolic mentality underscores its differences from the mentality of
the modem West. For the symbolic imagination, observes Eliade, "nature is
never 'natural.'What looks like a naturalsituation or process to the empirical
and rational mind, is a kratophanyor hierophany in magic or religious experi-
ence."• The phenomena of nature are freely transformed by the psyche in
'"anautonomous act of creation" into symbols of the power and holiness they
reveal to the beholder. The death and revivification of the gods of vegetation,
such as Attis and Tammuz, are by no means immediately apparent in the
merely empirical disappearing and reappearingof the vegetation itself. The
religious significance of the event is revealed only in its associated symbols
and myths, for it is only in these that the mind apprehendswhat it has seen
and attempts to express its meaning. Symbolic thought, then, is an independent
mode of cognition, with its own structure, logic, and validity. It is through
the symbol that the archaic mentality comes to formulate and understandits
world, since the symbol discloses the structure of that world. The symbol
successfully brings to expression, furthermore, those aspects of reality to
which the conceptualizing consciousness has been the most insensible and
which it has been most unableto articulate. It is in fact just these contradictory
and mysterious features of the universe for which the very ambivalence (or,
more properly, multivalence) of a symbol is most highly suited. A symbol
is an image charged with many meanings simultaneously. And it is this very
indeterminacy- whatever the logical or scientific disadvantages it may pos-
sess - that renders it uniquely able to preserve the richness and the paradox
of experienced reality.2
It is by means of myth that the symbolic consciousness expresses most
completely its understandingof the cosmos. Myth describes the activities of
the gods at the beginning of time. Eliade lays special stress upon the fact that
"the main function of myth is to determine the exemplar models of all ritual,
and of all significant human acts."3 That is to say, the importance of the
events related in myth is that they form a model or paradigmfor all human
undertakingsthereafter. Every ritual and every important human action gain
their effectiveness by repeating a mythical archetype, and thus share in the
potency and the sacredness that still inhere in that primeval happening. For
the history narrated in myth is not historical in our sense of the word - a
series of unique, unrepeatableevents - but is instead "eternal" history, that
which takes place in eternity and can accordingly be indefinitely repeated
and reactualized. Furthermore, the man who imitates a mythological model,
whether in ritual or a private undertaking, is enabled thereby to transcend
and abolish profane time and enter again mythical, eternal time. Thus, for
instance, the culminating events in the life of Christ are not simply recalled
during the church services of Holy Week; they are presented rather as in
fact happening again, then, at the moment of their celebration. For the prim-
itive mind profane, everyday time is not only devoid of any particularinterest
or significance; it is also inchoate, unrealized, potentially dangerous.Primitive
man believes that he must hold fast to the way of doing things that was insti-
tuted mythically by the gods, for just these divinely appointed actions have
been responsible for the creation of his world. In myth he discovers what
reallyhappenedto constitute his world as he finds it; in myth he finds revealed
what realityis and therefore what he must do and be if he too is to belong to
the level of reality upon which the gods live.4
Eliade's views upon the cognitive validity of symbolic thought culminate
in his assertion that "the symbol, the myth, the rite, express, on different
planes and through the means proper to them, a complex system of coherent
affirmationsabout the ultimate reality of things, a system that can be regarded
as constituting a metaphysics."5 It will be seen that this position is exactly
2
Mircea Eliade, Imagesand Symbols,trans. Philip Mairet, New York: Sheed and
Ward, 1961, pp. 9-25, "MethodologicalRemarkson the Study of ReligiousSymbolism,"
TheHistoryof Religions:Essaysin Methodology,ed. M. EliadeandJ. M. Kitagawa,Chicago:
Univ. of ChicagoPress, 1959, pp. 97-103.
3 Eliade,Patternsin
ComparativeReligion,p. 410.
4Ibid., pp. 388-434.
5 Mircea Eliade, Cosmosand History: The Myth of the EternalReturn,trans. W. R.
Trask, New York: Harper & Brothers,1954, p. 3; see especiallypp. 1-49.
THE STUDY OF MYTH: TWO APPROACHES 237
6 Mircea
Eliade, Myths, Dreams and Mysteries, trans. Philip Mairet, New York: Harper
& Brothers,1960, p. 16.
7 Ibid., pp. 7-27.
8 Eliade, Images and Symbols, p. 35.
9 Mircea Eliade, "History of Religions and a New Humanism,"Historyof Religions,
I, 1 (Summer,1961), 1-8.
10
Eliade, Myths, Dreams and Mysteries, pp. 231 ff.
238 ROBERTLUYSTER
ANTHROPOLOGY:THE PLURALISTS
First of all it must be borne in mind that ethnic phenomena which we compare are seldom
really alike. The fact that we designate certain tales as myths . . . does not prove that these
phenomena, wherever they occur, have the same history or spring from the same mental
activities. On the contrary, it is quite obvious that the selection of the material assembled
for the purpose of comparison is wholly determined by the subjective point of view accord-
ing to which we arrange diverse mental phenomena. In order to justify our inference that
these phenomena are the same, their comparability has to be proved by other means. This
has never been done. The phenomena themselves contain no indication whatever that would
compel us to assume a common origin. On the contrary, wherever an analysis has been at-
tempted we are led to the conclusion that we are dealing with heterogeneous material. Thus
myths may be in part interpretations of nature ...; they may be artistic productions ...;
they may be the result of philosophic interpretations, or they may have grown out of lin-
guistic forms.... To explain all these forms as members of one series would be entirely
unjustifiable.12
The problem, however, is surely not "where do myths come from?" but rather "where
does each individual myth come from?" Every myth has its own history.... Even the
adherents of some of the monistic schools recognize the vast amount of give and take there
has always been in the behavior of myths and folktales. But while they give lip service to
dissemination, they seldom give sufficient weight to the facts of cultural borrowing.
The search for the original meaning of any folk story is quite as impossible as the search
for the origin of that story. For both quests adequate data are missing. We are left with a
choice of making a guess according to our own predilections or of saying that we do not
know. It is by all means preferable to say that we do not know.'4
In keeping with this position, Thompson has been very influentialin fos-
tering detailed studies of "each individual myth" in terms of its peculiar
motifs. Innumerablefolk stories have been collected by workers in the field,
analyzed into these individual motifs, and edited by Thompson.15
A similar approach is defended in the methodological introduction to a
recent collection of Dahomean myths by Melville and Frances Herskovits,
DahomeanNarrative: A Cross-Cultural Analysis. Here, too, a protest is lodged
against the monistic or "all-or-none fallacy." The authors attempt to subject
a particularmonistic hypothesis, that of Freud, to the test of their field data,
13 Cf. two seminal essays of Franz Boas: "The Methods of Ethnology," American
Anthropologist, XXII (1920), 311-22, and "Evolution or Diffusion?," American Anthro-
pologist, XXVI (1924), 340-44.
14Stith Thompson, "Myths and Folktales," Journal of American Folklore, LXVIII
(1955), 482, 485, 487; cf. his The Folktale,New York: The Dryden Press, 1951, pp. 382-90.
16Motif-Index of Folk-Literature, Bloomington, Indiana: Indiana University Press,
1932-36.
240 ROBERTLUYSTER
with damaging results for the hypothesis. In consequence, they observe that
"there is no easy theory of myth," and they advance "in essence, as far as
causation is concerned, a pluralistic theory of myth." The various exclusivist
theories concerning the origin and significance of myth have some limited
validity, but none can by any means be accepted as solely true. The only
proper way to approach myth is historical or cross-cultural: the errors of
the monistic position have arisen principally because the proponents have de-
veloped their theories on the basis of knowledge of but a single culture, and
have not subjected them to necessary checks through data afforded by other
cultures."
CONCLUSION
Now all of this, it seems to me, reflects a rather astonishing lack of com-
prehension among these anthropologists concerning what Eliade and other
phenomenologists of religion are in fact attemptingto do. While Eliade indeed
has certain beliefs "regarding the sequences through which man and religion
have passed," he is by no means a Frazerian or evolutionist. This should be
obvious to any unbiased reader. How is it possible, for instance, for any re-
sponsible critic to ignore the following words of Eliade? "There is always
the risk of falling back into the errors of the nineteenth century and, partic-
ularly, of believing with Tylor or Frazer that the reaction of the humanmind
to natural phenomena is uniform. But the progress accomplished in cultural
ethnology and in the history of religions has shown that this is not always
true, that man's reactions to nature are often conditioned by his culture and
hence, finally, by history."20
What really lies behind this misunderstandingand, in a more general
sense, the whole anthropological antagonism to Eliade is the long-standing
crusade of Boas-oriented American anthropologists against generalization
and synthesis, their obsession with evolutionism as the chief offender in this
regard, and their continued adherenceto the simplistic doctrine that "diffusion
negates evolution."21Because Eliade generalizes and systematizes, he is there-
fore taken for an evolutionist - which he certainly is not. The correct iden-
tification of Eliade is that he is a phenomenologist, one who investigates the
nature and structure of given phenomena. To do this, the phenomenologist
must necessarily abstract common features from their particular historical
manifestations and compose from these features the structures which they
everywhere - and yet nowhere completely - disclose. It is precisely this
process of abstraction and synthesis to which American anthropology has
long been antipathetic, and which has given Eliade a bad press in the anthro-
pological journals.
At least two comments should be made upon this immediate situation.
First, the tone of inquiry in anthropology is now in process of changing.
Within the ranks of anthropologists themselves a growing recognition is evi-
dent of the need for generalization and systematization, accompanied by a
corresponding awareness of the limitations in particularizingstudies of spe-
cific historical phenomena.22 The reasons for this trend have been primarily
methodological, but important philosophical implications of the problem are
also present. Specifically, the permissability of generalizations depends upon
whether or not there truly exist certain general phenomenato which the gen-
eralizations correspond. Since generalizations about man depend for their