Beruflich Dokumente
Kultur Dokumente
Alfie
Theme from the Paramount Picture ALFIE
Words by Hal David
Nashville Tuning, down 1/2 step: Music by Burt Bacharach
(low to high) Ab-Db-Gb -B -Eb-Ab
A
Freely q = 80
*D
Gtr. 1 (baritone acous.)
mp
w/ pick & fingers
let ring throughout
5 3 2 3 5
0 0 0 0 0 0 0 0
*Chord symbols reflect implied harmony. Notation and chord symbols have been
written up a perfect fifth (relative to standard tuning) for ease of reading.
Dsus4 Dmaj7 (no3rd) Dmaj13 F#m7@4
3 10 5 7 5 9 7 2 0
2 3 2 3 5 0
2
0 0 0 0 0 0 0 0
7 0 2 3 3 5 7 7 6 6
4 3 3 8 8 7
0 0 0 7 7 6 6
0 0 0 0 0 5 5
0 0
0 0
Dmaj11 Bm11 Em11 G/A
5 5 5 5 10 5 7
7 8 7 8 5 7 10 8
6 6 6 0 0 0 0
7 0 0 0 0 0
5 0
7 0
Dmaj7 (no3rd) Bm(@9) F#m7 B7[ #11b9 ]
5 5 9 7 0 0 1 2 5
2 3 7 2 3 2 2 1 1
7 2 2 2 2
0 0 2 1
5 2
7 2
7 0 2 3 5 7 7 7 7 12 9 9 10
8 5 4 3 6 6 9 9
0 0 0 6 6 10 10
0 0 0 0
0 0
0 0 0
2
C#m9 B7/C# Dm/E D/E A/D C#m11
3
3
3
*Harm.
0 9 11 11 1 1 0 2 5 9 12 0 12 9
0 9 12 10 3 3 3 0 12
9 9 2 2 2 11
9 9 9 3 3 4
5
9 9 0 0 0 9 9
*Top note only.
F#m7 Bm11 Bm/E E/D C#m9
9 9 9 9 7 0 0 9 11
10 10 10 10 7 9 9 9 12 10
9 9 9 9 9 7 9 9 9
0 9 9 9
9
7 0 10 9 9
Dm/E E13sus4 A13 A@4 G/A
3
3
1 1 0 0 2 5 9 10 10 9 10 9 9 7
3 3 3 7 7 7 10 10 8
2 2 0 0 0 9 7
3 3 0 0
0 0 0
0 0
C
A G/A Dmaj11 G5/A
9 7 5 5 5 5 10 10 10 10
10 8 7 8 7 8 7 8 8
9 7 6 6 6 0 0 0 0 0
7 7 7 0 0 0 0 0
0 5 5 0
0 12 12 10 0 0 0
3 3 10 10 2 5 7
4 4 4 6 7 3 0 0 2 2 4 6 7
4 2 0 0 0
4 4 3 2 7 7
A tempo
E D+/E Em9 Em11 Dm[maj13]/A
rit.
7 14 14 14 14 7 7 5 7 7 7 12
9 11 11 11 11 7 5 7 8 6 6
9 11 11 11 11 0 0 6 6
0 0 0 0 0
0
0 0
9 10 7 5 7 7 8 7 7 7
9 7 5 7 8 4 4 4
10 0 0 0 5 5 5
0 0 0 0 0
0
0 0
3
rit.
5 6 3 7 8 7 7 7 10 5 5 3
3 5 4 4 3 5
3 3 5 5 5 5 3 3
0 0 0 0 0 0 0 0 0 0 0 0
D
A tempo
Bmaj11 G#m9 F#13/C# F#9sus4 G11
2 2 2 2 0 0 4 5
5 4 5 0 4 0 0 1 3
3 3 3 3 1 2
4 4 4 4 2 3
2 4
4 2 3
4
Cmaj9 Am9 Em7 A7#11 A7b13 A7sus4
3
3 0 0 10 7 14 10 3
5 0 1 8 0 4 5 6 3
9 0 6 6
10 0 5 5
3 0 0 0
0
Dm7 Cmaj7 Em7 Am(@9)
Harm.
5 5 12 8 3 7 10 5 5 7 8
6 6 5 3 5 5
5 5 12 0 5 5
0 0
5 0
0
Pitch: B
Dm13 Dm(@9) G Gsus4 G5 F#m7/A
Harm.
8 7 8 10 12 10 12 13 5
6 10 10 0 1 3 5 7 5
5 5 10 10 12 0 6 6
5 0 7
5 0
10 3 3
E
Dmaj11 Bm9 Em9 Gmaj7#11/A
5 5 9 9 7 5 7 7 7 10 10 10 9 7
7 8 7 8 7 7 7 7
6 6 7 0 0 0
7 0 0
5 0 0
7 0
5
C#m7/D Bm11 F#m7 B7 #11
b9
9 9 5 7 0 0 1 2
12 5 7 2 2 1 1
9 9 9 6 7 2 2 2 2
0 0 2 1
2
10 9 7 2
Em11 F#m7 Bm9
17 14 10 10 14 14 12 10 12 10
15 12 10 10 3 3 2 3
0 0 0 9 9 2
0 0 11 11 0
9 2
0
7 2 2 3 3 3 5 7 7 7 12 9 9 9 9 10
7 5 5 4 4 3 3 6 6
0 0 0 6 10
0 0 6 6 0 0
0
0 0
C#m7 C#m11 Fmaj7/E E13sus4 C#m11
9 7 0 1 1 0 1 5 5 7 9 10 14
9 9 7 9 7 9 9 9
9 9 9 8 9 2 2 5 7 9 9
9 9 9 9
9 9 0 0 10 9
0 9 10 9 7 7 0 12 7 5 4 4 7
8 7 7 10 9 5 4 5
9 7 7 11 9 4
8 8 7 12
9 4
7 0 10
6
C#sus2 D#maj7sus2 Fmaj7/E E13sus4 A13sus4
3 3
11 9 8 9 0 1 12 11 10 9 10 10 14 12 10
10 10 12 7 7
2 2 11 0
3 3 0 0
0
9 0 0
3
9 9 12 10 9 7 10 9 7 5 5 5 7 3 5 2 2 2 2 0 2 3
10 10 8 5 5 3 2 3 2 0
7 6 6 4 2 0
0 0 0
0 0 0 0 0
F
A tempo
A9sus4 B9sus4 Emaj11
rit.
0 0 0 0 0 7 7 7
0 0 0 9 10 9 10 9 9 12
0 0 6 6 8 8 8 8
0 7 9 9 9
0
7 0 0
rit.
0 0 9 11 0 0
0 7 9 11 13 1 1
4 4 4 6 8 9 11 13 1 1 1
4 9 2 2
4 9 9 2
G
A tempo
F#m11 Em[maj13#11] F#m/E F#m(@119 )
9 7 9 9 9 14 11 12 9 2 4 5 7 9 9
10 7 9 10 8 11 10
9 9 8 8 0 0 9 9
8
9
0 0 0 2
G7#11/D D13sus4 D Bbmaj7/D
9 7 7 5 5 5
6 6 8 7 6 6
0 0 0 5 5 3 3 3
0 0 0 0 0 0 0 0 0
4 4 3 3 3 3 2 0 0 2 2
5 5 5 5 5 4 4 3 3 3 3
3 3 3 3 3 3 3 2 2 2
0 0 0 0 0 0 0
0
Asus2
Amaj13/E E7sus4
Harm. rit. Harm.
5 4 2 4 5 12
2 3 10 10 0 0 0 0
2 2 2 2
0 2 2 2 2 2 7
0
0 0
8
from Pat Metheny - What’s it All About
A
Moderately q = 104
*Gm7 F6
Gtr. 1 (nylon-str. acous.)
mp
w/ pick & fingers
let ring throughout
1 1 1
3 3 3 3 3
3 3 3 3 3 2 2
3 2 0 0 0 0 0 3 2 0 0
3 3
3 3 3 3 3 3 1 1 1 1
*Chord symbols reflect implied harmony.
Gm7 F6
1 1 1 1 1 1
3 3 3 3 3
2 2 3 3 3 3 3 2 2 2
0 0 3 2 0 0 0 3 2 0 0
3 3
1 1 3 3 3 3 3 0 1 1 1
B
Gm9 Bb@#11/D Dm7 Gm(@9)
1 1 1
3 3 3 5 3 6
2 2 2 3 0 2 3 3 2 5 5 3 3 0 2 3
0 3 2 0 0 0 0 0
3
1 1 3 3 3 3
Bb@#11/D D5 Gm 69 Dm7 Bb
3
1
5 3 3 5 3 6 6 3
3 2 2 3 3 0 2 3 3 2 5 5 3 3
0 0 0 0 0 0 0 0 0
1 1
3 3
0 0
1 1 1 1 5
2 0 0 2 2 2 2 0 2 3 3
0 0 0 3 2 0
3 3 3 3
1 1 1 1 1 1 1 3 3
Dm11 Bb C6sus2 F6
1 1
3 1 1 3 3
0 0 3 3 2 0 2 2
0 0 0 0 0 0 0
1 1 3 3 3 3 3
1 1 1 1
C
Fmaj13 Dm7 Am7 Dm9
steady gliss.
0 0 5 5 5 8 12 8 7 6 5
3 3 3 3 6 6 5 5 5 5 6
2 2 2 2 5 5 5 5 5 5 5 10
0 0 0 0 0 5 5 5 5 0 0
0 0 0
1 1
Am7 Dm11 Am7 Bbmaj13
8 8 5 12 8 5 8 3 5 8 5 3 3
5 5 6 8 5 5 6
5 5 5 10 5 5 7 3 5
5 5 0 0 5 0 0
0 0 0 0 0
6 6 6
2
D
Csus2 Gm13 Dm7 Gm 69
1
8 8 8 5 3 6 6 5
5 5 3 0 2 3 3 2 5 5 0 2 3 3
0 0 0 3 2 0 0 0 0 0
3
8 8 3 3 3 3
Bb@#11/D D5 Gm 69 Dm7 Bbmaj9
5 1 1
5 6 5 3 3 5 3 3 3 1 3
3 2 2 3 3 0 2 3 3 2 2 2 3 2
0 0 0 0 0 0 0
3 1 1
0 3 3
C13sus2 F6
1 1 1 1 1 1
2 3 2 0 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0
3 3 3 3
1 1 1 1 1 1 1 1
Gm13 Dm11 Gm13
0 1 1 1 3 1 4 5 4 5 3 4 3 1 0 1 0
3 3 1 3 1
3 4 5 4 5 3 3 2
0 0 0 0 0 0
3 3 3 3
3
Bbmaj9 C@9 F6 Fmaj7sus2
5 6 5 3 1 0
6 6 1 1 3 1 1 1
7 7 2
0 2 0 0
3 3 3
6 6 6 6 1 1 1 1 1 1 1 1 1
5 6 5 3 8 7 8 5 8 12 13 13 12
3 5 6 5 6 11 13 8 10 13 8 8 10
9
0 0 0 10
10 10
3 3 10 10 0
0 1 1 0 3 4 3 1 3 4 5 5
3 3 5 3 5 5 6 6 6 6 6
3 4 5 4 2 4 0 4 5 5 5 5
0 0 0 0 0
3 3 6 6
F
C13sus2 Fmaj13 Dm7 Am9
3
5 3 3 0 0 0 0 0 0 0 5 5 5 5 7
3 3 3 6 6 6 6 5
3 2 2 2 2 2 2 2 5 5 5 5 5
0 0 0 0 0 0 0 0
3 3 3 3
1 1 1 1 1 1 1
Dm7 A7sus4 Dm(@9)
7 7 7 8 8 8 8 8 10 10 10 11 12 12 10 13 12 10
5 5 6 6 8 8 10 10
5 5 5 5 5 5 7 7 8 9 10 10
5 5 0 0 7 0 0
0 0 0 0 0 0 0
4
Am7 Bbmaj7 Bb6 Csus 42 C13
8 5 5 8 5 5 3 1 0 1 3 5 6
5 5 6 8 8
5 7 0 0 0
5 0 0 0
0 3 3
6 6
G
Gm9 Dm9 Gm13 D7sus4
5 0 1 1 1 0
3 6 5 5 3 3 3 3 3 1 1
3 5 5 3 3 3 0 2 2
3 3 0 0 0 0
5 5
3 3 3 3 3
0 0 1 5 3 1 6 5 3
3 3 6 5 1 3 3 3
3 3 5 3 3
0 0 3 0 0
1 1 3 3 3
3 3
H
F6 Dm7 Am11
3
steady
gliss.
1 1 1 5 5 5 8
3 3 3 3 6 5 5
2 2 2 2 2 5 5 5 7 5
0 0 0 0 0 0 0 5 7 5 7
1 1 1 1 1 5 5
5
I
Am7 Bbmaj13 C9sus4 Gm9 Bb@#11/D
steady
gliss.
8 8 8 5 3 3 1
5 8 10 8 10 3 3 6 3 3 5
5 3 0 0 3 3 3 3 0 2 3 3
5 0 0 3 3 3 2 0 0
0 0 3 3
6 6 0 3 3
Dm Gm9 Bb@#11/D D5 Gm9 Bb@#11/D
1 1 1 5 1
3 3 3 3 5 5 6 5 3 3 5
2 2 2 3 3 0 2 3 3 2 3 0 2 3 3
0 0 0 0 0 0 0
3 3 3 3
J
Gm7 F6
0 1 1 1 1
1 1 3 3 3
2 2 3 3 2
0 0 3 2 0 0 0 3 2 0 0
3 3
1 1 1 1 3 3 3 3 3 0 1 1 1
Gm7 Dsus2 D
rit.
1 1 1 0 2 2
3 3 3 3 3 3
2 2 0 3 3 2
0 0 3 2 0 0 0 3 2 0
3 3
1 1 3 3 3 3 3
6
from Pat Metheny - What’s it All About
A
Freely q = 70
*D/E Amaj7 C#m7 F#m11 D/E G7#11/E A(#5)
Gtr. 1 (baritone acous.)
mp
**Harm.
w/ pick & fingers
let ring throughout
2 4 5 7 4 0 0 0 0 2 10 9 7 9 10 9
7 5 2 0 0 3 6 6
7 6 4 2 2 0 0
7 0 0
7 0 4 0
0 2 0 0 0
*Chord symbols reflect implied harmony. Notation and chord symbols have been
written up a perfect 5th (relative to standard tuning) for ease of reading.
**Top 4 notes only.
9 7 7 9 7 2 4 5 5 7 8 10 7
6 5 5 7 5 3 5 6 10 10 8 8 8 5 8 8
2 4 5 10 10 7 8 8 8
6 0 0 7 7
0 2 4 5 10
8 8 7
F13 E13 B@9/D# Dmaj13 C#m7b9
3
3 3 5 6 8 10 5 2 4 5 7 9 7 0 10 9 10 9
4 8 7 3 7 7 7
3 3 8 6 7 6 9 9
0 11 0 9
8 7 6
1 0 10 10 9
B
Amaj11 G#m7 C#7 F#m11 Esus4 E
9 9 9 9 10 2 2 7 9 0 0 0 0 0 0 0
9 0 0 6
9 4 4 4 4 2 2 1 2 4 2 2 1
7 4
0 4
4 2 0 0
4 2 2 2 2 2 2 0 0 0 0
5 3 3 3 3 3 3 2 2 2 2
4 2 2 2 2 2 2 2 2 2 2
5 4 2 0 0
0
C
Fmaj7/G Cmaj9 (no3rd) Em Am7 Dm7
0 0 1 0 3 3 0 3 5
1 1 3 3 3 0 6
2 0 4 5 4 4 5 5
3
3 0
3 0
2
G13sus4 C@9 Dm7 Em7
5 5 5 8 0 1 3
6 6 10 8 8 10 8 8 1 3
5 5 10 9 10 0 0 0 2
0 0 0
5 10 0 5 7
8 8 8
4 4 8 10 11 11 10 8 6 6 6
4 4 9 8 8 6 6
5 7 7 5 5
6 8 4
8 0 8 0 6 0 5 5
0 0 0 3 5 3 3 3 3 10 8 8 8 8 13 12 12 10 8 7
1 0 0
2 0 0 0
2 0
5
1 0 0
D
Em11
Fmaj7 Dm11 E/F# C Bm7 C#/E
8 7 7 5 0 0 0 0
10 10 8 8 6 6 0 0 1 7 6
9 7 5 5 1 1 0 7 6
10 7 5 2 1 2 2 2 7 6
8 8 7 5 5 3
2 2 7 0
3
E7 b13
#9 Am[maj7] Am7 (no3rd) Gm13 Csus4 C/F Em9 Dm(@ 42 ) G7sus4
10 12 15 10 11 10 8 8 0 3 0 2 0 1
10 8 10 9 10 8 3 5 6 1 1 3 5 1 3
3 0 0 0
3 3
0 0 3 5
0 3 1 0 3 3
F11 F/Bb Ab9sus4 Dbmaj7 B9sus4
8 8 8 5 2 5
8 8 8 8 8 10 11 6 2 4 6 5
9 0 0 8 5 3 5 6
0 0 0 6
8 4
8 8 8 8 6 4 7
5 7 4 3 5 2 3 3 5 5 2 6 9
5 4 4 3 2 2 4 6 2 9
6 4 4 2 2 3 5 3 3 5 5 8
0 0 6 7
5 4
7 0 5 1 6 4 7
9 9 11 12 12 12 10 8 7 10 5 5 5 7
9 12 13 13 13 10 8 7 10 5 5 5 7
8 11 12 12 12 11 9 7 11 5 5 7
7 0 0 0 0 0 0 0 0
5 5 5
7 12 10 10 10 10 10
4
Ab/D G/D D C/D
8 8 8 7 7 5 5 3 3 0 0 0
9 9 8 7 5 5 1 1 1
8 7 7 5 0 0
0 0 0 0 0
5 5 5 5 5 5
3 5 5 6 6 6 6 8 8 8
4 6 6 7 7 7 7 7 9 9
3 5 5 6 6 6 6 6 8 8
0 0 0 0 0 0 0 0 0
5 5 5 5 5 5 5
8 8 10 10 12 12 14 14 14 14 12 12
9 11 11 13 13 15 13 15 15 15 13
8 10 10 12 12 14 14 14 14 12
0 0 0 0 0 0 0 0 0
5
10 10 10 10 10 10 10
D C/D Dsus4 D7sus4 D@4
14 14 14 14 12 10 10 10 10 8
15 15 15 15 13 10 10 10 10 8 7
14 14 14 12 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
5
10 10 10 10
5 5 5 5 3 2 0 0 0 0 0 5
5 5 5 5 3 1 1 1 1 1 1 5 5 7 8 8
0 0 0 0 0 0 0 0 0 0 0 5
0 0 0 0 0 0 0 0 0 0 0 5
5 5 5 5 5 5
5
F
Gmaj7/D D13sus4 D13b9sus4 Gmaj7/D Dsus2 Am7 Bm7
2 2 0 8 7 5 7 8 7 5 5 5 0 2
0 3 3 3 0 3 0 1 1 4 7 3 3 5 3 1 3
0 4 0 0 0 0 0 0 0 2
0 4 0 0 0 0 0
0 2
G
Gmaj11 F#m7 F/B Em(@4) Gmaj9/D
0 1 0 0 0 5 3 3 2
3 3 3 3 2 2 1 0
4 4 4 4 5 2 2 2 4 3 2 0 0 0 0
4 4 4 4 2 4
2 5 0
3 2 0
6
Cmaj9#11 Bm11 Am11 Dsus4 G@4 B7/F# Em11 D@4
2 0 0 8 7 7
3 0 2 2 1 8 0 0 10 10 8 8 7 8
0 2 2 0 0 8 0
0 0 0 0 0 0
3 2 0 10 10 9
0 10 0 0 0 10
0 0 3 2
7 5 5 1 5 5 5 3 3 3
0 0 0 5 5 4 4 0 0 0
0 0 5 5 5 5 5 0
0 5 5
8 7 3 0 3
Bm11 Am7 D9sus4 Gsus4 Gmaj7 B7b13 Em7 Dm11 C@9
2 0 0 0 8 8 7 7 8 0 0
3 2 1 8 8 7 8 8 8 8
0 2 2 0 9 7 8 7 10 9
0 0 7
3 0 2 0 10 10
0 10 7 0 0 10 8
3
0 0 3 3 8 8 10 10
8 8 8 8 5 5 3 3 9 11 11
9 0 0 7 5 4 8 10 10
0 0 0
5 0
8 8 7 7 5 3 0 10 10
7
Gmaj7 F#m7 B9sus4 B11b9sus4 Em11 Dm(@ 49 )
3
7 7 7 9 9 5 0 3 5 3
7 10 10 5 5 5 7 7 10 12 10 8 5 3 5 5 6 6 5
0 9 9 6 5 9 10 9 7 4 2 4 0
7 7
10 0 9 5
7 7 0
H
A tempo
C@9 Bb9sus4 Eb@9 C#9sus4 F#maj7 E13
rit. *Harm.
0 3 6 6 9 6 9 9 7 9 14 12 10
4 6 7 6 7
0 5 0 8
0 6 9 0
3 6 9
6 9 0
*7th fret note only.
3
3 6 3
3
3
9 10 12 7 9 7 8 7 5 4 5 7 5 4 0 2 4 5 5 4 5 4 2 0 2 4 2 0
5 0 0
8
from Pat Metheny - What’s it All About
Cherish
Words and Music by Terry Kirkman
A
Freely q = 110
* D5 Bm7 C 69 Asus4
Gtr. 1
(Baritone Acous.)
mf
w/ pick & fingers
Harm. Harm. Harm. Harm. Harm. Harm. Harm. Harm.
7 7 7 7
7 7 7 7
5 5 5
7 7 7 8 8 8 8 5 5 5 5
*Chord symbols reflect implied harmony. Notation and chord symbols have been
written up a perfect 5th (relative to standard tuning) for ease of reading.
D5 Bm7 C 69 Asus4
Harm. Harm. Harm. Harm. Harm. Harm. Harm. Harm.
rit.
7 7 7 7
7 7 7 7
5 5 5
7 7 7 8 8 8 8 5 5 5
B
Slower q = 95
D5 G5 C@9 Asus4 A
2 2 0 0 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0
C
Tempo II
F#m(@b6) Gmaj7 F#m(@b6) Gmaj7
9 9 9 9 10 10 7 9 9 9 10 10 7
10 10 10 10 7 8 7 8 10 10 10 10 10 7 8 7 8
0 0
0 0 0 0 0 0 0
9 9 10 9 9 10
0 10 10 9 7 0 0 0 0
3 12 10 8 7 5 3 3 3 3 3 3 0 3
2 2 2 2 11 9 7 0 0 0 0 0 0
0 0
10 9 7 3 3 3 3
2 2
D
Tempo II
A9sus4 A@4 D5 G 69
rit.
0 0 5 5 5 5 0
0 0 2 2 2 3 3 3 3 3 3 3 3 3 3 3
0 0 2 2 2 4 4 4
0 0 0 0 0 0 0 0 0 0
0 5 5
3
Cmaj9 A7sus4 D5 G 69
0 0 0 0 0 0 5 5 5 5 3 3 0
3 3 3 3 3 3 3 3 3 3 3 3
4 4 4 4 0 0 4
0 0 0 0 0 0 0
3 3 2 0 0 5 5
3 3 0
2
E
C@9 A7sus4 A7 F#m7@b13 Gmaj13
0 0 0 2 3 0 0 0 0 0 0 0 0 3 2 3
3 3 3 2 2
0 0 0 2 2 2 2 2 2 2 7 7 4 4
0 0 0 0 0 0 0 0 0 0 0
3 3 3 0
2 3
0 0 0 0 0 0 3 2 3 0 7 9
2 2 2 2 2 8 10 8 7 5
2 2 2 2 2 2 7 7 4 4 2 2 2 2 7 7 9 0
0 0 0 0 0 0 0 0 0 0 9
9 10
2 3 2 0
F
G A F#m7 C#@b9
0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2
0 0 0 2 2 2 2 2 1 1
0 0 0 2 2 2 2 2 0 0
0
3 3 3 4 2 2 2 1 1 1
3
Cmaj9 A9sus4
3
3 2 3 2 2 0 0 0 0 0
0 0 3 0 0 0
0 0 0 0 0
0 0 0 0 0 0 7 7 7 7 7
3 0
G
Dmaj7 C#7 b13#9 C13sus4
5 5 5 5 5 5 5 5 5 5 5 5 5
7 5 5 5 5 5 3 3
6 6 4 4 4 3 3
0 0 3 3 3 3
4 4 3
Bm(@9) G@#11 Em9 C 69
10 9 7 9 10 7 10 7 7 10 0 0 0
7 10 10 10
7 6 4 6 0 0 0 0 0
0 0 0 0 0
10
7 0 8 8 8
B9 (no3rd)
0 7 7 7 7 7 7
10 10 0 0 0 0 0
0 6 6 6 6 6
0 0 7 7 7 7 7 7 7
8 8 8 7 7 7 7 7 7 7
4
H
E Emaj7(no3rd) Eb(no3rd) E5 A5 Amaj7sus2 A6sus2 D 69
0 0 0 0 0 7 5 5 4 4 2 0 0 0 0
9 0 0 0 0 0 0 0 0 0
9 8 8 6 2 2 2
9 2 2 2 4 4
0 0 0 5 5 0
0 0 0 0
I
Slower q = 83
Dmaj13 B13sus4 G#m7@b13 A@9 Amaj7
rit.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 7 0 0 0
6 6 6 6 6 6 4 4 4 4 4 4 9 9 6 6
4 4 7 6 7 4 4 9 7 7 6 7
5 5 0 0
7 7 4
0 0 0 0 0 0 0 0 12 12 11 9
0 0 0 4 4 4 4 0 14 12 10 9 7
4 4 4 4 4 9 9 6 6 2 1 2 4 4 4 12 11 9
4 4 7 7 2 2 14 13 11
0 12 11 9
4 4 4 4
J
Cmaj9 Dsus 42 Bm(@119 ) C@9
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 0 3 3 7
0 0 0 6 6 6 0 0 0
0 0 0 2
3 3 5 5 5 3 3 3
7 7 7
6
Cmaj9 Em9/B Gmaj13/B Cmaj7 A@4
7 0 0 0 0 0 0 0 0 0 7 0 0 9
0 5 0 0 7 7 8 8 8
0 0 0 0 0 0 0 0 0 0 0 0 0 9
0 4 4 0 0 0 0
5 5 0
8 0 7 8 8
8 7 5 7 10 0 5 0 2 3 0
8 10 7 7 8 3 3 0 0
0 0 0 0 0
0 0 0 0 0 0
2 3 3
8 8 10 10
K
Tempo III
E Emaj7(no3rd) E6(no3rd) E5 G6sus2 Gmaj7 Cmaj9
rit.
0 0 0 0 0 0 0 0 0 0
9 0 0
9 8 6 4 4 2 2 0 0
0 4 0 0
3
0 3 3 3
7
from Pat Metheny - What’s it All About
A
Freely q = 80
* F#maj7#11/E
Gtr. 1 (Baritone acous.)
mp
w/ pick & fingers
let ring throughout
0
0 0
2 2 2 2 2
3 3 3 3 3 3 3
0 0
*Chord symbols reflect implied harmony. Notation and chord symbols have been
written up a perfect 5th (relative to standard tuning) for ease of reading.
B
Em7
3 0 0 3 0 0
0 3 3
2 2 2
3 3 3 3
0 0
G6/F Ebmaj9/G
3 0 0 1
0 4
0 0 3
0 0 0 0 0 0
1 3
F#13sus4 Fmaj7#11/E F#11/E
0 0 0
0 0 0
1 2 2 3
1 3 4
2 0 0
Em7/Ab Ebmaj9/G
3 3 0 0 4 3 0 0 0 1
0 3 4 4 4 4 4 4 4
0 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0
4 4 3
F#13sus4 Fmaj7#11/E
0
0 0 0 0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 2 2 2 2 2
1 1 1 1 1 1 1 1 3 3 3 3 3 3
2 0
D
Gbmaj7#11/F
1 1
0 0 0 1 1
2 2 2 3 3
3 3 4 4
0 1
2
3
Bbmaj7 #11#9 Gmaj7sus4/B Ebmaj7#11/G
4 5 4 2 4 2 0 2 5
2 2 2 2 0 1 1 1 4 4 4 4
2 2 2 2 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0
1 2 5
2 3
6 5 3 5 3 1 1 0 0 0 5 6 7 0
4 4 2 2 2 2 2 0 2 4 7
0 0 2 2 2 2 0 0 0 0
0 0 0 0 0 0 0
5 2 4
3
3
3
3 3 3
3 3
Harm.
5 7 8 10 6 7 9 11 12 4 5 7 0 2 4
8 9 5 7 2 4
0 8 6
3
3 3
3 3
3
Harm. Harm.
5 0 1 0 0
0 2 4 0 2 3
0
3 7 9 11 12
12
4
3 3 3 4 4 4 6 6 6 7 7
5 5 6 6 6 6 6 8 8 8 8 8 8
0 0 0 0 0 7 7 7
0 0 0 0 0 0 0 0 0 0 0
6 6 6 6
3
E
B7/A Amaj13 Aº7
7 7 7 7 4 4 4 2 7 8 7 7 4
4 4 4 4 2 2 4 4 4 4 4 4 7
5 5 5 5 5 5
4 4 4 4 4 4
0 0 0
F
F#sus2 F#sus2/G G G#maj7#11sus4
4 4 2 4
3 0 2
0 0 0 0 0 0
4 0 0 0 0 0 0
3 4
4 4 5 4 0 0 0
2 0 3
0 0 0
0 0 0 0 0
7
4 4 3 3 4 3 12
Harm.
*
4
5 X
7
Pipeline
By Bob Spickard and Brian Carman
A
Fast q = 150
*Em
Gtr. 1 (acous.)
mf
0
0
0
2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 3 0 3 0 3 0 3 0 3 0 3 0 3 0 3
*Chord symbols reflect implied harmony.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 0 0 2 2 2 2 4 4 4 4
3 3 3 3 3 3 3 0 0 X 2 2 2 2 2 2 2 3 3 5 5
0 3 0 3 0 3 0 3
B
Cmaj7 Gmaj7/D Em Em7 Em(@4) Em7 Em(@4) Em(@9) Em(@4) Em7 Em(@4)
0 0 0 0 2 2 2 0 0
0 0 0 0 0 0 0 0 0 3 5 3 5 7 5 3 5
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 4 4 4 0 2 X 5 X 7 7 7 5 7 9 7 5 7
3 3 3 3 5 5 5 2 X 5 X 7 7 7 5 7 9 7 5 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0
Cmaj7#11 Em(@9) Em11 Em
0 0 0 0 0 0 0
7 7 7 7 7 5 3 5 3 0
0 0 0 0 0 0 0 0 0 0 0 0
7 9 9 9 9 9 X 7 0 0 0 0
7 9 9 9 9 9 X 7 0 0 2 2 2 2 2 2 X
0 8 0 0 0 0 3 0 3 0 3 0 3 0
Cmaj7 B@4 Cmaj7 #11#9 B@4 Cmaj7 #11#9
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
9 9 9 9 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 0
10 10 10 10 9 9 9 9 0
10 10 10 10 9 9 9 9 0
8 8 8 8 7 8 7 8
Am9 Em
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 0
5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 2
0 0 0 0 0 0 0 0 0 0 X 2 2 2 2 2 2 2
0 0 0 3 0 3 0 3 0 3
2
C
Em7 A@9/E Em7 A@9/E Esus2 Esus4 A@9/E
0
0 0 0 0 0 0 0 0 0
0 0 0 6 4 6 X X 6
0 2 7 5 7 9 7 7
2 2 2 2 2 2 2 2 2 X 7 5 7 9 7 7
0 3 0 3 0 3 0 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0
E7sus2 A@9/E Em(@9) A@9/E Em7 A@9/E Em7 Em
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0
7 6 0 6 6 6 6 4 4 6 4 0 0 0 0 0 0 0
9 7 4 7 7 7 7 5 5 7 5 2 2 2 2 2 2 2
9 7 X 7 7 7 7 5 5 7 5 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
B@4 Cmaj7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
5 5 5 5 5 5 5 5 5 5 5 5 8 8 8 8 8 9 9 9 9 9 9 9 9
5 5 5 5 5 5 5 5 5 5 5 5 9 9 9 9 9 10 10
0 0 0 9 9 10 10
7 7 8 8
3
B@4/C# D13sus4 B@4/C# Cmaj7/C#
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
8 8 8 8 8 8 8 9 9 9 9 9 9 9 9 9 8 8 8 9 9 9 8
9 9 9 9 9 9 9 10 10 9 9 9 10 10 10 9
9 10 10 9 9 10
9 10 10 9 9 9
D
Am9 Am11 G5
0 0 0 0 10 10 10 10 10 10 8 8 7 7 7 7 X 3 3 3 3 3 3 3 3 3 3
8 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 X 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
10 10 10 10 10 10 10 10 10 10 10 10 10 10 0 0 0 0 0 0 0 0 0 0 0
0 0 0 X
3
F#maj7#11 Fmaj9
3 3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3 0 0 0 0 0 0 0 8 8 8 8 8 8 8 8 8 8 8 8
0 0 0 0 0 0 0 0 0 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 X 7 7 7 7 7 0 0
X 3 8
3 1
G5 Am9 Am11
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0 0 0 0 0 10 10 10 10
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 5 5 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 10
X X 0 0
3 3
4
G5
8 8 8 8 8 7 7 7 7 7 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
10 10 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 X X X
3 3 3
E
F#maj7#11 Em
0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0 2
X X X X X X X X X 0 X 2 2 2 2 2 2 2
1 1 1 1 1 1 1 1 1 1 0 0 3 0 3 0 3 0 3
Cmaj7/G Em
0
0 0 0 0 0 0 0 0 3 0
0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 0 2
2 2 2 2 3 3 3 3 3 3 X 2 2 2
0 3 0 3 3 3 3 3 3 3 0 3 0 3
Cmaj7 Gmaj7/D
0 0 0 0 0 0 0
0 0 0 0 0 0 0
2 2 2 2 4 4 4
2 2 2 2 2 2 2 2 3 3 3 5 5 5
0 3 0 3 0 3 0 3
F
Em Em7 A@9/E E5 Em7 A@9/E Em7 Em 69 E5 Em 69 Em7 Em 69 Em Em7
0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 4 6 X X 4 6 0 0 0 0 0 0 0 0 0 0 0 0 0
2 5 7 X X 5 7 12 11 9 11 X 12 12 12 12 11 9 12 12 12
2 5 7 X X 5 7 10 9 7 9 X 10 10 10 10 9 7 10 10 10
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
5
Em 69 Em7 Em 69 E5 Em Cmaj7/E C#m7b5/E Em7 Em[maj7]
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
12 11 11 11 11 12 11 9 X X X X X X X X X X X X X X X X
10 9 9 9 9 10 9 7 2 2 3 3 3 4 4 4 4 5 5 5 5 6 6 6
0 0 0 0 0 0 0 0 0 0 0
0 3 5 5 5 5 3 5 7 5 3 5 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5
2 0 5 X 7 7 7 7 5 X 7 X 9 7 5 7 X 4 4 4 4 4 4
2 X 5 X 7 7 7 7 5 X 7 X 9 7 5 7 X 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3
Asus2 Asus4 Am9 Asus4 Am9 Fmaj7#11 Em/A Am[maj9] A@9 Bm[maj11]/A
7 7 7 7 7 5 5 5 5 5 3 5 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
9 9 9 9 9 7 7 7 7 7 5 7 5 2 2 2 2 0 0 0 0 5 5 5 5 6 6 6 6 6 7 7 7 7 7
9 9 9 9 9 7 7 7 7 7 5 7 5 3 5 6 7 8
0 0 0 0 0 0
B@4 Cmaj7 B@4/C#
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
9 9 9 9 9 9 9 9 9 9 8 8 8 8 8 8 8 8 9 9 9 9 9 9 9 9
10 10 9 9 10 10
10 10 9 9 10 10
10 10 9 9 8 8
6
B@4 B@4/C B@4 B@4/C B7@4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
9 9 9 9 9 9 9 9 9 9 9 9
9 0 9 0 9 0 9 0 9 0 9 0
7 8 7 8 7 8
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
8 8 8 8 8 8 8 8 8 9 9 9 9 9 9 9 6 6 8 8 8 8
9 9 9 10 X 10 7 9
9 9 9 10 10 10 7 9
9 10 10 10 5 7
7
Cmaj7 D 69 B@4 Cmaj7 D 69 D#@ b6b9
H
Em
0
0
X
X 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 3 0 3 0 3 0 3 0 3 0 3 0 3 0 3
0
0
2
X 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 3 0 3 0 3 0 3 0 3 0 3 0 3 0 3
decresc. poco a poco
0 0
0 0
X 2 2
X 2 2 2 2 2 2 2 X 2 2 2 2 2 2 2 2
0 3 0 3 0 3 0 3 0 3 0 3 0 3 0 3
E9sus4
rit. *Harm.
0 7
0 7
2 7
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 7
0 3 0 3 0 3 0 3 0 3 0 3 0 3 0 3 0
*7th fret notes only.
8
from Pat Metheny - What’s it All About
Nashville tuning:
(low to high) A-D-G-C -E-A
A
Freely q = 100
*G@9 D7/F# F@#11 F@#11/E E
Gtr. 1 (Baritone acous.)
mp
w/ pick & fingers
let ring throughout
0 3 3 3 3 3 1 1 3 0 0 0 0 0
2 2 2 2 2 1
0 0 3 3 3
3 2 1 0
*Chord symbols reflect implied harmony. Notation and chord symbols have been
written up a perfect 5th (relative to standard tuning) for ease of reading.
3 3 0 3 5 3 0 3 0 3 5 3 3 3
0 0 0 0
2 0 0 0 5 4
0 2 3 5 6
4
0
3 3 0 8 8 8 0 3 3 3 3 1 1 3
0 0 0 2 2 2 2 3 3
0 0 0 0 0 2 2
5 5
3 0 3 3 2 2 2
F7#11 E @b9
sus4
E@b9 Em7/A G/B
3
3
3
0 0 3 5
0 0 0 0 0 0 0 3 0 3 5 3 3
2 2 2 2 2 1 1 0 0 0 0
1 1 1 3 3 3 3 3 0 0
0 0 2 2
1 1 0 0 0 0
3 3 3 5 0 0 3 3 0 3 0 8 7
5 5 5 0 0 0 0 1 1 5 8 3 5 3
5 5 4 2 0 0 5 0
0 4 0 3
0 5 3 3 3 5
4 3
C
G5 D/F# Em11 Cmaj7 Em/B
3 3 2 2 5 3 0
3 3 3 3 3 0 3 0 0 0
0 0 2 0 0 0 0
0 0 0 0 0 2 2
3 2
3 3 2 0 0 0 0 0 0 0
2
A7sus4 D6sus2 G5 G@9 D/F# Em7 Am7 Em/B
5 3 3 0 3 0 0 0 0
3 3 3 5 0 3 3 3 3 3 5 1 0
0 0 2 4 2 0 0 0 0 0 0 0
0 0 0 0 2 2 2
0 0 5 0 0 2
3 3 3 2 0 0 0 0
0 5 5 5 5 5 3 0 0 0
0 3 3 3 3 0 0
0 0 0 0 0 0 0 1 1
2 4 4 4 4 2
2 5 5 5 5 3 3
0 0
D
A tempo
Gmaj7 D7/F# G7/F E7sus 42 E7b9
rit.
10 10 10 10 10 10 8 10 7
12 12 10 8 8 7 7 6 6
11 11 11 X 7 7 7 7 7 7
0 0 0 7 6
10 10 9 9 8 7
0
3
A Tempo
Am11 Gmaj7/B Cmaj9 D7sus 42 Ebº7
3 12 10 7 10 7 10 10 12 7 10
5 12 8 7 7 8 8 8 9 10
5 0 0 0 0 0 9 11
5 0 10 10
0 0 0 0
7 7 7 8 8 10 11
rit.
3 2 3 3 5 7 3 3 5
0 0 8 5 5 3 3 0 0 0 0
0 0 0 9 9 9 0 5 5 4 4 2 4
4 9 9 9 0 0 4 4 3 3
5 0 5
0 9 8 7 4 3
A Tempo
Cmaj7 D13sus4 G5 Em7/D Gsus2/D
0 3 3 0 3 0 8 7 0 3 3 5
0 5 8 5 3 3 3
0 5 5 0 0 0 0 0
5 5 5 0 0
3 5 5 5 5
0 3 0
10 8 8 10 11 11 10
11 8 11 8 8
0 0 0 0 0 0 0
0 0 0 0 0 0 0
8 8 8 11 11 11 X
11 11
E
Gsus2 G@9 C@9 B9sus4 Gmaj9/B
10 10 10 10 8 8 7
10 10 10 10 8 5 5 5 7 7
0 0 0 0 0 6 0
0 0 0 0 0 7 7
10 10 10
8 8 7 7
4
B6@#11 A@4 Dm(@4) C@9/E
3
3 5 3
8 8 6 5 3 5 2 3 5 6 6 3 5 4 3 1 1 3
0 0
0 0
0 0 0 4 5 5 5
6 6 0 0
5 5 10 10 0 0 1 0
6 6 10 10 8 8 8 6 1 1 1 1 1 1 3 1 3
5 5 10 10 0 7 7 0 0 1 0 2
5 10 0 6 0 0 3 0
5 10 7
8 1 1 3 3
0 0 0
0 0 4 0 1 1 3 3 0 0 1 1 3 3
2 6 4 2 2 0 0 0
3 6 4 2 0 0 0 0
4
6 4 2 1 0 3 3
0 0 0 3 3 3 5 5 5 6 6 5 3
0 0 0 3 3 5 5 7
1 1 1 2 2 6 6 6 6 6 6
2 2 2 1 1 0 0
3 3 2 0 0
0 6 6
5
D9sus4 Cmaj13/E Fmaj9 G5 Bb/Ab
0 3 3 8 7 5 3 0 3 5 3
5 3 1 1 1 1 3 3 3
0 0 0 5 0 0 3 X 3
0 5 2 0 3
5
0 1 3 4
sus2
A7sus4 G F Em7 Dsus2 G9sus4 Cmaj7 Em7/Ab
add#11
8 8 10 10 12 12 13 13 15 15 12 10
10 10 12 12 0 8 10 10 10 12 12
0 0 0 0 0 14 0 0
0 0 10 14
12 10 8 7 10 15 11
10
8 8 8 12 13 12
10 10 10 13 10 8 8 6 6
9 9 0 0 7 7
10 10 10 0 0 0 6 6
8 8 10
0 8 8 8 8 7 7
F
Am11 Bm11 Dm11 G7 (no3rd) Cmaj7 C G/B
10 8 5 5 5 5 5 1 0 0
8 8 5 5 7 6 3 0 1 3
0 6 6 6 5 0 0 0 0
0 5 0 2 0
0 5 3 2
7 7 0 3
Am11
Fmaj13sus2 G6 (no3rd) G5/Ab
3 3 5 0 0 0
1 1 3 5 1 1 3 3 3 3
0 0 0 0 0 0 0 0
2 0 X 0 0 0 0
0
1 1 3 3 3 0 4 0
6
Am11 Fmaj13 G13sus4 Csus2 G/B
17 15 12 10 12 12 12 8 10 12 13 12 10
13 12 10 8 10 10 10 13 10 8
0 0 10 10 0 0 0
12 10 10 0 0 0
0 8 8 10 10
8 7 7
rit.
0 0 0 0 0
2 2 2 0 0 3 5 4 2 2 2 2 2 2
1 1 1 4 4 0 0 3 3 3
1 1 4 0 0 4 4
0
4 4 3 3 3 3
A tempo
Bm13 C#m9 Dmaj9
Esus 42 E7/F
rit.
0 0 0 2 4 0 2 0
2 2 0 0 2 0 0 0
2 2 2 2 1 1
0 1 1 2 2 2 4 4 0 0
2 4 5 5
0 1 1 0
A tempo
F#m A@9/E Dmaj7 A/C# Bm9 Em11 Amaj7#5 C#7b13
2 2 5 7 9 9 9 9
10 10 10 12 10 10 2 3 6 6 10 10
11 11 9 9 2 2 0 0 6 6 10
11 11 11 11 0 4 6 9
9 2 0
12 10 10 9 9 0 9
H
Dmaj7 Em7 Em6 Em11 Em(@11) Em13
Harm.
5 5 5 10 9 5 17 14 14 12 14
7 7 7 8 8 7 0 14 12 10 12
6 6 6 0 0 0 0 0 0 0 0
7 7 0
5
0 0 0 0 0 0 0
8
3 Em11 Em[maj11] Em[maj9] Emaj9sus4
14 10 9 12 5 3 3 2 2
12 12 12 7 10 10 10 10 4 4 4
0 0 0 0 0 0 0 0 0 0 2
0 0 0
0 0 0 0 0 0 0 0 0
Em Em[maj9] Em Em(@11) Em A7/E Em7
2 0 0 2 2 3 3 5 5 5 7 7 9 9 10 10 10
4 4 5 5 5 7 8 10 12 12
2 0 0 0 0 0 0 0 0
4 5 7 7 9 9 11 11 12 12 12 12
0 0 0 0 0 0 0 0 0 0 0 0 0 0
I
A A9sus4
12 0 0 9 12 10 9 12 7 7 7 7
14 10 12 8 8 8
7 7 7
14 14
0 0 0 0 0 0 0 0
Asus 42 Asus2
*Harm. rit. **Harm.
12 0 0 0 0 0 0 0 12
12 0 0 0 0 0 0 12
2 2 2 2 2
12 2 2 2 2 2 2
0 0 0
0
*Upstemmed notes only. **Top two notes only.
9
from Pat Metheny - What’s it All About
Nashville tuning:
(low to high) A-D-G-C-E-A
A
Freely q = 88
*Bbm9b5 Eb7b9#11 Eb7#9b13 G#m11b5 C#7#9#11 Gm7b5
Gtr. 1 (baritone gtr.)
3 3
3 3
3
mf
w/ pick & fingers
let ring throughout
0 4 5 2 2 5 0 0
2 1 2 5 0 2 2 3 0 2
1 6 0 4 0 3
2 5 4 0 0 3 3
1 6 6 4 4
4 3
*Chord symbols reflect implied harmony. Notation and chord symbols have been
written up a perfect fifth (relative to standard tuning) for ease of reading.
F#m11b5 Bb7b9#11 Cm Emaj7#9#11 G#º/B
3 3
3
0 3 1 1 1 8 3 3 3 3 10
1 0 1 1 4 4 4 4 4 9
2 2 8 3 3 3 3 3 0
2 1 6 6 6 6 6
X 2
2 8 0 7
B
Em Em[maj7]/D# Gmaj7/D C#m11b5 Gm[maj13]
3
3
3 3
3
3 7 3 3 2 0 0 2 0 0
0 5 0 0 0 0 3 4
0 0 0 3
X 4
6 5 5 4
0 3
Copyright © 1944 (Renewed 1971) by Thelonious Music Corp. and WB Music Corp.
International Copyright Secured All Rights Reserved 1
F#m11 B7b13 C#m11b5 F#sus 42 F#7
3 3
3
3
3 3
3
7 0 3 7 10 9 9
10 8 7 0 3 5 9 5 4 5
9 8 0 9
7 3 9 9 8
9 4 9 9
7
0 3 5 5 0 8 12 15
3 3 5 5 6 5 4 3 1 12 8 10
3 2 3 2 6 6 5 4 3 0 12
1 0 6 2
3 0
1 7 0
Harm.
3
14 10 7 0 0 7 0 2
12 7 0 4 7
11 0 4 4
10 11 4 5
11 10 0 0
10 4
3 3
3 3
3
3 3 2 3 2 2 2 0
5 0 2 2 3 4 0 0
4 0 4 4 3 4 2 2
0 1 X 3 3
4 3 2 2 2
3 3
3
3 3
3
3 7 3 3 0
0 0 0 5 0 0
0 0 2 3 2 0 0
0 0 3 4 3 X
2 2 0 7 6 5 4
2
Cmaj7 Bm11 Am9 D9sus4 C#m11b5 C#9sus4 C#m7b5 Bm/C# C#@b9
3 3
3 3
3 3
0 0 0 2 0 0 7 7 8 5 0 7 7 9 10
0 2 5 5 0 7 8 8
0 2 5 5 0 8 7 9 10
X 0 1 5 5 4 9
3 2 0 5 4
9
3
3 3
3 3
3 3
9 0 0 6 5 6 5 5 6 5 4
8 7 4 4 5 6 6
9 0 0 5 5
0 X 0 0
9 9 3 2 X
6 0
3 3
3
3
3
3
4 0 8 12 12 14 15 14 14 10 12 7 0 0
0 0 0 10 13 7 0
5 5 12 14 15 14 14 0 2
6 12 11 10 0 2
6 5 10 10 0 2
3 3 3 3
0 0 2 3 2 3 2 0 0 2 0
1 1 1 4 4
3 3 3 4 3 2 0
2 2 2 6
4 X X
2 2 2 6
F#11/E C#m11b5
3 3
3 3 3 3
3
0 0 0 0 2 3 2 2 3
0 0 0 0 0 0
3 3 3 3 0
4 4 4 4 4 4
4 4
0
3
Gmaj7/F# C9#11 B F(b5)/B E/B Em[maj9]/B
3 3 3
3
3
3
3 3
3
3 2 2 0 0 2
0 3 4 0 0 0
3 4 2 2 1 1 0
3 3 2 2 1
3 2 2 2 2 2
2 0
3
3 3 5 2 2 2 2 0
1 3 0 3 4 5
0 3 0 3 4 4
3 3
3 3 2 3 3
2
3
3 3
3
3
3 3 3 3 5 2 2 2 7 12 12 14
5 3 1 2 0 10
4 0 0 2 0 11
0 X 0 10
4 2 2 0
3 10
3 3 3
3
3 3
3
10 10 12 8 8 8 10 7 7
11 10 9 8 9 10 9 8
10 8 9 8
10 8 8 6 7 7
10 9 8 9
0 7
4
Em Eb(#5) Em9/D C#7b5 (no3rd) Cmaj7#5 A6/Bb
3 3
3
3
3
3
0 3 7 3 3 0 0 0 2 0 0
0 0 0 0 0 0 0 0 2 4
0 0 0 0 0 1 2
4 X X
6 5 4 3 1
0
3 3
3
7 7 8 5 0 3 7 10 9 9
7 8 0 0 3 5 7 6 5
0 3 2 7 6
0 2 2 2 7 6
0
3 2 1 0 0
3
3
Harm.
3
3
6 5 3 5 5 5 4 0 12 8 12 15
3 6 X 0 12 8 10
4 5 12
3 2 0 X 0 5
5 4 3 X 0
6
3
3 3
14 10 7 7 8
12 7 8 0 5 7
11 0 0 0 0 0
10 10 0 0 11 0
11 11 12
10 11 0 11
__ =
3
3
3 3
3
0 0 0
8 8 7 8 7 7 1 4 4 4 4
9 7 2 2 3 3
9 8 2
9 2
9 2 0 0 0
5
Bm7b5 Bb7 A7 D7b9
0 0 0 0
4 4 4 4 4 4 3 3 5 4
3 3 3 3 3 2 1 6 5
2 2 2 3 3 5 4
2 1 0 5
0 0 0 0 0 0 0 0 0 0
C
Gm Gm[maj7]/F# Gm(@4)/F C/G Eb@9 Ebmaj7 (no3rd)/D
3
3
3
9 10 9 8 9 8 6 8 10 6 3
3 7 8 6 8 8 6 4 3 4 3 3 4
3
0
9 8 7 0 6 5
3
3
6 3 3 6 9 10 10 9 10
9 7 6 4 5 3 5 6 6 4 7 8
6 5 7 8
6 6 4 3 7 8
6 5 3 10
4 3
3
3
3
3
3
5 5 5 6 3 5 6 8 6 5 6 5 5
3 2 6 8 7 6 5
0 0 6 7 7
5 7 7 6
0 5
0 0 0 7 6
2 5
4 3 2 2 7 7 5 7 3 3 2 3
6 5 4 3 7 7 6 4 4
5 4 3 2 9 9 5 4 4
5 4 3 0 2 7 0 6 6 5 4
3
3 3
0 0 2 2 1 2 10 10 9 10
3 3 2 2 0 0 3 3 3 2 3 12
4 4 0 0 1 1 3 11
3 3 2
4 3 11
3 3 3 3 2 4
3 3
7 10 9 7
8 8 7 8 10 10 11 10 10 9 10 9 8 9 8 8 9
10 9 10 10 9 9 9 8 8
9 8 8 8 7 7 7 7
10 10 9 9
9 8 7 0
Em13 A11 Dmaj7 Eb7sus4
3
3
3
14 12 10 9 7 10 9 17 5 6 6
7 8 10 12 10 9 8 9 10 7 6
0 14 6 6 6 6
0 7
0 5 5 6
0
7
E13 E13/G# A@9#11/C# F#maj7b9
3
3
3
3 3
F#@4 G#m7b5
3 3
2 2 2 2
0 0 0 0 0 2 3 3 3 2 3
3 3 3 3 4
4
5
2 2 2 2 2 4
3 3 3
3 3
F#m7b5 B7 #11
b9 Em13 A13 C#m9 F#7
3
3
3 3 3
3
0 0 1 10 9 7 5 5 2
1 1 1 1 7 5 8 7 5 5 4 5 2
2 2 2 2 0 6 4 3
2 1 5 2 2
2 0 4
2 0 2
8
G#m11b5 Gmaj7#11 (no3rd)/D C#7 #9b9 F#7 Gmaj9sus2/E Eb/A A5 Dm11b5 G7 #9b9
3 3 3 3
3
3
3
3
3
3
3
10 9 10 12 10 9 7 14 17 15 11 12 13 15 13
3 3 2 3 7 7 10 11 13 13 11 9 8 6
4 0 10 9 0 12 13 10
4 0 9 8 12 9
X 9 0 10
4 10 9 10 0
D
A tempo
Cm11 F7b13 F#m11b5 B7 #9b9 Em[maj9] G7#11 (no3rd)
3
3
3
rit.
3 3 7 3
4 6 4 2 1 1 0 3 0 0 5 3 2 3 2 0
3 2 2 2 0 0 0
1 2 1 4 1 0
3 X X 2 X
1 2 0
3 3
3
3
3
3
0 0 0 0 7 5 5 5 0 3 7 10 9 9
1 2 5 5 4 3 4 3 5 9 9 8 5 4 5
0 2 6 5 4 3 4 8
0 3 5 4 5 4 5 8 7
A tempo
Cm9 B7#9b13 Dmaj7sus2/Bb E7#9b13 Am11
3
rit.
3 3 5 5 4 4 0 8 12 15
4 4 3 5 5 6 6 1 8 10
3 3 2 2 6 6 5 5 0
X 0 1 1 X 0 X 0 0
3 2 X X 0
6 0
9
D13 G Gmaj7 Emaj9
3 3
3 3
3
3
3
Harm.
14 14 10 2 2 7 7 0 2
12 12 0 0 7 7 7
4 8 8
10 0 0 6
10
10 10 3 0 0 0
=
C#m11b5 F#+ F#m7b5 F13 (no3rd) Esus2 E @#11
sus2
3
3 3
3 2 3 2 0 0 2 0 0 0 0 0
5 3 1 4 4 0 0 0 0
4 3 2 0 4 4 3 3 3
X X 0 X 4 4 4 4 4 4
4 X X X X
2 2 1 0 0 0 0
3 3 3 2 3 2 2 2 2 3 5 6 6 6 5 6 5 5 5 5 10
4 4 3 2 2
4 4 4 3 3 3 3 3
3 2 2 2 0
4 4 3 3
2 2 3 3
10 8 10 11 10 8 10 8 7 12
8 8 10 10 8 7 0 12 10
8 9 8 9 7 0
8 7 7 9 7 0 5
8 9 X 0 5
8 7 0 3
C (no3rd) F#(no3rd) B7b13 Em11b5 A7sus4/E A7/E A7sus2/E
w/ finger tip w/ finger tip
8 2 7 7 7 3 5 6 5 5 5
8 8 8 0 5 3 2 0
5 8 8 8 0 0 0
4 7 7
8 2 7 0
10
from Pat Metheny - What’s it All About
A
Freely q = 75
* Emaj7sus2 Em[maj11] Em(@9) Dm[maj9]
Gtr. 1 (baritone acous.)
3
mp
w/ pick & fingers
let ring throughout
0 0 2 2 0 0 0 3 2 2 2 0 0 0 0 0 0
4 8 0 0 0 2 3 3
8 0 0 2
7 7 7 5 5 4 3
*Chord symbols reflect implied harmony. Notation and chord symbols have been
written up a perfect 5th (relative to standard tuning) for ease of reading.
B
Faster q = 87
B11 Fmaj7#11 Cmaj7#5 Eb Em
rit.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 8
2 2 5 5 9 9 9 9
1 3 6 9 9 9 9
Am(@9) Am(@9)/D
0 7 5 10 8 8 8 5
0 0 0 0 4 5 0 0 0 0 0
5 5 5 5 2 9 9 9 9 9
7 7 7 7 0 9
0 0 0 2 2 0 0 0 0 0 0 0
0 0 0 0 1 1 0 0 0 0 0 0 0 0 0
2 2 2 2 1 0 0
3 3 3 1 1 0 5 5 7 5 5 4 4
C
Am(@9) G9/A A@ 49
0 7 7 7 7 5 10 8 8 8 7 5
0 0 6 6 4 5 0 0 0
5 5 0 9 9 9 9
7 7 7 7 7 0 10
0 0
0 0 0 0 0 5 7 8 10
0 0 0 0 1 1 0 0 0 0
2 2 2 1 1 0 0
3 3 3 0 4 4 4
5 0 0
0
12 10 8 7 0 8 10 11 11 10
10 8 11 9 8
0 0 0 0
0
8 8 8 8 6 6
Ebm11 Dbmaj7
10 10 6 8 9 9 11 13 11 9 8
8 8 8 7 7 9 9 9 6
10 10 5
6 6
6 6 6 6 4
9 9
2
A tempo
Cmaj7#11 Am9/C B7b13 E7 #9b9 Am(@9) Am(@9)/E Am(@9) Am(@9)/E
rit.
7 0 0 0 7 5
5 5 5 5 8 8 6 0 0 0
4 4 0 0 8 7 5 5 5
4 0 7 6 6 7 7 7 7
3 3 0 0
7 0 0 0
10 7 5 0
4 5 0 0 0 0 0 1 1
9 5 6 0 0 0 2 1 1
10 7 5 3 3 3 0 0
0 0 5 3 2
0 0 0
D
Asus2 G9 F13sus2 D7sus2/E Asus4 D/E C/E Am7 Em11
5 5 3 3 5 5 7
0 0 0 1 3 4 3 1 3 1 3 5 4 5 5 7 7 5 5 8 7
2 2 0 7 7 5 5 7
2 3 0
0 0 0
3 1 0 0 0
0 1 3 1 0 0 0 0 0
3 3 1 0 0 1 3 3 2 1 1 1
4 2 0 2 1 0 0 0
0 2
0 0
3 1 0 0 0 0
3
G/A Ab/A G/A Am/E G/E Em Am Bm/A Am G/A Em7 Asus2 A7
*
7 8 7 5 3 0 5 7 5 3 0 0 0 0
8 9 8 5 5 0 5 7 5 3 0 0 0 0 2
7 8 7 5 4 0 5 7 5 4 0 0 0 2 0 0
0 2 2
0 0 0 0 0 0
0 0 0 0 0 0
*Played behind the beat.
0 0 3 5 5 5
1 1 5 0 1 1 3 4 6 3 3 3
2 2 0 2 1 1 0 0 0
2 2 2 3 1 6 0 0
0 0 6
3 3 1 1 6 6 0
3 3
3
3
3
5 4 4 7 4 2 0 5 3 2 0 2 3 5 7 5 3 5
4 3 3 5 5 3 3 1 0 8 7 3
5 4 4 5 4 2 4 2 0 9 8 3
10 9 3
2 0 0 0 0
0 0 0 0
4
Am A7b9 Dm7 Dm7/C F@ #119 /B Db/B E13 #9b9
0 0 5 3 1 1 1 1 1 3 0
1 2 1 1 1 1 0 0 0 2 0
2 3 2 2 2 2 2 2 0 1
0 0 0 3 3 3
0 0 5 5 3 3 2 2 2
0
E
A tempo
Asus2 C7 F 69 Db/E Am(@9) Am(@9)/E Am(@9) Am(@9)/E
rit.
0 0 0 0 7
0 0 8 8 10 10 6 5 6 0 0 0
2 9 0 6 6 5 5 5 5
2 8 0 6 6 7 7 7
0 8 0 0
8 0 0 0 0 0
A tempo
F@#11/B E7b13 G7/F Gsus4/F F#m7b5 F#m7#5 C@9/G
rit.
0
0 0 1 1 0 0 1 3 1 1 3 1 1 3
2 1 1 0 2 2 0
3 0 0 0 2 2 2
2
0 1 1 2 2 3 3
G13b9(no3rd)/Ab μ Am(@ 119 ) B5/A
rit. Harm.
*H.H.
0 3 0 10 10 2 14
6 12 0 0 0 0
0 0 9 9 9
0 X 10 10
0 0
4
*1st string note only.
5
from Pat Metheny - What’s it All About
A
Freely q = 110
* Em(@9) Cmaj7sus2
Gtr. 1 (baritone acous.)
mf
w/ pick & fingers
let ring throughout
0 2 0 2 0 2 3 7
0 8 8 8
0 0 0
4 0 0
0 8
*Chord symbols reflect implied harmony. Notation and chord symbols have been
written up a perfect fifth (relative to standard tuning) for ease of reading.
Em(@9) C@9 Gm
harm.
0 2 0 2 0 2 3 12 10
0 8 8 11 11
0 0 0 0 0
4 4 4 0 0 0 0 0 0
0 10
0 8
F 69 Bb 69
10 8 5 5
11 11 8 6 1 1
0 0 0 0 0
0 0 0 0
10 8 1
Em(@4) C@9
Harm. *Harm. Harm.
2 0 2 0 2 0 2 3 12
8 0 8
7 0 0
0 7 0 0
8 0 0 8
*Top fret note only.
Gm Gm(@11) F 69
3 3
12 10 10 8 8
8 8 11 11 11 11 11 11 10 11
0 0 0 0 0 0 0
0 0 0 0 0 0 0
10 10 8
8
B
Bb Bb6/C
6
9
6 8 10 10
10 10 6 1 1 1 6 6 6 11 11
0 0 0 0 0 10 10
0 0 0
8 1
8 8
Am7@b13 Gm7/C
10 10 10 10 8 8 5 6 6 8
11 11 8 8 6 8 6 6 8
10 0 0
0 0 7 0 0 0
8 8 8 8 8 8 8 8
2
F 69 /C Fmaj7/C Bb6/C
3
10 10 10 10 8 8 5 8 6 6 8 10
11 11 8 8 6 8 5 6 6 11
10 10 0 0 0 0 0 0 0 0 0
0 0 7 0 0
8 8 8 8 8 8 8
Am7b13/C D@9
10 10 10 10 8 5 8 5 5 8 12 10 10
11 11 8 6 5 5 10 10
0 5 11 11 11
0 7 5 5 12 12 12
8 8 8 8 8 8 10 10
G5 G5/F# Em7
8 10 10
10 8 8 8 0 0
11 11 0 0 0 0
12 0 0 0 0
10 10 9 7
C
A tempo
G/D C#m11 Amaj13#11
rit.
0 2 4 5 4 2 0 0 2
0 0 0 2 4 5 2 2 4 5
0 4 4 4
0 4 4 4 4 4
5 4 4 0 0
C#m9 A C#m/G#
3
3
0 0 0 0
4 0 0 5 4 5 4 0 5 5
4 4 4 4 6 6 6
7 7 7 6
4 4 0 0
3
Em(@ 119 ) Em7 A/D
0 0 3 7 9 9 0
0 2 3 8 10 10 10
0 2 4 7 9 9 9
4 4 5 9 0 0
0 0 10 10 10 X
2 2 3 2 0 0 2
3 3 5 2 2 2 2 3
0 0 2 2 2
0 0 0 0 0
1 0
3
4 4 11 12 11 7 9 9 12 11 9 7
5 5 9 9 9 7
4 4 9 13
4 6
4 0
9
0 0 0 4
4 4 4 4 2 2 2 4 5 7
4 4 4 4 4 4 6 7 8
4 4 6 7 9
4 4 4 4 0 0
Em11 Dmaj13#11
7 7 7 10 14 12 10 9 5 5 7 9 7 5
8 8 10 12 10 5 7
7 7 12 6 6 7
7 0 6
5 5
0 12 10
4
Gmaj13#11 Gmaj13/A
0 2 2 0 2 3
0 0 2 3 0 0 0 0 0
0 0 0 0 0 0 0 0
0 0 0 0
0 0 0
3
Dmaj7/A Em/A Dmaj11/A Gmaj7/A Em11/A
5 5 5 3 2 3 5 7 7 7 5 3 9 10
7 7 7 5 2 7 7 7 5 3
6 6 6 4 0 0 0 0 0
0 0 0 0
0 0 0 0 0 0
Dmaj13/A Gmaj13/A
9 9 7 5 2 14 15 14 15 14 14 10 12 14 12 10
7 7 2 12 12 8 8
12 0
0 0 0 0
0 0 0 0
Dmaj7/A D B9
9 9 7 7
10 10 10 10 10 10 7 7 7 7
11 11 11 11 8 8 8 8 8
0 0 0 9 9 9
0
10 10 10 10 7 7
G7/E G/F
5 7 7
7 7 6 6 6 0 0
8 0 0 0 0 0
9 0 0 0 0 0 0
7 7 7
7 0 1 1 1
5
G7sus4 G/Ab Ab/G
3 3
1 1 3 3 3 3 1 1 1
0 4 0 1 1
3 3 5 5 0 0 0 1 1
3 3 3 4 4 4 4 3 3
Dmaj7#5/E Csus2/E Gm(@9)/E Cmaj13/E
2 2 3 5 5 6 7
2 1 1 3 3 3 5 5
3 3 0 0 0 3 3 5 5
0 0 5 5 5
0 0 0 0 0 0 0 0
Am11 Bm7
7 8 10 8 7 5 3 3 3 7 5
5 0 3 5 7
5 0 5
5 5 0 0
0 0
0 7 7
5 0 0 6 8 10 8 6 5
7 8 8 7 5 3 3 3 3
0 0 0 0
0 2 0 0 0
3 5 6
7
6
Eb/D Dm7 Eb/D Dm7 Dsus4 Ebmaj13/D C/D
3 5 6 13 10 10 10 10 15 13 11 10 8 6 8
4 6 8 13 10 10 10 4 5
3 5 8 14 12 12 12 0 0
0 0 0 0 0 0 0 0 0 0
10 11 10 10 10 11 8 10 6 5 3 3 3 3
8 9 8 8 5 5 4 4
0 0 0 0 5 5 3 3
0 0 0 0 0 0 0 0 0 0
sus4
A7/D Abmaj7/D C#º/D G add#11 /D G@#11/D
3 3 3 3 3 3 3 3 3 3
2 2 1 5 5 2 2 2 2
2 1 1 6 6 5 5 4 4
0 0 0 0 0 0 0 0 0 0
D E
D#@b6 B7b13/D# Em(@9) Em(@9) Em[maj9]
3
3 3 0 0 0 0 0 0 0 0 2 0 2
0 0 0 0 0 0 0 0 0 4
3 2 0 0 0 0 0 0 0
1 1 1 4 4
Fsus2/C Fmaj13sus2/C Bb 69 Dm
8 8 8 5 5
8 8 5 6 1 1 1 1 6
0 0 0 0 0 0 7
0 0 0 0 0
1
8 8 8 8 8
F
Bb@9 Bbmaj13 Am11
5 6 8 10 10 10 11 10 8 5 5 8 5
6 6 10 10 8 8 5 5 5 5 3
7 7 0 0 0 0 0 0 0 0
0 0 0
5 0 0
6 6
B9sus4 Emaj13
5 5 5 7 9 9 9 9 7 7 7
5 5 0 9 7 9 9 7 9 9
6 9 9 8
7
7 7 7 7 0 0 0
8
Db9
rit.
11 9 9 9 9 9 9 7
9 9 9 9 9
10 10 10 10 10 10
9 9
G
Faster q = 188
Gmaj7#11/F# G@#11/B Em7 G/A G@#11 G@#11/C#
9 9 10 9 9
0 0 0 0 0 0 0
0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0
9 7 0 10
7 9
G@#11/F# G/B A7 Dmaj7sus4 D#7/G
Harm.
9 7 9 9 9
0 9
0 0 0 0 0 0
0 0 0
9 12 10
7 10 10 10
Pitch: D#
0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0
0 0
9 7 0 5
9 7 7
rit.
3 2
0 0 0 0 0 0
0 0 0 0 0 0 0 0
0 0 0 0 0 0
4 2
3 2 0 2
9
from Pat Metheny - What’s it All About
A
Freely q = 84
** Am(@9) Am11
*Gtr. 1
mp
w/ pick & fingers Harm.
let ring throughout
12 12 12 12 12 12 8 7 0
12 13 12 13 12 13 12 13 12 13 12 13 10 8
14 14 14 14 14 14 9 7
10
12
*42-str Pikasso gtr. arr. for acous. gtr.
**Chord symbols reflect implied harmony.
A tempo
rit.
0 0 8 7 0 8 7
8 10 10 8 8 12 0 10 8
7 7 7 0 7
10 10 10
0
Harm. Harm. Harm.
7 0 19 17 15 12 0
10 10 8 13 15 13 12 10 10
7 12 14 12 12
7 10
Am(@9)
rit.
12 12 12 12 12 12
10 10 10 10 12 13 12 13 12 13 12 13 12 13 12 13
12 14 14 14 14 14 14
G5 G 69 Gsus4 G
Harm.
0 15 12 8
10 10 13 12 12 0 0 3 0
0 0 0 0 0
10 10 10 12
12 12
Am Am11
*Harm.
3
20 17 15 15 12 10 12 17
1 1 15 12 13 15
16 12 14 0
14
0
*Lower note only.
Am11
Am7 Am/E Am9
loco
0 8 15 0 8 0 0 0 0 0 3 3
10 0 13 15 10 10 15 13 0 0
0 0 12 12 12 14 12 5
7 10
0 0
0
F C@9 Cmaj13
5 5 12 0 15 0 0 0 0 3 3
8 15 13 12 10 0 0
2 0 12 14 0 0 0 5 5 5
0 12 12
1 8
F Cmaj7 C 69 Cmaj13 F@ #119
loco
**Harm.
5 5 0 12 20 17 15 3 5 5 7
8 10 13 17 12 12 5 8 0
5 7 12 12 7 5 5 5 5 5
9 12 7 5 7
8
1 8
**Bottom three notes only.
2
Cmaj9 G 69 /B Am11
loco
3
Harm. Harm.
8 8 8 7 5 5 0 12 17 12
0 8 0 0 8 12 13 17 13
5 5 5 0 7 5 16 12
7 5
7 7 0
8 7
Pitch: G
D
* Harm.
10 3 0
13 12 10 12 3 0 12
12 12 12 5 5
10 10 10 12 7 7
0 10 0
0
*Tap body of gtr. in indicated rhythm.
** Harm.
15 14 8 7 5 3 7 3 7
0 0 3 0 10
14 7 7 7 9 0 5 2 7 5
12 10 5 0 0 9
0 8
0 8 0
**As before. Pitch: G
D
Tempo II
Am7/E Fmaj13#11 Am
rit.
Harm. ***Harm. Harm.
7 0 0 12
10 12 8 12 0 0 13 13 13
12 5 5 14 14
9 7 10 12 10
8 12 12 10 10 12
0
***Top note only.
C
G 69 G6
Harm. Harm.
0 0 5 3 0 7 7 10 7
0 0 0 0 10 0 8 8
7 5 5
12 12 10 5
12 12
3
Pitch: G
D
3
Am11
Harm.
8 0 0 7 3 0 0
8 0 8 3 0 0
7 7 0 12 12 7 7 5 5 5 0 0 0 2
7 10 10 12 7 5 5 7 2 2 2
0 12 0 0 0 3 3 3
Pitch: G
D
P.M.
0 15 3 0 15 12 0 3 3
0 0 0 0 0 0 0 3 0 12 12 5 5
0 0 2 14 0 0 4 4 2 2 0 5 14 14 5 5
2 2 2 10 2 2 2 2 2 2 5 12
3 3 3 0 3 3 3 3 3 3 0
5 5 5
F@#11 Cmaj9
loco
3
Harm.
5 5 3 0 7 7 8 3 0 0 3 3
0 5 3 0 3 3 5 0
2 0 5 5 5 0 0 5 5 5 0 0
3 3
1
Pitch: B
F Cmaj9 Fmaj7#11
loco
Harm.
5 5 12 12 8 0 5 5 7
8 0 5 3 3 5 0
2 2 5 5 4 5 5 5 5 5
5 5 7 7 7
3 8
1 8
Pitch: B
G
C5 Am7/B Am11
3
8 8 8 7 5 5 10 8 7 7
0 8 8 8 10 8 10 8 10 8
5 5 5 0 5 5 9
7 5 7
0
8 7
4
Cmaj9/G
7 0 7 7 7 3 3 0
10 8 8 0 10 8 8 8 8 1 1 1 3 1 0
9 9 12 7 9 9 9
10 10 10 10 10 10
0
3
D
G Am Am(@9)/E Am(@9) Am(@9)/E Am11 Am7/E
8 7 8 12 7 8 0 0
0 3 0 0 1 10 0 1 3 8
0 2 2 2 0
2 7 10 7
0 0 0
3 0 0 0
*Harm.
12 7 8 12 8 3 0 17
12 12 10 3 3 0 12
12 12 9 4 4 2 0 2 2 2 5 0 0
7 10 2 2 2 2 2 2 7 7 7 14
0 0 3 3 3 3 0 0 0
0 0 3 3 8 8 8
*Upstemmed notes only.
G(@4) G 69
Harm.
17 3 5 3 3 0
12 0 0 3 0
0 5 0 5
14 2 2 5 5 0
0 3 3 3
3 3
Pitch: D
5
Asus 42 Am7/E Am(@9) E7sus4 A9sus4 E5 Am Em7 Am11
5 5 7 7 0 0 7 8 10 7
0 3 0 0 0 8 10 12 8 8 0
0 5 5 7 7 9 12 0 7 7 7 0 10
7 7 10 0 10 10
0 0 0 0 0 7
0 0 0 0
E
Fmaj9#11 Am(@9)/D Em11b13 Am11
3
3 Harm.
5 0 5 7 8 8 8 7 5 3 10 10 0 3 5 0
0 8 0 0 12 12 12 8 10 8 0 3 0
5 9 9 9 7 5 0 12 0 5 0 0 0 2
7 7 0 12 9 10 9 5 7 2
8 0
0
Am9 Am11
0 3 3 0 7 7 7 0 7 5
0 0 3 0 0 0 5 8 8
5 5 5 5 5 5 5 9 9 7 5 7 5
5 5 5 5 5 5 5 10 7
0 0 0 0 0
Gsus4 G 69 Am(@9)/G
3 0 0 0 0
0 0 1 0 3 0 0 3 1 1 0 0 0 0
5 5 5 5 2 2 2 2
7 7
0
3
6
Am(@9) Am11 Em/F Am11/F
3
Harm.
12 7 8 12 7 10 8 10 0 15 0 15 12
1 12 15 12 12 13 15
2 12 14
7 12
0
13
Harm. Harm.
12 0 17 7 0 8
0 10 10 12 3
14
14 17 9
10 10
12 12
12 7
5
0 8 12
3 7 7 17 17 0
3 8 5 8 8 17 12 0 8
4 7 7 0 7 12 0 7
7 7 7 12 7
0 0 15 7
0 0 13 13 8
*As before.
Am11 Fmaj13#11
3
Harm.
8 19 15 12 12 7 8 5 5 5
12 15 13 12 12 13 15 0 8 8
7 17 14 14 14 9 5 7 7 7
7
0 8
7
F
Am(@9) Fmaj7#11
Harm.
5 7 5 3 0 0 0 0 0 0 0
0 0 0 0 0 0 0
12 5 5 5 5 5 5
12 7 7 7 7 7 7
0 8
Am(@9) Am(@9)/D
0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0
5 5 5 5 5 5 5 5
7 7 7 7 7 7 7 7
8 0 5
Am11
rit.
12 12 12 12 12 12 8
12 13 12 13 12 13 12 13 12 13 12 13 5
14 14 14 14 14 14 7
15 5
0
8
from Pat Metheny - What’s it All About
Nashville tuning:
(low to high) A-D-G-C-E-A
A
Freely q = 80 A tempo
*E Emaj7sus4 E5 B/D# Bº/D
Gtr. 1 (baritone acous.)
mf
w/ pick & fingers
let ring throughout
0 0 0 0 7 7 7 7
0 0 0 0 7 6
1 1 2 4
2 2 2 2 1 2
6 5
*Chord symbols reflect implied harmony. Notation and chord symbols have been
written up a perfect 5th (relative to standard tuning) for ease of reading.
7 12 4 4 4 4 9 2 2
10 9 9 5 5 X 9 2 2
8 8 5 5 6 9
9 9 X 0 X 2
2 X 0
9 8 7 6
Am13 Esus2/G# Gº7 F#m7 Esus4/B
3 2 0 0 0 0 0 0 0 0 0 0
1 1 X 0 2 2 X 2 0 0
X 0 4 4 3 3 2 2 X 2
X X 4 2 2 X 2 X 2
0 X X X 2
4 3 2 2
0 0 0 0 0 0 2 0 7 7
0 0 2 2 2 2 4 4 7
1 1 2 2 3 3 4
X 2 X 2 1 2 X 2 2
X X X X 6
0 2 3 4
7 7 7 0 0 5 4 4 4 4 4
6 10 5 5 5 0 0 6 5
9 0 0 4 4 6 5
6 9 X 4 X X 0
5 3 2 X
9 6
4 9 2 2 2 3 2 0 0 0 0 0 0 0
5 9 2 2 1 1 0 0 0 0 0 0
6 9 2 2 0 0 4 4 2 4 1 1
X X X 4 X 2 2 2 X 2
0 0 X X 2 X
4 2 0
B
D/E E Amaj9 E9sus4 Amaj9
0 0 5 7 5 4 5 12 12 10 9
7 9 0 7 9 12 10 9 10 5 5 4
7 9 6 6 7 9
7 9 7 7 9
0 0
0 0
7 5 4 4 4 2 0 5 5 4 5
5 5 X 6 4 4 7 5 3 2 2
4 6 5 5 5 4 2 1 X
4 X 7 X 0 0 X 2
X X 0
0 7 7 0 0
2
E9sus4 Amaj9 F#9 F#7sus4 B B7sus4
12 10 9 9 14 12 11 11 0
7 9 9 11 12 12 10
7 9 9 11 11 9
7 7 9 9 9
7 0 9 14
7 7
C
F/B G/B Dm/B E F#m13 Gº7
7 7 7 5 0 0 0 0 0 0
6 6 8 8 7 0 0 2 2 2
5 5 7 7 7 1 1 2 3 3
7 7 X 0 0 0 X 2 X 2 1 2 X 2
X X X X
7 7 7 7 0 2 3
0 2 2 0 0 7 7 7 7 7 12 0 5 5
4 4 4 7 6 12 9 10 10 5 5
4 9 0 0
X 6 9 X 4
X 6 6 5 X 3
4 9
4 4 4 4 4 4 9 0 0 0 0 0
0 0 7 6 5 5 9 9 5 5 0 0
4 4 7 6 5 6 9 9 9 6 6 9 9
X 2 X 0 0 9 5 6
2 X 0
6 6 7
0 0 0 0 0 0
0 0 0 0 0 0 1 3 1
9 9 9 9 9 2 0 0 0
7 X 9 3 2 0
X X 3
7 7 0 3 0 1
3
Bbmaj9 Ebmaj9 Ab7b9 C#7b9 Gº7 B7b13
3 3
3
3 3
5 5 6 6 5 4 3 3
6 6 6 6 4 3 X 2 4
5 0 5 4 3 2
0 0 4 3 X 2
6 4 X 2
6 6 6 4 3
D
E6sus2 C#m11 F#7b9 B7#9b13 B9 Em 69 C#m9b5 F#m11 B7b13
5
3
3
3
3
0 2 3 3 3 2 0 3 12 7 7
0 2 4 X 2 3 2 0 2 4 9 10 9 8 8
4 3 3 2 0 0 4 9 8 8
4 2 2 X 1 4 4 9 9 X 7 7
4 X 2 X 4 9 X
0 2 0 7
3
0 3 8 8 8 7 4 4 7 7
0 2 4 9 10 X 4 4 6 6 0 0 1 0
X 0 4 9 9 8 4 4 5 5 1 X 2
4 4 X 7 7 X 4 7 2 1
X 4 9 X X 2
0 7 0 7 0
3
3
3 3
0 2 3 3 3 1 3
0 2 4 3 3 1 4 6 4
0 4 2 1 0 0 4 3 3 3
4 1 X 0 3
4 1 6 6 6 3
0 1
rit.
10 8 3 2 2 3 3 3 3
9 3 3 1 1 3 3 3 3
8 0 0 0 0 2 2
10 0 0 0 0 1 1 1
0 2 2
10 3
E
A tempo
E F#m13 Gº7 Emaj7sus2/G#
0 0 0 0 0 0 0 0
0 0 2 2 2 4 4
1 1 2 2 3 3 4 4
X 2 X 2 1 X 2 X 4
X X X X
0 2 3 4
7 7 7 7 5 5 5
7 6 6 5 5 0
6 X 4 4 0
X 5 4
6 6 5 5 4 3
4 4 4 4 4 9 12 12 0 0
X 0 0 7 6 5 9 9 5 5
4 4 7 6 5 6 9 9 6 6
X 2 2 X 0 0 0 9 X 5
2 X 0 X
6 6
5
C@9 Fmaj9#11 B7/D# Dº7
0 0 0 7 7 7 7
0 7 7 6
0 0 0 0
0 7 7 6
3 8 8 6 6 5
5 0 0 0 0 0 0 0 0
5 0 0 0 0 0 1 0
0 2 1 1 2 0
2 3 0
4 4 0 3 2
0 0 3
3 3 0 7 7 7 5 0
3 3 0 0 0 7 6 5
0 0 0 0 4
2 2 7 7 6
3 8 6 5 5 4
rit.
0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0
0 2 1 1 2 2 4 4
2 X 2 2 2 X 4
3 2 X X
0 2 4
A@9 B Esus2
*Harm.
0 0 0 7
0 4 7
6
X
0
0
*Upstemmed notes only.
6