Rules for Taterpretation. a aa 1, EERE 16 ple ris més , Example of Solemn Paslaody : 42, Faeroe SFP og spleritusmé us pirkneme os ‘Tonus peregrinus. ‘We have also permission to add a G ad 15 before BP ia the mediation of the Tons Peregrinus. "By this means the formulae becomes quite regular, Jenves the Recing ote ina descending movement, and has one accent with ‘hee Preparatory syllabi. , range, EE sancti fod tho & jus IX, — The reading and pronunciation of liturgical latin. Pinson being vcs and Latin msc, ithe rhythm nor ta melody ca seri Soper th msn otf he ek Prone? tthe worch Sod tt rene group nt prana Tn er Eon tee mun fe plod icton,"Ns"Char Seal tempt to sing amsedy Ege sealing he St coms and Quen. "Nor n't knows of mae ius ena nin ardetend te atin text ap sarge cote SSU'SHaaE a kindied spn ia or foster aright tbe sconpanyiog ad argo sion we mist an utter ens eral rhythm aod cunt Se ones impctace Keg always be ronembered tat whe ORNS BE satan hing die senentin s Late wor {Es Anal and we penultinat sere says nt aay way and thee Thus het io'movemest and rope, ee aad al raph an NSneatary Lind inevry Lan wor n6- ster, Dé-minus, ad we ee. Ondinarly, in a Latin sentence, words of to syllables foely interlace with thoes of three yllabies, and form’ a larger rythm ‘whichis the charm of the ‘welrbalanced Latin pros of or great classical Collects ‘sce § Vi.