Beruflich Dokumente
Kultur Dokumente
2015-2016
The Units follow a thematic rather than a chronological order and, where appropriate, will include more than
one critical practice (e.g. New Historicism and Cultural Studies). Successful completion of CTLLI will give
you 5 European Credit Transfer System (ECTS) credits or the equivalent of 125 study hours spread over.
Each Unit is provided with a Guía de Estudio (posted on line) and includes texts by literary and critical authors
as well as selected chapters from the course text book by Barry; all texts are explored through related
exercises or activities. These activities can be used in tutorials, group discussions (face-to-face or online)
or for the purposes of self-assessment (=autoevaluación), whose answers are also posted in the curso
virtual (c.v.).
• CRITICAL AUTHORS:
- Extracts + self-assessment questions;
• ANSWERS.
TABLE 1
2
Week 5
Introduction to
New Historicism
and Cultural
Studies.
3
Week 7
Introduction to
Feminism.
4
Week 9
Introduction to
Gender and
Queer Studies.
5
Week 11
Introduction to
Ethnic and Post-
Colonial Studies.
TABLE 2
CTLLI requires you to read closely, i.e. carefully in order to achieve the full understanding of the text and its
complexities as well as possibilities, a number of literary texts and critical extracts in English. Each text or
extract is further accompanied by a set of exercises based exclusively on the text in question. The Guía de
Estudio for each Unit will provide detailed study guidelines but below you will find an outline of the study plan:
LITERARY TEXTS
- where appropriate, carry out exercises taken from Barry (relate texts to theoretical concepts
and viceversa).
INTRODUCTION TO CRITICAL AND LITERARY THEORY (Barry)
- summarize the key points and arguments by relying on your own writing skills, not copying from
the handbook (copying from the handbooks is plagiarism and it is penalized).
CRITICAL AUTHORS
- a commitment to using your own words when completing the self-assessment exercises and in
the exam, and avoiding plagiarism, i.e. copying from the handbook or other materials;
- a minimum of an hour-and-a-half daily (including weekends!) when you know you won‟t be
interrupted by family, friends, colleagues, pets…
STUDY UNITS
LITERARY TEXTS
Dylan Thomas‟ poem, “A refusal to mourn the death, by fire, of a child in London” (Barry, Appendix 2: pp.
275-276). Self-assessment exercises.
Remember: spend approximately three weeks on this unit and between nine and ten hours study per
week. We recommend that you start reading the novels assigned from the beginning of the course.
LITERARY TEXTS
Elizabeth Bishop‟s poem “Twelve O‟Clock News” (PDF document on the curso virtual). Self-assessment
exercises.
Remember: you should spend approximately two weeks on this unit and between nine and ten hours
study per week.
LITERARY TEXTS
Elizabeth Bishop‟s poem “Rooster” (PDF document on the c.v.). Self-assessment exercises.
Remember: you should spend approximately two weeks on this unit and between nine and ten hours
study per week.
LITERARY TEXTS
Elizabeth Bishop‟s poem “In the Waiting Room” (PDF document on the c.v.). Self-assessment exercises.
Remember: you should spend approximately two weeks on this unit and between nine and ten hours
study per week.
LITERARY TEXTS
Joseph Conrad, Heart of Darkness (1899, 1902). Self-assessment exercises.
Toni Morrison, The Bluest Eye (1970). Self-assessment exercises.
Remember: you should spend approximately three weeks on this unit and between nine and ten
hours study per week.
• revising glossary;
• accessing and reading the sample exam and the corresponding feedback.
Remember: you should spend approximately two weeks on this unit and between nine and ten
hours study per week.
3.3.-EVALUATION
You will be guided and assessed in various ways by your local tutor or course supervisor throughout the
course. This continuous guidance and assessment will be based on:
- participation in tutorials;
- participation in online discussions and activities;
- one Pruebas de Evaluación Continua (PEC) to be uploaded via the curso virtual on ALF before
the end of November 2014.
- a mock exam immediately prior to the end-of-course exam.
and the final evaluation in the form of a written exam or prueba presencial that you will take in your local
Centro Asociado (C.A.) on the dates indicated in the official UNED exams calendar in January or February
and September (this is a first-term subject, so there are no May-June exams).
PEC is worth 20% and the exam is worth 80% of the final mark. The PEC will be marked/puntuada OUT OF
10/SOBRE 10 but a computer formula will be applied to it to count only as the 20% of your final mark if you
decide to do the PEC. The exam will be marked/puntuado OUT OF 10 but a computer formula will be
applied to it to count only as the 80% of your final mark. Your final mark/calificación is based on the sum of
the PEC and the exam, but you need to pass the exam (minimum 5) in order to get the extra 20% of the
PEC mark. Now, let's imagine that you get 2 full marks/puntos in the PEC and 3 in the exam. This means that
you have failed/suspendido the subject because you didn‟t get the required minimum of 5 marks/puntos in the
exam, so your exam+PEC marks will not be summed. PEC is not compulsory, but you must be aware that if
you decide to take just the final exam your final mark will be of a maximum of 8 points.
You will also be able to assess yourself (but you will not get marks for this) through:
The format of both the PEC and the Final Exam will be different to previous years. They will contain
two parts: Part A (Multiple-choice questions) and Part B (Text analysis). Part A will consist of 12
multiple-choice questions (a,b,c,d) about any aspect related to the course, from literary criticism,
critical authors, study guides, text book, to literary readings. This part will be marked up to 6 points
(0’5 each question). You will need to have 7 questions correct for your “Text analysis” part to be
graded, since this will show you have acquired the minimum knowledge required in relation to the
subject by having read in detail the course texts and guides. Part B (4 points) will consist of a guided
analysis of a literary text included in the course, with a limit of length. This will necessarily cover
contextual and formal aspects as well as critical approaches to the text (i.e. “Context”,
“Form/Content” and “Criticism” sections). Throughout the course, practical exercises will be provided
by the Course Team in the virtual course to train students in order to be able to develop a basic and
guided text analysis of a literary work.
CTLLI students are expected to have the ability to express themselves correctly in English and have
the minimum skills to write in basic academic register. The Course Team will take into consideration
the correctness of argumentation and writing and a proper English usage.
4. GLOSSARY