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FULL SCORE HARMONIE
PRAYER
Bert APPERMONT
Nederlands
Zoals de titel reeds doet vermoeden is "Prayer" een prachtig, meditatief koraal van de Belgische componist Bert Appermont.
Dit werk kan dienen als inspeelwerk voor wedstrijden, maar is ook geschikt om uw concertprogramma te voorzien van een
rustpunt. Tevens kan u werken aan klankvorming, intonatie en muzikaliteit.
English
lust like the title suggests, "Prayer" Is a wonderful, contemplative chorale by the Belgian composer Bert Appermont.
This work is great for warming up at competitions and also ideal for a pause in your concert programme. You have the
opportunlty to develop the sound, lntonatlon and muslcality.
Francais
Comme son titre Ie laisse présager, « Prayer • est un magnifique cantlque méditatlf du compositeur beige Bert Appermont.
Cette reuvre peut servir de prélude avant un concours au de pause dans ~ programme d'un concert. Elle vous permet aussi de
travallier la sonorité, l'intonation et la musicalité.
Deutsch
Genauso wie es der Titel verspricht ist .,Gebef' eln wundervoller besinnlicher Choral des belgischen Kompontsten Bert
Appermont. Dieses Werk eignet slch hervorragend als Elnspielstück für Wettbewerbe oder aber auch als Pause in lhrem
Konzertprogramm. Es bietet die Möglichkeit, an lhrem Klangbild, der lntonation und ander Musikalität zu arbeiten.
Italiano
Come fa già presupporre il titolo "Prayer" è una meravigliosa opera corale del compositore belga Bert Appermont.
Questa opera puè servire come esercizio di prova per concorsi, ma è anche ~datta per dare una pausa net vostra programma
del concerto. Inoltre potrete lavorare sulfa formazione dei suoni, lïntonazione e la muslcalità.
FULL SCORE HARMONIE
PRAYER
Bert APPERMONT
PRAYER
Bert APPERMONT
BMP 0505.1.272
Opname op I Recording on I Enregistrement sur I Aufnahme auf I Incisione su :
CD "FABLES AND FANTASIES" - Polizeimusikkorps Baden - Württemberg - WSR 028
Lengte I Duration I Durée I Dauer : 4.46

Moeilijkheidsgraad I Difficulty I Degré de difficulté I Schwierigkeitsgrad : 3
HARMONIE
Full Score
C Flutes 1 -2
Oboe Extra partijen voor sommige landen I
English Horn Additional parts for several countries I
Bassoon 1- 2 Extra pour des pays étrangères I
Eb Clarinet Zusätzlich für das Ausland :
Bb Clarinet 1
Bb Clarinet 2 Eb Horn 1- 3
Bb Clarinet 3 Eb Horn 2-4
Eb Alto Clarinet Bb Trombone 1
Bb Bass Clarinet Bb Trombone 2
Eb Alto Saxophone 1 Bb (Bass) Trombone 3
Eb Alto Saxophone 2 Bb Baritone I Tenor Tuba 1 Euphonium
Bb Tenor Saxophone Eb Basses
Eb Baritone Saxophone Bb Basses
Bb Trompet I Cornet 1
French Horn 1 - 3
French Horn 2 - 4
C Trombone 1
C Trombone 2
C Bass Trombone
C Baritone I Euphonium
C Basses
String Bass
Timpani
Mallets
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- for mankind -
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- for mankind -
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- for mankind -
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- for mankind -
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- for mankind -
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- for mankind -
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Adagio Religioso J =68

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Adagio Religioso .! = 68
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7 I~
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13
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s:
3
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- for mankind -
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[i!] Tempo Primo J= 68 Lamentoso One: Langucntc
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51
1
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1
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G]Poco piu Mosso J= 72 ~ _ ~
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- for mankind -
Adagio Religioso J =68 ~ [ ; ] Poco piu Mosso ~ =72

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GJ Poco piu Mosso ~ = 72
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Bb Trombone 1 PRAYER Bert APPERMONT
- for mankind -
Adagio Religioso J =68 GJ Poco piu Mosso .I = 72

I
8 :e:
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Adagio Religioso J =68 GJ Poco piu Mosso J = 72

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8
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1
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Bb {Bass) Trombone 3 PRAYER Bert APPERMONT
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7 I I
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Adagio Religioso J = (;8 [ ; ] Poco piu Mosso J= 72

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7
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54 Fermate ad lih. '
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Bb Euphonium PRAYER Bert APPERMONT
- for mankind -
Adagio Religioso .J =68
~
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Cant. e Espressivo Con Dolare
30
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Cresc.poco à poco
11,~ Copyright 2005 by BERIATO Mus ie B. V.B.A.

A. Stoeleliaan 223. B- 2570 Duffel- Tel.: +32(0)15/32.22.54- Fax: +32(0)15/32.20.26
All Rights Reserved. Int. Copyright Secured BMP 0505.1.272
~~~ ~[ [J7Efr[f (f r~q I@J~)jjjJJg!ûl
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Bb Euphonium PRAYER Bert APPERMONT
- for mankind -

1 * Cue Eb Bar. Sax
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A. Stocletlaan 223. B- 2570 Duffel- Tel.: +32(0)15/32.22.54- Fax: +32(0)15/32.20.26
1;:, t~ ~ 1tftJ go nn iJ r r rfJ mf Crescendo
Grandioso (A Tempo)
molto maestosoetenulo
53
Poco Rit... .fff
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- for mankind -
Cut·5"tr.ha.\.\ (onc)
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All R1ghb Re~ened. lnL Copynght Secured
Bb Basses PRAYER Bert APPERMONT
- for mankind -
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All R1p:hb Res.crved Int ( oryrl!;hl Secured RMP 0505 1.272
Bb Basses PRAYER Bert APPERMONT
- for mankind -

1 # Cue Str.bass (ane)
I~ H Ell
p
Q Poco piu Mosso ~ = 72

8 Ö play (one) all Cue Str.bass (one)
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49 Crescendo Poco Rit... Fermate ad lib. ,
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A. Stocletlaan 223, B- 2570 Duffel- Tel.: +32(0)15/32.22.54- Fax: +32(0)15/32.20.26

C Basses PRAYER Bert APPERMONT
- for mankind -
Cue Strhas.\ /fmc)
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p
[ ; ] Poco piu Mosso J = 72

all Cue Su: hu ~s (ont' 1
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49 Crescendo
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String Bass PRAYER Bert APPERMONT
- for mankind -
arco
QPoco piu Mosso J= 72

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Timpani PRAYER Bert APPERMONT
- for mankind -
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Mallets PRAYER Bert APPERMONT
- for mankind -
I
Adagio Religioso j =68 [;]Poco piu Mosso J=72 [iJ Tempo Primo J = 68
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Percussion 1 PRAYER Bert APPERMONT
- for mankind -
Adagio Religioso J = (j8 [;] Poco piu Mosso J= 72 Susp.Cymb.

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12 15
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Nederlands
" 0.>
Zoals de titel reeds doet vermoeden Is "Prayer" een prachtig, meditatief koraal van de Belgische componist Bert Appermont.
Dit werk kan dienen als inspeelwerk voor wedstrijden, maar Is ook geschikt om uw concertprogramma te voorzien van een
EbASax2
rustpunt. Tevens kan u werken aan klankvormlng1 Intonatie en muzikaliteit.
" 0.> English
Bb T Sax
lust like the title suggests, "Prayer" Is a wonderful, contemplative chorale by the Belglan composer Bert Appermont.
This work Is great for warming up at competitlons and also !deal for a pause In your concert programme. You have the
I "
0.> opportunity to develop the sound, intonation and musicallty.
Eb Bar. Sax Francais
comme son titre Ie lalsse présager, « Prayer » est un magnifique cantlque médltatif du compositeur beige Bert Appermont.
Eb Crnt
.'
" 0.> Cette ceuvre peut servlr de prélude avant un concours ou de pause dans Je programme d'un concert, Elle vous permet aussl de
travallier la sonorité, l'intonatlon et la muslcalité.
Deutsch
I" 0.> Genauso wie es der Titel verspricht ist .,Gebet" ein wundervoller besinnllcher Choral des belgischen Kampanisten Bert
Bb Fig. I Appermont. Dieses Werk eignet sich hervorragend als Einspielstück für Wettbewerbe ader aber auch als Pause in Ihrem
Konzertprogramm. Es bielet die Möglichkelt, an Ihrem Klangbild, der Intonation und an der Musikalität zu arbeiten.
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Italiano
Bb Fig. 2 Come fa già presupporre il titolo "Prayer" è una meravigHosa opera corale del compositore belga Bert Appermont.
" Questa opera puè servire come eserclzio dl prova per concorsl1 ma è anche adatta per dare una pausa nel vostra programma
0.> del concerto. Inoltre potrete lavorare sulla formazlone del suoni 1 11ntonazlone e la musicalità.
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FULL SCORE FANFARE
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Bb Soprano Saxophone Additional parts for several countries I
Eb Alto Saxophone 1 - 2 Extra peur des pays étrangères I " mj' p
Bb Tenor Saxophone Zusätzllch für das Ausland : Bb Cmflrp_ 2 '

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Eb Baritone Saxophone
Eb Flugei/Cornet Bb CmiTrp. J
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Bb Flugel1 Eb Horn 1-3 " Om: uohile e espr. .
Bb Flugel 2 Eb Horn 2-4 -
Bb Flugel 3 Bb Trombone 1 F Hns_ l-3
Bb Trompet I Cornet 1 Bb Trombone 2 I" P-== lllf p ~
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Grandioso (A Tempo) Full Score Fanfare - for mankind-
molto 11/0~s/om e tmuto
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2 11
Crescendo -- ______ - ----------------------------------------------
[A] Poco Jliu Mosso J= ?2
BhS. Sax 1
': ~
~
- - - - ~
- •è - ~
;;
"'
Solo: E.ym.'ssiro ....,...,..., ~ ~ ~ ~
Bb S. S;ll.; 1
Eh A Sax 1
"' ' ~ ~
- - 1:!
I
~
- ~ ,- - - ! "
'
p
One
- -~
1-1-"
~ ~- ~ I ,:r--, .-,.----.
EbA.Sa~ I
EhASa-..:2
"' - - ;:-
- ·mj'
~ - - ~
- - - - "' ' p -== ===- -== ==- ===-
I tJ
= EbASax 2
Îllf
~ "' '
Bb T. Sa-..:
~ "
= ~ ·lJlf = = Bb T. Sa-..:
"
' '
Eh Bar Sa~;
-re
-.
Eb Ba~ Sa~
" -.1 -.1·

.."!f~ ! ! ! -.1 tiV ! ! ~ I"
' '
~
- - - - - ~
-
EhCmt
"' ' - . Eb Cml
- JÎif
- - - - - - - =
I"
' '
Bb F!g. I
" - . • -1
Bb Fig. 1
' '
.;:lf
- - - ~
- "'
Bb Flg 2
" . - . . . . -
Bb Fig. 2
"
Rif
-
Bb Flg 3
v- a:---------- - !-------- . . -- . . . Bb Flg 3
' '
Bb Cm.ffrp. 1
' "
~
-
- - - -IÎa}• ·§r
- ~ ~; - - !
BbCmffrp.l
"
' '
-...-.... "..1"'"1
~ ~ ~ ~ ;--.
" - ____ i>:___

---------- wiiP "if ~ ~
- - ~ " p
' '
Bb Cm ffrp. 2
- ---------- . . /if
. . Bb Cmffrp. 2
I "
---------- pla;.~
- I: '
Bb Cm ffrp. 3
r•r . - . . . . . . . - . Bb Cm.ffrp. 3
lllf
' - - - I "
•c..-M«I
F Hn>. J-3
. . - . - . . . F Hns. 1-3
"' '
·Jlif I ~
I" "
•runt.. t
F Hns. 2-4
i! . . - . 1f '! . . . . - . F fln5. 2-4 '
"
:
CTrb. I
- ' - ~
"]/ 1.~ ! ~ ~ ~~ ~ ~ Ë
C Trb. 1
'
:
"
;. (L L ;. P- L
;. " r- ~ ~ ~ I" te ~ I" te (c f'c t
C Trb. 2
- - - ~
mj'
- - ,, ~
~ ' ~ ~
C Trb. 2 :
pp
;; ~ ;; h
* " ~
• ;. .. *
C Trb. 3 :
~
"11{/'
- - ~
- ,- - - !
:
pp
_J _______________ ~ .....__. C Trb 3
llif' pp
--.. ~
' ' "·
-
•c.. rn .. J
Bb Bar.1-2
BbBar.1-2 = . .
"' ' ......... "· --.. mj'......_ 'I..... ., .....
---""""' ~
V
' "
BbEuphJ-2
iJ
-= .. "~
'P ... .,-..... ____.- ~
Bb Eupb. I- 2
"
:
Eb Ba.ss
-
~!f
. . -
: - . . Eb Bass :
Bb Ba.ss : - - - ~ ~
- - Bb Bass : ;=:
---- ------------~------------ _!llf. ___ --------- ------------------------------- --------------------

Timp :
~
- :
Timp.
=
, r-T-ï r-T-ï rîï r+ï r-T-ï r-T-ï r-T-ï r-T-ï r-T-ï r+-ï r+ï ,-+-,
Mali
Mali
rif
"
Perc I
Perc.1
JO 3
[Ç]
li' ' ~ ~6 Jl 11-1- Is ! .: ! ,;
Bb S. Sa.-..: 1 Bb S. Sax 1
Eb A Sax 1
" • ::if
p
•c.. F.Jf<>n",
- Eb A. Sax J
~
.ff" ;_ ! : ,; ! ,;
"" . lllf p
•c".,F·!~o<x<
~
f{è ! ,,
EbASa.-..:2 EbASa-..:2
~' .-----=-- --------=---., ~

~
p ff ~
Bb T Sa-..:
"
Bb T. Sax
'I-' ,; == ...,. ...
p!ay "' f
Eb Bar. Sa-..:
"" . p
-
i'. 9~
Eb Bar. sa ...
" ,,
,; ... " - ,; ,; ... " . "
,;.
"
f: < <
Eb Crnt Eb Crnt
"' , a~ ~
~
.ff
Bb FJg 1
Bb F1g 2
~' p "lllfl-=:==-- ' lllp - Bb Flg_ I
Bb Flg 2
~
.ff
Bb flg_ 3
"
OT
Bb Fig. 3
.
" ' ff
I
.
tJ
- "'~
.T.T""Piayadlib.- ""' "" ""' ""
------------------------------------------------ ~----- --- ~-~~~-------~-
. ·• Is : , ,: , -
$:- $:-
Bb Cm ffrp. J
~
. Bb Cm ffrp. 1
" " '"' t.l

••
ff
- - -
Playadlib.--------------------------
- -------~-------------------
< - < -
-----------~-----------------
-
Bb Cm_ffrp_ 2 Bb Cm_ffrp_ 2
". " :
11
.ff' ~ l'IUJ•adllh.-;-------;;.--------;...------- -------- ;,_-------------- --------- --------;;_--------------~-------
Bh Crn_/frp. 3 Bb Crn_ffrp_ 3
OT ~
.ff ,,
Pluy - •
F Hos. 1-3
,., •p p '
F Hos 1-3
" .[
F Hns_ 2-4
Pk ·
F Hns. 2-4
• "' <
-, I
I" "
•P
ç
p f
;_ ,,
C Trb. 1 :
lllfl
if"
p
f'
CTrb. J
"
f
!
"
,,
! h'
C Trb_ 2 :
'. CTrb_2
>' ! ~-
mp p f
C Trb.J : C Trb_ 3
'----' .........., ....______, .......... ~
BbB?r. 1-2
••
mp p
~
f
.
8vahassalib:--- ------------ -~-
-----=----
---------------------------------------------------
~
-~-
•.--------=---
------------------
"• • "P
'""
p mp
Oo"
Bh Euph. 1 -2
" nif ~ --r* ,; ~ lllfl
Eb Bass
Bb Bass :
p
f Jpl8~'abassa ~ - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - ---~- --------------------------------- ---·
~
Timp. :
Timp
•
Mali I"llall
I" I" nif

Perc 1 Perc.l
4 9
--------------------------------------------------- --------------------------------------------
all :---:----. .-;----.. ;-
BbS.Sax 1
" " "' ~ ;;;:
BbS.Sax I
~ mp
~ • ii. p. ;: Ir.
"
Play
Eb A. Sax 1 Eb A. Sa" I
'
~ p
Play ~
,_ ~
EbA.Sax2 EbA.Sax 2
'
Bb T. Sax
". '
Bb T. Sa"
.'
~ p
~
~~
~
~je
Eb Bar. Sa-.:
". ' ' '
Eb Bar. Sa_"
.'
~
q
p
I ~
~ ."
~ ~
EbCmt EbCmt
'
~ 1/lf '
Bb Flg l
~
----- Bb F!g_ 1
' ~
~ ~
-
.------- .-;----.. ~
" lP'~ ~
'
'·'
I~
Bb Flg 2
'
---..... ~
----- Bb Fig. 2
'
-,
Sb Flg 3
"
·~
"
'
--- ~
Bb Fig. 3
.'
~
~
p-
p
.~ -~
.-;----.. #
Bb CmJrrp. I Bb Cm.ffrp. I
'
~ &~tdawuadlib.---------
__________________ J
.A
. ~
}~
Bb CrnJTrp. 2
• ' .A ~ ~ ~
'
~
Bb CrnJTrp. 2
Bb CrnfTrp. 3
I• '
I oJ V >
Bb Cm ffrp. 3
~
.'
~
lllf
m.f
i~ ,] .H
F Hns. 1-3 F Hns. l-3
F Hns 2-4
.
oJ mf V--.:_
I
F 1\ns. 2-4
0}
•
p
-
1/ ,----, I,J r 1
0}
p
p. p. P- ii. ii.
C Trb. l C Trb. 1
:
-mj'
~ ~
C Trb. 2 C Trb. 2 :
1J!f
A ~
C Trb. 3 C Trb. 3 :
m.f- -
Bb Bar. 1-2
~~ /
Bb Bar. 1-2
-'- ~ .---..-. ~
I~
" ~~ ~
-....__ Iv ' all - ~
Bb Euph. 1-2 Bb Euph. 1- 2

'V
~
~ ~ ~
' lol
Eb Bass : -
Eb Bass
Bb Bass : Bb Bass :
-
Timp : :
Timp.
Gl.sp.
MaiL Mal!
•
~ ~
mp
Sn<p.C.}mb. Susp.Cymb.
Perc.l Perc.l
p
p
8 5
[iJ Tempo Primo )=68 Cresc. poco à poco-------------.::-----------------------------
._ .------..._
Bb s_ sa. . 1
" On~ ~
" ~
Bb S. Sa" I
" .t. a,.
m.f f
~ " JJif
Lo!~~
""
~
~ ~ ~
Eb A Sa" I
Eb A- Sax I
f .},!f f mp
" ~
'
" f /.ameu/o~
EbA.Sax2
oJ ----------·
mj' Langue/!le
Bb T. Sa'>
' ' - --- Bh T Sa"
' ' ~ ~ ~
oJ f nlf oJ nif
Eb Bar. S.1x
' ' ' '
Eb Bar. Sa\
oJ
oJ up ~ cJ
-
EbCmt
EbCmt
" f
One " 11~
__,---
Bbfls I
Bb Flg_ I
'
oJ
f 11!f f .,, oJ
Bb Flg 2
Bb Flg 2
'
"ll!f~e
-----=-----
oJ
Bb Flg 3
'
oJ
'
f
.{c==-
.,,.,p.,,.",. ,.,
~ ~
,. Bb Fig. 3
.'
oJ
Jlif Lo!..!!!!!.ule
.......,
-----=-----
' ' /i
op
" mj' l.augum/e
.------..._ ~
BbCm.ffrp_ I
Bb CmfTrp_ I
' '
oJ
:r I ___ ,
Bb Cm.ffrp_ 2
' '
mp
Bh crn.rrfJl. 2
.'
oJ I I
' 8ntdUlll!lulfib.---
Bb Cm fTrp. 3
:'
-~
f
BbCmfTrp.J
oJ
f "
• ~ ~
F Hns_ 1-3 -
F Hns. 1-3
" One.f all -;:!f J.a!!!!.!._IIVW ~
-
F Hns. 2-4
• ! "
.__.,_ F Hns. 2-4 = =

" .f ====- l;p *.
nif Lomentuso . " -
:
# I;. • • #
Á J'. J'. L L H• #
• ;. J'. J'. L L A L L ;:-~-;.;;~ ~ ~~~
CTrb. I :
CTrb. I =
f mp
C Trb.2 :
:
# • ~
I= C Trb. 2 '"' #
f up
C Trb_ 3 :
:
'= C Trb 3
j mp
BbBar.l-2
ef2Ere~l1'0
=
ConDolon:
BbBar.l-2 -- - ~
:- f Ccml.
Con Dolure n!f "
~·
11
--=---- - ~
Bb Euph 1-2
" f~llif
-, '
"= BbE1•phl-2 =
f llif
"
n~·
:
JPm _..---, ~
Eb Boss
:::==-
Eb Bass :
= =
---
f np
a,. ~
"llif
1--. ,---- f'~· ;
:
~
~
lP.
Bb Bass
f :::==- mp
'-I '-I
Bb Bass :
= I
11!f
~ ~ a
Tîmp :
* Timp. : =
.fp m.f
Mali
• -
Mali
'" "
Perc.l ~
Perç_\
6 7
Bb Soprano Sax PRAYER Bert APPERMONT
- for mankind-
Adagio Religioso J = 68 W Poco piu Mosso J= 72
'I* @IE éifR~1f

Solo: Espressivo
1@ 1 :1 s 1rp "7?t
r
~=========== mf
fl I[
3
IF * -
mf ===~ p mp -==============
1®1tf t- 11
3
1lf=t
mf
~§: IF'fF11FTFf1êffè I
Cresc. poco à poco
~-~-- ----------~
1
@~ m r r r r r r r r r: t r r r: r r
42
1 1 1
[g
~
#i #i ~ ·---· #l ~ ~- ~
46 =o #~ =o =o
1@' ·te ~' f C9fL ~ f lf ~ r r

~
1 #r r r r
mf Crescendo Poco Rit... fff

Grandioso (A Tempo)
molto maestoso e tenulo >-
[!!] ~
ATempo
r
55 #>- >- >- >- >-
I
1@1 * r * r r r "r I If t
'* * '*
Poco Rit ...
10 r.-..
I I 11
Rit...
© Copyright 2005 by BERIATO Music B.V.B.A.
A. Stocletlaan 223, B- 2570 Duffel- Tel.: +32(0)15/32.22.54- Fax: +32(0)15/32.20.26
A11 Rights Reserved. Int. Copyright Secured BMP 0505.2.272
Bb Flugel1 PRAYER Bert APPERMONT
- for mankind -
Adagio Religioso J =68
Nobile e intimo
~~· tr]Tt p
1f5P ifV; lf*F
GJ Poco piu Mosso =72
'all~
~
j
8
I~ ., ,, 8 ' u JiJ n#r '

~======== mf p =
mp=::=- mp
f mf --====== f
Languente
Ij* {I) ir=Efi

mf Cresc. poco à poco
> >
:==-- mf Crescendo Poco Rit... .ff.f
*Cue F..Jforu (one)

2
j J lt~J
Poco Rit... p -=== 11/f =====-
2
11
Rit. ..
©Copyright 2005 by BER!ATO Music B.V.B.A.
A. Stocletlaan223, B- 2570 Duffel- Tel.: +32(0)15/32.22.54 -Fax: +32(0)15/32.20.26
All Rights Reserved. Int. CopyrightSecured BMP 0505.2.272
- for mankind -
~ Poco piu Mosso J=72

12
11 il#d]@d
~========== mf p
[iJ Tempo Primo J=68 Languente

7
'I*J83tl
-~====================f
Cresc. poco à poco

,_ molto maestoso e tenufo
:: > > >
I#r · * I* ft( * r I* F * F I
Crescendo PJco Rit... f.ff
A Tempo
10
* - Rit. ..
11
<D Copyright 2005 by BERIATO Music B.V.B.A.
A. Stocletlaan 223, B- 2570 Duffel- Tel.: +32(0)15/32.22.54 -Fax: +32(0)15/32.20.26
- for mankind -
. ~
IJ J IJ J J IYjJ] IF' Df J I
p
GJ Poco piu Mosso J=72
I I
12
I IJ
p
j IJ j J IJ tJ lf f
[iJ Tempo Primo J=68 Languente
~1 * a'ff? 1
======= ~ mp ~
Cresc. poco à poco
Poco Rit... Fermate ad lib. Grandioso (A Tempo)
r 1* ver 01 EÇ!f1EEf•A
51 molto maestoso e tenufo
1~~ ~ ~ ~ 3
1J * 1* ~ * ~ 1* r * r 1
Crescendo fff
[QJ ATempo
1 10
1; * F 2 2 I! Poco Rit. ..
* - Rit...
11
© Copyright 2005 by BERIATO Music B. V.B.A.
A. Stocletlaan 223. B- 2570 Duffel- Tel.: +32(0)15/32.22.54 -Fax: +32(0)15/32.20.26
All Rights Reserved. Int. CopyrightSecured . BMP 0505.2.272

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m

FULL SCORE HARMONIE

FULL SCORE HARMONIE

Opname op I Recording on I Enregistrement sur I Aufnahme auf I Incisione su :

CD "FABLES AND FANTASIES" - Polizeimusikkorps Baden - Württemberg - WSR 028

Lengte I Duration I Durée I Dauer : 4.46

" .ff. ""' """

I' I' r- I' I' ~

u~:-=-:· u_ J u _C 7-.-:-:-.P J y_. y~---- r_- _y ____ ~--~-~b--

mn/1() "'DrtfoMJ ~ I~IIIIM

[;]Poco piu Mosso j = 72 ._--;.

[iJ Tempo Primo j = 68

Poco Rit ...

[iJ Tempo Primo J= 68

:19 ~ ~ ~~~~ ------~~

Poco Rit... .fff

• Poco Rit ... Rit.

Al\ R1~hh R.c~ened. Int ( orvrz~ht Securecl H~11' (l'>O" I 2--.2

Adagio Religioso j =68

[;]Poco piu Mosso J= 72

1 * J J#CJ r 1 r77êt r?Jt

===-- rnf =====- p -====

.IJ" rnf Crescendo

p -~===================== f ::::::=::=- IÏlp"

~4tttJBtJHHBJ1@ V>>~ >-"-' VVVVVVV >

> 11{[' ====- p

:=:=- mf Crescendo Poco Rit ...

Poco Rit ... Rit.

~ tr- Fermate ad lib. Grandioso (A Tempo)

1-&H~ r r r ~~~" Crescendo Poco Rit ...

[QJ A Tempo Rit.

.fl ====- mj' Crescendo

Ij- Jjjj JJJ2 ~---j---~~

Adagio Religioso J = (;8

::::- ::::-::::- ==-==--==-. ::::-:::-::::-

rt Cl1p;mght 200:' b~ HERlAl 0 Mw.K R.\'.B.A

1\11 Rq;ht:- Rc~r:rq_·d Int C0rYTII!hl Securcd

[iJ Tempo Primo J= 68

~ iliJ } JJ JJ UJJJ n o! ;JIJ

Poco Rit ... •fff" Poco Rit ... >- >

200~ hy BERIATO \11us1C B \".R.A

1&'13 pr if J;J lf~~ i~ J?(

I &## C:Ji[FCIF11f rlr

[ ; ] Poco piu Mosso ~ = 72

[iJ Tempo Primo ~ = 68

Grandioso (A Tempo) ~ ATempo

Q Poco piu Mosso J = 72

1 {:_ # =---- 1# ""

d UEr#bJ ffl jJ@ 11 D~ IJ J'j#b r r; [ r f f IE"

'l Cor.vngh! 200."' h) BERIA.lO \1us1c 8 \'.B.A.

GJ Poco piu Mosso J= 72

Fermate ad lib. Grandioso (A Tempo)

Adagio Religioso J =68

[iJ Tempo Primo J = 68

fM t t f'r 11j f r===-f 11; r f f 1f f ft 1~bif ~tff 1~ 6rtfffff 1

mf Crescendo Poco Rit ...

Onc: nobile e e.1pr

[ ; ] Poco piu Mosso J= 72

I ' >- >-

Poco Rit ...

[ ; ] Poco piu Mosso J= 72

:19 ~ ~ ~~ ------

~Ju~~ IS 2 ~I~~~ I~- 10