CIHM ICIMH

Microfiche Collection de
Series microfiches
(Monographs) (monographies)

Canadian Instituta for Historical Mkroraproductions / InstitMt Canadian da microraproductions hiitoriquas

 Technical and Bibliographic Notes / Notts techniques et bibliographiques

L'Institut a microfilmi le meilleur exemplaire qu'il

The Institute has attempted to obtain the best original
copy available for filming. Features of this copy which lui a M possible de se procurer. Les ditails de cet

may be bibliographically unique, which may alter any exemplaire qui sont peut-4tre uniques du point de vue
bibiiographique, qui peuvent modifier une image
of the images in the reproduction, or which may
significantly change the usual method of filming, arc reproduite. ou qui peuvent exiger utte modification
checked below. dans la mithode normalc de f ilmage sont indiqufc
ci-dessous.

Coloured covers/ Coloured pages/

Couverture de couleur Pages de couleur

Covers damaged/ Pages damaged/

Couverture endommagie Pages endommagies

Covers restored and/or laminated/ Pages restored and/or laminated/

Couverture restaurie et/ou pelliculte Pages restauries et/ou pclliculies

UT.
Cover
titre
title missing/
de couverture manque E Pages discoloured, steined or foxed/
Pages dicolories, tadwties ou piquecs

D Coloured maps/
Cartes gtographiques en couleur [3
Pages deteched/
Pages ditachies

D Coloured ink
Encre de couleur
(i.e. other than blue or black)/
(i.e. autre que bleue ou noire)
Showthrough/
Transparence

D Coloured plates and/or

Planches et/ou illustrations en couleur
illustrations/ Quality of print varies/
Qualite in^le de ('impression

n Bound with other

Relit avec d'autres documents
material/
n Continuous pagination/
Pagination continue

Tight binding may cause shadows or distortion Includes index(es)/

along interior margin/ Comprend un (des) index

La reliure serrte peut causer de I'ombre ou de la

distorsion le long de la marge int^ieure Title on header taken from: /

Le titre de I'en-tlte provient:

D Blank leaves added during restoration may appear

within the text. Whenever pouible, these have
been omitted from filming/
itie

Page de
page of issue/
titre de la livraison

II sa peut que certaines pages blanches ajouties

tors d'une resteuration apparaissent dans le texte. Caption of issue/
mais, lorsqua cela itait possible, ces pages n'ont Titre de dipart de la livraiion

^«s ete film^.

Masthead/
Gencrique (periodiques) de la livraison

n Additional comments:/
Commeniaires tupplimcntairet:

This Item is filmed at the reduction ratio checked below/

Ca document est f ilmt au taux de rMuction indiqut ci-dessous.

10X 14X 18X 22X 2«X 30X

V
12X ItX 20X 24X 28 X I2X
The copy filmed hare has b««n reproduced thanks
to the generosity of:
University of Toronto Library
The images appearing here are the best quality
possible considering the condition and legibility
of the original copy and In keeping with the
filming contract specifications.
Original copies in printed paper covers are filmed
beginning with the front cover and ending on
the last page with a printed or Illustrated impres-
sion, or the back cover when appropriate. All
other original copies are filmed beginning on the
first page wKh a printed or illustrated impres-
sion, and ending on the last page with a printed
or illustrated impression.
The recorded frame on each microfiche
last
shallcontain the symbol -^
(meaning "CON-
TINUED"), or the symbol y
(meaning "END"),
whichever applies.
Maps, plates, charts, etc., may be filmed at
different reduction ratios. Those too large to be
entirely included In one exposure are filmed
beginning <n the upper left hand corner, left to
right and top to bottom, as many frames as
required. The following diagrams Illustrate the
method:
1 2 3
1 2
4 5
L'exemplaira film* fut reproduit grtce A la
ginArositA de:
University of Toronto Library
Les images suivantes ont AtA reproduites avec le
plus grand soin, compte tenu de la condition et
de la nettet* de rexemplaire film*, et en
conformity avec les conditions du contrat de
filmage.
Les exemplaires originaux dont la couverture en
papier est imprimie sont fllmis en commenpant
par le premier plat et en terminant soit par la
dernlire page qui comporte une empreinte
d'impression ou d'illustration, soit par le second
plat, '*«lon le cas. Tous les autres exemplaires
originaux sont filmte en commenpant par la
premiere page qui comporte une empreinte
d'impression ou d'illustration et en terminant par
la c<erni*re page qui comporte une telle
empreinte.
Un des symboles suivants apparaftra sur la
derniire image de cheque microfiche, selon le
symbols
cas: le -^
signifie "A SUIVRE", le
symbols Y
signifie "FIN".
Le& cartes, planches, tableaux, etc., peuvent Atre
filmte k det taux de reduction diffirents.
Lorsque le document est trop grand pour Atre
reproduit en un seui clich*, II est film* i partir
de Tangle supArleur gauche, de gauche A droite,
et de haut en bas, en prenant le nombre
d'Imagas nicessaire. Les diagrammes suivants
illustrent la mtthode.
3
6
 '^^^',1
wm
'f.'
',»'.'' ''^-t^
'J. 'I'i
',

w
^ -^^fi

' %
ii<^
^i:
-w:
vw

^7:5-

'

."*•
/ .:,
 '

mimmmm

PHIL MAY'S

SKETCH-BOOK
FIFTY CARTOONS

POPULAR EDITION

'h
^i-
'
-r^/'

TORONTO
THE MUSSON BOOK COMPANY. LIMITED
1910
-!:
 iiii;j.!lJ ii ,ii.iJLiiiJ!y,
L.>«m-' '

i
.?

i\

MR PHIL MAY ON HIMSELF.'

NEVER had a drawing lesson in my life, but I can't remember a time when
I I didn't draw. At the time of the Franco-German War, when I was a child
of three or four, I used to draw imaginary pictures of the battles — bristling

bayonets, cannonade, and smoke —more particularly smoke. Later I drew portraits

of the atlor J and actresses who played at Leeds, where I lived. Wht. > I was
sixteen J made up my mind to come to London, and see whether I couldn't

make a living with my pencil. So I took a ticket, third-class single, and tried

my ftrtune. It was a hard fight. I had no friends and no introductio worth

speaking of. There were comparatively few illustrated papers in those lays, an«l

prices ranged very low. I had a good many bad quarters of an hour. Once, I

remember, I was in such a desperate mood tl at I seriously contemplated burgling

a coffee-stall — fortunately there was a policeman near, so I did not. But in six

months I was beginning to get op.. I worked for '

Society,' the '
Penny Illustrated

Paper,' the 'S*". Stephen's Review,' and the '

Pictorial World.' In November 1885
I went to Australia to join the staff of the '
Sydney Bulletin,' stayed there three

years, and afterwards '

ved iii Paris, until I began my work lor the '
Daily Graphic'
'
Parson and Painter,' which helped my reputation a good deal, appeared in '
St.

Stephen's,' It had no effect whatever on the circulation of the paper, and I had
no idea that it was going to attract any attention ; but when the series x^as published

in volume form 30,000 copies were very quickly sold.

If a man really has any originality in him it is bound to find- its way out.

No doubt the art schools turn out plenty of men who can do exct. .*nt studies, but
they are absolutely incapable of composing good pictures. That is the fault of the

men, not of the schools. On the other hand, the man who undergoes no formal
training endures many disadvantages. If he loses nothing else, he loses time.
There are so many things that don't come by intuition, but have to be found out.
You can find them out in .0 ways — by being told, or by trying and failing, and
then trying again. I have found out a ^ood many things in this latter way, and

From T/ie Sketch, March 29, 189J.

M.
 '

I don't recommend it ; it is vety roundabout. Besides, perspective and anatomy

are dull studies, and there is always the temptation not to bother about them beyond
a certain point.
Many people have the idea that my work is, as they say. '
dashed off.' They
think that because, when it is finished, there are so few lines in it. But they are
wrong. What reputation I ave made I ascribe to very careful preparation of my
sketches. First of all, I get the rough idea of the picture. Sometimes it is suggested
by a story I have heard, or by something I have seen. Sometimes it occurs to
me spontaneously. I sketch a rough outline of the picture I want to draw, and
from the general idea of this rough outline I ncer depart. Then I make several
studies from the model in the poses which the picture requires, and re-draw my
figures from these studies. The next step is to draw the picture comple«^*^ly, carefully
putting in every line necessar>' to fulness of detail; ana the last, to select the
particular lines that are essential to the edect I want to produce, and take all the
others out. That is how it is done.
My types are all individuals. I am constantly on the look-out for the
individual who embodies a t}pe. When I am drawing a picture with several
figures in it I often go out into the street to look for types. But I am collecting
them at all times and in all places, more panicularly in trains and omnibuses. I

collected fifty or so in a recent visit to Battle, and a lot more, of a different sort,
when I was on the Riviera last spring. They will all come in useful some day.
Australia has supplied me with any number. A quaint old Sydney clergyman
whom I know figured very usefully not so long ago in an allegorical and '
up-to-date
presentment of 'The Temptation of St. .Anthony,' and a well-known Australian
curate was the original of the parson in '
Parson and Painter.' I am told th-.t

when the Sook came to be circulated in Greater Britain this gentleman's sermons
acquired a sudden and enormous popularity, with the result that he unexpectedly
found himself addressing his exhortations to many persons who had previously been
far too negligent of their religious privileges.
 — ' ' ' ' ' ' '

•JEXL

CONTENTS.
I. Artist -.
'My good man, may I have the honour of sketching your likeness? I am Mr. Phil May.' Rustic : 'Oh!
are yer ? Then, this time you'll be Mr. Phil Mayn't'

II.
— ' I'm glad they've got a fine day for their persession, but it'sh a thing as I don't take much intrisht in myself

III. Visitor :
'
Some of your ancestors, I suppose .'
' PakveNU : 'Bless you ! I ain't got no ancestors. My ancestors is

all dead.'

IV.—' At Homes.' — I. Music. ' I fear no foe.'

v.— 'At Homer'— II. Dancing.

VI.— Jones {to Bfwn, who has been to a ball at Robinson's) :
'
Many women there? '
BROWN :
' No ; only their mot! rs.'

VII.— Distinguished Amateur (who has ot.n cast for thi of Sir Toby Belch): 'I suppose I shall want - little

padding ? COSTUMIER Certainly '

:
'
;
' (shnuting) '
E t, bring down a full-sire stomach.'

VIII.—' Oh ! that's very funny, Mr. Wagstaff. V'hich papr do you get your wit from•
.'

IX.—' For I am a Man of the Town.'

X.— Fat Old Party {who for th. ..-. hour lu. b^.n eating without stopping) :
' Excuse me, Miss, '-ut my eyesight is very
everything on the menu ?
d ; would you mind tellii.„ .lij if I've eaten

XI.— Fame.— He; 'When I was in America I met the famous Mr. Edison. Of course you've heard of hint.?' She:
'
'
Oh yes ! He invented the Edison Lighthouse, didn't he ?

XII.— Old Sailor :

'
Ves, I've 'ad nearly every bone in my body broke at different times—arm broke, leg broke, nose broke,
'

thigh broke '

Potman i
'
'Ave ye ever bin stone-broke ?

XIII.— That was an awfully funny joke you made

' last night. 1 wish I could say it was mine
!

'
' You will, my boy ; you
will!"

XIV.-' Deuced funny !

XV.— Pat {shouting after Tommy Atkins) :

'
Who shtole the cat ? ' Tommy :
'
'Oo stole yer bloomin' country ?

XVI.- So kind and

'
thoughtful of you to send me t' s little puppy. So like you !

XVII.—'Oh! please, Missus says, will you make the knives extra sharp, 'cause we've got a chicken for dinner, and Master can't
eat it if it's «>ugh.'

XVIII.— German Professor :

'
How beautiful everything is in Nature
!

XIX.—Mean \— Conversation over/uard at a Railway Station. '

Yes, Bill 'ad a quid as a present, and a quid to get married
with, and 'e never paid me that scvr n and a tanner 'e owe -ne
!

XX.—Young Lady :
'
Shepherd, I am told that you can tell the difference between every individual sheep. How do you
!

do it ? ' SHEl'HERl) :
'
Well, Miss, much in the same way as I could tell yer pretty face in a million ' (He gets
sixpence for the secret.)

XXI.— Catch this Bird with Chaff I— Landlorp Now, John, you must join the Association formed
' to benefit

Landlords, Tenants, and Labourers. We good old times.' John 'Yes, Sir
shall soon revert to the : ; 'igh rents

for landlords and low wages for men. Some'ows, I don't see my way to join.'

XXII.— 1 supi ^se you've travelled a good deal in your time

.'
' 'Oh yes ; I've been to Scarborough and Margate, and I

remember quite well a-goin' to London when I w. a lad. I went to the Zoological Gardens, and saw the lions
and unicorns and them sort of animals.'

XWl\.— Scene: Cc-ridor of first-class H tel. Time: Seven a.m. Mr. Briggs {/ust come from Yorkshire to give important

evidence in a law case, and staying in an hotel for the first time) :
'
Where's t' kitchen .>
' AiTONISHEU CHAMBER-
MAID :
'
What do you want the kitchen fur ? ' Mk. BRIGGS :
'
I want to wash mesen.'
VI CONTENTS.
XXIV. Magistrate {to witness for tht defence, wio has been caiUd to prove an aliU) You say that it is not possible that the
: '

prisoner could have committed this burglary. And why not i ' Witness 'Well, 'cos me and 'im was doin' a
:

little job at the other end of London.'

XXV. Rehearsing the '

Fish '
Ballet.— Stage Manager : What are you, boy ? ' Bov Please, Sir, I'm a whelk.'
!
XXVI.—' Give us a bite of yer apple, Billy I '
'
Sha'n't I '
'
Well, leave us a bit of the core '
'
There ain't goin' to be no
core 1

!'
XXVII.— Sweetheart {back from tht wars) :
'
Gracious ! how she's grown

XXVIII.—Tourist :
'
Fine head that child's got He'll br a Gladstone.' FOND Mother :
'
Drat the man ! that can't be : his

father's a Conservative.'

XXIX.— Paterfamilias :
'
What do you expect to be if you grow up such a dunce ? ' Young HorEFUL :
' A masher.'

XXX.— Generous 1
—'Give yer a orange! Wot for.'' ''Cos that one I bought last week was a bad un.' 'Where is it?

'
I gave it to my sister.'

XXXI.— Have you ' ever been photograph id, uncle?' 'Yes, Tommy.' 'What for.*'

XXX II.—' Oh, uncle ! when I grow up, shall I have a face like yours if I'm wicked ?

XXXI 1 1. One uf our Aliens. — ' Do you vant to buy a thuit of clothes as va^> made for the Printh of Vales ?

XXXIV.— Petticoat Lane.

XXXV. Dauby, A.R.A. (to lady A rt-Student) :

' Yes, Miss Smith, the Old Masters u.sed to mix their colours with brains in those
days.' Miss SMITH :
'
Oh how ! cruel 1

XXXVI.-' Do you want a model. Sir?' 'No! Go away! I'm busy!' '
Well, lend me sixpence.' ' Certainly not ; 1 don't know
you.' ' Gam I Lend me sixpence, and I'll give you twopence to get your 'air cut.

XXXVl 1
— Tell me 'ow to do if
'

XXXVIII.— At 'Appv 'Ami"steai) on Easter Mondav.

XXXIX—' I don't care for them 'ats, 'Arriet ; everybody's a-wearin' of 'em.'

XL. At the Alhamuka.— '

Waiter, bring me a brandy-and-soda.' ' Beg pardon. Miss, but we're not allowed to serve
ladies.' ' I'm not a lady !

XLl.— Wot ' sort of a stone do yer call that as yer've got in yer ring, 'Arriet ? ' ' Well ! dunno but ; my chap says as 'e thinks
as it's a 'Ammersmith.'

XLII— Bill's not in it when Jack's ashorI':.

XLIII.-A Vi.su/N.

XLl v.— The Irony of Circumstance.

XLV. - A Fkw Paktino Words of Advice. — Father (to son who is just going out into the world) -.
•
And remember one
thing : Never you marry a gal as is richer than you. When I married your mother I 'ad thirty bob and she 'ad

two pun' ten- and she's never ceased to throw it in my face ever since.'

'
XLVI.— With ' a neck like that, what a fine thing it must be to be thirsty !

XLVII.— A Vacation Exercise.

XLVIIl.— Sir Henry Irvinc;.

XLIX— Frki) Hall.

L -Some Sporting Celebrities — J. Watts, Lord Alington, The Duke of Westminster, Captain Machell, Mid
Colonel "North.
 » ./

Artist. '
My gixid man. may I have the honour of sketchinj^ your likeneiw .' I am Mr. Phil May.'

Rustic. 'Oh! arc yer? Then, this time you 11 be Mr. Phil Mayn't'

?
 c^

I'm jjlsd thpy've got a fine day ffrf thrir (nrrscssinn, but it'sh

« thing as I don't uke much intrisht in myself.'

'4 —A
MliBHHIiailiia mm L
tmmmmmmmF^ mmm •sppw^P"

III

'

Visitor. '
Some of your ancpstors, I sup))o»e?
My
'

PaSVESi;. '
Bleaa ymi ! ! ain't g>t tr^ anc-stor*^ ancestors is all dead

MttHiliiita m liMiHa
 IV

^Mi
/

^v/

f;^
'AT HOMES. -I. MUSIC.
I fear no foe.'

' "^ ^
\i1«iii f '
"'•—^aJBjatfei-
•.

:j.
wqpiH>jiiipitj I :xin^
I
I
'
ai iijwiiii'i "
i i
JI.W f-f.Bi".. .m iimiMii-
i

Tlh fii
/y^t

AT HOMFS.— II. DANCING

¥-x
f,
 VI

loNEs (to liroun, who has been to a Ml at Kobinson's). ' Many women ihcrc ?

Bkown. • No ; only their mothers.'

£L
 VII

DisTiNGUisiiEn Amatkur {u'Ao has been cast Jor tkepart of Sir Toby Belch). ' I suppose I shall want
'

a little padding ?

CoiiTUMiER. '
Ceruinly ; ' (shoutings) '
Ernest, bring down a l"ull-si«e stomach."
 '

VIII

>
?
'
Oh ! that's very funny, Mr. VVagstaff. Which paper ilo you get your wit from

'x
f^'
g. L tf^^MMtfiMiil
 IX

For I am a Man of the Town.'

'i

the last hour haa hecn eating without stopping).

Excuse me. Miss, but my
Fat Old Partv {who /or
'

'

me I've eaten everything on tiie „nttu

would you mind
!>

eyesight is very bad ;

telling if

m
 . '

7^« l,J..
<**-#

XI

I-

FAME.
?
nutt the famous Mr. Edison. Of course, you've heard of him
He. •
When I was in America !

She. 'Oh, yes! He invented the Edison Lighthouse, didn't he.''

A
 '

tJ,

Ol.i) Sailor. '

Yes. I've 'ad nearly every bone in my body broke at different times—arm broke, leg
'

broke, nose broke, thigh broke

?
Potman. 'Ave ye ever bin stone-broke
'

iMHMi
 ' '

pnniiniliippiiP •CW!'**!*'"'"!''**"^

XIII

'
That was an awfully funny joke you made last night I wish I could say it was mine 1

'

'
You will, my boy ; you will
 '

XIV

Deuced funn> !
 Jljl l. »i
l W . « r » i i fn i'

XV

1^

Pat (tkouting a/Ur Tommy Atkins). '

Who shtoU- the cat ?
'

'

ToMMV. '
'()o stole yer blDomin' country ?
 XVI

•
So kind and thoughtful of >ou i>« wiul nic this litilf puppy. So likt yen !

•iMtflllillHI
:.-^..-:: ..
i

i«|i'i.tii( ii j j
i
i
i
iji
||
ii
.i ! tiinM i i iii..i
i
- mil [i mmu.i. ..,
mmimmffimimm ^^iimi^n^mm>

XVII

Hj

ii

;p

•
Oh '
|>l«asi-, Missus says, will y ou iiu titt; thi- kniv «s extra sharp, causp wr vc got a chicken for

iiiiiiU:r, rtfuTMasirr c.in't cit it if it's tuugh.'

 '

XVIII

wV
/

r\

4. ?,.«. tw^

/
'

How beautiful merythinj; is in • Nature

ft-
German l'k.)FK>>OK. '

ilriWIilHIIlMiHMMiMMi^Hi iWM4-^PV^4PfipMHBH<MfMli i
 '

^mmm mmr^mf&Kinmfimm
^ ' mumSt^

XIX

) a

ill

. fJ

MEAN!
CoHttrsalion ovcrhtard at a Raihvay Station. ' Yes. Hill 'ad a quiil as :i present, anil a quid to

net married with, and e never paid me that s. \ .-.i and a tanner 'e owes me !

i Ml
 '

XX

you can teinhe diff-renc. In^tween everylindividual sheep.

YouN.. Ladv. ; Shepherd, I am told that

same way as could tell yer pretty face in a million

""sHrrHm.'''' 'Well. Miss, much in the I

(He gels sixpence Jor th* stctet.)

mf0mmm^mfa,i-mm'mi'^^mmm>mmmtmmfmi^m>''i''il!t>lf mmm
 ^" ' '
.;.w;i,ji<!\j,jj.'.v-'n,'. ' ''-t

XXI

^ Maj
CATCH THIS BIRD Wl" : CHAFF!
LamiioiJs. Tciidllis,
LaMDLORH. '

Now, lohii, you imisl join the Association formeil to l)fiielil

and Labourers. We shall soon revert to the «ood old times.'

Yes,
•
sir igh rents for lan-'lor.l md low wages for men. Some ows, I don t see my way
John. ;

to join."
 XXII

^^

your time ?'

'
I suppose you've travelled a'^ood deal in

'
Oh, yes : I've been to Scarljorough and Mar^aie, and I remember quite well a-goin' to London when I

a lad. I "cnt to the Zoological Gardens, and saw the lions and unicorns and them sort of animals.'

^,-..u;.>^. JL, iTggfMf'i'iPia

 iW|»|«|;iHWipM .H H
I
i

l. ll-' |ff
|i

XXIII

» U

Seem- : Corridor offirst-class Hotel.

Time. Siviii ii.iii.
from Yorkshire Il> ^'ii'C imporlani evuieme in a L .c td,t\ and staying- in
Mr. Bkk.c.s (y«../ fo»K
an Where's t' kitchen ?
hotel for the first lime).
•

,. , ,, ,
.

Astonished Chambermaid. What do you want the kitchen lor.

'

Mp. Briggs. want to wash

' mesen.'
I

: v^«...snr«.* ^^ :zii'?BfeiaBi'-c'*r*jaduai^ un *«i«w»"#':/^ '"*««;»_•&-( jf''* -T«TVi«t5Bt: \

 .

'

mm%'^^^^^

XXIV

ike d^fincc, -.ha ha. I.e. u.lkd

Ir. analMv^
pr^.e ' Y.,u say .hat it is
Magistkatk un ..l.c.s/or
have committed this burglary. And why not
not possible that the prisoner could
end of London.
Witness. Well, 'cos and 'im was doin' a little job at the other
me

•«*MMMPMHHiia
 i:-^^

.-i

REHEARSING THE FISH' BALLET.

Stage Manager. •
What are you, boy .>
' Bov. ' Please, sir, I'm a whelk.'
 ' ' ' '

XXVI

'k

'
Give us a bite of yer apple, Billy!
!

'
Shan't
•
Wei', leave us a bit of thf^ tore !

!
•
There ain't goin' to be no core

• A-r-
 XXVIl

if"
Swr.ETiiEART {{iiuk fivHi tii{ uuiis). "
CiiMciou^; ! h.ivv sh('s grown!

UMi SBBSSS^2&i diim^^MiaasaMHUM

r/i

XXVIII

\r>N:^

>^:v
TniRmT. ' Fine hcail tli.it diiM's ijMt. ll.'ll U ;, (ll.iiKtoiip.'

FoNt) MuTiiKK. ' Dr.ii ilic III. Ill '

tlvit iin't luj : hi'^ f-ith'T -^ a C'M!«''r>-!t!V'j

MttHUK^H
 XXIX

I'atkrkamii.ias. '
VVh.il dn \ou e.\[>t;ct to l)t if you ^^niw 141 such a durxe ?'

Yol Nt. Hiirku i_ A masher.

MHMH
 ' '

XXX

GKNFROrS.
'
f livr yer a iirange ! Wot for ?

'
Cos that oni' I bought last week was a bad un.
>
'
Where i» it

'
I gave it to my sister.

— ^ HliiaBIIIIIHIiiiAiillidlMHIitti ^dVHiak-diiiaBiii^wliHMdliiiiiiiflii Jl
 XXXI

'
Have you ever been photographttl, uncle ?

' Yes, Tommy.'

•What for?
u
XXXII

'Oh, uncle! when I grow up. shull I have a fat likf yours if I'm wicktd ?

tik "'''^-•"- —*"—

'•"I*,

XXXIII

i !kj

()\F OF'ni'R AJ.IFNS

'
Do yoii viiiu ti) bii\ a thuit (il lUiihts us van mail*- (or th<- Frinih of Vales?'

I liifinmniiiijiiiiii III i^iHf iiiii

 XXXIV

PETTICOAT LANE

liilMiHUiiaMIH
 XXXV

Daubv. A.R.A. (/o /ady .Ir/.S/ui/eiin Yrs, Mihs Smith, the Olil Masters iisiil id mix iheir cohmrs
with brains in those cUiys.'

Miss hMiTii. '(.Jill I w 1 rutl !

iindiiiiiMMiiA.
 '

",JBi,;a gBJi^S

XXXVI

?
'
L)>) you wiiiil a mfidfl, sir

No! Go away ! I'm busy.'

'
Well, lend me sixpence.'
'
Certainly not ; I don't know you.'
•
Gam '
Lend me sixpence, and 111 give you twopence to get your 'air cut.'
 XXXVII

Tell me 'ow to do it.'

MMm
 I

XXX VII

AT APPY AMPSTEAD ON EASTER MONDAY.

•3^M^«Mk««k iiaHM*
 XXXIX

•
I don't care lor ihem ats, Arricl; everybody's a-wearin' of 'em !
<"

XL

"N.N

AT THE ALHAMBRA.
'Waiter, bring me a brandy -and-soda.'
'
Beg parduii. iiiiis, but we're nui aliowcii to serve !adie».
'
I'm not a lady!
 XLI

i
!

.''
•
Wot sort of a stone <Io yer call that as yer've got in yer ring, Arriet
'
Well ! dunno ; but my chap says as 'e thinks as it's a Ammersmith.'
'

tmm —Trrrr-m^
 .i

1
/ r
XLH

UlLLS^NOT !N IT WHKN JACKS ASHORE.

lV^ ' ..--.^-ii*— — ->^. .t > ja„ rifeMHHIH^Hi^iiilililiiiMH

 XLIII

QRArrOM q^LLfRIES

FAIR WOMEN

^^%.
A VISION,
 XLIV

frr

THE IRONY OF CIRCUMSTANCi:

 XLV

\I *

A FEW PARTING VVOKl»s wi" APAiCi:.

who just going out luto tht world). '

And rcmcmlHM one thing Never
Father {/o son is :

richer than you. When married your mother I ad thirty bob and
you nwrry a gal as is f

•he ad two pun' ten—and she's never ccued to throw it in my face ever since.'

HilHiiiil
 XLVI

I
11

If

With a neck likf that, what a fine thinR it miir.1 Ix- to be thIrMy I

iilii
 XLVII

i\

li
A VACATION EXERCISE.

^ds
 Xl.VItl

\1 r

SIR HKNRY IRVING.

— '*———— —-'^"
1
xux

i
z:::\\l?-

'/
Tr^
%
t/A

FRED HALL.
 J. WATTS. CAI'TAIN MAtlltl.l.

THE DUKE OK WESTMINSTER.

U>ltl) ALIMCTON.
SOME SPORTING CELEBRITIES.

.jiAfa^tfilitaiiHiiauiiMfeiiMMi M
:l^

^'