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The Arts in Psychotherapy 35 (2008) 341–348

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The Arts in Psychotherapy

A model for art therapy in educational settings with children


who behave aggressively
Edna Nissimov-Nahum, PhD ∗
The David Yellin College of Education, Jerusalem, Israel

a r t i c l e i n f o a b s t r a c t

Keywords: This paper presents a model for improving the effectiveness of individual art therapy with children who
Art therapy behave aggressively. It addresses two major challenges. First, these children often present the therapist
Children with several dilemmas, such as how to respond when faced with symbolic or direct expressions of aggres-
Aggression
sion, and how to establish a treatment relationship when clients arouse strong emotions in the therapist.
Model
Second, when working in educational settings, art therapists often question whether they should strive
Effectiveness
Research to integrate themselves into the school and, if so, what should be their role with teachers and parents?
The model presented here emerged from a phenomenological study that included a survey of a large
sample of Israeli art therapists and in-depth follow-up interviews with two sub-samples of therapists,
who treated aggressive children and whose cases showed the most and least improvement. The study,
which focused on the relation between treatment outcomes and therapists’ practices, perceptions, and
experiences, yielded a conceptual model for effective treatment. The model highlights the dual principal
of conveying acceptance and directing toward change, which is applied on three levels: the child, teachers
and parents, and the therapist. The paper presents the model and suggestions for its implementation.
© 2008 Elsevier Inc. All rights reserved.

The introduction of art therapists into educational settings has art therapy may not always be effective with this population. A
been documented mostly in the past three decades. Art therapy recent review of all the published studies conducted on the effec-
provides a unique solution for children with special needs, as it tiveness of art therapy (Reynolds, Nabors, & Quinlan, 2000) revealed
addresses many aspects of the child, including cognitive, emotional, a total of only 17 studies, covering a wide range of age groups
and social. When schools provide art therapy, they take respon- and referral problems and only two of them examined behavior
sibility for helping children to learn by removing emotional and change in children (Rosal, 1993; Tibbets & Stone, 1990). They found
behavioral barriers to learning and offer access to services for fam- improvement in indicators of emotional well-being but only one
ilies who cannot afford to purchase them privately (Anderson, 1994; found improvement in behavior. This paper explains the challenges
Bush, 1997; Dalley, 1990). Kramer (1971) suggests that art therapy that art therapists face in working with aggressive children and
is ideal for working with aggressive children1 as aggression is an offers a conceptual model for effective treatment.
abundant source of energy for creative activity. The creative process
both utilizes and neutralizes the client’s pent-up aggression.
However, despite the importance of the creative process for Aggressive behavior in children
expressing aggression, it arouses unique difficulties and pro-
fessional dilemmas in treating this population, which may be Childhood aggression is a widespread problem that is gaining
implicated in treatment effectiveness. Moreover, there is a lack of increasing attention throughout the world and the search for effec-
research in this area and the little research that exists suggests that tive solutions poses a challenge to practitioners and policy makers
(Astor, Wallace, Behere, & Fravile, 1997). The scope of aggres-
sive behavior in children may be understood in light of the fact
that many factors contribute to the problem, both external (soci-
∗ Correspondence address: 22/7 Erlich Street, Holon 58680, Israel. ety, environment, family, and education) and internal (personality,
Tel.: +972 3 5546644. emotional, cognitive, and neuro-biological).
E-mail address: ednana@netvision.net.il. Most children will occasionally exhibit aggressive outbursts, but
1
In this article, I use the term äggressive childrenf̈or reasons of brevity, but the
more correct term would be “children who behave aggressively”, as it highlights
this behavior becomes problematic when persistent. Children with
the child’s problem behaviour, which can be changed, and does not imply a fixed frequent disruptive behavior are usually classified as experienc-
personality trait. ing “emotional and behavioral difficulties” (EBD; Joughin, 2003),

0197-4556/$ – see front matter © 2008 Elsevier Inc. All rights reserved.
doi:10.1016/j.aip.2008.07.003
342 E. Nissimov-Nahum / The Arts in Psychotherapy 35 (2008) 341–348

such as Oppositional Defiant Disorder, Conduct Disorder, Attention therapists may often be faced with unique challenges and results
Deficit Hyperactivity Disorder, or various learning disabilities. may be unsatisfactory.
Aggressive behavior bears a high cost for the child and is often
associated with poor academic achievement, low self-esteem, low Challenges in art therapy with aggressive children in
frustration tolerance, poor social skills, and depressive symptoms educational settings
(Sanders, Gooley, & Nicholson, 2000). Aggressive children are more
likely to truant from school and more likely to be in trouble with The study identified challenges in three main areas: in treat-
the police. Children who show behavior indicative of EBDs may ing the child, in working with wider systems, and with therapists’
suffer damage to relationships with family, peers and teachers. personal experiences.
This paper focuses on the treatment of children with various types
of EBDs, who are referred due to aggressive behavior. The posi- Challenges in treating the child
tion presented here is similar to that of Cohen (1994; p. 91),
who states that “aggression as a symptom crosses diagnostic cat- Many therapists reported that, while they desire to provide a
egories and confronts the treatment staff with severe challenges safe environment and encourage free expression, it is often unclear
for coping; we often refer to these children as ‘aggressive chil- to them how they should respond to symbolic or direct expressions
dren’ no matter to which category they ‘belong’.” Furthermore, in of aggression in the treatment room or even to aggression that is
most cases, multiple causes may be involved that are often diffi- expressed only outside. These situations are associated with several
cult to separate. It is suggested that aggressive behavior requires challenges.
treatment in its own right, as it poses an immediate threat to
the child and others, and inevitably creates a cycle of rejection. How to safely encourage free creative expression?
As such, there is a distinct advantage to having understandings Creative expression is considered to be an ideal therapeutic
about effective treatment that may be applied to various diagnostic strategy as it encourages sublimation of drives and promotes ego
groups. development (Rubin, 1978). However, with aggressive children,
there is a risk of their losing control during the creative process and
they may become overwhelmed with anxiety. When venting can
The study lead to distress in the child, some experts suggest that the therapist
should consider the possibility of structuring the creative process
The model presented here emerged from a phenomenologi- by limiting the materials that are offered or directing the child
cal study of therapists’ experiences, perceptions, and practices in to specific materials, in order to encourage self-control (Hagood,
the treatment of aggressive children in educational settings and 2000; Kramer, 1971). The challenge for therapists is to determine
their relationship to perceived treatment effectiveness (Nissimov- when to allow free expression and when and how to limit it, so that
Nahum, 2007). Its goals were to describe, understand, and explain they do not provide too much freedom or, conversely, set limits that
how art therapists work with this population and, in particular, to are too rigid.
understand the difficulties involved and to learn from their suc-
cesses. How to process the symbolic contents of artwork?
The study included three stages of data collection. First, 113 art The images displayed in the child’s artwork may reflect aggres-
therapists who work in the Israeli educational system completed sion and painful issues. McMurray and Schwartz-Mirman (1998)
a questionnaire. They were asked to report on their general expe- explain that the creative process transforms aggression into exter-
rience with this population and also to focus on a single case of nal images and this relieves clients’ stress and allows them to reflect
individual treatment with a child, from kindergarten through junior on their inner world. There is debate among therapists, however,
high school, referred because of aggressive behavior. In the sec- whether and to what degree metaphoric expressions should be
ond stage, follow-up in-depth interviews were conducted with 11 discussed with the child, especially keeping in mind the fact that
therapists, focused on elucidating the factors that may be associ- aggressive behavior often appears alongside difficulties in verbal
ated with effective treatment. Interviewees were selected on the expression (Ripley & Yuill, 2005). Discussion of the artwork can
basis of their questionnaire responses, as belonging to one of two help children feel that they have been understood, to obtain insight
groups: therapists who reported cases that showed the most and into the meaning of their symbolic expressions, and to experience
the least improvement. These two groups were compared and con- relief (Malchiodi, 1998). Inappropriate interpretations, however,
trasted to identify the characteristics of effective treatment. Finally, may lead to premature uncovering of threatening material, loss of
six clinical supervisors of art therapists were also interviewed. control, and an increase in anxiety and symptoms that may, in turn,
Their perspective was important as it is based on their own clinical lead to resistance to treatment.
experience, their work with many therapists, and their extended The current study found that most therapists reported that
involvement with the educational system. Analysis and synthesis they respond to aggressive symbolic contents in the artwork with
of the findings from therapists and supervisors yielded a conceptual encouragement, but refrain from discussing or interpreting the
model that presents the principles of effective treatment. issues. They explained that they were concerned for the child’s
One of the study’s main findings was that relatively few thera- capacity to contain a verbal intervention, due to the stress, anxiety,
pists (24%) reported major improvement that could be considered or pain that this could arouse. They also described their concern for
clinically significant. Mild improvement was reported in 49% of jeopardizing the therapeutic relationship and arousing resistance.
cases, and no change or worsening in 27% of cases. Moreover, when As such, therapists are faced with the challenge of whether, when,
asked to provide reasons for any improvement, most therapists and how to process symbolic aggression in the child’s artwork.
pointed to external factors and appeared to be largely unaware
of the connections between their own activities and treatment How to respond when therapists are faced with direct expressions
outcomes. Finally, findings showed that most of the therapists of aggression?
(86%) reported a strong need for knowledge and skills for treating Although in general practice, aggressive outbursts may be a rare
aggressive children. These findings, together with the above stud- occurrence, they are to be expected when treating children who
ies, suggest that when art therapy is applied with this population, are referred for aggressive behavior. In the current study, therapists
E. Nissimov-Nahum / The Arts in Psychotherapy 35 (2008) 341–348 343

reported aggressive behavior in the treatment room in more than experts maintain that it is the therapist’s responsibility to initiate
half (55%) of their cases, including aggression toward the therapist gradual discussion of the subject when clients are unable to do so.
and property. This often occurs when the child feels threatened, The study findings indicate that the answer is not simple. While
endangered, hurt, or frustrated, leading to a sense of helplessness, many therapists chose to initiate discussion of external events,
which can impair the child’s capacity for rational thinking. On the some were concerned that introducing such information could lead
other hand, this may also be seen as an opportunity in which the to confrontation and to clients feeling criticized and rejected, pos-
client brings the presenting problem into the treatment room and sibly even destroying the therapeutic alliance. The challenge for
the therapist has a chance to address it directly. therapists is to determine whether and how to address aggressive
This situation is extremely challenging for many therapists, behavior that is not presented in the treatment room.
however, as it poses a danger to their personal safety and may
also jeopardize their ability to fulfill their professional responsi- Challenges in working with the system
bility to safeguard the welfare of clients and prevent destruction
of property. Some experts, such as Moustakas (1975), believe that Therapists, who usually meet with their clients only once a
therapists should allow the child’s rage, as this will eventually week, can expand their range of influence by working also with
enable them to discover the possibilities for positive relatedness, for teachers and parents, who have daily contact with children and
self-examination and self-growth. Others, such as Hagood (2000) often interact with their aggressive behavior. Teachers and parents
suggest that it is important for art therapists to strengthen the have many opportunities to respond and, as such, it would appear
client’s self-control and their mutual respect and trust for each to be beneficial to include them in the process. Research has shown
other. Waller (2006) points to the need “to maintain very strong that work with teachers and parents can contribute significantly
boundaries and to focus the child’s violent feelings onto the art to the effectiveness of school-based programs for children with
rather than his or her own person, or onto others. Change takes behavioral problems (Benbenishty, Astor, & Marchi, 2003).
place as a result of the child learning that it is possible to have When therapists collaborate with teachers and parents, they
angry feelings but to express them ‘safely’ through the art, and in help to reduce their loneliness and isolation in dealing with the
the knowledge that the therapist will not retaliate” (p. 279). Tenne aggressive child and promote development of a united front, such
(2000) suggests that inexperienced therapists may fall into a trap that the child receives a consistent approach from all involved,
when they allow clients to break the rules, as they fail to under- thereby increasing the potential impact of therapy (Bush, 1997;
stand their clients’ needs and are afraid to enter into confrontation Nissimov-Nahum, 1999; Omer, 1999). In contrast, when therapists
with them or to be seen as “bad.” exclude teachers and parents from the treatment, they may create
Interestingly, in the current study, many therapists addressed a “split” in the child’s life that makes it hard to generalize new per-
an additional dilemma – they desired to be nurturing caregivers, ceptions and behaviors from the treatment room to other settings.
but their clients’ aggressive behavior elicited in them a sense of In this study, several dilemmas and challenges were reported.
threat and fear, and at times also feelings of rejection and anger.
They reported that they often became increasingly vigilant and Should therapists strive to integrate themselves into the school, or
tense at a time when they should have been presenting a confident should they limit their interaction with school staff?
and assertive response. Consequently, therapists ask, how should While art therapists may work within the schools, they are not
they respond when faced with aggressive behavior in the treatment of the schools. They are a “minority culture” and, as such, they often
room? come face to face with issues of professional affiliation and iden-
tity (Bush, 1997; Wengrower, 2001). Some therapists believe that
How to respond when children refrain from bringing their they should strive to maintain their separate professional identi-
problem behavior into the treatment room? ties within the school system, so as to ensure that children do not
In almost half of the cases reported by therapists in this study identify them as authority figures. As such, they may wish to base
(45%), clients did not ever act aggressively inside the treatment their therapeutic alliance with the child on their separateness from
room. They presented only their functional, “good” behavior, yet the system. In this study, however, the vast majority of therapists
their aggression continued on the outside. It is likely that, in such reported that they believe in the importance of working together
cases, the treatment relationship provided the kind of structure, with teachers and parents. In practice, however, it appears that
safety, and attention that the child needed in order to maintain many therapists experience hardship in working with teachers and
control. On the one hand, this split could be regarded as desir- even greater difficulty in working with parents.
able, since the therapist has succeeded in establishing a positive This dilemma may be intensified in situations where there is a
therapeutic relationship with the child. In time, it is hoped that lack of clear guidelines for collaboration. Therapists reported that
this positive behavior will generalize to situations outside of the they were often limited by the fact that they were allocated hours
treatment room. However, one may suggest that any therapeutic only for direct work with children and, as such, had to find “creative”
relationship in which there is no expression of the child’s external solutions to allow for meetings with teachers and parents. We may
reality is based on an illusion: it is an idealized relationship that ask, is it the therapist’s responsibility to find ways to incorporate
has been neutralized of all anger, tension, and resistance, that can- work with the wider systems, or should they limit themselves to
not serve as a place for working through the child’s real problems. treating the child?
Arazi (1994) suggests that such a relationship will eventually jeop-
ardize the treatment, lead to worsening in the child’s symptoms How to work with teachers and parents who may be unmotivated?
and prevent behavior change. Due to the amount of disruption caused by a child’s aggres-
This situation poses a complex challenge for therapists, as one sive behavior and the potential dangers to others, teachers and
may ask whether and how it is possible to treat behavior that is not parents cannot avoid reacting in some manner. Research has con-
displayed or even reported in the treatment room. Some therapists sistently demonstrated that aggressive children may be exposed to
believe that issues discussed in treatment should be raised by the negative reactions from their teachers (Henricsson & Rydell, 2004),
client and, therefore, therapists should wait for clients to report who often reject children with disturbing behavior and respond to
their aggressive behavior (Axline, 1969). However, this approach them with less support and more criticism and punishment than
runs the risk that the client may never broach the subject. Other other children receive (Ladd & Burgess, 1999; Little & Hudson, 1998;
344 E. Nissimov-Nahum / The Arts in Psychotherapy 35 (2008) 341–348

Pianta & Niemitz, 1991). In the current study, therapists reported


that they often encountered teachers and parents who lacked the
willingness, knowledge, and skills for helping children overcome
their problems and who often expressed anger, rejection, helpless-
ness, and despair in relation to the aggressive child.
While there are undoubtedly many teachers and parents who
maintain positive relationships and cope successfully with aggres-
sive children, it is clear that working with them may often pose a
significant challenge for the therapist. Therapists thus ask how to
recruit the cooperation of teachers and parents, how to help them
overcome their negative attitudes toward the child, and how to
guide them toward more effective coping with the child’s aggres-
sive behavior.

Challenges in working with therapists’ personal experiences

Work with aggressive clients may arouse substantial negative


Fig. 1. A conceptual model of the therapist’s role in effective treatment.
affect also in the therapist. The general literature on psychotherapy
has highlighted the significance and impact of therapists’ conscious
and unconscious feelings and reactions toward the client, often The conceptual model
termed counter-transference. This may be especially relevant in
the treatment of aggressive clients, as therapists may fear that they This section presents an integrated conceptual model for effec-
will be personally harmed or injured. When a child acts aggres- tive treatment of aggressive children in educational settings. The
sively, the therapist may feel rejected and may react by rejecting model provides a framework for understanding and choosing
the client themselves. They may feel angry when clients defy them, appropriate interventions that will help children to adjust and cope
enter into power struggles, or damage equipment. When their better with both their internal and external environments. The
attempts to help the child are unsuccessful, or when clients are model, illustrated diagrammatically in Fig. 1, highlights the ther-
resistant and non-compliant, therapists may also sense helpless- apist’s role in two dimensions: levels of intervention (circles) and
ness. They may also become angry with parents or teachers out focus of interventions (arrows). The main understanding here is
of identification with their clients’ anger at the adults in their that treatment effectiveness is increased when therapists address
environment. three levels: the child, teachers and parents, and themselves. Fur-
There is much clinical evidence suggesting that counter- thermore, on each level, the therapist’s work should reflect the
transference reactions that are not managed well may have a dialectical approach of “conveying acceptance and directing toward
negative impact on both the process and outcome of therapy change.”
(Rosenberger & Hayes, 2002; Winnicott, 1975, pp. 194–203). The With regard to the first level – treating the child – in effective
emotions that are aroused by aggressive clients, especially when treatments, therapists convey acceptance to their clients by estab-
these interact with unresolved personal issues in the therapist’s lishing a positive relationship based on empathy and validation and
life, may cause therapists to lose their professional distance and encouraging free creative expression, while at the same time direct-
react in ways that are not based on the needs of the client. For ing them to change via creative and verbal interventions to help
instance, therapists may over-identify with clients and may conse- develop self-control. On the second level – work with the wider
quently be unable to address their real needs. “Frequently clinicians systems – therapists accept teachers’ and parents’ difficulties and
are tempted to counterattack, which can result in rejection, pun- establish positive relationships with them based on empathy, while
ishment, or hostile demands for compliance” (Riley, 1999; p. 220). providing them with skills for accepting the child and coping with
The therapist’s values, feelings, and beliefs may have an effect on the problem behavior. Finally, with regard to the third level – ther-
their clients, even when they are silent or outwardly maintain a apists examine and address their own feelings, experiences, and
calm appearance: “Something as simple as an unconscious sigh may perceptions. They recognize and accept their own aggression and
be experienced by the child as a further rejection, as further evi- also access internal and external resources (e.g., clinical supervi-
dence of his/her hopelessness” (Greenhalgh, 1994; p. 90). As such, sion) for coping with it.
the main challenge for therapists in this area is how to establish
and maintain a warm treatment relationship and help clients to Implementation of the model
change, when children, teachers, or parents arouse strong negative
emotions. This model has wide-reaching implications and the potential
Analysis of the study findings revealed that therapists’ ways of to generate many different types of interventions. It presents the
coping with these challenges may be associated with treatment main features of effective practice that emerged from the study,
outcomes. When faced with children’s aggression, therapists may commencing with preparation for treatment, followed by each of
adopt dichotomous strategies. For example, therapists may accept the three levels of intervention. These features are summarized in
clients, teachers, and parents, but avoid directing them toward Appendix A.
change or, alternatively, may become unable to truly accept the
child or the teachers and parents and focus solely on limiting and Preparation for treatment
controlling the aggressive behavior. It seems as if therapists felt that
they must choose either to convey acceptance or to direct toward At the start of treatment, after therapists obtain information
change. The model to be presented here, which is based on com- on the child from a variety of sources in order to understand the
parison of most and least improved cases, suggests that effective problem and expectations for treatment, they should meet with all
treatment involves a dialectic approach that combines acceptance involved—parents, teacher, and child. They thereby set the stage for
and change. positive outcomes by starting to implement the dialectic approach:
E. Nissimov-Nahum / The Arts in Psychotherapy 35 (2008) 341–348 345

to convey a sense of acceptance to all involved and to then use this are reluctant to acknowledge. Thus, they may wish to prevent the
as a basis from which to direct interventions at changing both the destruction and offer clients different ways to cope with and accept
child’s behavior and the perceptions and responses of teachers and “unsuccessful” creative expressions, so as to help clients discover
parents. new ways of dealing with conflict, disappointment and frustration.
An emphasis on establishing a positive relationship, without
I told him that it’s a pity that he destroys things that he created,
judgment or criticism, provides all involved with the sense that
that in the end all that will remain is the destruction. I suggested
they have been heard and understood, which may contribute to
that he let the piece rest and next week try and see if he can find
their motivation for treatment. In addition, parents or teachers have
another solution. [Art Therapist]
referred the child because of aggressive behavior and, as such, they
tend to expect that the goal of treatment will reflect the reason Apart from interventions before or during the artwork, thera-
for referral. Therapists thus further engage all those involved when pists often reflect on the artwork with clients, after it is completed.
they clearly convey that the desired ultimate outcome of the treat- In the current study, the most prevalent therapist response to
ment is a reduction in the child’s hurtful behavior, in order to reduce symbolic expression of aggression in artwork was acceptance as
the risks to the child and others. This further conveys to the child expressed in enthusiasm for the creative artwork.
that all the adults are aware of the difficulties and that they intend
He brought a metaphor: “if the volcano doesn’t explode, then it’s
to work together to help the child develop better capacity for self-
dead”. I understood that he only feels noticed when he explodes.
control, coping with frustration, and consideration of others. In this
His life depended on it, and if nobody looks at him and he’s left
way, the therapist also demonstrates that treatment is connected
alone, he’ll “die”. He built underground weapon bunkers and an
with the child’s world, that it does not occur in secret or in isolation,
airplane with dangerous toxic materials that could explode and
and that it will address the issues openly and honestly.
he had to see how it could be disarmed. . . I said to him, “Wow!
A ticking bomb that has to be dismantled.” [Art Therapist]
Interventions with the child
In addition, therapists may wish to discuss the contents of the
The treatment room and the therapeutic relationship provide artwork, as these children often find it difficult to express their
many opportunities for therapists to address aggressive behavior, feelings verbally and, therefore, choose to act them out. Discus-
whether it is expressed symbolically in the artwork or directly sion of these deeper issues is an additional way for therapists to
toward the therapist or the room, and even when manifested only convey acceptance of the child’s inner world and to empathically
outside. convey to them that they are understood. This discussion may also
be important as it provides an opportunity to promote change, by
Interventions in relation to artwork bringing unconscious issues to the surface, processing them and
The dialectical approach of “conveying acceptance and directing correcting distorted cognitions. Surprisingly, when therapists were
toward change” may be applied in relation to the child’s creative asked to describe their responses to aggression in their clients’ art-
expression. A sense of acceptance is conveyed when therapists work, they rarely mentioned having discussed the aggressive or
encourage free expression by offering a wide variety of materials painful themes with the child. Supervisors, however, highlighted
and activities. They thereby enable emotional issues to surface from the importance of this:
the inner world and take on external visual form, while the child
I don’t believe that there can be any therapy without words. To
is expressing strong emotions and experiencing success, mastery,
work only via art and to think that art alone will do the job is an
and pleasure. In the current study, therapists reported that children
illusion, in my opinion. . . This is a topic that is frequently dis-
expressed aggression in their artwork via aggressive images (such
cussed in supervision. I believe in combining the two. Creative
as weapons, volcanoes, cops and robbers, monsters), aggressive sto-
work needs to be followed by words. You need to talk about the
ries (involving violence, destruction, suicide, theft, or murder), or
aggression, to give it meaning, to ask whether you come across
stressful thoughts and emotions (e.g., anger, fear, pain, danger, lone-
aggression in other places, and what happens to you in these
liness, punishment, blaming, revenge, helplessness, or distrust). In
situations. [Supervisor]
addition, children may attempt to destroy their own artwork or may
display extreme aggression in working with materials. Content can be discussed in art therapy on two levels: metaphor-
The “change” part of the dialectical approach is expressed when ically (where discussion is limited to the images and themes in
therapists, at times, become directive in helping clients focus on the artwork) or directly (where therapists point to connections
specific issues. For example, when clients become overly expansive between the symbolic representations and the client’s own life).
and exceed the boundaries of the artwork, therapists may consider The following example of metaphoric discussion was provided by
whether to encourage organization and control of materials. In this a supervisor:
way, therapists show their clients how they may express intense
I had a client who created a volcano and said, “It happens all
emotions, while maintaining control and consideration for realistic
of a sudden, I have no control, I erupt, I destroy”. We discussed
boundaries. This process also provides therapists themselves with
it metaphorically. We talked about how hard it is for the vol-
a greater sense of control inside the room, which will, in turn, be
cano, that people are afraid to get too close. We pretended to
transmitted to clients.
be miners at the volcano. We gave it a questionnaire to fill out,
He enjoyed lighting fires in the treatment room and they repre- asking whether there are any signs before it erupts. He looked
sented the aggression that he could not control. But he accepted in the mirror and saw how red he was in the face. . . We gave
the fact that I supervised. I always made sure that the fire would the volcano suggestions on ways to control itself. [Supervisor]
burn inside a tin, in a safe place. [Art Therapist]
When clients attempt to destroy their artwork, therapists may Interventions following client aggression in the room
consider whether this is likely to be productive or detrimental. To respond effectively in this situation, therapists should have a
When therapists consider a client’s artwork to be a representation clear strategy in advance. A number of interventions may be applied
of the self, it is their role to help the child accept and integrate in a graduated manner, based on the child’s response. The main aim
the different parts of themselves, including the parts that they of these interventions is to help clients understand the relationship
346 E. Nissimov-Nahum / The Arts in Psychotherapy 35 (2008) 341–348

between feelings, thoughts, and behaviors, while, at the same time, aspects of their lives. When clients refrain from doing so, therapists
conveying the message that aggressive behavior is not allowed. By may need to become active and initiate the discussion, in order
understanding the roots of the behavior, therapists can validate for clients to see treatment as a place where they can both feel
the child’s motives and feelings. Therapists reported four stages of truly accepted and also receive help in finding better ways to cope
verbal intervention for coping with aggression. First, reflecting the with their difficulties. Although many therapists may be concerned
child’s feelings: that such an intervention could arouse resistance on the part of
their clients, findings of the current study showed that in the most
I reflected his anger, in order to show him that I understand and
improved cases, therapists did introduce this information and their
know the place that he is coming from, and I thereby attained
clients cooperated with them. Such interventions can enhance the
his cooperation. [Art Therapist]
client’s sense of acceptance, as they demonstrate the therapist’s
Second, by interpreting the child’s behavior: unwillingness to continue a superficial relationship that is based
on concealment, as well as the therapist’s concern, openness, and
I said to him: “I can see that you want to give me a bad feel-
responsibility for helping the client to achieve change.
ing. You’d like to hurt me. Maybe you’re testing whether I can
Introducing the external information can be done in a number
withstand your attack.” [Art Therapist]
of ways. Therapists may organize a formal meeting with the client,
Third, therapists share their own feelings about the aggressive the teacher, and/or parents. Such meetings can be conducted on an
behavior, in order to help the child develop empathy with victims: ongoing basis from the start of treatment, so that introduction of
external information becomes a routine and natural part of the pro-
I explained the feeling that it elicited in me. I tried to connect
cess. If such meetings are unfeasible, it may be possible to have brief
him to feelings he experienced when he had felt attacked. [Art
informal meetings with the child and the teacher, before or after the
Therapist]
child’s session, or to invite parents to the child’s session from time to
Fourth, therapists suggest alternate solutions to the problem time. When such meetings are not possible, it may be inevitable that
that led to the aggression. therapists themselves will need to introduce information received
from a third party.
I brought up the incident, in order to talk about it together, to
Regardless of the format of the meeting, therapists can seek
examine his feelings and motives, and convey that there are
information about the aggressive incidents and provide clients with
always other possibilities. [Art Therapist]
an opportunity to present their point of view. Acceptance is con-
Apart from the above verbal interventions, the art therapists also veyed when the adults express empathy for the child’s difficulties
has a powerful tool for helping children to sublimate aggression, and refrain from any form of blaming or criticism. In addition,
via directing them to artwork, focusing on either the content of the therapists may use this situation as a lever for promoting change,
artwork or the art materials: via discussions that reflect clients’ feelings, help them to develop
empathy for the victim, and explore alternative solutions. Apart
I suggested that we return to the creative activity, and continue
from discussing the situation, therapists may also wish to direct the
expressing his aggression toward me in the artwork. [Art Ther-
child to various types of artwork. These activities convey acceptance
apist]
of the child’s feelings and also encourage change.
He received my permission to “destroy” other things, such as
dried up clay. [Art Therapist] Interventions with the wider systems

Finally, there are situations where the child is so upset that the
Treatment effectiveness may be significantly enhanced when
above interventions may not suffice. In such cases, therapists may
therapists include teachers and parents in the process. These chil-
invoke their professional authority. A gradual set of responses may
dren often push adults into one of two extreme responses: either
begin with use of an authoritative tone of voice (“I responded in a
extreme caring and support or extreme emphasis on rules and
very assertive and clear-cut manner, that he cannot continue the ses-
boundaries. This model supports Omer’s (1999) contention that
sion this way, as I cannot allow him to hurt me or to destroy other
it is the therapist’s role to help parents and teachers strengthen
children’s artwork”), followed by reminding the child of the rules of
their authority and to develop a balanced approach that includes
treatment according to the treatment contract (“I said, again, that in
both love and firmness. He also emphasizes, however, that it is not
the room we don’t ruin other children’s artwork”), and if these have
enough to focus on attitudes and emotions. Therapists should also
not been effective, then active responses, such as stopping an activ-
provide teachers and parents with practical skills for managing the
ity or even ending the session (“When she destroyed equipment, I
child’s behavior, in order to create lasting change.
stopped her and sent her back to the classroom. When she tried to hurt
In this area, the dialectical approach is applied on two paral-
me physically, I told her that it is forbidden and I will not agree to it.”).
lel levels: the therapist applies it with teachers and parents, and
The above interventions reflect the application of the dialecti-
thereby serves as a role model, with the expectation that they, in
cal approach. Acceptance is conveyed when the therapist validates
turn, will apply it also with the child. How may this be done? In
the child’s underlying feelings and thoughts, and helps to under-
meetings with teachers and parents, the therapist may routinely
stand them rather than act them out. Change is facilitated when
obtain information about the child’s behavior and their responses to
the therapist helps the child to stop the aggressive behavior, pro-
it, while at the same time validating their feelings and empathizing
cess thoughts and feelings, regain self-control, and find normative
with the difficulties that they encounter with the child.
ways of expressing frustration, anger, or helplessness.
Ever since I learned to stand by their side, and I understood
the pain that they had experienced over the years, my work
Interventions for client aggression outside the treatment room
with parents of aggressive children has gone smoothly. In the
The dialectical approach of “conveying acceptance and direct-
past, I failed, when I expected parents to accept their child, and
ing toward change” may also be applied in this situation and may
I ignored their pain resulting from his aggression. [Art Therapist]
be implicated in treatment effectiveness. In such cases, therapists
may wish to encourage clients to share the events that occur out- Once a positive relationship has been established with teachers
side of treatment, in order to demonstrate their interest in all and parents, therapists may also wish to share their own expe-
E. Nissimov-Nahum / The Arts in Psychotherapy 35 (2008) 341–348 347

riences with the child, in order to highlight the child’s strengths, into important client dynamics, leading to more empathy for clients
difficulties, and inner world. Therapists may consider which infor- as well as better understanding and empathy for the experiences
mation is most likely to help them understand the child and change and reactions of others in the child’s life. Third, supervisors also
their perceptions, so that they become more empathic toward the often help therapists to examine how their own experiences with
child, without betraying the child’s confidentiality. handling aggression and developing self-control may serve as a
resource in working with aggressive clients. Finally, professional
I helped the teacher to see him in a different light. She felt
supervision may help therapists to acquire more specific knowl-
that it helped her understand him in the most difficult times,
edge and skills so as to become more effective with aggressive
when he was smelly and filthy and drove the other children
clients.
crazy. . . It helped her to see him and be empathic toward him.
[Art Therapist]
Discussion
Therapists should also provide teachers and parents with practi-
cal recommendations for creating change. These may include ways
The model presented here offers a dialectic approach to treat-
to cope with emotional responses to the child in order to promote
ment of a population that art therapists have found difficult to treat.
their own self-control, ways to accept the child by encouraging
Therapists’ reports indicate that they lack knowledge and skills for
pleasurable activities, reinforcing positive behaviors, and validat-
treating aggressive children in educational settings, that they do
ing the child’s feelings and difficulties. Therapists may also offer
not fully understand the connection between their interventions
practical advice on ways to modify the child’s behavior, such as
and treatment outcomes, and that treatment is often only partially
activities for releasing aggression and ways to talk to children and
effective. The significance of this model relates to the fact that it
help them to find alternative solutions to aggressive behavior.
emerged from the experience of therapists in the field via a com-
parison of their most and least improved cases.
Therapists’ coping with personal experiences
Although the therapists did not generally present themselves
as following any particular therapeutic approach, examination of
In this challenging area, too, applying the dialectical approach
their interventions reveals elements that may be found in sev-
may be associated with positive treatment outcomes. The study
eral approaches. The dialectical approach of “conveying acceptance
found that when therapists could identify and connect with their
and directing toward change” may be found in Dialectical Behavior
own aggression, they were likely to be less intimidated by their
Therapy (DBT; Linehan, 1993), which is a structured approach that
clients’ aggression and more able to accept them and to maintain
explicitly emphasizes “radical acceptance” and focused change.
their sense of professional competency. In addition, when thera-
Strategies that focus on the importance of the treatment rela-
pists were able to identify personal life experiences in which they
tionship, free expression, and processing of the therapist’s own
coped with aggressive impulses, they were better equipped to help
experiences stem primarily from the psychodynamic approach.
others who were struggling with similar issues. That is, when ther-
Interventions that focus on changing cognitions and behavior have
apists learn to recognize (accept) and control (change) their own
been developed within the framework of cognitive-behavioral ther-
aggression, they appear to be better able to help clients do the same.
apy (CBT), while systems approaches offer ways to view problems
I can connect to the feeling that “I’ll ruin everything and I don’t and intervene within the context of the family and the educational
care what happens.” The only thing that helped me to stop system. Since childhood aggression has multiple causes, it makes
destroying things was my own therapy. It was as if I didn’t care, sense that treatment should utilize a multi-dimensional approach.
but I really did. I could identify with the moment of eruption, This paper presents a broad conceptual model that deepens
how good it feels when you release the anger. I could also see our understanding of effective therapeutic processes. This model,
the price you pay. What happens to you as a result of what you which emerged from the analysis of therapists’ practices and expe-
do to others. [Art Therapist] riences, has been extremely useful in reflecting on this author’s own
cases, in supervision of other therapists, and in training new thera-
Poor outcomes, however, may be associated with difficulties
pists. It provides a lens through which to reflect on treatment pro-
that therapists have in dealing with their personal experiences.
cesses and helps to understand the source of difficulties and areas
When therapists have not worked through and accepted their
that may need to be strengthened. The model proposes broad treat-
own aggression, they may be unable to identify, understand, and
ment principles which may be applied in many creative ways in var-
empathize with their clients’ aggression. Consequently, they may
ious settings. There is need, however, for further research to exam-
perceive the child’s aggression as a major threat that can lead to role
ine the model’s relevance to other contexts and to study whether
confusion: they may feel small or victimized in relation to the client,
all the elements of the model need to be applied for treatment to
which can weaken their professional authority and competence.
succeed or whether it may be enough to apply only some of them.
Alternatively, they could go to the opposite extreme and respond
to the child with great rigidity and even aggressively. Just as they
have not been able to accept these parts in themselves, they find it Acknowledgements
difficult to help their clients accept them and change their behavior.
Based on the understandings that have emerged in this study, I would like to thank all of the art therapists and supervisors
supervisors too may help to promote acceptance and change in that participated in the study, who generously shared with me their
therapists and also help them to examine whether they are pro- experiences and professional knowledge, without which I could not
viding a suitable balance of acceptance and change to their clients, have conducted the study and arrived at the understandings that
teachers, and parents. They can convey acceptance by helping ther- resulted from it. I would also like to thank my supervisor Dr. Angela
apists to become aware of their feelings toward the client and to Jacklin at the University of Sussex for her patience, guidance, and
identify their own experiences of aggression. Supervisors can also support that were crucial in helping me to conduct the study and
direct therapists toward change. First, they can help therapists to develop the model. Many thanks also to Dr. Mark Waysman, for his
understand how their feelings and behavior are connected to the patience and creativity in assisting me with editing and translation.
client’s aggressiveness and to separate their own personal issues Finally, I would like to thank the Mofet Institute for its support in
from those of the client. Second, they may provide critical insight the preparation of this manuscript.
348 E. Nissimov-Nahum / The Arts in Psychotherapy 35 (2008) 341–348

Appendix A. Clinical implications of the conceptual model

Conveying acceptance Directing to change

Treating the child - Establishment of a positive relationship based - Focusing goals of treatment on behavior
on empathy and validation change
- Encouraging free creative expression in - Use of professional authority to set limits on
artwork aggressive behavior
- Expressing enthusiasm and appreciation for - Intervening in the creative process to help
artwork develop self-control
Discussion of the aggressive behavior inside or
outside of the room
- Helping child to explore alternative behaviors

Work with the wider systems - Conveying a sense of belonging to the school - Fostering a shared sense of responsibility for
system solving the problem
- Establishment of a positive relationship based - Helping to understand and accept the child
on validating and empathizing with teachers’ and providing skills for coping with the
and parents’ difficulties with the child problem behavior
- Explanation of the child’s inner world
- Demonstrating the child’s strengths and
difficulties
Coping with personal experiences - Recognition and acceptance of own - Separation of personal issues from the child’s
aggression needs
- Accessing personal resources for coping with
aggression
- Acquisition of new skills for treating
aggressive clients

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