FIGURE 24 G major arpeggio in two octaves, 14th position

3 3 3 3
3 3 3 3

15 15
15 15 15 15
16 16 16 16
17 17 17 17
14 17 17 14 14 17 17 14
15 15 15

FIGURE 25 four-note fragment, lower octave only, alternate picked

G

3 3 3 3 3 3 3 3

17 17 17 17
14 17 17 14 14 17 17 14 14 17 17 14 14 17 17 14
15 15 15 15 15

FIGURE 26 same pattern, moved down the neck to different tonal centers
G F E D
3 3 3 3
3

3 3 3 3 3 3 3

17 17 15 15 14 12
14 17 17 14 14 17 17 14 12 15 15 12 12 15 15 12 11 14 14 11 9 12 12 9
15 15 13 13 12 10

C 3 B
3 A
3
G
3 3 3 3 3
3 3

10 9 7 5 5
7 10 10 7 6 9 9 6 4 7 7 4 2 5 5 2 2 5 5 2
8 7 5 3 3 3

FIGURE 27 complete two-octave G major arpeggio in second position

G
3 3
3 3

3 3 3 3

3 3
3 3 3 3
4 4 4 4
5 5 5 5
2 5 5 2 2 5 5 2
3 3 3

MASTERING ARPEGGIOS ×××××××××××××××××××××××××××××××××××××××××