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Bärenreiter Urtext Your next performance is worth it.
1
BÄRENREITER CHORAL MUSIC CATALOGUE · CONTENTS
Bärenreiter stands in a long tradition of choral music publishing and over the years we have come
to be regarded as one of the most internationally acclaimed publishers in this area. The blue vocal
scores represent our hallmark for singers and are at the cutting edge of musicological scholarship.
At the same time they provide a spacious layout, excellent printing and binding as well as clear and
uncluttered piano reductions. In addition to the vocal scores we also publish choral collections as
well as high-quality facsimiles of choral works.
Sacred and Secular Works ................................................................................................ 6-38

Popular Choral Music and Collections ....................................................................... 39-40
Facsimiles ..............................................................................................................................41-42
Promotional Gifts .................................................................................................................... 43
From: Mozart, Requiem K. 626 · New revised edition. BA 4538-90
ABBREVIATIONS AND KEY TO FIGURES

Ed. Editor  Contents
Bc/bc Basso continuo  Review Bärenreiter-Verlag
Cz Czech text Performance material Karl Vötterle GmbH & Co. KG
Eng English text ° available on sale International Department
P.O. Box 10 03 29
Fr French text  Performance material
34003 Kassel · Germany
Ger German text available on hire
Ital Italian text Printed in Germany
Best Edition Prize awarded 4/1606/17 · SPA 30
Lat Latin text
by the German Music
BA Bärenreiter Edition www.baerenreiter.com
Publishers Association info@baerenreiter.com
BE Bosse Edition
H Bärenreiter Praha Content valid as of June 2016.
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SM Süddeutscher Musikverlag Errors excepted and delivery baerenreiter
TP Study score terms subject to change without
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V.s. Vocal score (includes all notice. BarenreiterUK
solo voices, choral voices Cover design with a photograph www.youtube.com/
and a piano reduction) by Edition Paavo Blåfield. BaerenreiterVerlag
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At Bärenreiter the label “urtext” describes a
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In the past, it has often been difficult for musicians

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were heavily elaborated with editors’ own – often
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In music urtext now is a label used for scholarly- deciphering manuscripts which are sometimes
critical editions based on all known sources. almost illegible and evaluating conflicting sources. 3
“After so many
cantatas I only
play for fun.
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is for the fans.”
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As a musician you certainly can appreciate how edition?
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SACRED AND SECULAR WORKS
Bach, Carl Philipp Emanuel BWV 36

(1714-1788) Schwingt freudig euch empor
(Ger)
Magnificat Wq 215 Cantata for the First of Advent
Choir & Organ series → page 29 Urtext / Ed. A. Dürr
BA 7517 Score Piano reduction by G. Müller
BA 10 036-90 ° V.s.
Bach, Johann Sebastian TP 1036 PoD Study score
(1685-1750)
BWV 39
Cantatas
Brich dem Hungrigen
BWV 1 dein Brot / Break with hungry
Wie schön leuchtet der men thy bread (Ger/Eng)
Morgenstern / How bright and Cantata for the 1st Sunday
fair the morning star (Ger/Eng) after Trinity
Cantata for the Feast of Urtext / Ed. A. Dürr
Annunciation Day Piano reduction by J. Eichhorn
Urtext / Ed. M. Wendt BA 10 039-90 V.s.
Piano reduction by M. Focke TP 1039 Study Score
BA 10 001-90 ° V.s.
BA 10 001-91 Choral score BWV 45
TP 1001 Study score NEW 2015 Es ist dir gesagt, Mensch,
BWV 10 was gut ist (Ger)
BWV 4 Meine Seele erhebt den Herrn / Cantata for the 8 th Sunday
Christ lag in Todes Banden / Now my soul exalts the Lord after Trinity
Christ lay by death enshrouded (Ger/Eng) Urtext / Ed. A. Dürr
(Ger/Eng) Cantata for the Feast of Piano reduction by
Cantata for Easter Sunday Visitation B. V. M. W. Stockmeier
Urtext / Ed. A. Dürr Urtext / Ed. U. Wolf BA 10 045-90 ° V.s.
Piano reduction by E. R. Barthel Piano reduction by M. Grünert TP 1045 Study score
BA 10 004-90 ° V.s. BA 10010-90 ° V.s.
TP 1004 Study score TP 1010 Study score BWV 51
Jauchzet Gott in allen Landen /
BWV 6  Bach cantata with a small Praise ye God thruout creation
Bleib bei uns, denn es will instrumental ensemble (Ger/Eng)
Abend werden (Ger) Solo Cantata for the 15 th
 Based on the Urtext of the
Cantata for Easter Monday Sunday after Trinity
New Bach Edition
Urtext / Ed. A. Dürr Urtext / Ed. M. Wendt
Piano reduction by H. Ruf  Performance duration Piano reduction by M. Focke
BA 10 006-90 ° V.s. of 20-25 minutes BA 10 051-90 ° V.s.
TP 1051 Study score
BWV 12
Weinen, Klagen, Sorgen, BWV 21 BWV 56
Zagen / Weeping, crying, Ich hatte viel Bekümmernis / Ich will den Kreuzstab gerne
sorrow, sighing (Ger/Eng) Lord my God, my heart and tragen / I will my cross-staff
Cantata for the Sunday Jubilate soul were sore distrest gladly carry (Ger/Eng)
Urtext / Ed. A. Dürr (Ger/Eng) Cantata for the 19th Sunday
Piano reduction by M. Focke Cantata for the 3rd Sunday after Trinity
BA 10 012-90 ° V.s. after Trinity Urtext / Ed. M. Wendt
TP 1012 Study score Urtext / Ed. P. Brainard Piano reduction by A. Kroupova
Piano reduction by M. Focke BA 10 056-90 ° V.s.
BWV 18 BA 10 021-90 ° V.s. TP 1056 Study score
Gleichwie der Regen und TP 1021 Study score
Schnee vom Himmel fällt / BWV 61
Like as the Raindrops and Nun komm, der Heiden
BWV 31
Snow from Heaven fall; Heiland (Ger)
Der Himmel lacht! Die Erde
Leipzig Version (Ger/Eng) Cantata for the First Sunday
jubilieret / The Heavens laugh,
Cantata for Sunday Sexagesimae of Advent
the earth exults in gladness
Urtext / Ed. W. Neumann Urtext / A. Dürr
(Ger/Eng)
Piano reduction by Piano reduction by G. Raphael
Cantata for the 1st Easter Day
W. Stockmeyer BA 10 061-90 ° V.s.
Urtext / Ed. A. Dürr
BA 10 018-90 ° V.s. BA 10 061-91 Choral score
Piano reduction by O. Kroupova
BA 10 018-91 Choral score TP 1061 Study score
BA 10 031-90 ° V.s.
TP 1018 Study score TP 1031 Study score
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Bach, Johann Sebastian

(1685-1750)
BWV 130
Herr Gott, dich loben alle wir /
Lord God, we praise Thee all
of us (Ger/Eng)
Cantata for the Feast
of St. Michael
Urtext / Ed. M. Helms
Piano reduction by E. Wernhard
BA 10 130-90 ° V.s.
TP 1130 Study score
BWV 132
Bereitet die Wege, bereitet
die Bahn (Ger)
Cantata for the 4th Sunday of
Advent
Piano reduction by G. Raphael
BA 10 132-90 ° V.s.
BA 10 132-91 Choral score
BWV 134
From: Bach, Wake ye maids! hark, strikes the hour BWV 140 · BA 10140-90 Ein Herz, das seinen Jesum
lebend weiss (Ger)
Cantata for Easter Tuesday;
BWV 62 BWV 80 third version
Nun komm, der Heiden Ein feste Burg ist unser Gott / Urtext / Ed. A. Dürr
Heiland (Ger) A Mighty Fortress is Our God Piano reduction by G. Raphael
Cantata for the First Sunday (Ger/Eng) BA 10 134-90 ° V.s.
of Advent Cantata for the Feast of BA 10 134-91 Choral score
Urtext / A. Dürr Reformation
Piano reduction by G. Raphael Urtext / Ed. F. Rempp
BA 10 062-90 ° V.s. Piano reduction by E. R. Barthel
TP 1062 Study score BA 10 080-90 ° V.s.
TP 1080 Study score
BWV 68
Also hat Gott die Welt geliebt BWV 91
(Ger) Gelobet seist du, Jesu Christ
Cantata for Whit Monday (Ger)
Urtext / Ed. A. Dürr, A. Mendel Cantata for Christmas Day
Piano reduction by A. Dürr Urtext / Ed. A. Dürr, G. Raphael
BA 10 068-90 ° V.s. Piano reduction by G. Raphael
BA 10 068-91 Choral score BA 10 091-90 ° V.s.
BA 10 091-91 Choral score
BWV 78 TP 1091 Study score
Jesu, der du meine Seele /
Jesu, by Thy Cross and Passion BWV 106
(Ger/Eng) Gottes Zeit ist die allerbeste
Cantata for the 14th Sunday Zeit / Mighty God, His time
after Trinity is ever best (Actus tragicus)
Urtext / Ed. W. Neumann (Ger/Eng) BWV 140
Piano reduction by Urtext / Ed. R. Higuchi Wachet auf, ruft uns die
W. H. Bernstein Piano reduction by E. Wernhard Stimme / Wake ye maids! hark,
BA 10 078-90 ° V.s. BA 10 106-90 ° V.s. strikes the hour (Ger/Eng)
TP 1078 Study score TP 1106 Study score Cantata for the 27 th Sunday
after Trinity
Piano reduction by A. Dürr
BA 10 140-90 ° V.s.
TP 1140 Study score
7
Johann Sebastian Bach

The Complete Cantatas, Chorales and Motets
19 study scores in paperback
TP 2004
Winner of the Best Edition Prize
2008 awarded by the German
Music Publishers Association
● The complete Bach cantatas,
motets, chorales and sacred
songs together in a set
● Urtext from the New Bach Edition
● With an introduction by
Christoph Wolff (German/English)
● Clear notation, excellent layout, 2008 Best Edition Prize
compact format (16.5 x 22.5 cm)
● 18 volumes + 1 index volume
“… the set is well worth acquiring … and when you think about it, the cost relative
to the number of pages is pretty good value for money!” (The Organ)
Bach, Johann Sebastian BWV 158 BWV 175

(1685-1750) Der Friede sei mit dir (Ger) Er rufet seinen Schafen mit
Cantata for Easter Tuesday Namen / He calleth His own
BWV 143 Urtext / Ed. A. Dürr sheep each by name (Ger/Eng)
Lobe den Herrn, meine Seele/ Piano reduction by A. Dürr Cantata for Whit Tuesday
Praise thou the Lord, o my BA 10 158-90 ° V.s. Urtext / Ed. A. Dürr
spirit (Ger/Eng) BA 10 158-91 Choral score Piano reduction by A. Dürr
Urtext / Ed. A. Glöckner BA 10 175-90 ° V.s.
Piano reduction by A. Köhs BWV 166 BA 10 175-91 Choral score
Revised edition Wo gehest du hin (Ger) TP 1175 Study score
BA 10 143-90 ° V.s. Cantata for the 4th Sunday
TP 1143 Study score after Easter BWV 176
Urtext / Ed. A. Dürr Es ist ein trotzig und verzagt
BWV 147 Piano reduction by A. Dürr Ding (Ger)
Herz und Mund und Tat und BA 10 166-90 ° V.s. Cantata for Trinity Sunday
Leben / Heart and lips, thy BA 10 166-91 Choral score Urtext / Ed. R. Freeman
whole behaviour (Ger/Eng) BA 10 176-91 ° Choral score
Cantata for the Feast TP 1176 Study score
of Visitation B.V.M. BWV 172
Urtext / Ed. U. Wolf Erschallet, ihr Lieder (Ger)
Piano reduction by O. Kroupová Cantata for Whitsunday; BWV 208
BA 10 147-90 ° V.s. C maj version Was mir behagt, ist nur
TP 1147 Study score Urtext / Ed. D. Kilian die muntre Jagd
Piano reduction by D. Kilian “Congratulatory Cantata” (Ger)
BA 10 172-90 ° V.s. Urtext / Ed. A. Dürr
° = Performance material BA 10 172-91 Choral score Piano reduction by A. Dürr
available on sale TP 1172 Study score BA 10 208-90 ° V.s.
8

(1685-1750)
BWV 211
Schweigt stille, plaudert
nicht / Be quiet, chatter not
“Coffee Cantata” (Ger/Eng)
Urtext / Ed. W. Neumann
Revised edition
Piano reduction by A. Köhs
BA 10 211-90 ° V.s.
TP 1211 Study score
BWV 212
Mer hahn en neue Oberkeet/
The Chamberlain is now our
Squire “Peasant Cantata”
(Ger/Eng)
Urtext / Ed. W. Neumann
BA 10 212-90 ° V.s.
TP 1212 Study score
Festive Choral Settings from

Cantatas
Choir & Organ series → page 29
BA 7527 Score
Ascension Oratorio – Praise

God in his Kingdoms
BWV 11 (Ger/Eng)
Urtext / Ed. P. Brainard
Piano reduction by J. Eichhorn
BA 10011-90 ° V.s.
TP 1011 Study score
Christmas Oratorio
BWV 248 (Ger/Eng)
Urtext / Ed. W. Blankenburg,
A. Dürr
Piano reduction by A. Dürr From: Bach, Christmas Oratorio BWV 248 · BA 5014-90
BA 5014-90 ° V.s.
Choral parts also available
separately Lutheran Masses Magnificat in D maj
TP 85 Study score BWV 233-236 (Lat) 2nd version with the 4 inserts
Urtext / Ed. E. Platen from the E-flat maj version
Choral movements from the Piano reductions by A. Köhs (transposed) BWV 243 (Lat)
Christmas Oratorio Part I-III Urtext / Ed. A. Dürr
- Mass in F maj BWV 233
BWV 248 Piano reduction by E. Müller
BA 5182-90 ° V.s.
Choir & Organ series → page 29 BA 5103-90 ° V.s.
BA 5182-91 Choral score
BA 7525 Score BA 5103-91 Choral score
- Mass in A maj BWV 234 TP 2 Study score
Freut euch alle BWV 207a (Ger) BA 5183-90 ° V.s.
Festive chorus for mixed choir BA 5183-91 Choral score Magnificat in E-flat maj
(SATB) and piano; woodwind BWV 243a (Lat)
- Mass in G min BWV 235
ad lib. Urtext / Ed. A. Dürr
BA 5184-90 ° V.s.
Arranged by U. Zimmer, Piano reduction by E. Müller,
Piano part by R. Schweizer C. Heimbucher
BA 6905 ° Score; - Mass in G maj BWV 236 BA 5208-90 ° V.s.
Choral score BA 5185-90 ° V.s. TP 58 Study score
9
“Uwe Wolf’s masterful treatment of the sources and problems

presented in the Mass in B Minor should afford scholars and
performers for generations to come many opportunities to carefully
examine the diverse complexities of Bach’s masterpiece.” (Notes)
J. S. Bach · Mass in B Minor BWV 232

in a Revised Edition
Mass in B min BWV 232 (Lat)

Urtext / Ed. U. Wolf
BA 5935-90 ° Vocal score
TP 1232 Study score
For the first time the “Dresden
parts” of 1733 which were largely
written by Bach are included as
valuable additional source
material.
Also for the first time, annotations

by J. S. Bach and C. P. E. Bach
can be differentiated by using
ink analysis (x-ray spectography
of over 500 places in the score).
This method also enables
in-depth-analysis of areas which
have been eroded to a large
extent by iron ink gall erosion.
10
Bach, Johann Sebastian St. Mark Passion BWV 247

(1685-1750) Der Geist hilft unser A reconstruction (Ger)
Schwachheit auf BWV 226 Ed. A. H. Gomme
Mass in B min BWV 232 (Lat) (Ger) Piano reduction by A. H. Gomme
Urtext / Ed. U. Wolf Motet for two mixed choirs BA 5209-90  V.s.
Piano reduction by A. Köhs (SATB+SATB)
BA 5935-90 ° V.s. Urtext / Ed. K. Ameln
TP 1232 Study score BA 5130 ° Score
→ page 10 BA 5131 Choral score
Facsimile edition Jesu, meine Freude BWV 227

ISBN 978-3-7618-2194-7 (Ger)
→ page 41 Motet for mixed choir (SSATB)
Urtext / Ed. K. Ameln
Still available: BA 5132 ° Score; Choral score
Mass in B min BWV 232 (Lat)
Urtext / Ed. F. Smend Fürchte dich nicht, ich bin bei
Piano reduction by G. Müller dir BWV 228 (Ger)
BA 5102-92 ° V.s. Motet for two mixed choirs
(SATB+SATB)
Mass in B min, early versions Urtext / Ed. K. Ameln
Missa BWV 232I (version of BA 5133 ° Score; Choral score
1733). Credo in unum Deum
BWV 233II/1 (early version in Komm, Jesu komm BWV 229
G maj). Sanctus BWV 232III (Ger)
(version of 1724) (Lat) Motet for two mixed choirs
Urtext / Ed. U. Wolf (SATB+SATB)
Piano reduction by A. Köhs Urtext / Ed. K. Ameln
BA 5293-90 ° V.s. BA 5134 ° Score; Choral score
St. Matthew Passion BWV 244
Lobet den Herrn, alle Heiden (Ger/Eng)
BWV 230 (Ger) Urtext / Ed. after M. Schneider
Motet for mixed choir (SATB) by A. Dürr
and bc Piano reduction by A. Dürr
Urtext / Ed. K. Ameln BA 5038-90 ° V.s.
BA 5135 ° Score; Choral score Choral parts also available
separately
TP 196 Study score
Motets of Doubtful Facsimile edition

Authenticity ISBN 978-3-7618-2294-4
Ich lasse dich nicht, du segnest → page 41
mich denn BWV Anh. 159 /
Jauchzet dem Herrn, alle Welt
BWV Anh. 160 (Ger) St. Matthew Passion
Motets for two mixed choirs Early version BWV 244b
(SATB+SATB) (Ger/Eng)
Urtext / Ed. F. Rempp Urtext / Ed. A. Glöckner
BA 5239 Score Piano reduction by M. Focke
Motets BWV 225-230 (Ger) BA 5099-90 ° V.s.
Urtext / Ed. K. Ameln St. John Passion BWV 245
Piano reduction by O. Kroupová (Ger/Eng)
BA 5193-90 V.s. Urtext / Ed. A. Mendel
BA 5193 Choral score Piano reduction by  Please see
W. H. Bernstein
Separate Editions: BA 5037-90 ° V.s. Bärenreiter’s website
Choral parts also available www.baerenreiter.com
Singet dem Herrn ein neues separately
Lied BWV 225 (Ger)
Motet for two mixed choirs
TP 197 Study score for more detailed
(SATB+SATB) information on
BA 5129 ° Score; Choral score individual editions.
11
Beethoven, Ludwig van

(1770-1827)
Ludwig van Beethoven
Symphony No. 9 in D min
New scholarly-critical edition op. 125. Finale (Ger)
Urtext / Ed. J. Del Mar
The Mass in C major, completed BA 9009-90 ° V.s.
and premiered in 1808, has TP 909 Study score
been unjustly described as a
preliminary step towards the Facsimile edition
great Missa solemnis. Yet it is ISBN 978-3-7618-2169-5
a self-contained and, for its → page 41
time, decidedly modern piece
of church music. Berlioz, Hector
(1803-1869)
NEW 2016 Drawing on the rich body
of sources, Beethoven La damnation de Faust (Fr/Ger)
specialist Barry Cooper Urtext / Ed. J. Rushton
suggests practical solutions Piano reduction by E. Wernhard
to the work’s musical and BA 5448-90  V.s.
interpretative problems. His
deep study of the sources L’Enfance du Christ /
convinced him to include a The Childhood of Christ
fully realized organ part in (Fr/Eng) Sacred Trilogy
Beethoven, Ludwig van the score, just as Beethoven
(1770-1827) Urtext / Ed. D. Lloyd-Jones
envisioned it for the first Piano reduction by E. Wernhard
printed edition. As stated in BA 5451-90 (Fr/Ger) V.s.
Mass in C major op. 86 (Lat) the sources, the parts for the
Urtext / Ed. B. Cooper BA 5451-73 (Fr/Eng)  V.s.
soloists and choir are notated
Score with full realization of on joint staves to demonstrate
the organ part Grande messe des morts
that the soloists are also to “Requiem” (Lat)
Piano reduction by A. Campora sing the choral passages.
BA 9039-90 ° V.s. Urtext / Ed. J. Kindermann
Piano reduction by M. Töpel,
Rounding off this Urtext edition
D. Woodfull-Harris
are a Foreword (Eng/Ger) and
BA 5449-90  V.s.
a Critical Commentary (Eng).
TP 332 Study score
Messe solennelle (Lat)

Urtext / Ed. H. Macdonald
BA 5463-90 V.s.
TP 333 Study score
Roméo et Juliette (Fr)

Symphonie dramatique
Urtext / Ed. D. K. Holoman
BA 5458-90 V.s.
TP 334 Study score
Te Deum (Lat)
Urtext / Ed. D. McCaldin
Piano reduction by
O. Taubmann
BA 5782-90 V.s.
° = Performance material
available on sale
 = Performance material
available on hire
12
A Requiem masterpiece in German
Brahms, Johannes NEW 2017

(1833-1897)
Ein deutsches Requiem op. 45

(Ger)
Ed. P Schmitz
Piano reduction based on
Brahms' version for solo piano
BA 7600-90 ° V.s.
in preparation
Among large-scale works,

Brahms’s German Requiem is
second to none in the importance
it attaches to the choir. No
wonder this magnum opus of
the Romantic era belongs to
the core repertoire of every
ambitious choir.
After a turbulent gestation,

the Requiem was performed
in Leipzig on 18 February 1869
with seven movements in the
present order. Brahms took the
words entirely from the Old and
New Testaments, combining
them into a unique “music
of solace” unmatched to the
present day.
Our edition is based mainly on

the original print of the score –
a publication authorised by
Brahms himself. The piano
reduction reproduces Brahms’s
own version for solo piano.
 Scholarly-critical edition  Vocal score based on the  Bilingual foreword (Ger/Eng)

based on all accessible composer’s autograph and and critical commentary
sources engraver’s copy (Eng)
Brahms, Johannes This authoritative scholarly- Bruckner, Anton

(1833-1897) critical edition brings them (1824-1896)
altogether in one volume.
Sacred Choral Music Sacred Songs (Lat/Ger)
a cappella (Ger)  “This volume represents for mixed choir (SSAATTB, SATB
Urtext / Ed. P. Schmitz a competitively priced and SSATB)
BA 7575 treasure trove of the finest SM 2815 Singing score
German unaccompanied
The sacred a cappella choral choral music … How Te Deum WAB 45 (Lat)
compositions by Brahms are monstrously fine music is this, Choir & Organ series → page 29
among the most important and how well printed it is BA 7524 Score
Romantic works in the genre. here.” (Choir & Organ)
13
Bunk, Gerard Buxtehude, Dietrich

(1888-1958) (1637-1707)
Bärenreiter Study
Sacred Choral Works (Ger) Missa brevis
Urtext / J. Boecker, K. E. Müller (Kyrie and Gloria) (Lat) Score Reader
BA 7548 for mixed choir (SSATB) and bc
Ed. W. Gurlitt
Buxtehude, Dietrich BA 265 Choral score,
(1637-1707) playing score
Befiehl dem Engel, dass er
komm / Command the Angels Das neugebor‘ne Kindelein /
BuxWV 10 (Ger/Eng) The newborn babe, the
Choral cantata for mixed choir heavenly child (Ger/Eng)
(SATB), strings and bc BuxWV 13. Cantata for mixed
Ed. B. Grusnick choir (SATB), strings and bc
BA 541 ° Score with parts Ed. B. Grusnick
BA 541-91 Choral score BA 717 ° Score with parts
Cantate Domino /
Lobsinget Gott, dem Herrn
BuxWV 12 (Lat/Ger)
For further information:
Motet for soloists (SB) ad lib., www.baerenreiter.com
choir (SSB) and bc
Ed. B. Grusnick
BA 542 Score
Der Herr ist mit mir
BuxWV 15 (Ger)
Cantata for mixed choir Caldara, Antonio
(SATB), strings and bc (1670-1736)
Ed. B. Grusnick
BA 3198 ° Score with parts Regina coeli laetare (Lat/Ger)
BA 3198-91 Choral score for choir (SATB), piano (organ)
ad lib.
Erhalt uns Herr, bei deinem Ed. T. Kohlhase
Wort BuxWV 10 (Ger) BA 6236 Choral score,
Chorale cantata for mixed playing score
choir (SATB) Caldara, Antonio
BA 3196 ° Score with parts (1670-1736) Charpentier, Marc-Antoine
BA 3196-91 Choral score (1643-1704)
In dulci jubilo BuxWV 52 Stabat Mater (Lat) In nativitatem
(Lat/Ger/Eng) for mixed choir for soloists (SATB), mixed choir Domini canticum H. 416 (Lat)
(SAB), two violins and bc and orchestra Urtext / Ed. J. Schwindt
Ed. B. Grusnick Piano reduction by A. Köhs Piano reduction by J. Schwindt
BA 620 ° Score with parts Revised edition BA 7673-90 ° V.s.
BA 620-91 Choral score BA 8955-90° V.s.
Messe de Minuit pour Noël
Jesu, meine Freude / Jesu, The Stabat Mater is the best- H 9 (Lat)
my heart’s treasure BuxWV 60 known of Caldara’s smaller Urtext / Ed. H. Schauerte-
(Ger/Eng). Cantata for soloists vocal works. This publication Maubouet
(SSB), mixed choir (SSB), two is based on E. Mandyczewski’s Piano reduction by M. Focke
violins, bassoon (violoncello) edition which has, until now, BA 7592-90 ° V.s.
and bc been the definitive edition.
Ed. B. Grusnick The notation and key Te Deum H 146 (Lat)
BA 487 ° Score with parts signatures have been adapted Urtext / Ed. H. Schauerte-
BA 487-91 Choral score to today’s standards. Any Maubouet
discrepancies between the Piano reduction by A. Köhs
Magnificat anima mea score and vocal score have BA 7593-90 ° V.s.
BuxWV-Anh. 1 (Lat/Ger/Eng) been corrected, and the work
Motet for mixed choir (SSATB), is now presented in a modern, Te Deum H 148 (Lat)
strings and bc clear layout. The orchestral for mixed choir (SATB) and bc
Ed. B. Grusnick parts are available in computer Urtext / Ed. H. Schauerte-
BA 543 ° Score with parts print for the first time. Maubouet
BA 543-91 Choral score BA 7591 Score
14
Famous early 19th-century Requiem
Cherubini, Luigi
(1760-1842) NEW 2015
Requiem in C minor (Lat)
Missa pro defunctis
Urtext / Ed. H. Schellevis
Piano reduction by the editor
BA 8961-90 ° V.s.
Cherubini owes his fame as a

church composer primarily to
the Requiem in C minor of 1817.
It was held in extraordinarily its restrained use of musical hand) but also the first edition
high esteem by such resources in both choir and and a copyist's manuscript.
composers as Beethoven and orchestra.
Schumann and served as a Rounding off this exemplary
model for early 19th-century This Urtext edition takes Urtext publication is an
Requiem settings. Dispensing into account not only the informative Introduction
entirely with solo voices, it autograph score with (Eng/Ger) and a Critical
captivates with its rigorous spartitino (additional Commentary (Eng).
formal concentration and instruments written in by
Distler, Hugo Lobe den Herren, den Totentanz (Ger)

(1908-1942) mächtigen König der Ehren (Ger) Motet no. 2 from Geistliche
Chorale-motet op. 6/2,1 Chormusik op. 12 for mixed
Choralpassion nach den vier for mixed choir (SATB) choir (SATB) and flute ad lib.
Evangelien op. 7 (Ger) Gothic print BA 752 Choral score
for soloists (TB), mixed choir BA 589 Choral score
(SSATB) Die Weihnachtsgeschichte
BA 633 Choral score Singet dem Herrn ein neues (Ger)
Lied (Ger) for soloists (SSTB) and choir (SATB)
Es ist ein Ros entsprungen Motet on Psalm 98/1, 4-9a op. 12/1 Gothic print
(Ger) from Geistliche Chormusik BA 690 Singing score
Chorale motet from the op. 12 for mixed choir (SATB)
Weihnachtsgeschichte op. 10 Gothic print
for mixed choir (SATB) BA 751 Choral score
BA 681 Singing score ° = Performance material
available on sale
15
Dvořák’s Requiem with a chamber

orchestra arrangement
Dvořák, Antonín
(1841-1904)
Requiem op. 89 (B165) (Lat)

Arrangement for Soloists,
Choir and Chamber Orchestra
by J. Linckelmann
BA 9582 ° Score
Instrumental parts available
separately
Dvořák, Antonín
(1841-1904) Dvořák's Requiem is one of
the highlights within the
Mass in D maj op. 86 (Lat) international choral repertoire.
Choir & Organ series → page 29 Now this work is presented
BA 7511 Score in a chamber orchestra
arrangement by Joachim
Requiem op. 89 (Lat) Linckelmann based on the can be replaced by an oboe and
Piano reduction by K. Šolc full score from the Complete clarinet (ossia staves in score
H 2924-90 V.s. Edition of the Works by Antonín and parts). This arrangement,
Dvořák. which judiciously reduces the
Six Moravian Duets (Cz/Ger) richness of Dvořák's original
for mixed choir (SATB) and The arrangement dispenses orchestration, makes the
piano with all the brass instruments work available to a broader
arranged by Leoš Janáček except for a single horn; all range of performers outside
Ed. V. Nìmec that remains of the percussion professional circles.
H 7718 Choral score are the timpani; the organ has
also been taken out. The cor The edition is in keeping with
Stabat Mater op. 58 (Lat) anglais and bass clarinet parts the vocal score H 2924-90.
Piano reduction by K. Šolc
H 1882  V.s.
Stabat Mater op. 58 (Lat) The Spectre‘s Bride op. 69 Fauré, Gabriel
Ed. J. Kachlík, M. Srnka (Cz/Ger/Eng) (1845-1924)
Vocal score based on Dvořák‘s Ed. F. Bartos, A. Cubr
original piano version Piano reduction by K. Šolc Requiem (Lat)
H 7920  V.s. BA 9544-90  V.s. BA 9481-90 ° V.s.
H 2268 Study score  page 17
Eben, Petr
Te Deum op. 103 (Lat) (1929-2007) Requiem op. 48 (Lat)
Piano reduction by K. Šolc Choir & Organ series
H 4523-90 V.s. Salve Regina BA 7513 Score
Cantico della Creature / → page 29
Canticle of the Sun of Francis
of Assisi Furrer, Beat
(Lat/Ital [Umbrian]) (*1954)
for mixed choir (SATB)
 Please see BA 6429 Singing score Enigma I-IV and VI (Ital)
Bärenreiter’s website (2007)
Ubi caritas et amor dei for mixed a cappella choir
www.baerenreiter.com (Lat/Ital) Texts by Leonardo da Vinci
for mixed choir (SSATBB) from Profezie
for more detailed BA 5404 Singing score (2006-13)
BA 11052
information on
individual editions.
16
Handel, George Frideric

(1685-1759)
Urtext edition of Fauré’s Requiem Acis and Galatea HWV 49b
Serenata in tre parti
(2nd version) (Eng/Ital/Ger)
Urtext / Ed. A. Heinrich
BA 10700-90 V.s.
Alexander’s Feast or The Power

of Musick HWV 75 (Eng/Ger)
Text by J. Dryden
Piano reduction by K. Ameln
Revised edition
BA 4001-92  V.s.
Anthems:
Fauré, Gabriel soloists and choir give the

(1845-1924) work a gentle and optimistic
character.
Requiem (Lat)
Urtext / Ed. C. M. Stahl, The vocal score is based on the
M. Stegemann volume of the Complete Works
Piano reduction by M. Focke of Gabriel Fauré (BA 9461).
BA 9461-90 ° V.s. It is important to note that this
vocal score is also compatible Anthem for the Funeral of
The Messe de Requiem is with the first small-scale Queen Caroline HWV 264
probably the internationally version as well as the second (Eng/Ital) Original unabridged
best-known and most chamber orchestra version. version
frequently performed work by Urtext / Ed. A. Landgraf
Gabriel Fauré. The composer’s  High-quality Urtext based Piano reduction by M. Focke
first version was limited to just on the Complete Works BA 4267-90 ° V.s.
five movements and small- of Gabriel Fauré
scale forces with low strings, As pants the hart HWV 251e
 First systematic evaluation (Eng/Ger)
harp and organ. The work was
of all sources Urtext / Ed. G. Hendrie
then expanded several times
culminating in the version for  Based on the large orchestral Piano reduction by A. Köhs
large orchestra of 1900. This version of 1900 BA 4265-90 ° V.s.
orchestral version forms the I will magnify thee HWV 250b
 Foreword (Ger/Eng)
basis of this edition. (Eng/Ger)
 Vocal score suitable for all Urtext / Ed. G. Hendrie
Despite its comparatively versions of the requiem Piano reduction by A. Köhs
long period of gestation, the
Requiem forms a stylistic unity. “Of particular interest is BA 4264-90 ° V.s.
Unlike other requiem settings, the clear engraving and the Let God arise HWV 256b
the composer foregoes any well-presented layout with (Eng/Ger)
theatrical gestures in this work. optimum page-turns - much Urtext / Ed. G. Hendrie
A restrained dynamic range more appealing than in earlier Piano reduction by A. Köhs
together with graceful publications of this work.” BA 4266-90 ° V.s.
melodic writing for both (La Lettre du Musicien)
Continued on page 18
17
The best-known Handel Coronation Anthems

in Urtext editions for the first time
(1685-1759)
NEW 2016
Zadok the Priest HWV 258 (Eng)
Urtext / Ed. S. Blaut
BA 10258-90 ° V.s.
The King shall rejoice NEW

2016
HWV 260 (Eng)
Urtext / Ed. S. Blaut
BA 10259-90 ° V.s.
Zadok the Priest and The King

shall rejoice are the best-known
of the four coronation anthems
that Handel wrote for the
crowning of George II in London
(1727). HWV 258 accompanied
the king’s anointment, HWV 260
his actual coronation.
Thanks to their festive and

majestic structure befitting
the occasion as well as their
spacious scoring for large choir
and orchestra, it comes as no
surprise that motifs from Zadok
the Priest have found their way
into the official hymn of the
UEFA Champions League.
The present editions by the

authoritative Handel scholar
Stephan Blaut are the first to
offer these two anthems based
on the Urtext from the Halle
Handel Edition.
Handel, George Frideric My song shall be alway O praise the Lord with one
(1685-1759) HWV 252 (Eng/Ger) consent HWV 254
Urtext / Ed. G. Hendrie (Eng/Ger)
Anthems (continued): Piano reduction by A. Köhs Urtext / Ed. G. Hendrie
BA 4292-90 ° V.s. Piano reduction by A. Köhs
The Lord is my light HWV 255 BA 4291-90 ° V.s.
(Eng/Ger) O come let us sing HWV 253
Urtext / Ed. G. Hendrie (Eng/Ger) O sing unto the Lord HWV 249a
Piano reduction by A. Köhs Urtext / Ed. G. Hendrie (Eng/Ger)
BA 4268-90 ° V.s. Piano reduction by A. Köhs Urtext / Ed. G. Hendrie
BA 4263-90 ° V.s.
18
Dixit Dominus HWV 232 (Lat) Occasional Oratorio HWV 62

Psalm 109 (Eng). Text by N. Hamilton
Urtext / J. H. Marx Urtext / Ed. M. Channon
Piano reduction by A. Köhs Piano reduction by A. Köhs
Revised edition BA 4089-90 ° V.s.
BA 10704-90 ° V.s.
BA 10704-91 Choral score Ode for the Birthday of Queen
Anne HWV 74 (Eng/Ger)
Esther HWV 50a (Eng) Urtext / Ed. W. Siegmund-
First Version 1720. Text by Schultze
J. Arbuthnot and J. Pope Piano reduction by
Urtext / Ed. H. Server I. Chrysander,
NEW 2016 Piano reduction by A. Köhs W. Siegmund-Schultze
BA 4047-90  V.s. BA 4007-90  V.s.
Esther II (Eng) NEW 20 17 La Resurrezione HWV 47 (Ital)

Urtext / Ed. A. Landgraf Oratorio in two parts
Piano reduction by A. Köhs Urtext / Ed. T. Best
(1685-1759) BA 10710-90  V.s. Piano reduction by A. Köhs
in preparation BA 4096-90 V.s.
Te Deum for the Victory Samson HWV 57 (Eng)
at the Battle of Dettingen Israel in Egypt HWV 54 (Eng/Ger)
Text by N. Hamilton
HWV 283 (Lat) Includes versions 1739 and
Urtext / Ed. H. D. Clausen
Urtext / Ed. A Babington 1756-7
BA 4099-90  V.s.
Piano reduction by A. Köhs Urtext / Ed. A. Landgraf
Saul HWV 53 (Eng/Ger)
BA 4063-90  V.s.
Oratorio in three acts
The “Dettingen Te Deum” was Urtext / Ed. P. M. Young
written to celebrate England’s Jephtha HWV 70 (Lat)
Piano reduction by H. Moehn,
victory over the French at Urtext / Ed. K. Nott
A. Köhs
the Battle of Dettingen. It Piano reduction by M. Focke
BA 4020-90  V.s.
is Handel’s last and most BA 4014-90  V.s.
successful setting of the Solomon HWV 67 (Eng)
“Te Deum” and reveals a deep Oratorio in three acts HWV 67
understanding of the English Urtext / Ed. H. D. Clausen
church music tradition. The Piano reduction by A. Köhs
sound impact of this broadly BA 10709-90  V.s.
conceived work is governed
by the choirs in an almost Theodora HWV 68 (Eng)
theatrical exegesis of the Text by T. Morrell after
text. Particularly striking are R. Boyle’s The Martyrdom
several borrowings from the of Theodora and Didymus
Messiah which Handel had (London, 1687) and the play
just completed. Théodore, vierge et martyre
by P. Corneille (1645).
This edition, edited by Urtext / Ed. C. Timms
Baroque specialist Amanda Piano reduction by M. Focke /
Babington, is based on the A. Campora
Urtext from the Halle Handel Revised edition
Edition. BA 4085-90  V.s.
Messiah HWV 56
Utrecht Te Deum HWV 278 (Eng)
Urtext / Ed. J. Tobin
Urtext / Ed. G. Hendrie
Athalia HWV 52 Piano reduction by
Piano reduction by L. H. Nysten
(Eng, partially Ital) M. Schneider
BA 4246-90 ° V.s.
Text by Samuel Humphreys BA 4012-90 (Ger/Eng) ° V.s.
after Jean Racine's Athalie BA 4012-73 (Eng) ° V.s.
Urtext / Ed. S. Blaut TP 175 Study score
BA 4082-90  V.s. Facsimile edition
ISBN 978-3-7618-2109-1
→ page 42
19
Haydn, Joseph
(1732-1809)
Joseph Haydn: The Creation
Die drei- und vierstimmigen
Gesänge (Ger)
No. 1 Hob. XXVb:3 for STB and
piano, No. 2 Hob. XXVb:1
for SAT and piano, Nos. 3-11
Hob. XXVc:1-9 for SATB and piano
Ed. P. Paumgartner
BA 901 Choral score,
playing score
Missa brevis in F maj
Hob. XXII:1 (Lat)
Urtext / Ed. J. Dack, G. Feder
BA 4644-90 ° V.s.
Missa brevis Sancti Joannis
de Deo “Little Organ Mass”
Hob. XXII:7 (Lat)
Urtext / Ed. H. C. Robbins
Landon, K. H. Füssl, C. Landon
Piano reduction by H. Moehn
BA 4653-90 ° V.s.
Missa brevis Sti Joannis

de Deo "Little Organ Mass"
(Hob. XXII:7) (Lat)
Bärenreiter Female Choir series
BA 5694-90 ° V.s. → page 26
Missa Cellensis in honorem

Beatissimae Virginis Mariae
“Cecilia Mass”
Hob. XXII:5 (Lat)
Urtext / Ed. J. Dack, G. Feder
Piano reduction by O. Kroupová
BA 4643-90 ° V.s.
Missa Cellensis “Mass for

Mariazell” Hob. XXII:8 (Lat)
Urtext / Ed. H. C. Robbins
Landon, K. H. Füssl, C. Landon
BA 4654-90  V.s.
The Creation / Die Schöpfung  Based on the Urtext from
Missa in angustiis “Nelson Hob. XXI:2 (Ger/Eng) the Joseph Haydn Works,
Mass” Hob. XXII:11 (Lat) Libretto by Gottfried published by G. Henle Verlag
Urtext / Ed. G. Thomas van Swieten.
Piano reduction by H. Moehn Urtext / Ed. A. Oppermann  The contemporary piano
BA 4660-90 ° V.s. Piano reduction by reduction by A. E. Müller
TP 98 Study score A. E. Müller, A. Köhs has been revised by
BA 4648-90 ° V.s. A. Köhs
Missa in B-flat maj “Creation  The musical text of the
Mass” Hob. XXII:13 (Lat)
Urtext / Ed. I. Becker-Glauch
  “Bärenreiter offers its full score is closely reflected
usual high standard of scholarly in this piano reduction
Piano reduction by J. Sommer precision married to musical
BA 4656-90 ° V.s. accessibility and practicality,
BA 4656-91 Choral score as well as affordability”.
(The Organ)
20
Haydn, Joseph Janáček, Leoš

(1732-1809) Haydn, Joseph (1854-1928)
(1732-1809)
Missa in B-flat maj “Harmony Mša glagolskaja / Glagolitic
Mass” Hob. XXII:14 (Lat) The Seasons / Mass
Urtext / Ed. F. Lippmann Die Jahreszeiten Hob. XXI:3 Final authorised version
Piano reduction by H. Moehn (Ger/Eng/Fr) (Old Church Slavonic)
BA 4659-90 ° V.s. Libretto by G. van Swieten Urtext / Ed. J. Zahrádka,
TP 97 Study score Urtext / Ed. A. Raab L. Faltus
Piano reduction by A. E. Müller Piano reduction by M. Zehn
Missa in B-flat maj “Theresa BA 4647-90 ° V.s. BA 6862-90 V.s.
Mass” Hob. XXII:12 (Lat) TP 862 Study score
Urtext / Ed. G. Thomas  Based on the Urtext from
Piano reduction by H. Moehn the Joseph Haydn Works, Hradcany Songs
BA 4661-90 ° V.s. published by G. Henle Verlag (Cz/Ger/Eng)
TP 99 Study score Words by F. S. Procházka
 New straightforward piano for female choir (SSAA)
Missa in E-flat maj in honorem reduction H 4248 Choral score
Beatissimae Virginis mariae
“Great Organ Mass”  Clear and uncluttered The Lord’s Prayer (Cz/Ger)
Hob. XXII:4 (Lat) appearance on the page for mixed choir (SATB)
Urtext / Ed. J. Dack, M. Helms and ensemble
Piano reduction by O. Kroupova Ed. B. Štĕdroň
BA 4646-90 ° V.s. H 3712 Score
The Seven Last Words of our
Missa in Tempore Belli “Mass Saviour on the Cross Mass in E-flat maj
in Time of War” Hob. XXII:9 Hob. XX:2 (Lat) Libretto by “Unfinished Mass” (Lat)
(Lat) Gottfried van Swieten for soloists (SATB), choir (SATB)
Urtext / Ed. H. C. Robbins Urtext / Ed. H. Unverricht and organ
Landon, K. H. Füssl, C. Landon Piano reduction by Ed. V. Petrzelka
Piano reduction by H. Moehn H. Unverricht BA 5421 Score
BA 4652-90 ° V.s. BA 4655-90  V.s.
BA 4652-91 Choral score TP 92 Study score True Love (Folk Poetry)
TP 94 Study score (Ger/Eng) for male choir (TTBB)
Haydn, Michael H 3026 Choral score
Missa Sancti Bernardi von (1737-1806)
Offida “Heilig” Mass Jansson, Mårten
Hob. XXII:10 (Lat) Laudate pueri Dominum (Lat) (*1965)
Urtext / Ed. H. C. Robbins for female/boys‘ choir (SSA),
Landon, K. H. Füssl, C. Landon strings and bc Sacred Choral Works
Piano reduction by H. Moehn Ed. I. Sulyok  page 23
BA 4651-90 ° V.s. BA 6219 ° Score
BA 4651-91 Choral score BA 6219-91 Choral score Krenek, Ernst
(1900-1991)
Missa Sancti Nicolai Janáček, Leoš
“Nicolai Mass” Hob. XXII:6 (Lat) (1854-1928) Sechs Motetten op. 169 (1959)
Urtext / Ed. J. Dack, M. Helms (Ger) after words by F. Kafka
Piano reduction by O. Kroupová Drei gemischte Chöre (Cz/Ger) for mixed choir (SATB)
BA 4645-90 ° V.s. for mixed choir (SATB) BA 3945 Score
Ed. J. Trojan
Sechs Psalmen BA 6389 Choral score Liszt, Franz
Hob. XXIII: Anhang (Eng/Ger) (1811-1886)
Based on an English psalm The Eternal Gospel /Vecné
adaptation by J. Merrick evangelium (Cz/Eng/Ger) Christus (Lat)
for mixed choir (SAB) Cantata for solo voices (ST), Oratorio on passages from
Ed. U. Zimmer mixed choir (SATB) and the Holy Bible and the
BA 6232 Choral score orchestra Catholic liturgy
Urtext / Ed. L. Faltus, Urtext / Ed. D. Friddle
Stabat Mater Hob. XXbis (Lat) M. Štĕdroň Piano reduction by the composer
Urtext / Ed. M. Helms, F. Stoltzfus Piano reduction by L. Faltus BA 7680-90  V.s.
Piano reduction by E. R. Barthel BA 6860-90  V.s.
BA 4642-90 ° V.s.
21
“… excellent new edition of this masterwork.” (Choir & Organ)
Martin, Frank
(1890-1974)
Mass for Double Choir

a cappella (Lat)
Urtext / Ed. A. Wissemann
BA 7594 Performing score
Martin's style of composition

is characterized by elements
of French Impressionism,
modern tonality and
expressive musical language.
His double choir a cappella

mass was composed between
1922 and 1926 but it was not
performed until 1963 in
Hamburg. It has been a great
favourite with capable choirs
since its first publication by
Bärenreiter in 1972 (BA 5419).
It can be performed equally
well in the concert hall and
the church.  First Urtext edition of  Newly engraved in a larger
Frank Martin’s masterwork format (23 x 30 cm)
based on the autograph
and preliminary studies  Preface (Ger/Eng) and
Critical Commentary (Eng)
Loewe, Carl Martin, Frank Martinů, Bohuslav

(1796-1869) (1890-1974) (1890-1959)
Das Sühnopfer des neuen Ode à la Musique Romance from the Dandelions
Bundes (Ger) for baritone, mixed choir (Cz/Ger/Eng)
Libretto based on the Holy (SATB) and orchestra for solo soprano and mixed
Scriptures by William Telschow. BA 6725-90 ° V.s. choir (SSATB)
Urtext / Ed. C. Mücke BA 6725-91 Choral score H 2997 Choral score
Piano reduction by the
composer
BA 7678-90 ° V.s.
22
Sacred Choral Works by Mårten Jansson
Missa brevis NEW 2016 Ingenting utanför NEW 2016 Missa Popularis NEW 2016
in E-flat minor Nothing Beyond [SSA (TB)] and String Quartet
(SATB) (Lat) SSMezAA (Swed/Eng) (VI, VII, Va, Vc) (Lat)
BA 8521 BA 8522 BA 7420-90 ° V.s.
To appear in October 2016 To appear in October 2016
Already published:
In the Light of God

NEW 2015
(SMezATB) (Swed/Eng) “It is
BA 7417 worthwhile to
NEW 2015
explore these pieces
Es ist ein Ros entsprungen
(Arrangement for SSAATTBB) and to perform
(Ger/Eng/Swed) them.” (Musik
BA 7418 W 2015 und Kirche)
NE
God Rest Ye Merry, Gentlemen
(Arrangement for SATB) (Eng)
BA 7419
Fear Thou Not
(SSMezAA) (Eng)
BA 7411
The Choirmaster’s Burial
(SSATBB) (Lat SSA/Eng TBB)
BA 7413
Maria (IV)
(SATB) (Swed/Eng)
BA 7412
Cantate Domino
(SSAATTBB) (Lat)
BA 7414
I Never Saw a Moor
(SSMezMezAA) (Eng)
BA 7415
Order our new flyer (SPA 50_64) and sample score
Cantate Domino
(TTBB) (Lat)
(SPA 227). Both are available for download at:
BA 7416 www.baerenreiter.com. See for video samples 23
23
Mendelssohn Bartholdy, Felix

(1809-1847)
Denn er hat seinen Engeln Psalm settings by Mendelssohn

befohlen / For He shall give
His angels charge (Ger/Eng) Mendelssohn Bartholdy, Felix
for mixed choir a cappella (1809-1847)
(SSAATTBB)
Urtext / Ed. C. Heimbucher Three Psalms op. 78
BA 8933 Score (Ger/Eng)
Die erste Walpurgisnacht / for mixed choir (SSAATTBB)
The First Walpurgis Night and organ
op. 60 (Ger/Eng) Urtext / Ed. H. Hoshino
Text by Johann W. von Goethe BA 8941 Choral score
Urtext / Ed. J. M. Cooper NEW 2016
Piano reduction by the Separate editions from
composer op. 78 (without introduction
BA 9072-90  V.s. or critical commentary):
Elijah op. 70 (Ger/Eng) Psalm 2

Oratorio. Text compiled Why rage fiercely the Heathen /
by the composer from the Warum toben die Heiden
Old and New Testaments (Ger/Eng) Psalm 98
Urtext / Ed. D. Seaton for mixed choir (SSAATTBB) Sing to the Lord a new made
Piano reduction by the BA 8938 Choral score Song / Singet dem Herrn ein
composer, partially adjusted neues Lied MWV A 23 /
by A. Köhs Psalm 22 op. posth. 91 (Ger/Eng)
BA 9070-90 ° V.s. My God, why hast Thou for soloists (SATB) and two
forsaken me / mixed choirs (SATB[2])
 Urtext edition including Mein Gott, warum hast du Urtext / Ed. J. M. Cooper
numbers from the original mich verlassen Piano reduction based
version for the first time (Ger/Eng) on first edition
for mixed choir (SSAATTBB) BA 9076-90 ° V.s.
 English and German singing BA 8940 Choral score
texts Mendelssohn’s setting of
Psalm 43 Psalm 98 was written in a few
 Critical commentary (Eng) Judge me, O God / weeks to satisfy a commission
in his new position as general
 “The production is well Richte mich, Gott und führe
meine Sache music director of Prussia and
up to the high standards (Ger/Eng) was premiered by the Berlin
we have come to expect for mixed choir (SSAATTBB) Cathedral Choir on 1 January
from Bärenreiter”. BA 8939 Choral score 1844. As he neither released
(Organists’ Review) the work for publication nor
produced a vocal score, his
St. Paul op. 36 (Ger/Eng) psalm setting did not appear
Urtext / Ed. J. M. Cooper Psalm 42 in print until after his death.
Piano reduction by the As the Hart pants /
composer, partially adjusted For this edition the
Wie der Hirsch schreit op. 42
by A. Köhs authoritative Mendelssohn
(Ger/Eng)
BA 9071-90 ° V.s. specialist John Michael
for mixed choir (SATB) and
Cooper drew primarily on
soloists (STTBB)
the autograph score with its
Urtext / Ed. J. M. Cooper
many subsequent corrections
BA 9074-90 ° V.s.
 Please see and amendments. In this way
it differs from many other
Bärenreiter’s website  Psalm with a large
editions, which tend to treat
orchestral scoring in an
the autograph as a subordinate
www.baerenreiter.com Urtext edition
source.
for more detailed  Original German as well as The piano reduction is based
English text on the first printed edition,
information on the
published by F. Kistner and
individual editions. Evers & Co. in 1851.
24

(1809-1847)
Three Motets op. 69 (Ger/Eng)

New musical and performing insights
Urtext / Ed. J. M. Cooper
BA 8937 Choral score
Separate editions from op. 69

(without introduction
and critical commentary):
Lord now lettest Thou Thy

servant depart in peace /
Herr, nun lässest du deinen
Diener in Frieden fahren
(Ger/Eng) for mixed choir
(SATB)
My soul doth magnify the

Lord /
Mein Herz erhebet Gott, den
Herrn (Ger/Eng)
O be joyful in the Lord /

Jauchzet dem Herrn, alle Welt
(Ger/Eng)
Wer nur den lieben Gott lässt

walten (Ger)
Cantata for solo soprano,
mixed choir (SATB) and strings
(organ)
Ed. B. Oswald
BA 6380 Score

(1809-1847)
(1685-1750) Monteverdi, Claudio
(1567-1643)
St. Matthew Passion BWV 244  These movements are also
(Ger). Oratorio by J. S. Bach Vespro della Beata Vergine (Lat) available with piano
in the arrangement by Urtext / Ed. H. Schulze et al. reduction as print-on-
F. Mendelssohn Bartholdy BA 8794-90 ° V.s. demand.
Urtext / Ed. K. Winkler
Piano reduction by K. Winkler  Scholarly-critical Urtext  “What a monumental
BA 9088-90  V.s. edition orientated towards publication! The comprehensive
performance practice and remarkably documented
Monteverdi, Claudio foreword ... is musicologically,
 Detailed critical
(1567-1643) historically and liturgically of
commentary (Eng) in the
great significance for the
full score
Canzonetten (Ital/Ger) understanding of the work and
For female choir (SSA)  Movements 10, 13 and 14 are its interpretation. Regarding the
German text in Gothic print included in their original score, it presents the optimum
BA 1562 Choral score high clef in the appendix of in layout and readability.”
the full score. (L’Education musicale)
25
Bärenreiter Female Choir Series

The choral scene is in a state of change! More and more choirs are lacking in male voices
and at the same time, more and more female choirs are looking for high-quality literature
beyond folksong arrangements. The Bärenreiter Female Choir series responds to these trends
by presenting arrangements for female choir (mostly SMezA)
of well-known, frequently-performed works.
Haydn, Joseph
(1732-1809)
Missa brevis Sti Joannis de Deo
“Little Organ Mass”
(Hob. XXII:7) (Lat)
Arranged for female choir
SMezAA by H. Breuer
BA 5694-90 ° V.s.
The vocal score is compatible

with the performance material
of the original work BA 4653.
Mozart, Wolfgang Amadeus

(1756-1791)
Missa brevis in D maj
K. 194 (186h) (Lat)
Arranged for female choir
(SMezA) by H. Breuer
BA 5690-90 ° V.s.
The vocal score is compatible aus: Missa in C major “Sparrow Mass” K. 220 · BA 5693-90
carefully retains the substance Vivaldi, Antonio
Missa in C maj “Coronation of the original works, at the (1678-1741)
Mass” K. 317 (Lat) same time giving them a
Arranged for female choir completely new sound quality. Gloria RV 589 (Lat)
(SMezA) by H. Breuer Arranged for female choir
BA 5691 Score Pergolesi, Giovanni Battista (SSAA) by M. Bruno
BA 5691-90 ° V.s. (1710-1736) BA 8953 Score
BA 8953-90 ° V.s.
The vocal score is compatible Stabat Mater (Lat)
with the performance material Arranged for female choir The vocal score is compatible
of the original work BA 4880 (SMezA) by M. Bruno with the performance material
(arranged without trombones). BA 5692 Score of the original work BA 7674.
BA 5692-90 ° V.s.
Missa in C maj “Sparrow Mass” Kyrie RV 587 (Lat)
The vocal score is compatible
K. 220 (196b) (Lat) Arranged for female choir
Arranged for female choir (SSAA) by M. Bruno
(SMezA) by H. Breuer BA 8954 Score
BA 5693 Score In this edition, the outer BA 8954-90 ° V.s.
BA 5693-90 ° V.s movements and no. 8 are now
scored for three-part choir The vocal score is compatible
The vocal score is compatible (SMezA) in contrast to the solo with the performance material
with the performance material aria movements. Three further of the original work BA 8950.
movements are set as trios for
three solo voices. The added  “The Bärenreiter edition
With great skill and sensitivity parts are derived from the is flawless”. (Kirchenmusik
to the music, Heribert Breuer existing musical material. im Bistum Aachen)
26
Mozart, Wolfgang Amadeus Exsultate, jubilate

(1756-1791) K. 165 (158a) (Lat)
with additional material
Alma Dei creatoris from the Salzburg version
K. 277 (272a) (Lat) Urtext / Ed. H. Federhofer,
Urtext / Ed. H. Federhofer R. Münster
Piano reduction by A. Köhs Piano reduction by M. Focke
BA 4889-90 ° V.s. BA 4897-90 ° V.s.
Hosanna in G maj
K. 223 (166e) (Lat)
Urtext / Ed. M. Holl
BA 5347-90 V.s.
Inter natos mulierum

K. 72 (74f) (Lat)
Urtext / Ed. M. Holl Laudate Dominum
Piano reduction by A. Köhs from the Vesperae solennes
BA 4788-90 ° V.s. de Confessore K. 339 (Lat)
BA 4788-91 Choral score Urtext / Ed. K. G. Fellerer,
F. Schroeder
Kyrie in D min K. 90 (Lat) Piano reduction by M. Focke
Urtext / Ed. M. Holl BA 5339-90 ° V.s.
BA 5346-90 ° V.s. Litaniae Lauretanae B.M.V.
in B-flat maj K. 109 (74e) (Lat)
Ave verum corpus K. 618 (Lat) Urtext / Ed. H. Federhofer,
Urtext / Ed. H. Federhofer R. Federhofer-Königs
Piano reduction by Piano reduction by M. Focke
C. Heimbucher BA 4890-90 ° V.s.
BA 4946-90 V.s. BA 4890-91 Choral score
BA 4946 Playing score
Litaniae Lauretanae B.M.V.
Benedictus sit Deus in D maj K. 195 (186d) (Lat)
K. 117 (66a=47b) (Lat) Urtext / Ed. H. Federhofer,
Urtext / Ed. H. Federhofer R. Federhofer-Königs
Piano reduction by A. Köhs Piano reduction by M. Focke
BA 4884-90 ° V.s. BA 4891-90 ° V.s.
Litaniae de venerabili altaris
Betulia liberata K. 118 (Ital/Ger) Sacramento in B-flat maj
Text by P. Metastasio / K. 125 (Lat)
E. Schmidt Urtext / Ed. H. Federhofer,
Urtext / Ed. F. Tagliavini Kyrie in D min K. 341 (368a) (Lat) R. Federhofer-Königs
Piano reduction by H. G. Kluge Urtext / Ed. W. Senn Piano reduction by M. Focke
BA 4521-90  V.s. Piano reduction by M. Focke BA 4763-90 ° V.s.
BA 4702-90 ° V.s. BA 4763-91 Choral score
Dixit et Magnificat
K. 193 (186g) (Lat) Kyrie in F maj K. 33 (Lat) Litaniae de venerabili altaris
Urtext / Ed. K. G. Fellerer, Urtext / Ed. M. Holl Sacramento in E-flat maj
F. Schroeder Piano reduction by A. Köhs K. 243 (Lat)
Piano reduction by M. Focke BA 5345-90 ° V.s. Urtext / Ed. H. Federhofer,
BA 5340-90 ° V.s. R. Federhofer-Königs
BA 5340-91 Choral score Piano reduction by M. Focke
BA 4892-90 ° V.s.
available on sale
available on hire
27
Mozart, Wolfgang Amadeus Missa in C min “Waisenhaus Missa brevis in C maj

(1756-1791) Mass” K. 139 (47a) (Lat) “Credo Mass” K. 257 (Lat)
Choir & Organ series → page 29 Choir & Organ series → page 29
Misericordias Domini BA 7521 Score BA 7520 Score
K. 222 (205a) (Lat)
Urtext / Ed. H. Federhofer Missa brevis in G maj Missa in C maj K. 258 (Lat)
Piano reduction by A. Köhs K. 140 (Anh. 235d) (Lat) Urtext / Ed. W. Senn
BA 4789-90 ° V.s. Urtext / Ed. W. Senn Piano reduction by M. Focke
BA 4789-91 Choral score Piano reduction by M. Focke BA 4851-90 ° V.s.
Missa brevis in G maj BA 4736-91 Choral score
K. 49 (47d) (Lat) Missa in C maj “Organ
Urtext / Ed. W. Senn Missa in C maj “Trinity Solo Mass” K. 259 (Lat)
Piano reduction by M. Focke Sunday Mass” K. 167 (Lat) Urtext / Ed. W. Senn
BA 4769-91 Choral score Piano reduction by M. Focke BA 4852-90 ° V.s.
Missa brevis in D min BA 4783-91 Choral score
K. 65 (61a) (Lat) Missa longa in C maj K. 262
Urtext / Ed. W. Senn Missa brevis in F maj (246a) (Lat)
Piano reduction by M. Focke K. 192 (186f) (Lat) Urtext / Ed. W. Senn
Piano reduction by M. Focke BA 4853-90 ° V.s.
Missa in C maj “Dominicus BA 4770-90 ° V.s. BA 4853-91 Choral score
Mass” K. 66 (Lat) BA 4770-91 Choral score
Urtext / Ed. W. Senn Missa brevis in B-flat maj
Piano reduction by M. Focke Missa brevis in D maj K. 275 (272b) (Lat)
BA 4791-90 ° V.s. K. 194 (186h) (Lat) Urtext / Ed. M. Holl
BA 4791-91 Choral score Urtext / Ed. W. Senn Piano reduction by M. Focke
Missa brevis in D maj

K. 194 (186h) (Lat)
BA 5690-90 ° V.s. → page 26
Missa in C maj “Sparrow

Mass” K. 220 (196b) (Lat)
Urtext / Ed. W. Senn
Piano reduction by M. Focke
BA 5343-90 ° V.s.
Missa in C maj “Sparrow Mass”

K. 220 (196b) (Lat)
Missa in C min “Waisenhaus
BA 7522 Score
Mass” K. 139 (47a) (Lat)
Urtext / Ed. W. Senn
Missa in C maj “Sparrow Mass”
K. 220 (196b) (Lat) Missa in C maj “Coronation
BA 4858-90 ° V.s.
Bärenreiter Female Choir series Mass” K. 317 (Lat)
BA 5693-90 ° V.s. → page 26 Urtext / Ed. M. Holl
Missa brevis in C maj BA 4880-90 ° V.s.
“Credo Mass” K. 257 (Lat) BA 4880-91 Choral score
Urtext / Ed. W. Senn TP 316 Study score
° = Performance material BA 4859-90 ° V.s.
available on sale
available on hire
28
Bärenreiter Choir & Organ Series

“Choir & Organ presents a great opportunity for all choirs to sing the great
choral repertoire without the need for an orchestra – these versions will help
to keep these works alive and in the hearts of all lovers of choral music.”
(Bob Chilcott)
● Ideal for choral conductors
and choirs who wish to
perform well-known choral
works without the
expense of an orchestra
● Only one edition needed
for soloists, singers and
organists
● Choir and solo parts remain
true to the original:
original orchestral parts
are transcribed into
easy-to-play organ parts
● Scoring mostly for soloists
(SATB), mixed choir (SATB)
From: Fauré, Requiem op. 48 · BA 7513 and organ
Bach, Carl Philipp Emanuel Dvořák, Antonín Mozart, Wolfgang Amadeus

Magnificat Wq 215 Mass in D maj op. 86 (Lat) Requiem K. 626 (Lat)
Arranged by A. Köhs Urtext / Ed. J. Burghauser, Arranged by M. Focke
BA 7517 Score A. Cubr BA 7518 Score
BA 7511 Score
Bach, Johann Sebastian Shorter Sacred Works
Festive Choral Settings Fauré, Gabriel Arranged by A. Köhs
from Cantatas Requiem op. 48 (Lat) BA 7523 Score
Arranged by I. Bredenbach Arranged by I. Bredenbach
for mixed choir (SATB) BA 7513 Score Saint-Saëns, Camille
and organ Oratorio de Noël op. 12
Mozart, Wolfgang Amadeus “Christmas Oratorio” (Lat)
BA 7527 Score Missa in C min “Waisenhaus
Separate organ part Arranged by A. Köhs
Mass” K. 139 (47a) (Lat) BA 7514 Score
BA 7527-67 PoD Arranged by M. Focke
BA 7521 Score Schubert, Franz
Choral movements from the
Missa in C maj “Sparrow Mass” Missa in G maj D 167 (Lat)
Christmas Oratorio Part I-III
K. 220 (196b) (Lat) Arranged by M. Gerisch
BWV 248
Arranged by M. Focke BA 7512 Score
Arranged by H. Gehring
for mixed choir (SATB) BA 7522 Score
Vivaldi, Antonio
and organ Introduzione al Gloria.
Missa brevis in C maj
BA 7525 Score Gloria in D maj
“Credo Mass” K. 257 (Lat)
Arranged by M. Focke RV 642, 589 (Lat)
Bruckner, Anton Arranged by M. Focke
BA 7520 Score
Te Deum WAB 45 (Lat) BA 7515 Score
Arranged by A. Köhs Missa in C maj “Coronation
BA 7524 Score Mass” K. 317 (Lat) Magnificat RV 610/611 (Lat)
Arranged by M. Focke Arranged by A. Köhs
BA 7519 Score BA 7516 Score
29
Mozart, Wolfgang Amadeus Regina coeli in C maj Scande coeli limina K. 34 (Lat)
(1756-1791) K. 108 (74d) (Lat) Urtext / Ed. H. Federhofer
Urtext / Ed. H. Federhofer Piano reduction by A. Köhs
Missa in C maj “Coronation Piano reduction by A. Köhs BA 4882-90 ° V.s.
Mass” K. 317 (Lat) BA 4886-90 ° V.s. BA 4882-91 Choral score
Choir & Organ series → page 29 BA 4886-91 Choral score
BA 7519 Score Shorter Sacred Works
Missa in C maj “Coronation BA 7523 Score
Mass” K. 317 (Lat)
Bärenreiter Female Choir series Tantum ergo K. 142
BA 5691-90 ° V.s. → page 26 (Anh. 186d) (Lat)
Mozart’s arrangement
Missa in C maj of Friedrich Zachow’s
“Missa solemnis” K. 337 (Lat) Tantum Ergo with
Urtext / Ed. M. Holl newly composed Amen
Piano reduction by M. Focke Urtext / Ed. H. Federhofer
BA 4881-91 Choral score BA 4752-90 ° V.s.
Tantum ergo K. 197 (Anh. 186e)
(Lat)
Urtext / Ed. H. Federhofer
BA 4753-90 ° V.s.
Regina coeli in B-flat maj BA 4753-91 Choral score
K. 127 (Lat)
BA 4887-90 ° V.s.
Regina coeli in C maj

K. 276 (321b) (Lat)
BA 4888-90 ° V.s.
Requiem K. 626 (Lat)

BA 4538-90 ° V.s. → page 31

Choir & Organ series
BA 7518 Score → page 29
Te Deum laudamus
Requiem K. 626 K. 141 (66b) (Lat)
Facsimile of the autograph Urtext / Ed. H. Federhofer
score held in the Austrian Piano reduction by A. Köhs
National Library BA 4885-90 ° V.s.
Missa in C min K. 427 (417a) ISBN 978-3-7618-2346-0
→ page 42 Veni Sancte Spiritus K. 47
(Lat) (Lat)
Credo in unum Deum, Urtext / Ed. H. Federhofer
Et incarnatus est, Sanctus, Sancta Maria, mater Dei
K. 273 (Lat) Piano reduction by A. Köhs
Hosanna. Reconstructed and BA 4883-90 ° V.s.
completed by Helmut Eder Urtext / Ed. H. Federhofer
Piano reduction by A. Köhs BA 4883-91 Choral score
Urtext / Ed. M. Holl
BA 4751-91 Choral score Venite populi K. 260 (248a)
BA 4846-90  V.s. (Lat)
TP 255 Study score Urtext / Ed. H. Federhofer
BA 4899-90 ° V.s.
30
A newly revised vocal score of Mozart's Requiem
 Now with a Foreword (Ger/Eng)

by Christoph Wolff
 Revised vocal score, critically evaluated
 Newly engraved with larger notation and
new typeface
 New idiomatic piano reduction NEW 2016
 Compatible with all existing performance
material (BA 4538)

Mozart’s fragment in the
version completed by
Franz Xaver Süssmayr
Urtext / Ed. L. Nowak
(Reviewed and revised
by A. Wissemann)
BA 4538-90 ° V.s.
To appear in November 2016
TP 152 Study score
Mozart’s final work, the Requiem

K. 626, was left incomplete.
The completion of the
fragmentary score by his
assistant Franz Xaver Süssmayr,
who helped him with The Magic
Flute, is a historical source in its
own right with utmost proximity
to Mozart’s thoughts.
The Requiem score, published in

the New Mozart Edition, served
as the basis for this vocal score
edition which now appears in a
revised form and newly engraved.
The musical text has been
reviewed, the vocal parts made
easier to read and the piano
accompaniment easier to play.
Christoph Wolff, an authoritative

Requiem connoisseur, has
supplied a Foreword with a
clear and concise account of the
work’s genesis and basic musical
features.
31

(1756-1791)
Pergolesi, Giovanni Battista
Vesperae solennes (1710-1736)
de Confessore K. 339 (Lat) NEW 2016
Urtext / Ed. K. G. Fellerer, Mass in F major
F. Schroeder “Missa Romana” (Lat)
Piano reduction by M. Focke Urtext / Eds. M. Bruno, C. Ritchie
BA 4894-90 ° V.s. Piano reduction by the editor
BA 4894-91 Choral score BA 8958-90 ° V.s.
Vesperae solennes This Urtext edition presents

de Dominica K. 321 (Lat) the work for the first time in
Urtext / Ed. K. G. Fellerer, the four-choir version that
F. Schroeder Pergolesi wrote for a
Piano reduction by M. Focke performance in Rome.
BA 4893-90 ° V.s.
BA 4893-91 Choral score Choirs III and IV are reproduced
in smaller type and are added
The Messiah K. 572 (Ger) to the version for double choir This allows the work to be
Urtext / Ed. A. Holschneider in order to intensify the overall performed not only with two
Oratorio by G. F. Handel in the sound. choirs but also in the delightful
arrangement by W. A. Mozart enlarged version for four choirs.
Piano reduction by E. Barthel
BA 4529-90 V.s.
(1756-1791) /
(1685-1759)
Das Alexander-Fest /
Alexander’s Feast K. 591 (Ger)
Cantata in two parts
by G. F. Handel in the
arrangement by W. A. Mozart
Urtext / Ed. A. Holschneider
Piano reduction by
K. Ameln and A. Wissemann
BA 4527-90  V.s.
Pachelbel, Johann
(1653-1706)
Christ lag in Todesbanden /
Christ lay in grim death’s prison
(Ger/Eng). Easter Cantata for
soloists (SATB), choir (SATB),
strings, bassoon and bc
Ed. H. H. Eggebrecht
BA 2875 ° Score
Magnificat anima mea (Lat)
Motet for mixed choir (SATB)
and bc
BA 2877 Singing score
Nun danket alle Gott / Now
thank we all our God (Ger/Eng)
Motet for mixed choir
(SATB+SATB) and bc
BA 2873 Singing score,
playing score
32
Pergolesi, Giovanni Battista

(1710-1736)
Vespro della Beata Vergine /

To celebrate the Reger centenary
Vespers (Lat)
A reconstruction. Ed. M. Bruno,
This edition contains a
E. Higginbottom, R. Ross
selection of his sacred a
Piano reduction by M. Bruno
cappella choral works. Their
BA 7675-90  V.s.
scoring, level of difficulty and
length make them ideal for
Stabat Mater
choirs who are wary of
for Soprano, Alto, Strings and
tackling the large-scale op. 110
Basso continuo (Lat)
motets. For the first time, the
Urtext / Eds. M. Bruno, C. Ritchie
selection of works includes
Piano reduction by M. Bruno
the previously unpublished
BA 7679-90 ° V.s.
Acht Grabgesänge (1900).
Stabat Mater (Lat)
The pieces are arranged in
chronological order.
BA 5692-90 ° V.s. → page 26
Purcell, Henry  Tantum ergo (1895), Maria

(1659-1695) Himmelsfreud (1899-1900),
Reger, Max NEW 2016 Acht Grabgesänge (ca. 1900),
Evening Service (1873-1916) Acht Marienlieder op. 61D
Magnificat and Nunc dimittis (1901), Sechs Trauergesänge
(Ger/Eng) for soloists (SSATB or Sacred Choral Music op. 61G (1901),
small choir) and choir (SATB) a cappella (Ger) Palmsonntagmorgen (1902),
Ed. J. Just Urtext / Ed. M. Chizzali Vier Kirchengesänge (1904),
BA 2923 Choral score BA 7549 Easter motet: Lasset uns
den Herren preisen (1911),
2016 marks the first centenary Abschiedslied (1914), Acht
O, sing unto the Lord / Singt,
of the death of Max Reger. In geistliche Gesänge op. 138
o singt dem Herrn (Ger/Eng)
addition to his best-known (1914)
Anthem for soloists (SATB),
field of creativity – organ
choir (SATB) and strings
music – his choral compositions
Ed. J. Just
form another major part of
BA 2901 ° Score
his œuvre.
Rossini, Gioachino
(1792-1868)
Petite Messe solennelle

BA 10501-90 → page 34
Ryba, Jakub Jan

(1765-1815)
Czech Christmas Mass (Cz/Ger)

for soloists (SATB) and mixed
choir (SATB)
H 5572 V.s.
available on sale
available on hire
33
Saint-Saëns, Camille
(1835-1921)
This edition presents Rossini‘s
original chamber music Oratorio de Noël op. 12
setting of the Petite Messe “Christmas Oratorio” (Lat)
solennelle for two pianos and Choir & Organ series → page 29
harmonium. This unusual BA 7514 Score
instrumentation is entirely in
keeping with the Neapolitean Schein, Johann Hermann
keyboard tradition of the 18 th (1586-1630)
The Claude Palisca century which was cultivated
Prize 2010 in France during Rossini‘s day. Die mit Tränen säen
It forms a distinct contrast to Motet no. 3 from
the style of large-scale sacred “Israelsbrünnlein” for mixed
compositions as written by, choir (SSATB) and bc
for example Liszt and BA 2553 Choral score,
Bruckner. playing score
 Based on the Urtext of the Ich freue mich im Herren (Ger)

series Works of Gioachino Motet no. 14 from
Rossini, Gioachino "Israelsbrünnlein" for mixed
(1792-1868) Rossini
choir (SSATB) and bc
Petite Messe solennelle (Lat)  Foreword (Eng/Ital/Ger) BA 2564 Choral score,
Urtext / Ed. P. B. Brauner, playing score
P. Gossett  With a separate
Piano reduction by A. Köhs harmonium part and one Schubert, Franz
BA 10501-90 ° V.s. part for pianos I and II (1797-1828)
Winner of the Claude Palisca  “… it is very difficult to German Mass D 872 (Ger)
Second definitive version
Prize 2010 awarded by imagine anyone arriving at a
the American Musicological more scholarly, accurate, and Urtext / Ed. M. Kube
Society for Best Musical practically useful text than this.” Piano reduction by M. Kube
Edition (Classics today) BA 7599-90 ° V.s.
Missa in A-flat maj D 678 (Lat)

(Second version)
Urtext / Ed. D. Finke-Hecklinger
BA 5623-90 ° V.s.
Missa in B-flat maj op. post. 141

D 324 (Lat)
Urtext / Ed. R. Dalmonte
BA 5621-90 ° V.s.
Missa in C maj op. 48

D 452 (Lat)
Urtext / Ed. P. P. Scattolin
Revised edition
BA 5622-90 ° V.s.
Missa in F maj D 105 (Lat)

Urtext / Ed. T. Pecker Berio
BA 5624-90 ° V.s.
34
Schubert, Franz Schütz, Heinrich Magnificat SWV 468 (Ger)

(1797-1828) (1585-1672) for favoritchoir (SATB[solo)],
2 capellchoirs (SATB [tutti)],
Missa in G maj D 167 (Lat) Die sieben Worte Jesu 2 instrumental choirs and bc
Choir & Organ series → page 29 Christi am Kreuz SWV 478 (Ger) BA 4334-91 ° Choral score
BA 7512 Score for soloists (SATTB), mixed BA 4334-92 ° Choral score
choir (SATTB), strings and bc BA 4334-93 ° Choral score
Die schöne Müllerin Solo voices / instrumental
arranged for mixed choir parts available separately Singet dem Herrn ein neues
a cappella (SATB) Ed. B. Grusnick Lied SWV 35 (Ger)
BA 6596 Singing score Gothic print Psalm no. 98 for two mixed
BA 1577 ° Score choirs (SATB+SATB)
Schütz, Heinrich BA 1577-91 Choral score Ed. W. Ehmann
(1585-1672) BA 2398 Choral score
Deutsches Magnificat 1671 NEW 2017 Zwölf Geistliche Gesänge (Ger)
“Meine Seele erhebt den Historia der Geburt for mixed choir (SATB) and bc
Herrn” SWV 494 (Ger) Jesu Christi (Ger) ad lib.
from Der Schwanengesang for mixed choir (SSATTB) BA 6948 Choral score
for two mixed choirs (SATB+ Urtext / Ed. B. Varwig
SATB). Transposed a whole BA 5925-90 ° V.s.
tone higher. Ed. K. Ameln in preparation
Revised edition of “Geistliche Chor-Music”

Selected motets available So fahr ich hin zu Jesu Christ
in individual octavo editions: SWV 379 (No. 11)
 With modern notation and
layout, retention of the
Also hat Gott die Welt geliebt
original keys and an
SWV 380 (No. 12)
integrated figured bass
realisation
 The ‘choral’ parts can be O lieber Herre Gott, wecke uns
performed by instruments auf SWV 381 (No. 13)
as well as voices. For purely BA 7973 Choral score
instrumental performances -
order parts under BA 5901 and Das Wort ward Fleisch
BA 5902 SWV 385 (No. 17)
Verleih uns Frieden genädiglich
SWV 372 (No. 4)
Die Himmel erzählen die Ehre
Schütz, Heinrich Gottes SWV 386 (No. 18)
(1585-1672) Gib unsern Fürsten und aller BA 7978 Choral score
Obrigkeit SWV 373 (No. 5)
Sacred Choral Music BA 7965 Choral score Das ist je gewisslich wahr
Urtext / Based on Werner SWV 388 (No. 20)
Breig’s edition published Unser keiner lebet ihm selber
in The New Schütz Edition SWV 374 (No. 6)
The five-part motets Ich bin ein rechter Weinstock
Herr, auf dich traue ich SWV 389 (No. 21)
(Nos. 1-12, SWV 369-380) (Ger) SWV 377 (No. 9)
BA 5901 ° Choral score BA 7981 Choral score
The six and seven-part motets Die mit Tränen säen, werden mit Selig sind die Toten
(Nos. 13-29, SWV 381-397) (Ger) Freuden ernten SWV 378 (No. 10) SWV 391 (No. 23)
BA 5902 ° Choral score BA 7970 Choral score BA 7983 Choral score
35
In celebration of the Telemann Year 2017 · 250th Anniversary
NEW 2016
Telemann, Georg Philipp

(1681-1767)
Die Auferstehung und From: Telemann, Auferstehung und Himmelfahrt Jesu · BA 5851-90
Himmelfahrt Jesu TWV 6:6 (Ger)
Urtext / Ed. R.J. Reipsch mastery in depicting the words  Richly scored hitherto
Piano reduction by A. Köhs of the chorale. The so-called unknown work
BA 5851-90  V.s. ‘Ausfüllungsbass’ (a vocal bass
added to the principal bass in  Interesting addition to the
To appear in November 2016
tutti passages) was probably repertoire for church as well
This oratorio (c. 1760) is one necessitated by the acoustical as concert choirs
of Telemann’s last large-scale properties of Hamburg’s churches.
vocal compositions. The Gelobet seist du, Jesu Christ /
libretto, by K. W. Ramler, recounts We praise your name
Donnerode TWV 6:3 (Ger) TWV 1:612 (Ger/Eng). Cantata
the Biblical events from the Oratorio in two parts
Resurrection to the Ascension for the Second Day of Christmas
Urtext / Ed. W. Hobohm Urtext / Ed. U. Poetzsch-Seban
in seven sections. Alternating Piano reduction by A. Köhs
between recitative, da capo Piano reduction by A. Köhs
BA 5900-90  V.s. BA 7676-90 ° V.s.
arias and festive choruses,
Telemann succeeds in
producing a vivid and effective Du aber, Daniel, gehe hin (Ger)  “All in all high-quality
musical interpretation. Funeral cantata for soloists music which has been evaluated
(SB), mixed choir (SATB), flute, “in the field” for performers.”
Christus, der ist NEW 2016 oboe, strings and organ (Journal Kirchenmusik)
Ed. G. Fock
mein Leben TWV 1:138 (Ger)
BA 3583-91 ° Choral score NEW 2016
Urtext / Ed. U. Poetsch
Piano reduction by A. Köhs Gott der Hoffnung erfülle
BA 5897-90 ° V.s. Gelobet sei der Herr euch TWV 1:634 (Ger). Cantata
To appear in October 2016 TVWV 1:602/1216 (Ger) for the first day of Whitsun
Oratorio for St John's Day Urtext / Ed. M. Richter
This is the first scholarly- Urtext / Ed. U. Poetzsch Piano reduction by A. Köhs
critical edition of the highly Piano reduction by A. Köhs BA 5898-90 ° V.s
successful chorale setting BA 5899-90  V.s
(1754) of the church hymn BA 5899-91 Choral score In 1717 Telemann composed
Christus, der ist mein Leben, this cantata based on a text by
based on M. Vulpius’s melody Telemann’s two-part oratorio Erdmann Neumeister. It forms
from the Hamburg Hymnal. appeared as part of the “great part of the Concerten-Jahrgang,
The work is especially well- oratorio year” of 1730/31. also known as Das Harmonische
suited to display Telemann’s Zion or Italienischer Jahrgang
36
Seither, Charlotte Vivaldi, Antonio

(*1965) (1678-1741)
of his death Guarda in giù for 12-part Choir Gloria RV 589 (Lat)
(Ger) (2012). For mixed choir Bärenreiter Female Choir series
(SSSAAATTTBBB) BA 8953-90° V.s. → page 26
Introduzione al Gloria.
and has been colourfully Trojahn, Manfred Gloria in D maj RV 642, 589 (Lat)
scored. Vocal soloists, choir (*1949) Choir & Organ series → page 29
and instruments have equal BA 7515 Score
musical standing in this festive Ungewisses Licht (Ger) (2014)
cantata. 4 fragments for 8-part choir Kyrie RV 587 (Lat)
for mixed choir (SSAATTBB) Urtext / Ed. M. Bruno
Die Hirten bei der Krippe BA 11061 Choral score Piano reduction by M. Bruno
zu Bethlehem TWV 1:797 (Ger) BA 8950-90 ° V.s.
Sacred Cantata The Kyrie RV 587, scored for
Urtext / Ed. W. Hobohm Verdi, Giuseppe two choirs and two groups
Piano reduction by M. Focke (1813-1901) of stringed instruments, is
BA 5852-90 ° V.s. purely a choral work without
Messa da Requiem (Lat)
solo passages. The date of its
Der jüngste Tag wird bald sein BA 7590-90 → page 38
composition remains unclear.
Ziel erreichen / The Last of Days
shall reach its destination Kyrie RV 587 (Lat)
Vivaldi, Antonio Arranged for female choir
TWV 1:301 (Ger/Eng) (1678-1741)
Cantata for the Second Advent (SSAA)
Urtext / Ed. U. Poetzsch-Seban Gloria RV 589 (Lat) Bärenreiter Female Choir series
Piano reduction by A. Köhs Urtext / Ed. M. Bruno BA 8954-90° V.s. → page 26
BA 7671-90 ° V.s. Piano reduction by M. Bruno
Magnificat RV 610/611 (Lat)
BA 7674-90 ° V.s.
Laudate Jehovam BA 7674-91 Choral score
BA 7516 Score
“Auf! Lobet den Herren” (Lat/
Ger). Psalm no. 117 for mixed
choir (SATB), two violins and bc richly scored work, marks
Ed. E. Valentin a highlight in the œuvre of
BA 2900-91 ° Choral score Zelenka. It was composed in
1729 while he was working at
Nun komm der Heiden Heiland / the Dresden court.
Come thou of man the Saviour
TWV 1:1174 (Ger/Eng). Cantata The principal source of this
for the First Sunday of Advent first edition is the damaged
Urtext / Ed. U. Poetzsch-Seban autograph score which had
Piano reduction by A. Köhs long been kept under lock and
BA 7677-90 ° V.s. key. Passages missing because
of its damaged condition
Johannespassion (1745) have been supplemented
“Ein Lämmlein geht und trägt using secondary sources or
die Schuld” TWV 5:30 (Ger) reconstructed by Václav Luks,
Urtext / Ed. W. Hirschmann clearly marked as such in the
Piano reduction by O. Kroupová musical text.
BA 5310-90  V.s. Zelenka, Jan Dismas
(1679-1745) NEW 2016  Magnum opus of Zelenka’s
Matthäus-Passion (1746) music and the Bohemian
for mixed choir (SATB) (Ger) Missa Divi Xaverii ZWV 12 (Lat) Baroque
SM 2349-91  Choral score for soloists, mixed choir and
orchestra  Scholarly-critical first edition
NEW 2015 Urtext / Ed. V. Luks
Piano reduction by P. Kornfeld  Welcome addition to the
Der Tod Jesu TWV 5:6 (Ger) BA 9594-90  V.s. sacred choral repertoire
Urtext / Ed. W. Hobohm
Piano reduction by A. Köhs The Missa Divi Xaverii ZWV 12,  Also suitable for ambitious
BA 5853-90  V.s. an expansive and unusually amateur choirs
37
“… Obviously, this is the latest and most comprehensive edition and

the one that should supplant all others on music library shelves.”
(The American Organist)
The genesis of some  Verdi's monumental work in

misunderstandings included a Bärenreiter Urtext edition
in the 1913 and 1964 Ricordi
editions is traced. The first  Trilingual preface in the
version of the Liber scriptus score (Ital/Eng/Ger)
for chorus is included in the  Detailed Critical
appendix while the later Commentary (Eng)
version for mezzosoprano solo
is to be found in the main part  Idiomatic well-presented
of the edition. piano reduction
Verdi, Giuseppe
(1813-1901)
Messa da Requiem (Lat)
Urtext / Ed. M. Uvietta
Piano reduction by A. Campora
BA 7590-90 ° V.s.
For this scholarly-critical
edition, the editor has
consulted no less than 16
sources, many more than were
ever used for any other edition
of the Requiem; some of these
sources were never evaluated
before and one source, a
hand-written vocal score,
particularly relevant to the
evaluation of the Liber scriptus,
was newly discovered.
As such, this edition offers
new philological and editorial
decisions regarding phrasing,
articulation and dynamics
and succeeds in presenting
practical suggestions to solve
musical problems and those
concerning the interpretation
of this famous work.
This edition comprises a
concise Critical Commentary in
the score as well as a detailed
one on the Bärenreiter website.
The most important editions
published in the 19th century
are compared with regard to
musicological questions in the
work. Digital flyer available for download: www.baerenreiter.com
38
POPULAR CHORAL MUSIC AND COLLECTIONS
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(Eng) Christmas for female voices for mixed choir (mostly SATB)
for mixed choir (mostly SATB) Ed. G. Buckland Ed. K. Suttner, S. Kalmer,
Ed. C. Schönherr BA 7598 B. G. Mettke, M. Frey
BE 488 Choral score BE 2439-01
This collection includes  Over 100 pieces from
This edition contains the most many well-known Christmas
attractive and frequently sung more than 30 countries
melodies in traditional as well
pieces from the series Jazz im as more popular settings from  Includes sacred as well
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Chor aktuell Female Voices but a third optional voice part
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K. Ehmer, M. Frey  A selection: A child this of the foreign languages used.
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styles such as pop, gospel, Drum / The first Nowell Six Motets for Christmas
avant-garde and folk. for mixed choir (SSATBB),
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Ed. M. Carbow BA 8957-91 Choral score
BE 499 Choral score mixed choir
Groove Sisters brings together for children’s choir, equal-voice
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can also be sung a cappella. to the Christmas literature and
will enrich the repertoire of an
 A selection: adults’ or children’s choir.
He Is Always Close To You /  There comes a galley, laden /
He Is The Lord / I Set My Sail / O Saviour, open heaven’s gate /
He Is Making Us Sing / O Lord, how shall I meet you /
Free Your Soul / A Rainy Day / Angels, from the realms of glory /
Lift Your Head Up High As I was watching o’er my Sheep /
Good Christian men, rejoice
Christmas a cappella Hits from Jesus Christ Superstar
for mixed choir (SATB) (Eng)
Ed. G. Buckland 4 pieces for mixed choir (SATB)
BA 7573 a cappella  Please see
Ed. S. Kalmer
 “The greatest strength of BE 429 Choral score
the websites
this collection is its sheer www.baerenreiter.com
scope, containing over 170  Everything’s alright /
carols many of which are the I Don’t Know How to Love and www.bosse-verlag.de
traditional favourites. For this Him / The Last Supper /
fact alone, many choirs will King Herod’s Song for more detailed
find this book excellent value information on
for money.” Worldwide distribution rights
excluding the USA and Canada
(Church Music Quarterly) individual editions.
39
POPULAR CHORAL MUSIC AND COLLECTIONS
64 Spirituals a cappella
(Eng) for mixed choir
(SATB to 10 parts)
Ed. G. Buckland
BA 7574
This collection offers a treasure
trove of the most beautiful
gospel and spiritual numbers
which every choir will want to
sing over and over again.
 A selection: Go down
Moses / Amen / Michael row
the boat ashore / Rock my soul /
This little light of mine /
The Gospel train
33 Spirituals for Upper Voices

(Eng) for female choir or
children's choir (SMezA) and
piano. Ed. G. Buckland
BA 7572
This edition offers exciting
original arrangements that have
never before appeared in print,
written in an authentic idiom
for three women’s or girls’
voices with piano
accompaniment. From: 33 Spirituals for Upper Voices · BA 7572
All the arrangements can be
combined with the already
published edition 64 Spirituals
(BA 7574) which is for SATB. To Stevens, Cat This edition contains nine
give you an example: a children’s Wild World (Eng) specially chosen pieces from
choir working with our new for mixed choir (SATB) countries all over the world in
edition can appear with a Ed. S. Kalmer vibrant arrangements which
mixed chorus that has already BE 727 should appeal particularly to the
mastered the settings of younger choir singer.
BA 7574. In addition twelve of the Weltmusik für Chor /
arrangements can be enhanced The accompanying CD includes
World Music for Choir
by instrumental accompaniments. complete performances of all
These are to be found in the the pieces, recordings of the
Ed. R. Dost
ComboCom series Spirituals individual vocal parts as well as
BE 468 with audio CD
edition (BA 6699) which offers instructive information on the
flexible instrumental settings. background, interpretation and
pronunciation.
40
FACSIMILES

(1685-1750)
Johann Sebastian Bach
“Allein zu dir, Herr Jesu Christ”
BWV 33 St. Matthew Passion BWV 244
Cantata for the 13 th Sunday
after Trinity. Edited by
Christoph Wolff and Peter St. Matthew Passion BWV 244
Wollny. Autograph score, Facsimile of the autograph score
original parts, text from 1724. in the Staatsbibliothek zu Berlin
Facsimile series Bachscher – Preußischer Kulturbesitz
Werke und Schriftstücke, With a commentary by Christoph
New Series, Volume V Wolff, Martina Rebmann and
Boxed set of 24 pages (score), Barbara Schneider-Kempf (Eng/Ger)
54 pages (parts), 16 pages (text) Documenta musicologica II,47
and 16 pages (commentary) 168 pages facsimile and
ISBN 978-3-7618-2201-2 26 pages of commentary
BÄRENREITER FACSIMILE
Half-leather binding, hardback
Mass in B min BWV 232 ISBN 978-3-7618-2294-4
Facsimile of the autograph
score in the Staatsbibliothek
zu Berlin.
Edited by Christoph Wolff.
218 pages of facsimile and a
36 page introduction
(Eng/Ger/Jap); Linen-bound
with silver embossing
Documenta Musicologica II/35
ISBN 978-3-7618-2194-7
 “This facsimile edition is

a model for the presentation
of musical sources, both in
appearance and in
documentation.
Wolff ’s facsimile will serve
as foundational tools”.
(Notes, December)
Beethoven, Ludwig van Winner of the Best Edition Prize

(1770-1827) 2011 awarded by the German
Music Publishers Association
Symphony No. 9
op. 125. Facsimile of  “What a joy for all of us to
the autograph score in the have a readily available facsimile
Staatsbibliothek zu Berlin – of Beethoven 9 at last. Del Mar’s
Preußischer Kulturbesitz, the work on the symphonies has
Beethoven-Haus Bonn and become the gold standard of
the Bibliothèque nationale contemporary editing for us all,
de France. 422 + 11 pages an astonishing work of scholarship
of facsimile and 40 pages which is miraculously practical.
introduction (Eng/Ger/Jap); These two virtues are not often
half-linen, hardback bedfellows … I welcome his
Documenta Musicologica II/42 guiding hand on this new project,
BÄRENREITER FACSIMILE and look forward to a fascinating
ISBN 978-3-7618-2169-5 exploration.” (Sir Simon Rattle)
2011 Best Edition Prize
41
FACSIMILES

(1685-1759)
Messiah HWV 56
Facsimile of the autograph score
in the British Library, London.
Edited by Donald Burrows.
284 pages of facsimile and
a 56 page introduction
(Eng/Ger/Jap); half-linen
ISBN 978-3-7618-2109-1
No distribution rights
for the UK
Buxtehude, Dietrich
(1637-1707)
Herr, ich lasse dich nicht

BuxWV 36
Facsimile of the autograph
set of parts in the Uppsala
University Library including
a new full score critical edition.
Edited by P. Wollny with a
foreword (Ger/Eng).
ISBN 978-3-7618-1958-6
Mozart’s Requiem · Truth and Legend
Wolfgang Amadeus Mozart

Requiem K. 626
 “I have never experienced such silence or seen an audience moved in
this way.” Felix Mendelssohn Bartholdy
NEW 2015
Facsimile of the autograph score held in the Austrian National Library. With a commentary
by Christoph Wolff and Günter Brosche. 200 pp. of facsimile and 35 pp. of Commentary (Eng/Ger),
half-leather binding, pages individually trimmed.
BÄRENREITER FACSIMILE ISBN 978-3-7618-2346-0
Mozart’s Requiem is fraught with questions and emotions: the expressive depth of its music, sorrow
at the great composer’s early death, truth and legend, fragments and attempts to complete the work.
42
PROMOTIONAL GIFTS · THE BÄRENREITER FILM
Bärenreiter Urtext Bärenreiter Notes

Gifts items  A student lesson book
 A general note book
 A gift
Format: DIN A 6
(10.5 cm x 14.8 cm /
4.1 inches x 5.8 inches)
32 pages · binding: stapled
BA 8100 Mozart red

BA 8100-20 Schubert yellow NEW 2016
Ç J^[oiW_Z
?mWiWcki_YWb
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Notes Notes
Set of 5 postcards ........................................................................................
(Bach, Beethoven, Brahms, ........................................................................................
Mozart, Schubert) BA 8097-15 ........................................................................................
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www.baerenreiter.com The Musicians’ Choice
10 pencils in a set BA 8099-15
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Bärenreiter Urtext Your next performance is worth it.

Sacred and Secular Works ................................................................................................ 6-38

From: Mozart, Requiem K. 626 · New revised edition. BA 4538-90

ABBREVIATIONS AND KEY TO FIGURES

In the past, it has often been difficult for musicians

Isn’t urtext just a copy What else can I expect

• Information on the genesis and history

Think of your The Bärenreiter film …

Your next performance is worth it. at www.baerenreiter.com 5

Bach, Carl Philipp Emanuel BWV 36

Bach, Johann Sebastian

Johann Sebastian Bach

Bach, Johann Sebastian BWV 158 BWV 175

Bach, Johann Sebastian

Festive Choral Settings from

Ascension Oratorio – Praise

“Uwe Wolf’s masterful treatment of the sources and problems

J. S. Bach · Mass in B Minor BWV 232

Mass in B min BWV 232 (Lat)

Also for the first time, annotations

Bach, Johann Sebastian St. Mark Passion BWV 247

Facsimile edition Jesu, meine Freude BWV 227

Motets of Doubtful Facsimile edition

Beethoven, Ludwig van

Messe solennelle (Lat)

Roméo et Juliette (Fr)

A Requiem masterpiece in German

Brahms, Johannes NEW 2017

Ein deutsches Requiem op. 45

Among large-scale works,

After a turbulent gestation,

Our edition is based mainly on

 Scholarly-critical edition  Vocal score based on the  Bilingual foreword (Ger/Eng)

Brahms, Johannes This authoritative scholarly- Bruckner, Anton

Bunk, Gerard Buxtehude, Dietrich

Famous early 19th-century Requiem

Cherubini owes his fame as a

Distler, Hugo Lobe den Herren, den Totentanz (Ger)

Dvořák’s Requiem with a chamber

Requiem op. 89 (B165) (Lat)

Handel, George Frideric

Alexander’s Feast or The Power

Fauré, Gabriel soloists and choir give the

The best-known Handel Coronation Anthems

The King shall rejoice NEW

Zadok the Priest and The King

Thanks to their festive and

The present editions by the

Dixit Dominus HWV 232 (Lat) Occasional Oratorio HWV 62

Esther II (Eng) NEW 20 17 La Resurrezione HWV 47 (Ital)

Missa brevis Sti Joannis

Missa Cellensis in honorem

Missa Cellensis “Mass for

Haydn, Joseph Janáček, Leoš

“… excellent new edition of this masterwork.” (Choir & Organ)

Mass for Double Choir

Martin's style of composition

His double choir a cappella

Loewe, Carl Martin, Frank Martinů, Bohuslav

In the Light of God

Mendelssohn Bartholdy, Felix

Denn er hat seinen Engeln Psalm settings by Mendelssohn

Elijah op. 70 (Ger/Eng) Psalm 2

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