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Selected Bibliography

Barthes, Roland. Camera Lucida. Trans. Richard Howard. London: Vintage,

2000.

Bond, Edward. Introduction. Plays: 2. By Bond. London: Methuen, 1974.

ix-xviii.

---. “Notes on Post-Modernism.” Two Post-Modern Plays. By Bond. London:

Methuen, 1990. 213-44.

---. “Commentary on The War Plays.” The War Plays. By Bond. London:

Methuen, 1991. 245-363.

---. The War Plays. London: Methuen, 1991.

---. Edward Bond: Letters II. Ed. Ian Stuart. Luxembourg: Harwood Academic

Publishers, 1995.

---. Interview. “Modern and Postmodern Theatres.” New Theatre Quarterly By

Ulrich Köppen. 13.50 (1997): 99-105.

---. The Hidden Plot. London: Methuen, 2000.

Brecht, Bertolt. Brecht on Theatre. Ed. and Trans. John Willett. New York: Hill

and Wang, 1992.

Brockett, Oscar G. Perspectives on Contemporary Theatre. Baton Rouge:

Louisiana State University Press, 1971.

Brook, Peter. The Empty Space. New York: Atheneum, 1968.

Cohn, Ruby. “Diversities of Verse.” Retreats from Realism in Recent English

Drama. New York: Cambridge UP, 1991. 70-94.

---. “ Artists’ Arias: Edward Bond and Sam Shepard.” Anglo-American Interplay

in Recent Drama. New York: Cambridge UP, 1995. 36-57.

Coult, Tony. The Plays of Edward Bond. London: Eyre Methuen, 1979.
 Chuang 77

Dickson, Keith. Towards Utopia: A Study of Brecht. Oxford: Clarendon Press,

1978.

Duncan, Joseph E. “The Child and the Old Man in the Plays of Edward Bond.”

Modern Drama 19.1 (1976): 1-10.

“Dystopia.” Wikipedia: The Free Encyclopedia. 1 August 2005, 02:04 UTC.

Wikipedia. 7 August 2005 < http://en.wikipedia.org/wiki/Dystopia>.

Eagleton, Terry. “Nature and Violence: the Prefaces of Edward Bond.” Critical

Quarterly 26.1-2 (1984): 127-35.

Eddershaw, Margaret. “Performing Brecht in the Twenty-first Century—Dinosaurs

came later.” Performing Brecht: Forty Years of British Performances. New

York: Routledge, 1996. 151-73.

Engels, Frederick. The Origin of the Family, Private Property, and the State. New

York: International Publishers, 1985.

Garner, Stanton B., Jr. “Post-Brechtian Anatomies: Weiss, Bond, and the Politics of

Embodiment.” Theatre Journal 42.2 (1990): 145-64.

Hirst, David L. Edward Bond. London: Macmillan, 1985.

Hollinger, Veronica. “Playing at the End of the World: Postmodern Theater.”

Staging the Impossible. Ed. Patrick D. Murphy. London: Greenwood Press,

1990. 182-196.

Howard, Tony. “ ‘ No One Outside These Arms’: Edward Bond’s The War Plays.”

Acts of War: The Representation of Military Conflict on the British Stage and

Television since 1945. Eds. Tony Howard and John Stokes. Aldershot, Hants:

Scolar Press, 1996. 127-44.

Innes, Christopher. “Edward Bond: Rationalism, Realism, and Radical Solutions.”

Modern British Drama: The Twentieth Century. Cambridge: Cambridge UP,

 Chuang 78

2002. 152-78.

---. “Edward Bond’s Political Spectrum.” Modern Drama 25.2 (1982): 189-206.

Jameson, Fredric. Brecht and Method. London: Verso, 2000.

Jenkins, Anthony. “Edward Bond: A Political Education.” British & Irish Drama

since 1960. Ed. James Acheson. New York: St. Martin’s Press, 1993.

103-116.

King, Kimball. Ed. Modern Dramatists: A Casebook of Major British, Irish, and

American Playwrights. New York: Routledge, 2001.

Klaić, Dragan. The Plot of the Future: Utopia and Dystopia in Modern Drama.

Michigan: The University of Michigan Press, 1991.

Kumar, Krishan. Utopia and Anti-Utopia in Modern Times. Oxford: Basil

Blackwell, 1987.

---. Utopianism. Minneapolis: University of Minnesota Press, 1991.

Lacey, Stephen. British Realist Theatre: The New Wave in Its Context 1956-1965.

New York: Routledge, 1995.

Levitas, Ruth. The Concept of Utopia. Hertfordshire: Syracuse UP, 1990.

Malcolm Hay and Philip Roberts. Edward Bond: a Study of His Plays. London:

Eyre Methuen, 1980.

Mannheim, Karl. Ideology and Utopia: an Introduction to the Sociology of

Knowledge. Trans. Louis Wirth and Edward Shils. San Diego: Harcourt

Brace Jovanovich, 1985.

Milne, Drew. “Drama in the Culture Industry: British Theatre after 1945.” British

Culture of the Postwar: An Introduction to Literature and Society 1945-1000.

Eds. Alistair Davies and Alan Sinfield. New York: Routledge, 2000. 169-91.

Modelman, Perry. “Beyond Politics in Bond’s Lear.” Modern Drama 23 (1980):

 Chuang 79

269-76.

Nicholson, Helen. “Acting, Creativity and Social Justice: Edward Bond’s The

Children.” Research in Drama Education 8 (2003): 9-23.

Peacock, D. Keith. “Edward Bond’s Historical Allegories.” Radical Stages.

Westport: Greenwood Press, 1991. 139-51.

Rademacher, Frances. “Violence and the Comic in the Plays of Edward Bond.”

Modern Drama 23 (1980): 258-68.

Reinelt, Janelle. “Theorizing Utopia: Edward Bond’s War Plays.” The

Performance of Power: Theatrical Discourse and Politics. Eds. Sue-Ellen

Case and Janelle Reinelt. Iowa: University of Iowa Press, 1991. 221-32.

---. “Edward Bond: Parables for Our Times.” After Brecht: British Epic Theater.

Michigan: The University of Michigan Press, 1996. 49-80.

Scharine, Richard. The Plays of Edward Bond. London: Associated UP, 1975.

Scholes, Robert. Structural Fabulation: An Essay on Fiction of the Future. Notre

Dame, Ind.: Notre Dame University Press, 1975.

Spencer, Jenny S. “Edward Bond’s Dramatic Strategies.” Contemporary English

Drama. Ed. C.W. Bigsby. London: Edward Arnold Publishers, 1981.

123-137.

---. “Political Parables.” Dramatic Strategies in the Plays of Edward Bond.

Cambridge: Cambridge UP, 1992. 108-142.

---. “Remembering the Future.” Dramatic Strategies in the Plays of Edward Bond.

Cambridge: Cambridge UP, 1992. 220-246.

Stoll, Karl-Heinz. “Interviews with Edward Bond and Arnold Wesker.” Twentieth

Century Literature 411-39.

Stuart, Ian. “A Political Language for the Theatre: Edward Bond’s RSC Workshops,
 Chuang 80

1992.” New Theatre Quarterly 10.39 (1994): 207-16.

---. “Bond’s War Plays at Avignon.” New Theatre Quarterly 41 (1995): 192-3.

Tener, Robert L. “Edward Bond’s Dialectic: Irony and Dramatic Metaphors.”

Modern Drama 25.3 (1982): 423-34.

Wandor, Michelene. “Language and Politics: the Senior Generation—Stoppard,

Pinter, Bond, McGrath.” Drama Today. London: Longman, 1993. 18-30.

Wiles, Timothy J. The Theater Event: Modern Theories of Performance. Chicago;

The University of Chicago Press, 1980.

Williams, Raymond. Problems in Materialism and Culture. London: Verso, 1980.