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English Language Arts 10-1/20-1/30-1 Critical/Analytical Response to Literary Texts Scoring Categories and Criteria

THOUGHT AND UNDERSTANDING (X1.5) SUPPORTING EVIDENCE (X1.5) FORM AND STRUCTURE (X1) MATTERS OF CHOICE (X1) MATTERS OF CORRECTNESS (X1)
TUTORIAL  Address the whole prompt  You don’t have to use quotations,  Create a title for your essay;  After you have used the author’s  This category carries a “degree
SUGGESTIONS carefully but if you do, keep them short and don’t just use the topic or the full name once, you may refer to of difficulty” clause.
 Think deeply and bring something embedded with your idea- literature. him/her by last name, never first.  It is essential that you spell
new to the discussion. sentence.  Begin your body paragraphs with  Avoid judgemental statements. names, titles, and topic words
 Use specific ideas.  Be specific – everything isn’t a topic sentence to give individual  Don’t use slang or conversational correctly.
 Start your essay with a strong important to your argument. purpose to each paragraph. language. This is a mature essay.  Don’t misspell a word given to
idea so you have a lot to talk  You do have to use exact  Stay consistent with the idea  Avoid using I/you. Lift your ideas you in the topic.
about. moments from the text, significant presented in your introduction. to a universal commentary on  Leave yourself enough time to
 Emphasize author’s purpose and moments of change or  Don’t wait until the conclusion to human nature by using proofread, edit, & run spell-
author’s choices. realization. tie everything together. Do this we/people. check.
 Give your ideas enough time on  Craft bridges between your ideas throughout.  Use varied sentence openings.  Watch for comma-splices, run-on
stage – two-thirds of your and your evidence. Tell your  Use transitions.  Use varied sentence structure. sentences, or sentence fragments.
paragraphs should be discussion. reader what your evidence is  Make connections between your  Use varied diction.  Apostrophes are for possession or
 Ask yourself “so what” after proving. thoughts.  Use present, active tense (ex. contractions, never for plurals.
each use of evidence.  Add more/more significant  End all paragraphs by summing Romeo loves Juliet, not Romeo loved  Write in plural for easy gender
Juliet).
 Plot summary does not serve you! supporting materials in order to up and linking explicitly to your  Add passion to your voice. agreement (ex. the author tells his
be more persuasive. thesis. or her story  the authors tell
 Context precedes proof/evidence. their stories).
p o i n t  c o n t e x t + p r o o f  d i s c u s s i o n  Maintain verb tenses.

Excellent Ideas are insightful and carefully Support is precise and astutely chosen A judicious arrangement of ideas and Diction is precise. Syntactic This writing demonstrates confidence
considered, demonstrating a to reinforce the student’s ideas in a details contributes to a fluent structures are effective and in control of correct sentence
E/5 comprehension of subtle distinctions
in the literary text(s) and the topic.
convincing way. A valid connection
to the student’s ideas is efficiently
discussion that is developed skilfully.
The unifying effect or controlling
sometimes polished. Stylistic choices
contribute to the creation of a skilful
construction, usage, grammar, and
mechanics. The relative absence of
Literary interpretations are maintained. idea is effectively sustained and composition with a convincing voice. error is impressive considering the
perceptive and illuminating. integrated. complexity of the response and the
circumstances.
Proficient Ideas are thoughtful and considered, Support is specific and well chosen to A purposeful arrangement of ideas Diction is specific. Syntactic This writing demonstrates
demonstrating a competent reinforce the student’s ideas in a and details contributes to a controlled structures are generally effective. competence in control of correct
PF/4 comprehension of the literary text(s)
and the topic. Literary interpretations
persuasive way. A sound connection
to the student’s ideas is capably
discussion that is developed capably.
The unifying effect or controlling
Stylistic choices contribute to the
creation of a considered composition
sentence construction, usage,
grammar, and mechanics. Minor
are revealing and sensible. maintained. idea is coherently sustained and with a capable voice. errors in complex language structures
presented. are understandable considering the
circumstances.
Satisfactory Ideas are relevant and Support is general, adequate, and A straightforward arrangement of Diction is adequate. Syntactic This writing demonstrates control of
straightforward, demonstrating a appropriately chosen to reinforce the ideas and details provides direction structures are straightforward, but the basics of correct sentence
S/3 generalized comprehension of the
literary text(s) and the topic. Literary
student’s ideas in an acceptable way,
but occasionally may lack
for the discussion that is developed
appropriately. The unifying effect or
attempts at complex structures may
be awkward. Stylistic choices
construction, usage, grammar, and
mechanics. There may be occasional
interpretations are general but persuasiveness. A reasonable controlling idea is presented and contribute to the creation of a lapses in control and minor errors.
plausible. connection to the student’s ideas is maintained generally; however, conventional composition with an However, the communication
suitably maintained. coherence may falter. appropriate voice. remains clear.
Limited Ideas are superficial or Support is inadequate, inaccurate, A discernible but ineffectual Diction is imprecise and/or This writing demonstrates faltering
oversimplified, demonstrating a weak largely a restatement of what was arrangement of ideas and details inappropriate. Syntactic structures control of correct sentence
L/2 comprehension of the literary text(s)
and the topic. Literary interpretations
read, and/or inappropriately chosen
to reinforce the student’s ideas and
provides some direction for the
discussion that is underdeveloped. A
are frequently awkward and/or
ambiguous. Inadequate language
construction, usage, grammar, and
mechanics. The range of errors blurs
are incomplete and/or literal. thus lacks persuasiveness. A weak unifying effect or controlling idea is choices contribute to the creation of a the clarity of communication.
connection to the student’s ideas is inconsistently maintained. vague composition with an
maintained. undiscerning voice.
Poor Ideas are largely absent or irrelevant Support is irrelevant, A haphazard arrangement of ideas Diction is overgeneralized and/or This writing demonstrates lack of
and/or do not develop the topic. Little overgeneralized, lacks validity, and details provides little or no inaccurate. Syntactic structures are control of correct sentence
P/1 comprehension of the literary text(s)
is demonstrated.
and/or is absent. Little or no
connection to the student’s ideas is
direction for the discussion, and
development is lacking or obscure. A
uncontrolled and/or unintelligible. A
lack of language choices contributes
construction, usage, grammar, and
mechanics. Jarring errors impair
evident. unifying effect or controlling idea is to the creation of a confused communication.
absent. composition with an ineffective
voice.
Insufficient
/35
• the student has written so little that it is not possible to assess Thought and Understanding and/or Supporting Evidence • the only literary reference present is to the texts on the examination OR
OR

INS
the marker can discern no evidence of an attempt to address the task presented in the assignment
• no reference has been made to literature studied OR

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